Thematische Bibliographien / Art and transnationalism

Auswahl der wissenschaftlichen Literatur zum Thema „Art and transnationalism“

Autor: Grafiati
Veröffentlicht am 26. Juli 2024

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Zeitschriftenartikel zum Thema "Art and transnationalism"

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Amilhat Szary, Anne-Laure. „Transnationalism, Activism, Art“. Journal of Borderlands Studies 30, Nr. 1 (02.01.2015): 131–32. http://dx.doi.org/10.1080/08865655.2015.1031406.

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Takezawa, Yasuko. „Major and Minor Transnationalism in Yoko Inoue’s Art“. Asian Diasporic Visual Cultures and the Americas 6, Nr. 1-2 (06.07.2020): 27–47. http://dx.doi.org/10.1163/23523085-00601003.

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This article elucidates major transnationalism and minor transnationalism through an analysis of works by New York-based Japanese artist Yoko Inoue (b. 1964). Inoue engages in social criticism through varied media such as ceramics, installations, and performance art. Her works demonstrate minor transnationalism observed in the relationships she has built with other transmigrants and minoritized individuals over such issues as xenophobia and racism after 9/11, as well as Hiroshima/Nagasaki and related contemporary nuclear issues. Inoue also addresses the disparities in collective memory and narratives between Japan and the US plus socio-economic inequalities between nation-states and the movement of people/goods/money within Trans-Pacific power dynamics, all of which illustrate major transnationalism in the Trans-Pacific.
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Jennison, Rebecca Sue. „Contact Zones and Liminal Spaces in Okinawan and Zainichi Contemporary Art“. Asian Diasporic Visual Cultures and the Americas 6, Nr. 1-2 (06.07.2020): 11–26. http://dx.doi.org/10.1163/23523085-00601002.

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This article focuses on selected art works by third-generation Zainichi Koreans Haji Oh and Soni Kum, and Okinawan-based Chikako Yamashiro to explore ways in which these artists have continued to develop innovative, interdisciplinary practices to explore contact zones and liminal spaces in the East Asian context. Drawing on Françoise Lionnet and Shu-mei Shih’s notion of minor transnationalism, it argues the creative interventions of the three artists shed light on complex histories of minor transnationalism and at the same time alert us to ways in which the legacies of colonialism, migration and war continue to evolve in the present in Okinawa, Jeju Island, and Japan. Deploying different media, practices and techniques, all three artists aim to deterritorialize dominant visual and historical narratives and draw inspiration from minor literatures in ways that disrupt binary and vertical relationships, making visible minor to minor connections and ways of envisioning horizontal networks.
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Nolte, Victoria. „Asian Canadian Minor Transnationalism: A Method of Comparison“. Asian Diasporic Visual Cultures and the Americas 4, Nr. 1-2 (04.03.2018): 65–88. http://dx.doi.org/10.1163/23523085-00401004.

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This article provides a comparative analysis of Howie Tsui’sCelestials of Saltwater City(2011) and Ali Kazimi’sFair Play(2014), two art installations that centre the histories of different Asian Canadian communities (Chinese Canadian and South Asian Canadian, respectively), but are underscored by paralleled experiences of racism, exclusion, and indenture. I bring these works together to propose a rethinking of Asian Canadian art history through Françoise Lionnet and Shu-mei Shih’s concept of minor transnationalism, a framework which helps map historical formations of “Asian Canadian” that rupture dominant cultural discourse. By comparing the ways in which Asian Canadian artists tell their own stories, drawing attention to narrative and aesthetic resonances not always immediately apparent, minor transnationalism brings into critical focus the subjective connections and experiences of diaspora that are already present but have been obscured through processes of historical erasure and settler colonial nation-building.
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Roque, Ricardo. „Transnational Isolates: Portuguese Colonial Race Science and the Foreign World“. Perspectives on Science 30, Nr. 1 (Januar 2022): 108–36. http://dx.doi.org/10.1162/posc_a_00404.

