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1
Becheru, Raluca. „The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes“. SAJ - Serbian Architectural Journal 8, Nr. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.
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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern Movement and the rise of the "theory speak". Architecture's features as a public art ask for a certain amount of objectivity. The philosophy of architecture in analytic tradition can contribute to a more objective conceptual frame. The principal concerns are familiar to those acquainted with continental philosophy: What makes architecture special among the arts? What is the essence of an architectural work? How we can better define architecture's social mission? But the way of answering them is different. The ethical dimension of architecture is one of the most debated subjects among architects in recent years. There are several contributions on the connection between ethics and aesthetics in the philosophy of architecture in analytic tradition. They have the potential to have an impact on architectural theory and practice.
2
Ćipranić, Miloš. „Avenues of Approach – Petar Bojanić and the Institution of Architecture“. AM Journal of Art and Media Studies, Nr. 12 (15.04.2017): 109. http://dx.doi.org/10.25038/am.v0i12.171.
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The philosopher Petar Bojanić advocates resistance of the architectural discipline to the philosophy of architecture. Using the technique of mise-en-scène, in “Thinking Architecture/Disciplining Architecture” (2015) Bojanić reaffirms that after architecture’s theoretical turn in the second half of the 20th century the architect is undoubtedly capable of theoretically thematizing his/her own work. I argue strongly that this implies, among other things, building a disciplinary language, which must reconcile, or at least balance between, the verbal and non-verbal form of expression. Also, I try to show that it is precisely theory that the architect has needed through history to establish the architectural discipline as liberal and autonomous.In “The Real and the Theoretical” (2013) the philosopher from Belgrade stresses the tensions between reality and theory present in the work of the architect. Theorizing in the field of architecture carries a danger of severe detachment from currently important and pressing social problems. Since there is no discipline without a group and since architecture is defined as the art of community, architectural practice can be understood, as it is in “The Architectural Philosophy” (2013), as a spatial way of transforming society. Article received: December 12, 2016; Article accepted: January 10, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this article: Ćipranić, Miloš. "Avenues of Approach – Petar Bojanić and the Institution of Architecture." AM Journal of Art and Media Studies 12 (2017): 109-120.
3
Vesnić, Snežana. „The philosophical platform of the architect: Why philosophers make such good drawings?“ SAJ - Serbian Architectural Journal 9, Nr. 3 (2017): 201–16. http://dx.doi.org/10.5937/saj1703201v.
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Theoretical interpretations and attempts at instrumentalisation of the ties and exchanges between philosophy and architecture have mostly been directed at questions of language or the institutionalisation of the discipline of architecture. In this text, I suggest a different approach to philosophical engagement in architecture: a simultaneous use in the methodology of the architectural project and constitution of a philosophy of architecture, not only as a question of interdisciplinary exchange, but as an integral part of comprehensive architectural processes, with philosophy still maintaining its original authenticity. My approach is twofold: explain the methodology and delineate its framework, but also raise the question what is an architect's philosophical platform. To that end, I will attempt to elaborate three models: 1) the first delves partially into the fields of fiction and illusion, and in it the architect adopts the role (position) of the philosopher, 2) the second model is the architectural engagement of philosophical notions, and 3) the third is the use of philosophical concepts in the creation of architectural ones. Corresponding to each, I will suggest the activity of "repetition of difference" as a possibility of creation of the authentic architectural concept.
4
Šuvaković, Miško. „Architecture and philosophy: Relations, potentialities and critical points“. SAJ - Serbian Architectural Journal 4, Nr. 2 (2012): 160–75. http://dx.doi.org/10.5937/saj1202160q.
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In the debate "Architecture and Philosophy / the relations, potentialities and critical points" the notions of "philosophy of architecture" and "aesthetics of architecture" will be discussed. The differences between traditional and contemporary philosophy and aesthetics of architecture will be introduced. In a separate sub-chapter the status of "theory" and "theorizing" during the times of late modernism and postmodern culture will be discussed. It has been pointed to the modalities of theory outside philosophy and aesthetics. The discourses from philosophy, humanities, free theorizing and architectural theories are brought closer together. In the final sub-chapter the status of contemporary philosophy and cotemporary architecture have been discussed. The notion of contemporaneity has been particularly elaborated. The central thesis of this paper is the relation of architecture and philosophy, i.e. the theory constituent for modern, postmodern and contemporary architecture. The derived thesis of the discussion is that critical theory of architecture and architectural yearning for "critical architecture" have acquired exceptional significance at the time of global conflicts and, presently at the time of global economic crisis. The theoretical, aesthetic and philosophical attention has essentially been shifted from the immanent questions about architecture (form, function, spectacularity) to the external i.e. transcendental questions about the culture and society, i.e. about the economy, power, governance, supervision, forms of life, flexibility of architectural production, exchange and consumption.
5
Budi Santosa, Revianto. „Recharting The Philosophy of Technology in Contemporary Architecture“. SHS Web of Conferences 41 (2018): 04012. http://dx.doi.org/10.1051/shsconf/20184104012.
