Dissertationen zum Thema „Art and literature – history – 20th century“
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Bell, Pamela. „Art that never was : representations of the artist in twentieth-century Australian fiction“. Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.
Der volle Inhalt der QuelleFerris, Natalie. „'Ludic passage' : abstraction in post-war British literature, 1945-1980“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:5b3034e6-3a32-4684-b8a0-eb91cfc756c6.
Der volle Inhalt der QuelleKennedy, Shane Michael. „Expressionist Art and Drama Before, During, and After the Weimar Republic“. PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.
Der volle Inhalt der QuelleBrazil, Kevin. „The work of art in postwar fiction, 1945-2001“. Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:f8102451-09cf-4f92-8e6e-e7c1ced2641c.
Der volle Inhalt der QuelleMoore, Zachary Stephen. „Voices of the Exhibition:The Rise of Ekphrasis during the 20th Century through Imagism and Visual Art Museums“. Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1431087392.
Der volle Inhalt der QuelleLin, Lidan. „The Rhetoric of Posthumanism in Four Twentieth-Century International Novels“. Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278990/.
Der volle Inhalt der QuelleWilson, Rachelle. „Historical Memory and Ethics in Spanish Narrative“. Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062813/.
Der volle Inhalt der QuelleKisawadkorn, Kriengsak. „American Grotesque from Nineteenth Century to Modernism: the Latter's Acceptance of the Exceptional“. Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278030/.
Der volle Inhalt der QuelleBalic, Iva. „Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century“. Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.
Der volle Inhalt der QuelleSorrells, David J. „The Evolution of AIDS as Subject Matter in Select American Dramas“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2600/.
Der volle Inhalt der QuelleCoffelt, J. Roberta. „She "Too much of water hast": Drownings and Near-Drownings in Twentieth-Century American Literature by Women“. Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc3059/.
Der volle Inhalt der QuelleSchmid, William A. (William Albert). „An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature“. Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Der volle Inhalt der QuelleLan, Ping-Ting. „New Resources in Twentieth-Century Piano Music and Richard Wilson's Eclogue (1974)“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2632/.
Der volle Inhalt der QuelleWright, Charlotte M. „Plain and Ugly Janes: the Rise of the Ugly Woman in Contemporary American Fiction“. Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278032/.
Der volle Inhalt der QuelleClark, Rhonda (Rhonda Ingold). „The Communist Party and Soviet Literature“. Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc500452/.
Der volle Inhalt der QuellePolizzi, Allessandria. „Working Whiteness: Performing And Transgressing Cultural Identity Through Work“. Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3121/.
Der volle Inhalt der QuelleRussell, Noel Ray. „Authorial Subversion of the First-Person Narrator in Twentieth-Century American Fiction“. Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc501035/.
Der volle Inhalt der QuelleNedvin, Brian. „Holocaust Song Literature: Expressing the Human Experiences and Emotions of the Holocaust through Song Literature, Focusing on Song Literature of Hirsh Glick, Mordechai Gebirtig, and Simon Sargon“. Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4850/.
Der volle Inhalt der QuellePenazzi, Leonardo. „The fellow (novel) ; and Australian historical fiction, debating the perceived past (dissertation)“. University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0070.
Der volle Inhalt der QuelleWeeda-Zuidersma, Jeannette. „Keeping mum : representations of motherhood in contemporary Australian literature - a fictocritical exploration“. University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0054.
Der volle Inhalt der QuelleElston, Suzanne Poteet. „Garrison Keillor and American Literary Traditions“. Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500338/.
Der volle Inhalt der QuelleSmith, James Gregory. „The Dostoevskyan Dialectic in Selected North American Literary Works“. Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278268/.
Der volle Inhalt der QuelleBradley, Darin Colbert. „The Little Weird: Self and Consciousness in Contemporary, Small-press, Speculative Fiction“. Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3703/.
Der volle Inhalt der QuelleReis, Ashley E. „With the Earth in Mind: Ecological Grief in the Contemporary American Novel“. Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849760/.
Der volle Inhalt der QuelleSeekins, M. Elizabeth. „L'importance d'autrui : une etude des themes existentialistes dans le roman Tous les hommes sont mortels par Simone de Beauvoir = The importance of others: a study of existential themes in the novel All men are mortal by Simone de Beauvoir /“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/SeekinsME2007.pdf.
Der volle Inhalt der QuelleRoza, Alexandra M. „Towards a modern Canadian art 1910-1936 : the Group of Seven, A.J.M. Smith and F.R. Scott“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20178.
Der volle Inhalt der QuelleCrossland, R. Bert (Rodney Bert). „A Content Analysis of Children's Historical Fiction Written about World War II“. Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279151/.
