Thematische Bibliographien / Architecture Philosophy

Auswahl der wissenschaftlichen Literatur zum Thema „Architecture Philosophy“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 5. März 2023

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Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Zeitschriftenartikel zum Thema "Architecture Philosophy":

1

Becheru, Raluca. „The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes“. SAJ - Serbian Architectural Journal 8, Nr. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.

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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern Movement and the rise of the "theory speak". Architecture's features as a public art ask for a certain amount of objectivity. The philosophy of architecture in analytic tradition can contribute to a more objective conceptual frame. The principal concerns are familiar to those acquainted with continental philosophy: What makes architecture special among the arts? What is the essence of an architectural work? How we can better define architecture's social mission? But the way of answering them is different. The ethical dimension of architecture is one of the most debated subjects among architects in recent years. There are several contributions on the connection between ethics and aesthetics in the philosophy of architecture in analytic tradition. They have the potential to have an impact on architectural theory and practice.
2

Ćipranić, Miloš. „Avenues of Approach – Petar Bojanić and the Institution of Architecture“. AM Journal of Art and Media Studies, Nr. 12 (15.04.2017): 109. http://dx.doi.org/10.25038/am.v0i12.171.

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The philosopher Petar Bojanić advocates resistance of the architectural discipline to the philosophy of architecture. Using the technique of mise-en-scène, in “Thinking Architecture/Disciplining Architecture” (2015) Bojanić reaffirms that after architecture’s theoretical turn in the second half of the 20th century the architect is undoubtedly capable of theoretically thematizing his/her own work. I argue strongly that this implies, among other things, building a disciplinary language, which must reconcile, or at least balance between, the verbal and non-verbal form of expression. Also, I try to show that it is precisely theory that the architect has needed through history to establish the architectural discipline as liberal and autonomous.In “The Real and the Theoretical” (2013) the philosopher from Belgrade stresses the tensions between reality and theory present in the work of the architect. Theorizing in the field of architecture carries a danger of severe detachment from currently important and pressing social problems. Since there is no discipline without a group and since architecture is defined as the art of community, architectural practice can be understood, as it is in “The Architectural Philosophy” (2013), as a spatial way of transforming society. Article received: December 12, 2016; Article accepted: January 10, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this article: Ćipranić, Miloš. "Avenues of Approach – Petar Bojanić and the Institution of Architecture." AM Journal of Art and Media Studies 12 (2017): 109-120.
3

Vesnić, Snežana. „The philosophical platform of the architect: Why philosophers make such good drawings?“ SAJ - Serbian Architectural Journal 9, Nr. 3 (2017): 201–16. http://dx.doi.org/10.5937/saj1703201v.

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Theoretical interpretations and attempts at instrumentalisation of the ties and exchanges between philosophy and architecture have mostly been directed at questions of language or the institutionalisation of the discipline of architecture. In this text, I suggest a different approach to philosophical engagement in architecture: a simultaneous use in the methodology of the architectural project and constitution of a philosophy of architecture, not only as a question of interdisciplinary exchange, but as an integral part of comprehensive architectural processes, with philosophy still maintaining its original authenticity. My approach is twofold: explain the methodology and delineate its framework, but also raise the question what is an architect's philosophical platform. To that end, I will attempt to elaborate three models: 1) the first delves partially into the fields of fiction and illusion, and in it the architect adopts the role (position) of the philosopher, 2) the second model is the architectural engagement of philosophical notions, and 3) the third is the use of philosophical concepts in the creation of architectural ones. Corresponding to each, I will suggest the activity of "repetition of difference" as a possibility of creation of the authentic architectural concept.
4

Šuvaković, Miško. „Architecture and philosophy: Relations, potentialities and critical points“. SAJ - Serbian Architectural Journal 4, Nr. 2 (2012): 160–75. http://dx.doi.org/10.5937/saj1202160q.