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Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the source of alienation to the human being themselves and to the reality they face. To overcome this gap, Alan Drengson, proposed the four philosophy of technology to rechart the variety of tendency towards technology in Western society, consisting of (1) technological anarchy, (2) technophilia, (3) technophobia, and (4) technological appropriateness. In this explanation, he coined the terms “creative philosophy” to include many aspects and ways of thinking which might be incorporated in the creative activities like architectural design. This paper attempts to evaluate the appropriatenes of Drengson’s philosophical scheme as a platform for architectural education in Indonesia in general, by relating his framework with the architectural theories and practices in Indonesia. The result of this effort is while the formulation of his scheme is the very inclusive and closely related with creative activity like architectural design, it contains bias of industrial technology appearing in the Asian scene brought by Western European colonials. Discussing philosophy underlying Gandhi’s movement in India to reject oppressive technology, we may arrive at the conclusion that the philosopy of non-violence, truth and justice based on the principle of self restrained are relevant to figure out the ideal of appropriate technology in Asia.
6
Jobst, Marko. „Gilles Deleuze and the Missing Architecture“. Deleuze Studies 8, Nr. 2 (Mai 2014): 157–72. http://dx.doi.org/10.3366/dls.2014.0141.
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This essay combines experiential writing, quotes from Virginia Woolf's novel The Waves and Gilles Deleuze's philosophy in order to indicate that architecture remains a largely overlooked instance of the world. This is particularly problematic in the context of the question of immanence, which can be understood to lie at the core of Deleuze's philosophy. Architecture's relation to thought is discussed here via Deleuze's writing in Difference and Repetition and pursued in conjunction with Simone Brott's notion of architectural ‘effects’. Rather than seeing encounters with architecture as the site of recognition of the habitual and routine, our experience of architecture-as-world should be understood to ceaselessly contribute to the emergence of thought. Brian Massumi's writing offers one potential direction to pursue, via the notion of the diagram tied to experience before it is fed into the loop of architectural design and its accompanying representational techniques.
7
Duncan, Elmer H., und Michael H. Mitias. „Philosophy and Architecture“. Journal of Aesthetic Education 31, Nr. 1 (1997): 113. http://dx.doi.org/10.2307/3333477.
8
Goel, Amit. „The Philosophy of Software Architecture“. International Journal of Web Portals 2, Nr. 4 (Oktober 2010): 28–39. http://dx.doi.org/10.4018/jwp.2010100103.
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Computer Software Intensive systems have become ingrained in our daily life. Apart from obvious scientific and business applications, various embedded devices are empowered with computer software. Such a diverse application of Computer Software has led to inherent complexity in building such systems. As civilizations moved forward, the concept of architectural thinking and practice was introduced to grapple with the complexity and other challenges of creating buildings, skyscrapers, townships, and cities. The Practice of Software Architecture is an attempt to understand and handle similar challenges in Software Intensive Systems. This paper introduces software architecture and the underlying philosophy thereof. This paper provokes a discussion around the present and future of Software Architecture. The authors discuss skills and roles of Software Architect.
9
Negulyaeva, T. V., und S. F. Dyadchenko. „Architecture and philosophy of antiquity: The formation of classical architecture“. Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, Nr. 1 (26.02.2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.
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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowledge is a theoretical (historical) method, which involves a study of graphic and textual information covering the era as well as a systematic analysis of the material for the identification of basic principles of the antique architecture. It is shown that the main principles of the antique architecture are being developed in a close connection with philosophy, and determine the further development of the classical direction in architecture.
10
Bianco, Lino. „From Poetics to Metapoetics: Architecture Towards Architecture“. Balkan Journal of Philosophy 10, Nr. 2 (2018): 103–14. http://dx.doi.org/10.5840/bjp201810212.
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An undiscovered chapter in the history of architecture comes from the ex-Soviet Republic of Georgia. Poetics of Architecture is the name given to the studioworkshop at the Georgian Technical University set up by the Georgian architect Shota Bostanashvili (1948–2013). From 1990 until his death he delivered insightful, playful and rather provocative lectures on architecture at this university. He preferred to call his architectural philosophy, critical discourse on architecture. Themes ranged from poetics to metapoetics of architecture. His philosophy of architecture is illustrated by some of his designs and executed projects which demonstrate a drift from existentialism to the philosophy of play. This study includes reference to his last building, a project whose demolition Bostanashvili witnessed before passing away. Based on the concept of the return of the sacred, this edifice was a sort of counter movement to technogenic architecture.
11
Rabboh, Emad H., und Ali A. Elmansory. „The Correlation of Deconstruction Architecture to Arab Architectural Identity“. Academic Research Community publication 2, Nr. 4 (01.01.2019): 319. http://dx.doi.org/10.21625/archive.v2i4.369.
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The Arab architectural identity is characterized by the originality of the various Arab
cultures. Islamic culture is what makes Arab societies unique and it is what inspired
Arab architecture. Consequently, the Arab architecture encounters contemporary
challenges. If modern architectural trends influenced Arab civilization, it could then
obliterate its identity over the years. Moreover, positively interacting with modern
architectural trends must take place rather than negative interactions. The aforementioned reasons leave this phenomenon the subject of discussion and research
and thus the lack of update and development of the vocabulary of Arab architecture.