Der volle Inhalt der QuelleLyons, Sara J. „The sacrifice of honey (fiction) ; The depiction of the media in The shark net, Evil angels and The sacrifice of honey (thesis)“. University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0055.
Der volle Inhalt der QuelleHise, Patricia Jean Fielder. „Carson McCullers Beyond Southern Boundaries: Diagnosing "An American Malady"“. Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935671/.
Der volle Inhalt der QuelleLee, Bethany Tyler. „The Museum of Coming Apart“. Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11000/.
Der volle Inhalt der QuelleErickson, Stacy M. „Animals-as-Trope in the Selected Fiction of Zora Neale Hurston, Alice Walker, and Toni Morrison“. Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2227/.
Der volle Inhalt der QuelleBoykin, Dennis Joseph. „Wartime text and context: Cyril Connolly's Horizon“. Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/1959.
Der volle Inhalt der QuelleBoykin, Dennis Joseph. „Wartime text and context Cyril Connolly's Horizon /“. University of Sydney, 2007. http://hdl.handle.net/2123/1959.
Der volle Inhalt der QuelleThis thesis examines the literary journal Horizon, its editor Cyril Connolly, and a selection of its editorial articles, poems, short stories and essays in the context of the Second World War, from 1939-45. Analyses of these works, their representation of wartime experience, and their artistic merit, serve as evidence of a shared and sustained literary engagement with the war. Collectively, they demonstrate Horizon’s role as one of the primary outlets for British literature and cultural discourse during the conflict. Previous assessments of the magazine as an apolitical organ with purely aesthetic concerns have led to enduring critical neglect and misappraisal. This thesis shows that, contrary to the commonly held view, Horizon consistently offered space for political debate, innovative criticism, and war-relevant content. It argues that Horizon’s wartime writing is indicative of the many varied types of literary response to a war that was all but incomprehensible for those who experienced it. These poems, stories and essays offer a distinctive and illuminating insight into the war and are proof that a viable literary culture thrived during the war years. This thesis also argues that Horizon, as a periodical, should be considered as a creative entity in and of itself, and is worthy of being studied in this light. The magazine’s constituent parts, interesting enough when considered separately, are shaped, informed, and granted new shades of meaning by their position alongside other works in Horizon. Chapters in the thesis cover editorials and editing, poetry, short stories, political essays, and critical essays respectively. Analyses of individual works are situated in the context of larger concerns in order to demonstrate the coherence of debate and discourse that characterised Horizon’s wartime run. In arguing that Horizon is a singular creative entity worthy of consideration in its own right, this thesis locates itself within the emerging field of periodical studies. Further, by arguing that the magazine demonstrates the value of Second World War literature, it articulates with other recent attempts to reassess the scope and quality of that literature. More specifically, this thesis offers the first focused and in-depth analysis of Horizon’s formative years.
Zabecki, D. T. „Operational Art and the German 1918 Offensives“. Thesis, Department of Defence Management and Security Analysis, 2009. http://hdl.handle.net/1826/3897.
Der volle Inhalt der QuelleAsbury, Michael. „Hélio Oiticica : politics and ambivalence in 20th century Brazilian art“. Thesis, University of the Arts London, 2003. http://ualresearchonline.arts.ac.uk/8953/.
Der volle Inhalt der QuelleFeng, Huanian, und 馮華年. „The reception of western art history in Republican China“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227326.
Der volle Inhalt der QuelleArthur, Brid Caitrin. „Envisioning Lhasa: 17-20th century paintings of Tibet's sacred city“. The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437525195.
Der volle Inhalt der QuelleTaylor, Grant D. „The machine that made science art : the troubled history of computer art 1963-1989“. University of Western Australia. Visual Arts Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0114.
Der volle Inhalt der QuelleWarmus, Sarah E. „The lost generation: truth and art“. Thesis, Boston University, 2004. https://hdl.handle.net/2144/27792.
Der volle Inhalt der QuellePLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
Ganczak, Iwona. „At the crossroads of politics and culture : Polish dissident art of the 1980s“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83104.
Der volle Inhalt der Quelle蕭芬琪 und Fun-kee Siu. „The case of Wang Yiting (1867-1938): a uniquefigure in early twentieth century Chinese art history“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31223357.
Der volle Inhalt der QuelleKaji-O'Grady, Sandra 1965. „Serialism in art and architecture : context and theory“. Monash University, School of Literary, Visual and Performance Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9120.
Der volle Inhalt der QuelleRIZZI, Elena Maria Rita. „Modern art and the making of a French republican imaginary, 1919-1940“. Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/70295.
