Auswahl der wissenschaftlichen Literatur zum Thema „Art and antiquities market“
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Zeitschriftenartikel zum Thema "Art and antiquities market"
Cook, B. F. „The archaeologist and the art market: policies and practice“. Antiquity 65, Nr. 248 (September 1991): 533–37. http://dx.doi.org/10.1017/s0003598x00080121.
Der volle Inhalt der QuelleMarks, P. „The ethics of art dealing“. International Journal of Cultural Property 7, Nr. 1 (Januar 1998): 116–27. http://dx.doi.org/10.1017/s0940739198770109.
Der volle Inhalt der QuelleMugnai, Niccolò, Julia Nikolaus, David Mattingly und Susan Walker. „Libyan Antiquities at Risk: protecting portable cultural heritage“. Libyan Studies 48 (22.08.2017): 11–21. http://dx.doi.org/10.1017/lis.2017.8.
Der volle Inhalt der QuelleTremain, Cara Grace. „Fifty Years of Collecting: The Sale of Ancient Maya Antiquities at Sotheby’s“. International Journal of Cultural Property 24, Nr. 2 (Mai 2017): 187–219. http://dx.doi.org/10.1017/s0940739117000054.
Der volle Inhalt der QuelleEde, J. „Ethics, the antiquities trade, and archaeology“. International Journal of Cultural Property 7, Nr. 1 (Januar 1998): 128–31. http://dx.doi.org/10.1017/s0940739198770110.
Der volle Inhalt der QuelleMarrone, James, und Silvia Beltrametti. „“Sleeper” Antiquities: Misattributions in Sales of Ancient Art“. International Journal of Cultural Property 27, Nr. 1 (Februar 2020): 3–51. http://dx.doi.org/10.1017/s094073912000003x.
Der volle Inhalt der QuelleMerryman, John Henry. „A Licit International Trade in Cultural Objects“. International Journal of Cultural Property 4, Nr. 1 (Januar 1995): 13–60. http://dx.doi.org/10.1017/s094073919500004x.
Der volle Inhalt der QuelleStoll, Cameron Semmes. „The Effects of Judicial Decisions and Patrimony Laws on the Price of Italian Antiquities“. International Journal of Cultural Property 19, Nr. 1 (Februar 2012): 65–96. http://dx.doi.org/10.1017/s0940739112000069.
Der volle Inhalt der QuelleGallagher, Steven. „“Purchased in Hong Kong”: Is Hong Kong the Best Place to Buy Stolen or Looted Antiquities?“ International Journal of Cultural Property 24, Nr. 4 (November 2017): 479–96. http://dx.doi.org/10.1017/s0940739117000224.
Der volle Inhalt der QuelleGill, David, und Christopher Chippindale. „The Trade in Looted Antiquities and the Return of Cultural Property: A British Parliamentary Inquiry“. International Journal of Cultural Property 11, Nr. 1 (Januar 2002): 50–64. http://dx.doi.org/10.1017/s0940739102771579.
Der volle Inhalt der QuelleDissertationen zum Thema "Art and antiquities market"
Stüssi, Garcia Susana. „Les arts méconnus des Anciens Américains : discours savants, goût privé et évolutions dans le commerce en France au XIXe siècle“. Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H090.
Der volle Inhalt der QuelleThis thesis examines different moments characterized by a strong interest for and fascination with Pre-Columbian artefacts – or though as such – to better understand their place in 19th century France, before their aesthetic “rediscovery” in the 20th century. Focusing on artefacts from Mexico and Central America and drawing from sales catalogues, scholarly and artistic publications and archival research, this thesis explores the role played by personal taste and private usages in collecting as well as the place occupied by these objects in the developping art and antiquities market. In the 1830s, the arrival of new collections in Paris and the publication of Antiquités mexicaines serve as the starting point from which to consider the Société Libre des Beaux-Arts as one of the main centres structuring interest for American Antiquity. It is now also possible to identify the first merchants and “experts” to offer Pre-Columbian artefacts for sale. We then examine the aftermath of the Second Franco-Mexican War (1861-67) : how it contributed to articulate the idea of a privileged relationship between France and Mexico and how the emergence of a new taste for all things “primitive” affected the commerce of Pre-Columbian artefacts. Finally, through the study of dealer Eugène Boban and collector Eugène Goupil we analyse these structural changes at the level of the individual and follow a network of Franco- Mexican and North American collectors whose activity, considered in terms of patriotic heritage discourses and the emergence of a transnational art market, contribute to understanding the transformation of Pre-Columbian material culture into “artworks” in the 1920s
Skates, Elizabeth Anne. „Museum and antiquities market interactions : manifestations of the museum paradox“. Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/251720.
Der volle Inhalt der QuelleBianchin, Francesco <1995>. „CHINESE ART MARKET ON AUCTION“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16702.