The proposed study discusses the problem of the correlation of deconstructive
architecture with the architectural and Arabic identity through the end of the 20th
century until 2017. In order to arrive at the definition of the philosophy of
deconstruction architecture and the appropriate relationship between it and the Arab
architectural identity, the study utilizes a qualitative descriptive methodology that tries
to give a generic image of philosophy and characteristics. Deconstruction architecture
attempts to link the positive aspects of architecture and Arab identity through the
analysis of the frameworks of this philosophy of particular architectural works of
various architects who adopt this philosophy of architecture. Responding to the above,
the current study shows that it is better to strip the modern trends and take what suits
the Arab culture.
12
Blagojević, Ljiljana. „Architecture utopia realism: Thematic framework“. SAJ - Serbian Architectural Journal 6, Nr. 3 (2014): 138–45. http://dx.doi.org/10.5937/saj1402138b.
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The term or concept of realism seems to be recurring in recent theoretical inquiries, from debates in philosophy and aesthetics to those in theory and practice of architecture. Since 2000, the architectural discourse has been concerned with a wide range of related issues coming from its own post-critical debates on utopianism and realism and the possibility of an 'utopian realism', as suggested by Reinhold Martin (2005). The debates on realism resonate in the architectural theory anew as a reflection on the Manifesto of New Realism by the philosopher Maurizio Ferraris from 2011. The questions of realism vs. postmodernism, "new realism" on the ashes of post-modernism, critical and operative notions of realism and the like, have been asked both through practices of contemporary architecture and through reconsideration of the socialist realism in history and theory of architecture. The thematic issue of SAJ: Architecture Utopia Realism aims to further the ongoing discussion on the relations of architecture with realism and utopia
13
Dumnova, Elnara, Oleg Romannikov und Tatyana Gudkova. „Explication of postmodern philosophy ideas in architecture“. проект байкал 19, Nr. 72 (31.07.2022): 164–71. http://dx.doi.org/10.51461/projectbaikal.72.2000.
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The postulation of the new principles of being (decentration, plurality, chaoticness, rhizomaticity) by the philosophers-postmodernists reflected the nonlinear nature of the development of the social system, one of the projections of which was the formation of a new direction of architecture. Analysis of the works of the theorists of postmodernism revealed the influence of the new worldview paradigm on the transformation of architecture as a response to social challenges of our time. The explication of the principles of postmodernism in architecture expressed itself in the transformation of its iconic-symbolic space, which is discussed in the article through semiotic analysis of a number of architectural objects.
14
Schwarte, Ludger. „Spaces of reflection: Where does philosophy take place?“ SAJ - Serbian Architectural Journal 10, Nr. 3 (2018): 95–106. http://dx.doi.org/10.5937/saj1802095s.
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If reasoning implies a specific architecture (of concepts), the act of reasoning is not independent of very concrete architectural dispositions. In my essay, I will first give a sketch of places that have been designed as spaces of reflection, secondly, deconstruct the implicit assumptions of the relation with architecture and, lastly, try to show how the practice of philosophy depends on architectural settings.
15
Šuvaković, Miško. „Revisionist philosophy of architecture: Fundamental dispositives“. SAJ - Serbian Architectural Journal 6, Nr. 1 (2014): 119–35. http://dx.doi.org/10.5937/saj1401119q.
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The discussion points to the issue of defining and re-defining the notion of the "critical theory". The notion of critical theory has been considered since the introduction of the notion at the Institute for Social Research in Frankfurt until the modern, postmodern and contemporary theories of critical and decentering of the critical. The notion of critical theory is associated with the problem of politicization of architecture and urbanism. It is pointed to the case of critical theory of the Frankfurt circle. Particular attention is paid to the art/architecture theory of Theodor Adorno and to the theory of architecture and urbanism of Walter Benjamin. Adorno's critique of architectural functionalism has been considered. It is discussed about methodological approach to Benjamin's analysis and the debate on Paris as metropolis. The aim of the discussion is to indicate to transformations and modalities of critical theory in modernism, post-structuralism, postmodernism and contemporary global neoliberalism.
16
Shi, Jian He, und Xian Wei Wu. „On the Central Concept of Architectural Philosophy: Art“. Applied Mechanics and Materials 174-177 (Mai 2012): 1892–94. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1892.
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Aesthetic taste as the main value of life is the central task of building arts. Artistic characteristics of architecture reflect human glory and always exist in our thousands of years of architectural history. The art pursuit of architecture is still the focus for the public especially architects. Therefore, the central concept of the construction philosophy is the art of architecture.
17
Zhang, Rui, und Ben Zhao Yang. „Intelligence Evolvement and Overall Design of Architecture Originality“. Advanced Materials Research 255-260 (Mai 2011): 1484–88. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1484.
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According to the developing process of full lifecycle design service in architecture development and the dynamic and adaptive process of central design, the paper illustrates the idea that architecture originality takes quietness as its carrier and dynamics as its originality, and put forward that intelligent evolvement process of architectural design is a inexorable trend; through stating the architectural design ideas based on Chinese philosophy system, the originality of “Smart Architecture” based on Chinese speculative philosophy system is fixed, which can offer solid theoretical research basis for the development of architecture nationalization and globalization.