Der volle Inhalt der QuelleExamining Board: Professor Laura Lee Downs (European University Institute); Professor Ann Thomson (European University Institute); Professor Kevin Passmore (Cardiff University); Professor Béatrice Joyeux-Prunel (Université de Genève)
Winner of the 2022 James Kaye Memorial Prize for the Best Doctoral Thesis in History and Visuality.
Recent scholarship on the interwar French art milieu has overcome, on the one hand, ethnonationalism as the main interpretive framework for examining the relationship between art and politics and, on the other, a celebratory narrative that made Paris the liberal and democratic interwar art centre. Building on these recent studies, my thesis aims to reassess the nexus between art and politics in interwar France. I do this by asking what kind of Republican imaginaries were created in the modern art promoted by public institutions. In order to answer this question, the thesis builds on a second, recent body of scholarship that re-examines French politics and Republican political culture through new lenses. This work highlights the polysemic and plastic nature of Republican ideology, the variety of stances contained within Republicanism, and hence the existence of different and competing understandings of the French Republic. By delving into four case studies, namely the Musée des écoles étrangères, the Musée de Grenoble, the tapestries realised at the Manufacture des Gobelins and the mural art projects financed by the state in the late 1930s, the thesis demonstrates that the modern art promoted by public institutions engendered political imaginaries that testify to the simultaneous existence of conservative, liberal, civic or communitarian, that is, local Republics. While making modern art the bearer of competing views on the French Republic in the 1920s and 1930s, the imaginaries that were created by modern art institutions and practices mythologised Republican universalism. Yet, these imaginaries revealed all the ambiguity contained in France’s universalistic project. At a time marked by the never-ending bellicosity that ensued from the First World War and the political and economic crises of the 1930s, the imaginaries created by modern art thus gave birth to a Republican visual politics. As the thesis argues, this Republican visual politics had a sociopolitical meaning. Modern art, especially figurative art, created imaginaries that could confront, above all, the interwar crisis of the Republic and its universalism, and the crisis in social and political representations that stemmed from the political turmoil and instability of the interwar years.
Smith, Olga. „Between reality and fiction : the art of French photography since the 1970s“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.
Der volle Inhalt der QuelleKennedy, Tara L. „La ley de memoria histórica en el cine y la novela españoles“. Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404541/.
Der volle Inhalt der QuelleHeath, Karen Patricia. „Conservatives and the politics of art, 1950-88“. Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:d62a078b-4009-40a8-8765-1a4f5e0fbcbc.
Der volle Inhalt der QuelleLevi, Rachel M. „A Digital Crisis? Art History and Its Reproductions in the 20th and 21st Century“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/689.
Der volle Inhalt der QuelleCrousier, Elsa. „Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba“. Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2125.
Der volle Inhalt der QuelleMarta Traba (1923-1983), an Argentinian-Colombian writer and art critic, is most famous in Latin America for her critiques, her commitment to develop modern art in Colombia, and, more generally, for her “theory of resistance” which advocates the defence of the many cultural Latin-American identities in fine arts. Her literary work, however, is far less well-known. And yet, not only is it very rich, but it also constitutes the narrative counterpart to her critiques – a collection of tales innervated, to different degrees, with Traba’s notions on and knowledge of art. It is consequently about reconsidering these two sides of her written production as a consistent whole, and identifying the influences and interactions between her art critiques and her literary work, as well as between the fine arts which make up her artistic culture and her fictional writings.It then appears that Marta Traba devises and practices her critical writing “literarily” as she does, above all, her literary work “artistically”: the constant enhancement of the aesthetic eye on the world and of an intensified sensory experience shape an ideal of contemplation throughout her literary work; the continuous inserts of a critical terminology and of references to art works, sometimes in a clearly didactic mode, sometimes in a subtly playful manner, invite the reader to read her fiction stories and poems in the light of the artistic subtext which enriches their meaning; finally, the tale becomes the place where Traba’s theories of “resistance” are tested, at the crossroads of the re-affirmation of the place of Latin America on the map of international art, of the defensive distancing from North American influences, and of the local re-appropriation, by “transculturation”, of the foreign artistic models. The study of the artistic mutation of Traba’s literary work is therefore far from boiling down to the analysis of a mere formal process: from our point of view, it reveals an authentic style, Traba’s style, which is the mirror of the writer and her convictions
Papanikolaou, Dimitris. „Singing poets : literature and popular music in France and Greece /“. London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuellePak, Inchan. „Historical Reconstruction and Self-Search: A Study of Thomas Pynchon's V.. John Barth's The Sot-Weed Factor. Norman Mailer's The Armies of the Nicrht. Robert Coover's The Public Burning, and E.L. Doctorow's The Book of Daniel“. Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc277638/.
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