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In the debate "Architecture and Philosophy / the relations, potentialities and critical points" the notions of "philosophy of architecture" and "aesthetics of architecture" will be discussed. The differences between traditional and contemporary philosophy and aesthetics of architecture will be introduced. In a separate sub-chapter the status of "theory" and "theorizing" during the times of late modernism and postmodern culture will be discussed. It has been pointed to the modalities of theory outside philosophy and aesthetics. The discourses from philosophy, humanities, free theorizing and architectural theories are brought closer together. In the final sub-chapter the status of contemporary philosophy and cotemporary architecture have been discussed. The notion of contemporaneity has been particularly elaborated. The central thesis of this paper is the relation of architecture and philosophy, i.e. the theory constituent for modern, postmodern and contemporary architecture. The derived thesis of the discussion is that critical theory of architecture and architectural yearning for "critical architecture" have acquired exceptional significance at the time of global conflicts and, presently at the time of global economic crisis. The theoretical, aesthetic and philosophical attention has essentially been shifted from the immanent questions about architecture (form, function, spectacularity) to the external i.e. transcendental questions about the culture and society, i.e. about the economy, power, governance, supervision, forms of life, flexibility of architectural production, exchange and consumption.
5

Budi Santosa, Revianto. „Recharting The Philosophy of Technology in Contemporary Architecture“. SHS Web of Conferences 41 (2018): 04012. http://dx.doi.org/10.1051/shsconf/20184104012.

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Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the source of alienation to the human being themselves and to the reality they face. To overcome this gap, Alan Drengson, proposed the four philosophy of technology to rechart the variety of tendency towards technology in Western society, consisting of (1) technological anarchy, (2) technophilia, (3) technophobia, and (4) technological appropriateness. In this explanation, he coined the terms “creative philosophy” to include many aspects and ways of thinking which might be incorporated in the creative activities like architectural design. This paper attempts to evaluate the appropriatenes of Drengson’s philosophical scheme as a platform for architectural education in Indonesia in general, by relating his framework with the architectural theories and practices in Indonesia. The result of this effort is while the formulation of his scheme is the very inclusive and closely related with creative activity like architectural design, it contains bias of industrial technology appearing in the Asian scene brought by Western European colonials. Discussing philosophy underlying Gandhi’s movement in India to reject oppressive technology, we may arrive at the conclusion that the philosopy of non-violence, truth and justice based on the principle of self restrained are relevant to figure out the ideal of appropriate technology in Asia.
6

Jobst, Marko. „Gilles Deleuze and the Missing Architecture“. Deleuze Studies 8, Nr. 2 (Mai 2014): 157–72. http://dx.doi.org/10.3366/dls.2014.0141.

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This essay combines experiential writing, quotes from Virginia Woolf's novel The Waves and Gilles Deleuze's philosophy in order to indicate that architecture remains a largely overlooked instance of the world. This is particularly problematic in the context of the question of immanence, which can be understood to lie at the core of Deleuze's philosophy. Architecture's relation to thought is discussed here via Deleuze's writing in Difference and Repetition and pursued in conjunction with Simone Brott's notion of architectural ‘effects’. Rather than seeing encounters with architecture as the site of recognition of the habitual and routine, our experience of architecture-as-world should be understood to ceaselessly contribute to the emergence of thought. Brian Massumi's writing offers one potential direction to pursue, via the notion of the diagram tied to experience before it is fed into the loop of architectural design and its accompanying representational techniques.
7

Duncan, Elmer H., und Michael H. Mitias. „Philosophy and Architecture“. Journal of Aesthetic Education 31, Nr. 1 (1997): 113. http://dx.doi.org/10.2307/3333477.

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8

Goel, Amit. „The Philosophy of Software Architecture“. International Journal of Web Portals 2, Nr. 4 (Oktober 2010): 28–39. http://dx.doi.org/10.4018/jwp.2010100103.

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Computer Software Intensive systems have become ingrained in our daily life. Apart from obvious scientific and business applications, various embedded devices are empowered with computer software. Such a diverse application of Computer Software has led to inherent complexity in building such systems. As civilizations moved forward, the concept of architectural thinking and practice was introduced to grapple with the complexity and other challenges of creating buildings, skyscrapers, townships, and cities. The Practice of Software Architecture is an attempt to understand and handle similar challenges in Software Intensive Systems. This paper introduces software architecture and the underlying philosophy thereof. This paper provokes a discussion around the present and future of Software Architecture. The authors discuss skills and roles of Software Architect.
9

Negulyaeva, T. V., und S. F. Dyadchenko. „Architecture and philosophy of antiquity: The formation of classical architecture“. Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, Nr. 1 (26.02.2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.