18
Ameen, Sura Kassim, Ibrahim Jawad Al-yusif und Ali Musa Hussein. „Abstraction the architectural heritage of contemporary local architecture“. Iraqi Journal of Architecture and Planning 19, Nr. 1 (28.01.2020): 1–12. http://dx.doi.org/10.36041/iqjap.v16i1.490.
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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things.
The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas
19
Ameen, Sura Kassim, Ibrahim Jawad Al-yusif und Ali Musa Hussein. „Abstraction the architectural heritage of contemporary local architecture“. Iraqi Journal of Architecture and Planning 19, Nr. 1 (28.01.2020): 1–12. http://dx.doi.org/10.36041/iqjap.v19i1.490.
Annotation:
Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things.
The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas
20
Suharjanto, Gatot. „Konsep Arsitektur Tradisional Sunda Masa Lalu dan Masa Kini“. ComTech: Computer, Mathematics and Engineering Applications 5, Nr. 1 (30.06.2014): 505. http://dx.doi.org/10.21512/comtech.v5i1.2644.
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It is known that traditional architectures are a product of human conception full of culture and philosophy, while modern architectural concepts prioritize functionality and simplicity that tends to be simple or quick. Now the architectural concept slowly changes according to the conditions of time, then so is the existence of works of architecture that also changes. This condition can be found in almost major cities in Indonesia, where many houses or buildings built still in traditional architecture theme but combined and matched with modern architecture concept. One of many diverse cultures of Indonesia archipelago architecture that has evolved is West Java. There are a lot of people trying to apply the concept of Sundanese traditional house in their residence. Shifting sacred values in traditional concept seems indeed to be lost along with the differences in modern human civilization.
21
Bakir, Solaiman, Melania L. Pandiangan, Genie Anggita und Rangga Alexander. „INTERPRETASI TEORI DELEUZE DAN GUATTARI DALAM ARSITEKTUR“. ATRIUM Jurnal Arsitektur 1, Nr. 2 (06.06.2020): 123–33. http://dx.doi.org/10.21460/atrium.v1i2.44.
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Title: Interpretation of Deleuze and Guattari Theories in Architecture
Philosophy influenced all architects through theories of philosophy which is it acted as a set of the idea to practice in design. It is can be looked at the contemporary architectural trend which trying to demonstrated the deconstruction philosophy through architecture style, or it is can be observed in architecture literature which trying to adopt the philosophy of phenomenology and so forth. These examples revealed that there are relationship between philosophy and architecture. So, In this case, the philosophy become very important and then to be an alternative in term of exploration and searching the new concepts of creation of architecture. Both of Gilles Deleuze and Felix Guatari are thinkers or philosophers that revolutionary. Their thought influenced architecture although not so much whom that directly apply their work. In this paper, we try to interprete their toughts which covered Desire-Machine Concept, Territorialization- Deterritorializatiion-Reterritorialization Concept, and Rhizome-Tree Concept as well as its application in the field of architecture. It can be an image or an idea of design.
22
Saleh, M. T., Y. Mansour, S. Kamel, K. Dewidar und A. A. Farid. „Towards a Taxonomy of The 21st century Architectural Practices in the age of Sustainability and Technology“. IOP Conference Series: Earth and Environmental Science 1056, Nr. 1 (01.08.2022): 012011. http://dx.doi.org/10.1088/1755-1315/1056/1/012011.
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Abstract The architectural practices witness drastic transformations in the 21st century globally, which put the architectural community in a situation of crisis; facing challenges to identify different trajectories and their characteristics for a reliable evaluation of the approaches and strategies. Conferences and research laboratories started to seek a philosophy interpreting new practices, mostly known is the 2003 Pompidou exhibition in France discussing “Non-standard Architectures”. This research investigates the interrelation between architecture, and the most-two dialectic terms of the age “sustainability and technology”, linking influencing beliefs and philosophies with the design approaches and strategies through a comprehensive design theory. It emphasizes the paradigm shift from modernism architecture that tied the design to craft to a richer knowledge paradigm ties design, technology and craft in a complex-system. This has more impressive and complex drivers corresponding to the reflects of “The Knowledge Power” coined by Foucault that shapes the whole cultural paradigm and its sub-systems of any society across history. Such a philosophy can reach a meta-theory about current practices of architecture seen as isolated islands or fragmented practices through revealing the radical drivers of current iconic projects and identifying hypothetical boundaries that interprets these typologies and their relevancy to each other promoting a new holistic paradigm of architecture.
23
Riha, Rado. „Architecture and new ontologies“. SAJ - Serbian Architectural Journal 2, Nr. 3 (2010): 203–14. http://dx.doi.org/10.5937/saj1003203r.
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The history of architecture and contemporary architectural discussion show that the encounters of architecture and philosophy are neither rare nor exceptional. The central thesis of this article is that today architecture and philosophy are connected in a way that goes beyond the variety of their interdisciplinary co-operation. The two domains of thought are connected in a more "existential" sense: they both need to address certain issues that concern the conditions of the possibility of their future existence. The article focuses on two such issues: it seeks to demonstrate in what way the existence of architecture and philosophy depends, on one hand, on the ancient alternative between the logic of the One and the logic of the Multiple; and on the other hand, on the concept of the indiscernability of thought and act. In so doing it draws on the Lacanian triad of the symbolic, the imaginary and the real.