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Abstract This article examines scientific transnationalism as an art of engagement with, and avoidance of, the threats and promises of what was foreign to the nation. Portuguese racial anthropologists experienced a tension between remaining imperial-nationalistic in character, and internationalist in their activities simultaneously. They struggled to exclude foreigners from colonial field sites; they aimed at nativist authority based on total control of colonial data. Yet, they eagerly sought connections with foreign experts to capitalize provincial scientific authority within Portugal’s colonies. The essay conceptualizes this mode of transnationalism as also a kind of isolationism, an inward oriented form of engaging with foreign sciences and scientists as ambivalently powerful and threatening strangers.
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Machida, Margo. „NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART“. Source: Notes in the History of Art 31, Nr. 3 (April 2012): 23–28. http://dx.doi.org/10.1086/sou.31.3.23208591.

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Durán, Isabel. „What Is the Transnational Turn in American Literary Studies? A Critical Overview“. Atlantis. Journal of the Spanish Association for Anglo-American Studies 42, Nr. 2 (23.12.2020): 138–59. http://dx.doi.org/10.28914/atlantis-2020-42.2.07.

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This article presents a critical overview of the state of the art of transnational American studies in the wake of the so-called transnational turn. After an introduction to key ideas and concepts surrounding transnationalism as applied to American studies and, more particularly, to literary studies—including comparative and international approaches to American literature—I interweave critical arguments with brief reviews of keypublications—monographs, edited collections and individual essays—produced in the US and abroad—particularly Spain—in the twenty-first century. My overview mainly focuses on general literary studies, but it also tackles particular areas such as gender, ethnicity, aesthetics and political transnationalism. My conclusion suggests that the transnational turn will continue to shape our scholarship in the decades to come.
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Papastergiadis, Nikos, und Daniella Trimboli. „Aesthetic cosmopolitanism: The force of the fold in diasporic intimacy“. International Communication Gazette 79, Nr. 6-7 (25.09.2017): 564–83. http://dx.doi.org/10.1177/1748048517727171.

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The contemporary migration experience is mobile, fragmented and mediated, creating a new diasporic interface that interplays the three threads of media, culture and art. However, studies of transnationalism within media, culture and art scholarship continue to collapse into binary models, ultimately streamlining the complex cultural translations that occur in this interface. This essay argues that the notion of aesthetic cosmopolitanism allows for a more rigorous account of the diasporic interface, keeping alive the kinetic element that permeates transnational cultural production.
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Takezawa, Yasuko, und Laura Kina. „Trans-Pacific Japanese Diaspora Art: Encounters and Envisions of Minor-Transnationalism“. Amerasia Journal 45, Nr. 3 (02.09.2019): 373–76. http://dx.doi.org/10.1080/00447471.2019.1721648.

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Okano, Michiko. „Nipo-Brazilian Art and Minor Transnationalism: Kenzi Shiokava and Sachiko Koshikoku“. Amerasia Journal 45, Nr. 3 (02.09.2019): 386–90. http://dx.doi.org/10.1080/00447471.2019.1721665.

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Dissertationen zum Thema "Art and transnationalism"

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Buffington, Adam. „In Relation to the Immense: Experimentalism and Transnationalism in 20th-Century Reykjavik“. The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587637102245713.

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Gretarsdottir, Tinna. „"ART IS IN OUR HEART": TRANSNATIONAL COMPLEXITIES OF ART PROJECTS AND NEOLIBERAL GOVERNMENTALITY“. Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/67865.