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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowledge is a theoretical (historical) method, which involves a study of graphic and textual information covering the era as well as a systematic analysis of the material for the identification of basic principles of the antique architecture. It is shown that the main principles of the antique architecture are being developed in a close connection with philosophy, and determine the further development of the classical direction in architecture.
10

Bianco, Lino. „From Poetics to Metapoetics: Architecture Towards Architecture“. Balkan Journal of Philosophy 10, Nr. 2 (2018): 103–14. http://dx.doi.org/10.5840/bjp201810212.

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An undiscovered chapter in the history of architecture comes from the ex-Soviet Republic of Georgia. Poetics of Architecture is the name given to the studioworkshop at the Georgian Technical University set up by the Georgian architect Shota Bostanashvili (1948–2013). From 1990 until his death he delivered insightful, playful and rather provocative lectures on architecture at this university. He preferred to call his architectural philosophy, critical discourse on architecture. Themes ranged from poetics to metapoetics of architecture. His philosophy of architecture is illustrated by some of his designs and executed projects which demonstrate a drift from existentialism to the philosophy of play. This study includes reference to his last building, a project whose demolition Bostanashvili witnessed before passing away. Based on the concept of the return of the sacred, this edifice was a sort of counter movement to technogenic architecture.
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Zeitschriftenartikel Dissertationen Bücher

Dissertationen zum Thema "Architecture Philosophy":

1

Machado, Oscar A. „A Philosophy of Architecture“. Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/205.

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To evaluate specific architectural theories, an analytic methodology was used. The specific architectural theories evaluated all have in common the fact that their formative models can explain how their original ideas manifest in the practice of architectural works. Although these architectural theories researched are thousands or in some cases hundreds of years apart, a way to compare and contrast them was to use philosophies of art common to all. This contemporary approach to analysis was done with the use of ?analytic philosophy? for its effectiveness to clarify concepts. Central aspects of architectural theories will be analyzed in detail through the lenses of four contemporary theories of the philosophy of art. They are: formalism (including neo-formalism and theories that emphasize the connection between form and function), expression theories, representation theories (including neo-representational and mimetic accounts), and theories based on aesthetic experience. Looking at architecture from the viewpoint of analytic philosophy of art provides new insights into the nature of architecture and illuminates the field in significant ways. A recommendation for further study is enclosed.
2

Eaton, Marcella. „Philosophy and design in landscape architecture“. Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/32101.

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3

Frydrych, David. „The architecture of rights“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8a0f3763-e786-42d6-bd62-b9eee7ad36c7.

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This thesis concerns the various concepts of rights and philosophical accounts of them. Chapter 1 addresses some methodological issues affecting analytic legal philosophy and the philosophy of rights. Chapter 2 distinguishes between two kinds of philosophical accounts of rights: models and theories. Models outline the 'conceptually basic' types of rights, their differences, and their relationships with other kinds of 'normative positions' (e.g., duties, liabilities, etc.). Theories of rights serve two roles: first, to posit a supposed ultimate purpose for all rights; second, to provide criteria for determining what counts as 'a right' in the first place. The chapter also criticises both monistic models (ones positing only a single basic kind) for being under-inclusive and a subset of pluralistic ones (those positing several basic kinds) as over-inclusive. Chapter 3 clarifies the concepts of rights exercise, enforcement, remedying, and vindication. Chapter 4 explains the Interest-Will Theories of rights debate, while Chapter 5 argues that its constituents are irredeemably flawed, unnecessary, and under-inclusive. Chapter 6 further analyses the concept of rights enforceability, showing why legal rights are not invariably enforceable by legal powers. It then explains why wholly unenforceable legal rights nonetheless constitute 'imperfect' or defective cases. Chapter 7 argues there are more ways to enforce legal rights than just via powers, elucidating two such modes: legal rights can generally be claimed or invoked using legal liberties in private and social circumstances. While Chapter 8 shows why it might not always be possible to make liberty-based claims or invocations of right, it also provides reasons for thinking that legal rights that cannot be enforced in these ways are also imperfect.
4

Pickersgill, Robert Sean, und sean pickersgill@unisa edu au. „Architecture and Horror: Analogical Explorations in Architectural Design“. RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090525.162052.

