Dissertationen zum Thema „Art and Music in Britain“
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Hendrickson, Laura M. „Against photography : the idea of music in Pre-Raphaelite visual reform“. View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318327.
Der volle Inhalt der QuelleStewart, Lynn Leslie. „Our people are like gardens" : music, performance and aesthetics among the Lolo, West New Britain Province, Papua, New Guinea“. Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/30917.
Der volle Inhalt der QuelleArts, Faculty of
Anthropology, Department of
Graduate
Burns, Robert, und n/a. „Transforming folk : innovation and tradition in English folk-rock music“. University of Otago. Department of Music, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080701.132922.
Der volle Inhalt der QuelleNewton, Michael John. „GCSE music : year nine and ten students' perceptions and enrolment intentions in relation to music education rationale and government educational policy“. University of Western Australia. School of Music, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0126.
Der volle Inhalt der QuellePerkins, Tedrow Lewis. „British Pastoral Style and E.J. Moeran's Fantasy Quartet: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, B. Britten, L. Foss, G. Handel, A. Marcello, E. Rubbra, C. Saint-Saens, and Others“. Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331812/.
Der volle Inhalt der QuelleTaylor, Mark A. (Mark Amdahl). „British-Style Brass Bands in U.S. Colleges and Universities“. Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955014/.
Der volle Inhalt der QuelleRough, William W. „Walter Richard Sickert and the theatre c.1880-c.1940“. Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1962.
Der volle Inhalt der QuelleGreenhalgh, Michael John. „A critical edition, with introduction and commentary, of the libretto texts of Montagu Slater and Benjamin Britten's Peter Grimes“. Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:e7341552-afc2-4c6f-b7de-9339c85e304b.
Der volle Inhalt der QuelleSharp, Neil. „Modernity, art and art education in Britain, 1870-1940“. Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285129.
Der volle Inhalt der QuelleMorris, Carl. „Sounds Islamic? : Muslim music in Britain“. Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/49338/.
Der volle Inhalt der QuelleFowler, Alan. „Constructivist art in Britain, 1913-2005“. Thesis, University of Southampton, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433954.
Der volle Inhalt der QuelleNott, James. „Popular music and the popular music industry in interwar Britain“. Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324242.
Der volle Inhalt der QuelleCharlesworth, J. J. „Art criticism : the mediation of art in Britain 1968-76“. Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1803/.
Der volle Inhalt der QuelleBurrows, Donald. „Handel's Church Music - Modern Performances in Britain“. Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37227.
Der volle Inhalt der QuellePercival, James Mark. „Making music radio : the record industry and popular music production in the UK“. Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/362.
Der volle Inhalt der QuelleFerraro, Mario. „Contemporary opera in Britain, 1970-2010“. Thesis, City University London, 2011. http://openaccess.city.ac.uk/1279/.
Der volle Inhalt der QuelleGolding, Rosemary. „What shall we do with music? Music and Academia in Victorian Britain“. Thesis, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.506224.
Der volle Inhalt der QuelleMokhtabad-Amrei, Seyed Abdolhossein. „Iranian contemporary art music“. Thesis, Goldsmiths College (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500084.
Der volle Inhalt der QuelleCleveland, Chad L. „The music of art /“. Online version of thesis, 2009. http://hdl.handle.net/1850/11203.
Der volle Inhalt der QuelleCurran, Terence William. „Recording classical music in Britain : the long 1950s“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2340cf56-c2be-4c0b-b5a6-2cfe06c22fe4.
Der volle Inhalt der QuelleAn, Yu Lee. „Music Publishing in London From 1780 to 1837 as Reflected in Music Publishers' Catalogues of Music for Sale: A Bibliography and Commentary“. Thesis, University of Canterbury. Music, 2008. http://hdl.handle.net/10092/4197.
Der volle Inhalt der QuelleWong, Wendy H. W. „Paul Wittgenstein in Great Britain“. Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33743/.
Der volle Inhalt der QuelleJones, Kimberley Morse. „The New Art Criticism in Britain 1890-95“. Thesis, University of Reading, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405477.
Der volle Inhalt der QuelleCloonan, Martin John. „Banned! : Censorship of popular music in Britain; 1967-1992“. Thesis, University of Liverpool, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385433.
Der volle Inhalt der QuelleIbbett, David Roger. „Towards an integrated art music“. Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6485/.
Der volle Inhalt der QuelleMarch, Neil. „Developing an urban art music“. Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/11458/.
Der volle Inhalt der QuelleSkevk, Therese. „Art and Music Profile School“. Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135474.
Der volle Inhalt der QuelleWillgoss, Richard Adrian. „Creativity in Art Music Composition“. Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20586.
Der volle Inhalt der QuellePeak, Anna. „THE MUSIC OF THE SPHERES: MUSIC AND THE GENDERED MIND IN NINETEENTH-CENTURY BRITAIN“. Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/96510.
Der volle Inhalt der QuellePh.D.