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Anthropology
Ph.D.
In this dissertation I argue that art projects are sites of interconnected social spaces where the work of transnational practices, neoliberal politics and identity construction take place. At the same time, art projects are "nodal points" that provide entry and linkages between communities across the Atlantic. In this study, based on multi-sited ethnographic fieldwork in Canada and Iceland, I explore this argument by examining ethnic networking between Icelandic-Canadians and the Icelandic state, which adopted neoliberal economic policies between 1991 and 2008. The neoliberal restructuring in Iceland was manifested in the implementation of programs of privatization and deregulation. The tidal wave of free trade, market rationality and expansions across national borders required re-imagined, nationalized accounts of Icelandic identity and society and reconfigurations of the margins of the Icelandic state. Through programs and a range of technologies, discourses, and practices, the Icelandic state worked to create enterprising, empowered, and creative subjects appropriate to the neoliberal project. At the same time these processes and practices served as tools for reawakening and revitalizing ethnic networking on a transnational scale. As enactments of programs initiated by the Icelandic state, the art projects studied here are approached in relation to neoliberal governmentality in a transnational context in order to explore how the operations of states and the new global economy are translated into local cultural practices, such as visual displays. This is a study of cultural circuits and transnational networking where art projects are the formative "nodes"-local sites of cultural production, neoliberal politics, multiple threads of truth claims in battles of cultural politics, identity formation, and conflicted notions of the value of art and the idea of creativity.
Temple University--Theses
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Noble, Jonathan Scott. „Cultural Performance in China: beyond resistance in the 1990s“. Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1047438964.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains x, 253 p. Includes bibliographical references (p. 235-253). Available online via OhioLINK's ETD Center
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Flett, Edward Charles. „Virtual frontiers and the technological state : contemporary American narratives in a global context“. Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:608353cc-62d8-496c-b8df-d79de028f03e.

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This thesis analyses a series of threshold states located within contemporary culture. It investigates the effects of technology on spatial relations and human conditions in recent centuries, with a specific interest in the rise of virtual phenomena and the ongoing process of virtualisation. Key to the discussion is measuring the extent to which America and its narratives have influenced the virtual layer attached to contemporary global technological culture. Prevalent within this framework is the idea of the frontier as an idealised outpost, a lingering threshold state that is scrutinised in terms of its metaphoric power and socio-historical relevance. The research examines the points of interaction between the frontier, the virtual, and recent technology, as well as the areas in which technology has been produced, distributed, and consumed, as a means of building on ‘virtual frontiers’ and the ‘technological state’ as original critical concepts. Chapter one, from a socio-cultural and historical perspective, develops the idea of California as the location where the frontier spirit dispersed, transferring to an extent from land to body. Rich in posthuman ambience, the state functions as a hub from which to negotiate the position of the body in relation to the frontier: to look at the body as a frontier in itself, its virtualisation, and the now perennial dialectic between the positive and negative effects of technology on human/non-human interactivity. From the ashes of the 1960s, pockets of urban youth living in America’s inner cities gave birth to a subculture that is now globally recognised as Hip Hop. Despite Hip Hop always being a potent reflective surface, chapter two assesses its development and continuing capacity as a virtual and technological form of expression. In the decades between Malcolm X’s assassination and the election of President Obama, how has Hip Hop changed as a virtual arena and mode of resistance, as it has simultaneously been incorporated into the American mainstream? Indeed, as a cultural object and virtual space with the potential to carry evocative messages across thresholds, did Hip Hop even survive this transition? And what were the ramifications of its transformation? The third chapter examines the shadows emanating from the terrorist attacks on the US in 2001. The narratives from 9/11 are considered while investigating a diverse selection of transnational texts that touch on the subject, including works from Don DeLillo, Amy Waldman, Martin Amis, and Frédéric Beigbeder. Also considered is the day’s social and historical significance, and its power as a virtual event. More specifically, the impact on time, perception, and narrative structure is observed, each element appearing in the shadows that stretch out from the decades before and beyond the events of that clear blue September morning. Through characters in recent fiction by William Gibson and Hari Kunzru, the final chapter scans American consumption and the representations projected out from its brands and advertising. Within technological states now transmitted globally, the chapter reflects on the consequences of consumer culture as we venture further into the virtual and its realities, drawn through what Jean Baudrillard calls an irreconcilable conflict between ‘total integration’ and the ‘dual form’.
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Bogs, Colleen Glenney. „Transnationalism and American literature : literary translation 1773-1892 /“. New York : Routledge, 2007. http://catalogue.bnf.fr/ark:/12148/cb40976035k.