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This thesis examines the relationship between the practice of architectural design and the media through which it is represented. It makes a consistent critical appraisal of the philosophical presumptions under which architectural theory is made, in particular, the relationship between theories of expression and representation. The thesis presents seven distinct projects by the author which developmentally explore the degree to which architecture is able to represent the sublime - in particular through the concept of horror. In this instance horror emerges as a category of excess that supervenes the uses of the term in the genres of film and literary studies. Within the thesis horror describes an (impossible) objective for representation The thesis argues that the environment within which these philosophical questions of 'effect' may most resonantly be explored is, ultimately, digital media. The author draws on contemporary commentary by Jacques Derrida and Georges Bataille, in particular Derrida's discussion of the Parergon and contemporary discussion of l'informe, the informal to support these arguments. It is within the apparently 'real' environments of virtual reality that the presentation of the mise-en-scene of horror may be explored. Immersive digital environments, it is argued, provide an appropriate level of freedom and direction for the exploration of the spatial experience of the abyss. The thesis concludes by presenting observations on the antinomy of aspirations that any materialist theory of architectural practice must attend to when working within digital media.
5

Durning, Louise. „The Architecture of Humanism : an historical and critical analysis of Geoffrey Scott's architectural theory“. Thesis, University of Essex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.276634.

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6

Meraz, Avila Fidel Alejandro. „Architecture and temporality in conservation philosophy : Cesare Brandi“. Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10819/.

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In conservation of culturally significant architecture (CSA), awareness about problems of temporality and their consideration has been frequently approached with different perspectives. However, these partial explanations have usually focused on accounts of temporality that mainly approach the past and the present, and more rarely the future, but do not consider the complete spectrum of human temporality, nor explicit ontological bases. In this thesis, architecture emerges as a manifold being in constant becoming that compels human being to exercise permanently memory and assimilation. The main contribution is the proposal of an existential approach towards conservation as an intentionality grounded on the more fundamental attitudes of cultivation and care. Through epistemological and phenomenological analysis of Brandi’s thought – focusing on his paradigmatic Theory of Restoration – his attitude comes forth as a particular form of conservation intentionality limited to architecture as a work of art. Following mainly Ingarden and Ricoeur, the results of ontological and phenomenological investigations about architecture and temporality demonstrate conservation in its modern form as a limited temporal intentionality. After these theoretical pre-conditions, the existential approach applied on the previously deduced dimensions of the space and time of Dasein – in Heidegger’s terms – proved the grounding of conservation on an existential interpretation of the more fundamental notions of cultivation and care. Making an analogy with Ingarden’s notion of the architectural work of art, CSA is ontologically analysed emerging to consciousness as a manifold being that can be concretized in different ways according with the attitude of the receptor. After the phenomenological analysis of memory, architectural conservation in its modern form is demonstrated as a partial account of human temporality that can be overcome considering human inhabitation in a creative way. Partially supported on the obtained cases of remembered architecture, the hermeneutical approach concluded suggesting a solution for the impasse with an existential account of both, the artistic grounding of architecture and its characterisation as the place that temporally accompanies Dasein. Thus, architecture is ontologically demonstrated to have a manifold being in constant state of transformation that participates of an unavoidable humanised temporality, appearing as a less ambiguous object of conservation. Hence, architecture is existentially demonstrated as constituting the space for the authentically concerned human, whose temporal consciousness compels to cultivate and care about, enriching the possible approaches to conservation as a collective endeavour.
7

Chernisheva, M. O., und М. О. Чернишева. „New philosophy of building architecture for the elderly“. Thesis, National aviation university, 2021. https://er.nau.edu.ua/handle/NAU/54516.