This interdisciplinary study examines how nineteenth-century British ideas about music reflected and influenced the period's gendering of the mind. So far, studies of Victorian psychology have focused on the last half of the century only, and have tended to elide gender from the discussion. This study will contribute to a fuller picture of nineteenth-century psychology by demonstrating that the mind began to be increasingly gendered in the early part of the century but was largely de-gendered by century's end. In addition, because music was an art form in which gender norms were often subverted yet simultaneously upheld as conventional, this study will also contribute to a fuller understanding of the extent to which domestic ideology was considered descriptive or prescriptive. This work makes use of but differs from previous studies of music in nineteenth-century British literature in both scope and argument. Drawing throughout on the work of contemporary music historians and feminist musicologists, as well as general and musical periodicals, newspapers, essays, and treatises from the long nineteenth century, this dissertation argues that music, as a field, was increasingly compartmentalized beginning early in the century, and then unified again by century's end. This division and re-unification reflected changing conceptions of the mind, and coincided with the waxing and waning of domestic ideology. Analyzing a range of literary texts, both canonical and non-canonical, in this context demonstrates that music was portrayed increasingly negatively over the century as it became harder and harder to contain the increasing threat that music posed to traditional gender norms, a threat based in a view of music that began to imply mental equality between men and women. This implication was embraced by some, particularly homosexuals, and feared by others, who tried to rescue traditional norms by displacing gender ambiguity onto foreigners and Jews. Thus, the rise and fall of domestic ideology as well as end-of-century changes in the manifestation of xenophobia and anti-Semitism are related not only to industrialism and Evangelicalism and other historical events but also to changing ideas about the gender of the mind, reflected in and influenced by changing ideas about music.
Temple University--Theses
Gollannek, Eric Frederick. „"Empire follows art" exchange and the sensory worlds of Empire in Britain and its colonies, 1740-1775 /“. Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 427 p, 2008. http://proquest.umi.com/pqdweb?did=1625773591&sid=9&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Der volle Inhalt der QuelleJamoul, Lina. „The art of politics : broad-based organising in Britain“. Thesis, Queen Mary, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435088.
Der volle Inhalt der QuelleVickers, Tony. „Visualising the landvaluescape : developing the case for Britain“. Thesis, Kingston University, 2009. http://eprints.kingston.ac.uk/20232/.
Der volle Inhalt der QuelleGaines, Adam W. „Work of Art : the life and music of Art Farmer“. Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1317924.
Der volle Inhalt der QuelleRanyard, Marie Phyllis. „Transcontextual mechanisms in contemporary art music“. Thesis, City University London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264241.
Der volle Inhalt der QuelleHarrison, Jack Pascal. „Thoughts on art and country music“. The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314211662.
Der volle Inhalt der QuelleGroscost, Donald. „Music and art : an analogical approach /“. Online version of thesis, 1987. http://hdl.handle.net/1850/10432.
Der volle Inhalt der QuelleRobinson, Chelseigh. „Music and Art: Exploring Cross-Pollination“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/honors/115.
Der volle Inhalt der QuelleBauer, Petra. „The reception of E.T.A. Hoffmann in 19th century Britain“. Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301193.
Der volle Inhalt der QuelleHemingway, Andrew. „Landscape imagery and urban culture in early nineteenth-century Britain /“. Cambridge (GB) : Cambridge university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35573738q.
Der volle Inhalt der QuelleWardleworth, Dennis. „Building the modern corporation : corporate art patronage in interwar Britain“. Thesis, Southampton Solent University, 2002. http://ssudl.solent.ac.uk/628/.
Der volle Inhalt der QuelleMonks, Sarah. „Marine art and the public sphere in Britain, 1739-1795“. Thesis, Courtauld Institute of Art (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401690.
Der volle Inhalt der QuelleAnderson, Virginia de Vere. „Aspects of British experimental music as a separate art-music culture“. Thesis, Royal Holloway, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408200.
Der volle Inhalt der QuelleBruseker, A. „No neutral fantasy : women, gender and music in Britain 1880-1920“. Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3001633/.
Der volle Inhalt der QuelleMcHale, Katherine Jean. „Ingenious Italians : immigrant artists in eighteenth-century Britain“. Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13854.
Der volle Inhalt der QuelleFrackenpohl, David J. (David John). „Analysis of Nocturnal op. 70 by Benjamin Britten“. Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500442/.
Der volle Inhalt der QuelleDeepwell, Catherine Naomi. „Women artists in Britain between the two world wars“. Thesis, Birkbeck (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282800.
Der volle Inhalt der QuelleKroeter, Chloe Melinda. „Art and activism : promoting change through British periodical illustration, 1893-1914“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648341.
Der volle Inhalt der QuelleShasore, Neal Ethan. „Architecture and the public in interwar Britain“. Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:37b6f51a-8b0e-4e29-96d5-ba478251913b.
Der volle Inhalt der QuelleWood, Kenneth Edward. „An investigation and analysis of selected Victorian art songs /“. Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004204.
Der volle Inhalt der QuelleShaw, G. „Sights of battle, art and war in Britain, c.1885-1919“. Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489696.
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