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Keida, Mark Stephen. „Globalizing Solidarity: Explaining Differences in U.S Labor Union Transnationalism“. Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1164963096.

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Okomboyila, Charles. „Firmes transnationales et commerce sud-sud“. Grenoble : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375950290.

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Audit, Mathias. „Les conventions transnationales entre personnes publiques /“. Paris : LGDJ, 2002. http://catalogue.bnf.fr/ark:/12148/cb38820313f.

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Sinsuwan, Woramon. „Thai Marriage Migrants in Germany and Their Employment Dilemma after the Residence Act of 2005“. Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/18769.

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Seit ungefähr den 1960er Jahren migrieren Thailänder nach Deutschland, und es ist statistisch belegt, dass die Feminisierung der thailändischen Migration bis heute anhält (Bundesamt für Statistik, 2016). Frauen machen 87 Prozent aller in Deutschland lebenden Thailänder und Thailänderinnen aus. 94 Prozent aller Ehen mit thailändischer Beteiligung in Deutschland bestehen zwischen thailändischen Frauen und deutschen oder ausländischen Männern, während in nur 6 Prozent der Fälle thailändische Männer mit deutschen oder ausländischen Frauen verheiratet sind. Im Jahr 2005 waren 58.784 thailändische Staatsangehörige in Deutschland gemeldet, aber nur 43 Prozent davon waren nach dem deutschen Gesetz als „erwerbstätig“ registriert. Die vorliegende Arbeit untersucht das Beschäftigungsdilemma thailändischer Heiratsmigranten seit dem Inkrafttreten des neuen Aufenthaltsgesetzes im Jahr 2005. Zunächst beleuchtet sie die zugrundeliegenden Probleme, wegen derer die thailändische Heiratsmigranten ihr Potential als Vollzeit-Arbeitskräfte nicht ausschöpfen können, und erklärt, warum sich hochqualifizierte thailändische Heiratsmigranten nicht voll in den deutschen Arbeitsmarkt integrieren können. Dann untersucht sie die thailändische Diaspora und den Transnationalismus thailändischer Heiratsmigranten in Deutschland, und schließlich versucht sie, anhand Pierre Bourdieus Theorie von Kapital, Habitus und sozialem Raum die Berufsentscheidungen thailändischer Heiratsmigranten im deutschen Umfeld zu erklären. Qualitative Interviews, welche zwischen 2016 und 2017 durchgeführt worden sind, stellen mit 38 Informanten und einem quantitativen Fragebogen, der von 125 Befragten ausgefüllt wurde, bislang eine der umfangreichsten Forschungen über thailändische Ehemigranten in Deutschland dar.
Thais started to migrate to Germany around the 1960s, and it is statistically evident that the feminisation of Thai migration through marriage to Germans has continued to the present day (Federal Statistics Office of Germany, 2016). Women account for almost 87 percent of all Thais in Germany. Marriages of Thai women to German or foreign husbands account for 94 percent of marriages in Germany involving Thai nationals, compared to only six percent of Thai men married to German or foreign wives. In 2005, the total number of Thais in Germany was 58,784; however, only 43 percent of Thais were registered as “labour” under the German employment system. This paper investigates the employment dilemma of Thai marriage migrants after implementation of the new Residence Act of 2005. First, it sheds light on the underlying problems that hinder Thai marriage migrants’ potential as full-time labourers and provides better understanding of why highly-educated Thai marriage migrants cannot fully integrate into the German labour market. Second, it examines the Thai diaspora and explores the present-day trans-nationalism of Thai marriage migrants in Germany. Finally, it applies Pierre Bourdieu’s theoretical concept of capital, habitus and social space to better understand Thai marriage migrants’ career choices in the German milieu. Qualitative interviews with 38 informants and a quantitative questionnaire filled out by 125 additional respondents were conducted between 2016 and 2017, providing one of the most comprehensive researches on Thai marriage migrants in Germany to date.
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Goodman, James. „Nationalism and transnationalism : the national conflict in Ireland and European Union integration /“. Aldershot : Avebury, 1996. http://catalogue.bnf.fr/ark:/12148/cb37318242g.