24
Winters, Edward, und Marco Frascari. „Monsters of Architecture: Anthropomorphism in Architectural Theory.“ Philosophical Quarterly 43, Nr. 171 (April 1993): 251. http://dx.doi.org/10.2307/2220380.
25
wang, Fang. „The Influence of Chinese Traditional Philosophical Ideas on Ancient Chinese Architecture“. Философия и культура, Nr. 2 (Februar 2023): 37–48. http://dx.doi.org/10.7256/2454-0757.2023.2.39792.
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The formation and development of any architectural form and system has its own historical and cultural background. The ancient Chinese architectural system has a long history and characteristics inseparable from the historical development of Chinese traditional philosophy. Chinese philosophy, as a theory of human self-consciousness, does not give knowledge, but mainly gives ideas and ways of thinking for the needs of human self-development; At the same time, ancient Chinese architecture became a physical object reflecting the idea of traditional Chinese philosophy. Therefore, in order to explore ancient Chinese architecture, it is necessary to analyze and study it from the point of view of traditional Chinese philosophy. Like Confucius' thoughts on etiquette, the idea of the "doctrine of the middle" and the concept of hierarchical division; These ideas had a profound influence on ancient Chinese architecture, including urban planning, traditional dwellings, the environment, Lao Tzu's desire for harmony and unity between man and nature, worship of the gods, etc., as well as the theory that emerged later "Feng Shui", etc. temple space and garden architecture in the south of the Yangtze River. This article is devoted to the analysis of the influence of Confucianism and Taoism on the general principle of designing spaces of ancient Chinese architecture. The article selects some typical examples of ancient Chinese architecture for analysis. The following principles are manifested in the design of spaces of Chinese architecture under the influence of Confucianism and Taoism: moderation of living space; the principle of symmetry, balance and coordination; architectural hierarchy formed on the basis of the needs of "rituals"; integration of architecture and the environment; design of spaces according to "Feng Shui".
26
Croddy, S. „GOTHIC ARCHITECTURE AND SCHOLASTIC PHILOSOPHY“. British Journal of Aesthetics 39, Nr. 3 (01.03.1999): 263–72. http://dx.doi.org/10.1093/bjaesthetics/39.3.263.
27
Zhang, Ning. „The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings“. Open House International 41, Nr. 3 (01.09.2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.
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Buildings are the condensation of the national, ethnic, or cultural identity. They are also the specific materialized form of the national social systems, folk customs, and ideologies. Architectural design and philosophy constitute an isomorphic relationship with each other. This study focuses on the Chinese traditional philosophy. Using Kuanzhai Alley in Chengdu as an example, philosophical expressions, such as “holistic thinking,” “group form layout,” “heaven and man,” “yin–yang and the five elements,” “ancient architecture design,” “good” aesthetic concepts, and “conformal”rationalism, are discussed from the aspects of the selection of the environment, spatial layout, architectural symbol, planning, and design significance. The traditional architectural forms and types are analyzed and interpreted based on the Chinese traditional philosophy. The role of the ancient Chinese philosophy in the Designs of Chinese Buildings is summarized. Traditional ideas on Chinese architecture should be recognized from the aspect of philosophy to propose a new design direction for developing modern Chinese architectural designs.
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Jász, Borbála. „Architectural Theory and Analytic Philosophy in the Interwar Period“. Acta Universitatis Sapientiae, European and Regional Studies 14, Nr. 1 (01.12.2018): 41–53. http://dx.doi.org/10.2478/auseur-2018-0010.
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Abstract The basis of the connection between analytic philosophy and architecture theory was developed in the interwar period. The results of analytic philosophy – especially the neo-positivism of Vienna Circle – and modern, functionalist architecture theory were utilized in an interdisciplinary approach. The comparison was based on language puzzles, science-based building processes, the method of justification and verification, and designing an artificial language in order to express the theoretical (philosophical) and the practical (architectural) approach as well. The functionality was based on the modern way of architectural thinking that relied on the results of Carnapian neo-positivism. Interpreting modern architecture is possible by referring to the keywords of logical positivism: empiricism, logic, verification, unity of language, and science. In my paper, I first list the bases of the comparison between the philosophy of the Vienna Circle and the architecture theory of the interwar period – the Bauhaus and Le Corbusier. In the 2nd and 3rd sections, I show the dialectical succession between form and function. After that, I discuss the aesthetic verification of the turn of the century and the scientific justification of the interwar period. I focus on the interwar period with the positivist approach and the theory of the ‘new architecture’. I emphasize the importance of the language of science and the machine paradigm – in contrast to historicism.
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Vesnic, Snezana. „What is an architectural concept? The “concept” of Deleuze and “project” of Eisenman“. Filozofija i drustvo 28, Nr. 4 (2017): 1122–35. http://dx.doi.org/10.2298/fid1704122v.