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Unfortunately, the modern boarding house for the elderly in Ukraine is often inconvenient and outdated, both physically and morally for the comfortable stay of residents there: the living rooms are arranged as hospital wards and do not cause a feeling of comfort and reliability. Most of these buildings do not meet the requirements of inclusiveness, so more and more often orphanages become only the last refuge, where the main task of the elderly is survival, because there is no space for fun, platforms for personal development and spiritual growth, conditions for communication. In addition, the existing buildings in the country are not enough to accommodate everyone who needs this service. This becomes a catalyst for the operation of illegal boarding houses, where the owners' goal is to make money. After all, a person does not feel supported, and the idea that life in retirement is only the beginning of new hobbies, a resource for development and communication, becomes unrealistic to perceive.
Сучасний пансіонат для людей похилого віку в Україні часто незручна і застаріла, як фізично, так і морально будівля: житлові кімнати облаштовані як лікарняні палати, і не викликають відчуття комфорту та надійності. Більшість із цих будівель не відповідають вимогам інклюзивності, тому все частіше такі будинки стають лише останнім притулком, де головне завдання людей похилого віку – це виживання, тому що тут немає місця для розваг, платформ для особистого розвитку і духовного зростання, умов для спілкування. Крім того, існуючих будівель недостатньо, щоб вмістити всіх, хто потребує цієї послуги. Це стає каталізатором появи нелегальних пансіонатів, де метою власників є заробіток. Адже людина там теж не відчуває підтримки, і думка про те, що життя на пенсії — це лише початок нових захоплень, ресурс для розвитку і спілкування, стає нереальним для сприйняття.
8

Mokha, Bhavana K. „Investigating temporary architecture(s)“. Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1348350.

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Architecture has always been associated with the qualities of permanence and timelessness. The thesis investigates the notions of temporality and permanence in relation to the built environment. It recognizes that in the ever changing dynamic flux of the built environment, there is an architectural paradigm which is as important as the imagined timeless structures that constitute the architectural discourse.First, the notions of permanence are discussed. It is pointed out that what is considered to be permanent in architecture is, in fact, the `image' of the building, and not the actual structure as it constantly changing, deteriorating, and undergoing metamorphosis with time. The second part deals with the constructs of time and space through history; resultant architectural theories and its effects on the built environment.An attempt to understand the history of temporary architectures is made in the third part. Further analysis draws on the understanding of the difference in the western and the eastern perspective on temporary architecture. In the fourth part it is argued that there are alternative ways of looking at temporary architectures that need to be addressed. One of the ways of looking at them is how they affect the urban and the public realm.The fifth part of the thesis, discusses the various meanings of urban space and the formation of the public realm. The contrasting examples of the transforming urban space in Ahmadabad, India and San Francisco, USA give an insight of the ways temporary architectures can assist in the ever changing urban environment.The sixth part proposes a diagram of taxonomical organization through which temporary architecture(s) can be better understood; namely as `temporary structures',' temporary spaces', `temporary uses/users' and the resulting `temporary urbanisms.'The concluding chapter finally discusses the importance of recognizing this void in our understanding of temporary architecture; as also realizing their importance in creation of a successful urban realm.
Department of Architecture
9

Antony, Michael Verne. „Consciousness, content, and cognitive architecture“. Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/13729.

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10

Bail, Muriel. „Dance and architecture“. Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23739.

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Bücher zum Thema "Architecture Philosophy":

1

H, Mitias Michael, Hrsg. Philosophy and architecture. Amsterdam: Rodopi, 1994.

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2

1952-, Benjamin Andrew, Hrsg. Philosophy and architecture. London: Academy Group, 1990.

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3

Benjamin, Andrew E. Architectural philosophy. London: Athlone Press, 2000.

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4

E, Benjamin Andrew, Hrsg. Complexity: Architecture, art, philosophy. London: Academy Group, 1995.

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5

Padovan, Richard. Proportion: Science, philosophy, architecture. London: E & FN Spon, 1999.

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6

Jonathan, Hill. Immaterial architecture. New York: Routledge, 2006.

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7

Bekaert, Geert. Architectuur zonder schaduw =: Architecture devoid of shadow. Rotterdam: Uitgeverij, 1988.

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8

Jonathan, Hill. Immaterial architecture. London: Routledge, 2006.

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9

Cacciari, Massimo. Architecture and nihilism: On the philosophy of modern architecture. New Haven, Conn: Yale University Press, 1993.