Der volle Inhalt der QuelleBinder, Lisa M. „Contemporary African art in the London art market : 1995-2005“. Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500812.
Der volle Inhalt der QuelleMontgomerie, Elizabeth Amber. „Images of rural activities on mosaic pavements in Late Antiquity in the Levant“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:06c62da9-7dcf-4b34-96ec-3d5ea425e2cb.
Der volle Inhalt der QuelleLu, Di Yin. „Seizing Civilization: Antiquities in Shanghai's Custody, 1949 – 1996“. Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10437.
Der volle Inhalt der QuelleHistory
Tsirogiannis, Christos. „Unravelling the hidden market of illicit antiquities : the Robin Symes-Christos Michaelides network and its international implications“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648271.
Der volle Inhalt der QuelleTseng, Suliang. „The art market, collectors and art museums in Taiwan since 1949“. Thesis, University of Leicester, 2001. http://hdl.handle.net/2381/31164.
Der volle Inhalt der QuelleLane, David C. Jr. „The Social Economy of the Illicit Arts and Antiquities“. VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/83.
Der volle Inhalt der QuelleUlmschneider, Katharina. „Markets, minsters and metal-detectors : the archaeology of Middle Saxon Lincolnshire and Hampshire compared /“. Oxford : Archaeopress, 2000. http://catalogue.bnf.fr/ark:/12148/cb40210664x.
Der volle Inhalt der QuelleBücher zum Thema "Art and antiquities market"
Lake, Selina. Bazaar style: Decorating with market and vintage finds. New York: Ryland Peters & Small, 2008.
Den vollen Inhalt der Quelle findenEgloff, Brian. Bones of the ancestors: The Ambum Stone : from the New Guinea highlands to the antiquities market to Australia. Lanham, MD: AltaMira Press, 2008.
Den vollen Inhalt der Quelle findenSavita, Sharma. Imperial punch-marked coins of ancient India: A case study of Sarāi Dangri Hoard, Varanasi. New Delhi: Aryan Books International, 2016.
Den vollen Inhalt der Quelle findenMarket art. Paris: Éditions François Bourin, 2016.
Den vollen Inhalt der Quelle findenMoody, Eric. The art market. London: Comedia, 1985.
Den vollen Inhalt der Quelle findenDonnelly, Harrison. The Art Market. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 1987. http://dx.doi.org/10.4135/cqresrre1987060500.
Der volle Inhalt der QuellePolsky, Richard. Art market guide: Contemporary American art. San Francisco: Marlit Press, 1998.
Den vollen Inhalt der Quelle findenArt production beyond the art market? Berlin: Sternberg Press, 2013.
Den vollen Inhalt der Quelle findenSotheby's (Firm). Antiquities & Islamic art. New York: Sotheby's, 2002.
Den vollen Inhalt der Quelle findenHecker, Sharon, und Peter J. Karol. Posthumous Art, Law and the Art Market. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003185697.
Der volle Inhalt der QuelleBuchteile zum Thema "Art and antiquities market"
Eber, Anya. „Guardians in the Antiquities Market“. In Crime and Art, 207–24. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84856-9_13.
Der volle Inhalt der QuelleFabiani, Michelle D., und James V. Marrone. „Transiting Through the Antiquities Market“. In Crime and Art, 11–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84856-9_2.
Der volle Inhalt der Quelleal-Saad, Ziad, und Stefan Simon. „Illicit Excavations and Trade in Antiquities“. In Studies in Art, Heritage, Law and the Market, 81–101. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14084-6_6.
Der volle Inhalt der QuelleMackenzie, Simon. „The Market as Criminal and Criminals in the Market: Reducing Opportunities for Organised Crime in the International Antiquities Market“. In Crime in the Art and Antiquities World, 69–85. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_4.
Der volle Inhalt der Quelleal-Saad, Ziad, und Stefan Simon. „Correction to: Illicit Excavations and Trade in Antiquities“. In Studies in Art, Heritage, Law and the Market, C1. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14084-6_14.
Der volle Inhalt der QuelleBrodie, Neil. „The Market in Iraqi Antiquities 1980–2009 and Academic Involvement in the Marketing Process“. In Crime in the Art and Antiquities World, 117–33. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_7.
Der volle Inhalt der QuelleRothfield, Lawrence. „Antiquities Crime as a Policy Problem“. In Art Crime, 255–62. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-40757-3_19.
Der volle Inhalt der QuelleGkioni, Maria. „Fraud Schemes in the Antiquities Market“. In Cultural Property Crime and the Law, 144–61. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003363804-12.
Der volle Inhalt der QuelleBowman Balestrieri, Blythe Alison. „The Antiquities Licit-Illicit Interface“. In The Palgrave Handbook on Art Crime, 79–87. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-54405-6_4.