Annotation:
Two great theories - one in philosophy, one in architecture - emerge nearly simultaneously in the twentieth century: Gilles Deleuze?s understanding of the ?concept,? that is, defining philosophy as an activity that produces concepts, and Peter Eisenman?s idea of the ?project? as a platform, ?position,? or ?theory? of an architect. My intention is to suggest and problematize the idea of the concept as ?capacity? or ?potentiality? implying the production of a multitude of ?concepts? or varying ?conceptions.? Deleuze?s great significance for architecture of this century allowed for the construction of the ?concept? as ?author?s potential,? the source of activity and creative architectural acts. An architectural concept, determined in the course of the text, and thanks to which architectural terminology is redefined, could potentially be quite useful in philosophy and theory of the subject.
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Soltani, Mahya. „Philosophy and Wisdom in Islamic-Iranian Architecture, with Respect to External Veil in Architecture“. Current World Environment 10, Special-Issue1 (28.06.2015): 260–67. http://dx.doi.org/10.12944/cwe.10.special-issue1.34.
Annotation:
The result of centuries of experience of this country’s ancestors and great artists, are Memorabilia that nowadays referred to as Islamic architecture. Increasing crisis of identity and irregularities in the feature of contemporary cities and buildings, reveal the latent values of past experiences more than ever. Various definitions have been proposed to explain Islamic architecture, which mostly address its material and superficial aspects. This paper attempts to address the wisdom in Islamic architecture. Based on this view work of art that lies between the audience and the author, as the medium, contains spiritual teachings, and architect as a wayfarer seeking for spiritual growth and moral virtues, and by acquiring real knowledge of the world and reaching the perdition rank for the sake of god, revives the flow of god’s wisdom in his being and makes the grace of god appears in this worldly bodies (of architecture). In principle, this attitude toward Islamic architecture is endogenous in that it can redefine a leading Islamic architecture. This paper also purports to, extra to describing wisdom in Islamic architecture, investigate the internal and external views of Islamic wisdom toward architecture. Hence, this paper first describes the characteristics of Islamic art and then conducts an investigation on the internal and external aspects of Iranian architectural wisdoms, by defining the philosophy of Islamic architecture. Then the architecture of mosques, as the feature of Islamic buildings, is presented, along with the philosophy of each of its individual components. Finally, the philosophy of the veil in Islamic architecture is, briefly, explained. It should be noted that the future of Islamic architecture is only definable in the light of a philosophical and endogenous approach, the view that is imbedded, in best, in the Iranian style of architecture.
31
Younès, Chris. „Architecture and philosophy: Paradoxes and metamorphoses of their meeting“. SAJ - Serbian Architectural Journal 5, Nr. 3 (2013): 39–46. http://dx.doi.org/10.5937/saj1301039y.
Annotation:
It is well known that Jacques Derrida emphasized the idea of an essential cohabitation between philosophy and architecture, declaring: "The Collège international de philosophie should provide the place for a meeting (rencontre), a thinking meeting, between philosophy and architecture. Not in order to finally have them confront each other, but to think what has always maintained them together in the most essential of cohabitations." This paper addresses in particular a hypothesis about the metamorphoses of this meeting that, from unity of architectonics and principles, becomes multiple and of another nature. So there is a reevaluation in terms of limits and passages; in other words, in terms of opening up. The first meeting can be considered as a metaphorical game of mirrors in which each presents itself as prevailing over the other forms of knowledge - one as the science of theory, the other as a science of techniques. This ordered and oriented posturing will collapse at the same time as the disappearance of a finite cosmos. In this dissolution, architecture and philosophy have recomposed themselves to deal with the space and time of inhabited milieus that affect not only the constitution of the gaze, but also a transformation of the world. It is examined how their interface is a heuristic structure of questioning.
32
Pane, Imam Faisal, Hilma T Fachrudin, Hesti Fibriasari und Aurora S Lubis. „Reading Sign as a response to an architectural work (Case study: Wisma Garuda)“. Britain International of Linguistics Arts and Education (BIoLAE) Journal 2, Nr. 1 (20.03.2020): 338–45. http://dx.doi.org/10.33258/biolae.v2i1.204.
Annotation:
Between objects and observers in the world of architecture have a close relationship. In assessing and appreciating an architectural work it is necessary to synchronize architectural objects as a sign. The sign in question means an architectural work that functions as a sentence that can be read and has a meaning or meaning. The position of an architectural work depends on the observer in appreciating it. In general, this paper explains that an architectural object has an understanding that can be understood by the observer in accordance with the appreciation reached to the observer. The object under study was Wisma Garuda, a budget hotel. Where the hotel applies the concept of experience in architecture, but it reads as Buddhist philosophy by the curator of the Indonesian Pavilion 2018. Even though the architect of the building does not use Buddhist philosophy, based on an analysis of the interconnectedness of Husserl's and Buddha's philosophy it proves that the meaning received by the curator is something natural.
33
Zhao, Zhi Qing, und Li Tao. „Differences of Philosophy and Culture between Chinese and Western Reflected in Construction“. Advanced Materials Research 953-954 (Juni 2014): 1533–36. http://dx.doi.org/10.4028/www.scientific.net/amr.953-954.1533.