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Bücher zum Thema "Art and transnationalism"

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Dobson, Kit, und Aine McGlynn, Hrsg. Transnationalism, Activism, Art. Toronto: University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442695627.

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Lent, John A., Wendy Siuyi Wong und Benjamin Wai–ming Ng, Hrsg. Transnationalism in East and Southeast Asian Comics Art. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3.

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Dadi, Iftikhar, und Hammad Nasar. Lines of control: Partition as a productive space. London: Green Cardamom, 2012.

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Gur-Aryeh, Derorit. Meḥashev maslul me-ḥadash: Recalculating route. Petaḥ Tiḳvah: Muze'on Petaḥ Tiḳvah le-omanut, 2015.

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Dadi, Iftikhar. Modernism and the art of Muslim South Asia. Chapel Hill: University of North Carolina Press, 2010.

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Nippe, Christine. Kunst der Verbindung: Transnationale Netzwerke, Kunst und Globalisierung. Münster: Lit, 2006.

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Dadi, Iftikhar. Modernism and the art of Muslim South Asia. Chapel Hill [N.C.]: University of North Carolina Press, 2010.

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Dadi, Iftikhar. Modernism and the art of Muslim South Asia. Chapel Hill [N.C.]: University of North Carolina Press, 2010.

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Bergfelder, Tim. Film architecture and the transnational imagination: Set design in 1930s European cinema. Amsterdam: Amsterdam University Press,Netherlands, 2006.

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1955-, Biemann Ursula, Breitwieser Sabine und Generali Foundation (Austria Vienna), Hrsg. Geografie und die Politik der Mobilität =: Geography and the politics of mobility. Wien: Generali Foundation, 2003.

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Buchteile zum Thema "Art and transnationalism"

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Dobson, Kit, und Áine McGlynn. „Introduction: Transnationalism, Activism, Art“. In Transnationalism, Activism, Art, herausgegeben von Kit Dobson und Aine McGlynn, 1–18. Toronto: University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442695627-002.

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Sifford, Elena FitzPatrick. „Racialization, Creolization, and Minor Transnationalism“. In The Routledge Companion to Decolonizing Art History, 374–84. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003152262-33.

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Jennison, Rebecca, und Cynthea J. Bogel. „Transnational Dialogues and Contemporary Art in Japan“. In Routledge Handbook of Asian Transnationalism, 361–79. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003152149-34.

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Magnatta, Sarah. „Tibetan Self-Immolation in the Art of Tenzing Rigdol“. In Routledge Handbook of Asian Transnationalism, 349–60. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003152149-33.

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Mahamood, Muliyadi. „A Historical Overview of Transnationalism in Malaysian Cartoons“. In Transnationalism in East and Southeast Asian Comics Art, 187–211. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3_10.

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Lent, John A. „Indonesian Comics: Zig-Zagging Between Indigenousness and Transnationalism“. In Transnationalism in East and Southeast Asian Comics Art, 169–86. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3_9.

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Lent, John A. „Thai Comics’ Grappling with Various Shades of Transnationalism“. In Transnationalism in East and Southeast Asian Comics Art, 253–70. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3_13.