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10

Cacciari, Massimo. Architecture and nihilism: On the philosophy of modern architecture. New Haven: Yale University Press, 1993.

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Buchteile zum Thema "Architecture Philosophy":

1

De Raedt, Nele. „Architecture“. In Encyclopedia of Renaissance Philosophy, 1–14. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-02848-4_660-1.

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2

Lahiji, Nadir. „Toward a philosophy of shelter“. In Architecture or Revolution, 253–79. New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780367853372-11.

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3

De Raedt, Nele. „Architecture and Renaissance“. In Encyclopedia of Renaissance Philosophy, 1–14. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-02848-4_660-2.

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De Raedt, Nele. „Architecture and Renaissance“. In Encyclopedia of Renaissance Philosophy, 192–205. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_660.

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5

Pitt, Joseph C. „Design Criteria in Architecture“. In Philosophy and Design, 317–27. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6591-0_24.

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6

Lahiji, Nadir. „Philosophy and happiness“. In Architecture in the Age of Pornography, 120–25. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003195092-19.

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7

Lanciaux, Ryan. „The Mise en Place Philosophy“. In Modern Front-end Architecture, 1–11. Berkeley, CA: Apress, 2021. http://dx.doi.org/10.1007/978-1-4842-6625-0_1.

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Sadegh-Zadeh, Kazem. „The Architecture of Medical Knowledge“. In Philosophy and Medicine, 383–442. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2260-6_9.

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Sadegh-Zadeh, Kazem. „The Architecture of Medical Knowledge“. In Philosophy and Medicine, 391–451. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9579-1_10.

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Rush, Fred. „Sculpture on the Verge of Architecture“. In Philosophy of Sculpture, 130–48. New York : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429462573-8.

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Konferenzberichte zum Thema "Architecture Philosophy":

1

Annaz, Fawaz. „Architecture philosophy in high integrity electromechanical actuators“. In 2008 5th International Symposium on Mechatronics and Its Applications (ISMA). IEEE, 2008. http://dx.doi.org/10.1109/isma.2008.4648830.

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Alison, Aurosa. „Les « Unités » Modulor dans la Philosophie de l’Espace de Gaston Bachelard“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1045.

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Résumé: Celui du Modulor est le premier exemple de la mesure humaine utilisée dans l’architecture. L’architecture de la moitié du vingtième siècle a été influencée par les projets de Le Corbusier. En même temps, la pensée de Gaston Bachelard s’évolue contextuellement au Mouvement Moderne et en 1957 le philosophe publie le célèbre ouvrage « La Poétique de l’espace ». Une bonne partie de sa pensée a été influencée par l’étude des quatre éléments naturels, par une conception de l’espace intime et par les différents développements de l’image de la maison. La description de la maison, dans les mots de Bachelard, correspond aux thèses principales de Carl Gustav Jung sur les différentes étapes de l’âme. Dans cette étude nous analysons les liaisons entre une conception intime de l’espace vécu et la pensée progressive de l’architecture moderne. A travers les exemples suggérés par l’Unité d’Habitation et par le Cabanon de Le Corbusier, nous voulons illustrer les dynamiques d’une philosophie de l’espace, émotionnelle, intime et secret. Abstract: The Modulor is the first example of the human measure. The architecture of the second part of the twenty century was influenced by Le Corbusier works. The development of the thought of Gaston Bachelard is contextualized in the second half of the twentieth century too, he writhed the Poetic of the Space on 1957. His philosophy was influenced based on the study of the four natural elements, up to the conception of intimate space, namely that of the house. The Bachelard house description corresponds to the Carl Gustav Jung’s theses about the soul life and the soul stadium. In this paper we analyse the correspondences between an intimate conception of the lived space and an architectural progressive thought. Throw the examples of Le Corbusier’s Unité d’Habitation and of Le Corbusier’s Cabanon we try to explain the emotional, intimate and secret dynamic of a current Space Philosophy. Mots clés: Unités, Modulor, Architecture, Mouvement Moderne, Gaston Bachelard, Poétique de l’espace, Espace intime. Keywords: Unités, Modulor, Architecture, Gaston Bachelard, Space Philosophy, Intimate Space. DOI: http://dx.doi.org/10.4995/LC2015.2015.1045
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Lazareva, Maryna. „PHILOSOPHY OF ARCHITECTURE IN THE DIMENSION OF CONSUMER CONSCIOUSNESS“. In LES TENDANCES ACTUELLES DE LA MONDIALISATION DE LA SCIENCE MONDIALE. European Scientific Platform, 2020. http://dx.doi.org/10.36074/03.04.2020.v3.12.