Der volle Inhalt der QuelleRush, Laurie W. „Looting of Antiquities: Tearing the Fabric of Civil Society“. In Art Crime, 132–42. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-40757-3_11.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Art and antiquities market"
Fotakis, Costas, Savas K. Georgiou, Vassilis Zafiropulos und Vivi Tornari. „Laser technology of artworks and antiquities: fundamental aspects“. In Lasers in Metrology and Art Conservation, herausgegeben von Renzo Salimbeni. SPIE, 2001. http://dx.doi.org/10.1117/12.445654.
Der volle Inhalt der QuelleNorthover, Peter. „How destructive is non-destructive? Electron and proton microprobe inspection of antiquities“. In IEE Colloquium on `NDT in Archaeology and Art'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950769.
Der volle Inhalt der QuelleLaskowskaia, V. A. „INTEGRATION OF ART GRADUATES INTO THE ART MARKET SYSTEM“. In Месмахеровские чтения - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604789377_548.
Der volle Inhalt der QuelleПятых, Ф. О., und А. В. Карпов. „COMMERCIAL ART AS AN ART MARKET PHENOMENON: FEATURES AND FUNCTIONS“. In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.47.
Der volle Inhalt der QuelleZhang, Runjia, Zhizhen Huang und Xiao-Yang Liu. „Machine Learning Approach for Art Market“. In 2019 IEEE MIT Undergraduate Research Technology Conference (URTC). IEEE, 2019. http://dx.doi.org/10.1109/urtc49097.2019.9660414.
Der volle Inhalt der QuellePavlova, A. S. „PROMOTION OF CONTEMPORARY RUSSIAN ART ON THE ART MARKET OF FRANCE“. In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_36.
Der volle Inhalt der QuelleGnezdova, Julia, und Elena Matveeva. „Features of the Art Market in Russia“. In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.97.
Der volle Inhalt der QuelleShashlova, S. G. „ZUNI CERAMICS ON THE MODERN ART MARKET“. In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_153.
Der volle Inhalt der QuelleGurjar, Shailendra, und Usha Ananthakumar. „Auctions and Estimates: Evidence from Indian Art Market“. In 11th International Conference on Data Science, Technology and Applications. SCITEPRESS - Science and Technology Publications, 2022. http://dx.doi.org/10.5220/0011317200003269.
Der volle Inhalt der QuelleSorokina, K. S., und A. V. Karpov. „CONTEMPORARY CHINESE ART ON THE GLOBAL ART MARKET: RANKING ANALYSIS OF LEADING CHINESE ARTISTS“. In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_30.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Art and antiquities market"
Gustavsen, Arild, Bjorn Petter Jelle, Dariush Arasteh und Christian Kohler. State-of-the-Art Highly Insulating Window Frames - Research and Market Review. Office of Scientific and Technical Information (OSTI), Januar 2007. http://dx.doi.org/10.2172/941673.
Der volle Inhalt der QuelleGalenson, David. Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History. Cambridge, MA: National Bureau of Economic Research, Februar 2005. http://dx.doi.org/10.3386/w11152.
Der volle Inhalt der QuelleGalenson, David, und Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, August 2002. http://dx.doi.org/10.3386/w9123.
Der volle Inhalt der QuelleAlexander, Chris. L52318 State of the Art Assessment of Composite Repair Systems. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2010. http://dx.doi.org/10.55274/r0000005.
Der volle Inhalt der QuelleGalenson, David. Do the Young British Artists Rule (or: Has London Stolen the Idea of Postmodern Art from New York?): Evidence from the Auction Market. Cambridge, MA: National Bureau of Economic Research, Oktober 2005. http://dx.doi.org/10.3386/w11715.
Der volle Inhalt der QuelleCalvo, Guillermo A. Monetary Policy Challenges in Emerging Markets: Sudden Stop, Liability Dollarization, and Lender of Last Resort. Inter-American Development Bank, Dezember 2006. http://dx.doi.org/10.18235/0010971.
Der volle Inhalt der QuelleVodusek, Ziga, und Robert Devlin. Trade Related Capacity Building: An Overview in the Context of Latin American Trade Policy and the MERCOSUR-EU Association Agreement. Inter-American Development Bank, Februar 2005. http://dx.doi.org/10.18235/0008695.
Der volle Inhalt der QuelleKamp, Bart, Carmen Vallverdu und Eduardo Sisti . The servitization of business among industrial companies in Catalonia. Herausgegeben von Patricia Canto. Universidad de Deusto, 2023. http://dx.doi.org/10.18543/bieu8943.
Der volle Inhalt der QuelleYang, Yu, und Hen-Geul Yeh. Electrical Vehicle Charging Infrastructure Design and Operations. Mineta Transportation Institute, Juli 2023. http://dx.doi.org/10.31979/mti.2023.2240.
Der volle Inhalt der QuelleCarranza, Rafael, Mauricio De Rosa und Ignacio Flores. Wealth Inequality in Latin America. Inter-American Development Bank, Juni 2023. http://dx.doi.org/10.18235/0004945.
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