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Lähdesmäki, Tuuli, und Aino-Kaisa Koistinen. „Explorations of Linkages Between Intercultural Dialogue, Art, and Empathy“. In Dialogue for Intercultural Understanding, 45–58. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71778-0_4.

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AbstractIn the 2000s, European societies have transformed quickly due to the networked global economy, deepening a European integration process, forced and voluntary movement of people to and within Europe, and influence of social media on culture, communication, and society. Europe has become an increasingly diverse and pluricultural continent where many people simultaneously identify with multiple different cultural and social groups. In such “super-diversified” (Vertovec in New complexities of cohesion in Britain: Super-diversity, transnationalism and civil-integration, Communities and Local Government Publications, Wetherby, 2007) European societies diversity itself is broad, multidimensional, and fluid (Vertovec in New complexities of cohesion in Britain: Super-diversity, transnationalism and civil-integration, Communities and Local Government Publications, Wetherby, 2007; Blommaert and Rampton in Language and Superdiversity. Diversities 13(2):1–21, 2011). Different social locations and identities intersect within them—whether cultural, ethnic, national, social, religious, or linguistic. At the same time, however, European societies have faced the rise of diverse populist and radical right-wing movements promoting profoundly monoculturalist views and cultural purism. What are the means to confront this polarization of views and attitudes in Europe?
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Lent, John A. „South Korean Manhwa’s Long and Strong Association with Transnationalism“. In Transnationalism in East and Southeast Asian Comics Art, 93–116. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3_5.

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Ng, Benjamin Wai–ming. „Transnationalism via Political Exile: Chinese Political Cartoonists in Japan“. In Transnationalism in East and Southeast Asian Comics Art, 53–72. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3_3.

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Konferenzberichte zum Thema "Art and transnationalism"

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Rashmi, Rashmi, und Hema Ganapathy-Coleman. „Intermarried Couples: Transnationalism, and Racialized Experiences in Denmark and Canada“. In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2020. http://dx.doi.org/10.4087/pjcx8077.

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Despite an increase in interracial or mixed marriages (intermarriages) globally, the experiences of couples in such marriages are generally under-researched, particularly within psychology. Using a cultural psychological framework and qualitative methods, this paper studies the psychosocial experiences of couples in intermarriages. It focuses on four South Asians in ethnically intermarriages in two settings: two Indian-origin men married to native Danish women in Denmark, and two Indian-origin women married to Euro-American men in Canada. Data from in-depth interviews were subjected to a thematic analysis yielding an array of themes, of which this paper presents the two most dominant themes across the two contexts: ‘transnationalism’ and ‘racialized experiences in social situations’. The results demonstrate that the participants lived transnational lives to varying degrees depending on their gender, socio-economic status and age, which in turn intersected with variables such as the nature of the transnational relationships they were attempting to sustain, and their own motivations and agency in maintaining these ties. While in some cases participants maintained a high level of contact with India through visits and digital technology, others kept up limited ongoing contact with the country of origin. Furthermore, varying racialized experiences emerged from the narratives, with differences in how these experiences were interpreted. While some participants recognized them as racial discrimination, others chose to rationalize these experiences in various ways. After offering an account of these results, the paper reflects briefly on the implications of these findings.
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Hadzantonis, Michael. „Ideologically Reviving Javanese: Romantic Intellects, Signage Prayers, Linguistic Solidarity“. In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.15-2.

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The Javanese language has, as of late, seen a flux in its revival. The Javanese government sees the revival of Javanese as a very necessary identity marker, as a reflexive stance to transnationalism. Here, various sectors of Javenese society are contributing to the revival of the language, such as the arts, poltics, commerce, and domestic environments. The paper seeks to document Javanese in various sectors, buy observing its use in the above sectors, and elsewhere. The study observes the engineering of this language revival, and from which, the ideologies of Javanese are extrapolated, so as to expose anthropological patterns. The study thus contributes to work on language revitalization, linguistic landscapes, language ideologies and linguistic anthropology in general.
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