Annotation:
Globalization had the great influence on architectural culture. Rational and fighting spirit, the individual and subject consciousness, religion and willpower of Western culture were represented on buildings. And Confucianism and Taoism, with other various internal and foreign Buddhist, complement each other, became the main line of ancient China thought, were penetrated and cohered in all aspects of Chinese buildings. In the globalized world, the architect should explore the rational core and objective laws of architectural development, and consciously promote the continuous development of traditional regional architecture, activate special cultural value of regional architecture. Based on the absorption, blend and innovation of both ancient and modern, Chinese and foreign architectural excellence culture, the Chinese architectural culture will be full of vitality.
34
Grebinnyk, T. O., V. V. Belopoly und O. I. Plaksina. „Philosophy in architecture: a modern view“. Bulletin of Prydniprovs’ka State Academy of Civil Engineering and Architecture, Nr. 6 (27.12.2018): 83–88. http://dx.doi.org/10.30838/j.bpsacea.2312.261218.83.452.
35
Kim, Jung-Shin. „Organic Philosophy Background of Biomorphic Architecture“. Journal of the Korea Contents Association 14, Nr. 5 (28.05.2014): 436–43. http://dx.doi.org/10.5392/jkca.2014.14.05.436.
36
Haldane, John. „ARCHITECTURE, PHILOSOPHY AND THE PUBLIC WORLD“. British Journal of Aesthetics 30, Nr. 3 (1990): 203–17. http://dx.doi.org/10.1093/bjaesthetics/30.3.203.
37
Harries, Karsten. „Philosophy and the Task of Architecture“. Journal of Architectural Education (1984-) 40, Nr. 2 (1987): 29. http://dx.doi.org/10.2307/1424928.
38
Moore, Steven, und David Kolb. „Postmodern Sophistications: Philosophy, Architecture, and Tradition“. Journal of Architectural Education (1984-) 45, Nr. 4 (Juli 1992): 241. http://dx.doi.org/10.2307/1425192.
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GUYER, PAUL. „Kant and the Philosophy of Architecture“. Journal of Aesthetics and Art Criticism 69, Nr. 1 (Februar 2011): 7–19. http://dx.doi.org/10.1111/j.1540-6245.2010.01442.x.
40
Rose, Gillian. „Architecture to Philosophy — The Postmodern Complicity“. Theory, Culture & Society 5, Nr. 2-3 (Juni 1988): 357–71. http://dx.doi.org/10.1177/0263276488005002008.
41
Harries, Karsten. „Philosophy and the Task of Architecture“. Journal of Architectural Education 40, Nr. 2 (Januar 1987): 29–30. http://dx.doi.org/10.1080/10464883.1987.10758422.
42
Moore, Steven. „Postmodern Sophistications: Philosophy, Architecture, and Tradition“. Journal of Architectural Education 45, Nr. 4 (Juli 1992): 241–43. http://dx.doi.org/10.1080/10464883.1992.10734522.
43
Køien, Geir M. „A Philosophy of Security Architecture Design“. Wireless Personal Communications 113, Nr. 3 (30.04.2020): 1615–39. http://dx.doi.org/10.1007/s11277-020-07310-5.
44
Sharp, John. „Richard Padovan—Proportion: Science, Philosophy, Architecture“. Nexus Network Journal 4, Nr. 1 (Februar 2002): 113–22. http://dx.doi.org/10.1007/s00004-001-0008-7.
45
Caldarola, Elisa. „Architecture and Sites“. Croatian journal of philosophy 21, Nr. 61 (21.05.2021): 5–23. http://dx.doi.org/10.52685/cjp.21.1.1.
Annotation:
Several contemporary architects have designed architectural objects that are closely linked to their particular sites. An in-depth study of the relevant relationship holding between those objects and their sites is, however, missing. This paper addresses the issue, arguing that those architectural objects are akin to works of site-specific art. In section (1), I introduce the topic of the paper. In section (2), I critically analyse the debate on the categorisation of artworks as site-specific. In section (3), I apply to architecture the lesson learned from the analysis of the art debate.
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ANDRONACHE, VIRGIL, und MATTHIAS SCHEUTZ. „ADE — AN ARCHITECTURE DEVELOPMENT ENVIRONMENT FOR VIRTUAL AND ROBOTIC AGENTS“. International Journal on Artificial Intelligence Tools 15, Nr. 02 (April 2006): 251–85. http://dx.doi.org/10.1142/s0218213006002655.
Annotation:
In this paper we present the agent architecture development environment ADE, intended for the design, implementation, and testing of distributed agent architectures. After a short review of architecture development tools, we discuss ADE's unique features that place it in the intersection of multi-agent systems and development kits for single agent architectures. A detailed discussion of the general properties of ADE, its implementation philosophy, and its user interface is followed by examples from virtual and robotic domains that illustrate how ADE can be used for designing, implementing, testing, and running agent architectures.
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Stępnik, Małgorzata. „The House that Lars Built. The Architecture of Transgression“. Arts 9, Nr. 4 (08.12.2020): 127. http://dx.doi.org/10.3390/arts9040127.
Annotation:
This article discusses the motif of the “architecture of transgression”, which is present most implicitly, in Lars von Trier’s The House that Jack Built. The analysis concerns both the construction of cinematic narrative itself and the subtle allusions, inserted in the script, to two architectural metaphors: the Nietzschean (and Jungian) labyrinth and the Heideggerian die Hütte. Von Trier’s film may be read as an oeuvre immersed in literary tradition—from Dante’s Divine Comedy to the modern Bildungsroman—as well as inspired by modern philosophy, particularly George Bataille’s philosophy of transgression, (as expound in his Erotism and his short 1929 essay on Architecture).
48
Mako, Vladimir. „An Islamic numerical interpretation of Hagia Sophia at Constantinople“. SAJ - Serbian Architectural Journal 11, Nr. 2 (2019): 247–62. http://dx.doi.org/10.5937/saj1902247m.
Annotation:
Ideas regarding aesthetical thinking on architecture developed through history a number of interpretations addressing its cultural and social importance. These interpretations appear as formations of possible worlds of meanings, structured through human power of imagination and reaching impressive levels of creative comprehension what architectural structure can reflect by its meaningful essence. The paper explores one of such possible world of meanings, given in a form of numerical interpretation of the architectural structure of Hagia Sophia in Constantinople. Beside its complex and hermeneutic nature, the analyzed document reveals a highly sophisticated level of interactions of various cultural elements. They are composed into a whole which idealistic and poetic nature seems to be based on cosmopolitan approach to philosophy, religion, and human capability to comprehend the divine essence of creativity. It reminds us on the very nature of the intercultural nature of philosophic interpretation of architecture as a living condition of aesthetic thinking. Moreover, the document discussed in this paper, shows that such a fascination with architecture is not exclusive to the contemporary aesthetic thought, but represents one of the historical fundaments of that what social and cultural communication in architecture is.
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Dragisic, Maja, und Andjelka Bnin-Bninski. „The application models of the topological principle of continuous deformation in the architectural design process“. Facta universitatis - series: Architecture and Civil Engineering 15, Nr. 3 (2017): 453–64. http://dx.doi.org/10.2298/fuace161115035d.
Annotation:
Architecture and geometry share a mutual history, and their relationship precedes the introduction of digital and computer technologies in architectural theory and design. Geometry has always been directly related to the modalities of thinking in architecture through the problems of conceptualisation, representation, building, technology. Through the historical overview of these two disciplines, it is possible to perceive direct influences of geometry on the architectural creative concepts, formal characteristics of architectural works, structural aspects, and building methods in architecture. However, the focus of this paper is not on the representation of historical intertwining of these two disciplines, which is indisputable, it is on the attempt to represent one specific bond between topology and architecture, firstly through the explanation of the principle of continuous deformability, and secondly through the representation of the models through which the principle occurs in the architectural design process, as well. The first part of this work will introduce and analyse the transition of concepts of continuity and deformability, from mathematical topology through philosophy to architecture, while the second part of the work will explain two models in detail, formal and systematic, through which the principle of continuous deformation is applied in certain architectural design practices. Overall, this work deals with the interpretation of the principle of continuous deformation in architecture and it shows in which way the architectural discourse changes the meaning of a mathematical-philosophical notion and turns it into a design methodology of its own. The subtlety of the question Bernard Tschumi asks about space illustrates the need to thoroughly investigate interdisciplinary relation between architecture, philosophy, and mathematics: ?Is topology a mental construction toward a theory of space?? (Tschumi, 2004, p.49)
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Benkari, Naima. „THE FORMATION AND INFLUENCE OF THE MILITARY ARCHITECTURE IN OMAN DURING AL-YA'ARIBA PERIOD (1034-1162 AH/1624–1749 AD)“. Journal of Islamic Architecture 6, Nr. 4 (26.12.2021): 217–28. http://dx.doi.org/10.18860/jia.v6i4.12104.
Annotation:
Despite its richness, the research corpus published about Islamic architecture presents some discontinuities in the knowledge of the architecture in the lands ruled by Muslims. Similarly, the dynamics of influence that might have operated between the "monumental" architecture in these lands and their popular architectures are insufficiently addressed. Moreover, the material culture related to the Islamic civilization is almost exclusively studied as a product that has stopped evolving. The architecture produced during Al-Ya'ariba (Al- Ya'rubi) Imamate (1624-1749) is an instance of these understudied topics in the history of Islamic architecture. This research argues that Al-Ya'rubi Imamate is not only an important chapter in the history of Oman, the Arabian Peninsula, Indian Ocean, and Eastern Africa, but also the architecture of this period has created the identity of Omani architecture as we know it today. Nonetheless, there is no architectural production in this era both in the major references and scientific publications of Islamic architecture in the 17th and 18th centuries. Through field research, comparative analysis, and literature review of the history of Omani architecture, especially in the 17th -18th centuries, this research examines the military architecture in Oman during Al-Ya'ariba Imamate including its reference, and its influence on other architectures. It is a contribution to the scientific endeavour to address this specific architectural typology from the perspective of its mechanism of (trans) formation and its continuity of forms until the contemporary architecture of Oman.