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Maroldi, Fabio, Fiamma Colette Invernizzi und Samuele Ferrarese. „PERCEPTION AND VISION OF HISTORICAL ARCHITECTURE: KNOWLEDGE PROJECT. BETWEEN PHILOSOPHY, PSYCHOLOGY AND ARCHITECTURE“. In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/iceri.2016.1666.

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Mao, Quan, Jing Qin, Xinfang Zhang und Ji Zhou. „Case Prototype Based Design: Philosophy and Implementation“. In ASME 1994 International Computers in Engineering Conference and Exhibition and the ASME 1994 8th Annual Database Symposium collocated with the ASME 1994 Design Technical Conferences. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/cie1994-0421.

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Abstract In this paper, the philosophy of case prototype based design is proposed. The system architecture of CascDEST which is an embodiment of this philosophy are presented in the paper, also an algorithm of neural network based analogical case retrieval and a strategy of constraint networks based object scheme evaluation and modification are described in details. Finally, an application of CascDEST in three series industrial steam turbine design is presented.
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Taubman, David S., und Robert Prandolini. „Architecture, philosophy, and performance of JPIP: internet protocol standard for JPEG2000“. In Visual Communications and Image Processing 2003, herausgegeben von Touradj Ebrahimi und Thomas Sikora. SPIE, 2003. http://dx.doi.org/10.1117/12.502889.

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Milosevic-Jevtic, Gordana. „ARCHITECTURE OF THE FAMILY MAUSOLEUMS ON DANUBE LIMES BETWEEN SINGIDUNUM AND PONTES“. In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s9.042.

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Basso, Brandon, Benjamin Kehoe und J. Karl Hedrick. „A Multi-Level Modularized System Architecture for Mobile Robotics“. In ASME 2010 Dynamic Systems and Control Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/dscc2010-4257.

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This paper describes a modular system architecture for mobile robotics. It presents the view of an individual robot as a collection of many small pieces of hardware and software grouped into functional subsystems. A set of robots can then join together to form a larger system. The goal of this work is to describe a software design philosophy and architecture that is flexible yet robust enough to meet the challenges of the mobile robotics domain. The guiding design principle is bottom-to-top modularization, from individual algorithms, to software executables, to functional groupings of executables. These functional groupings are presented as canonical subsystems for collaborative robotics, applicable to a wide range of robotics systems. A multi-agent multi-user UAV application is presented as a case study and proof of the generality of the design philosophy.
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Guo, Z. J., L. B. Shi und Z. X. Yao. „Distributed parallel computing architecture design philosophy for TTC evaluation with transient stability constraints“. In 2008 Third International Conference on Electric Utility Deregulation and Restructuring and Power Technologies. IEEE, 2008. http://dx.doi.org/10.1109/drpt.2008.4523512.

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Nesterova, T. „PROPORTIONS IN ARCHITECTURE AS A POSSIBILITY OF DETERMINING THE TIME OF ESTABLISHMENT OF HISTORICAL BUILDINGS“. In Man and Nature: Priorities of Modern Research in the Area of Interaction of Nature and Society. LCC MAKS Press, 2021. http://dx.doi.org/10.29003/m2595.s-n_history_2021_44/123-133.

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The article discusses the methodology for determining the time of erection of architectural monuments, which is based on the proportions of the volumetric-spatial structure of buildings. In all historical periods, the architecture of buildings was created based on mathematically precise calculations, known as architectural proportions, which acquired metaphysical properties under the influence of ancient philosophy and continued to be used until the late Middle Ages. Depending on the archetype of buildings, the relationship between structural and architectural parts came from a certain part of the building, the so-called module, which changes over time and geographical areas. There are two main types of architectural proportions: constructive and artistic, the first being the most conservative, and the second varying, determining stylistic temporal preferences. In the process of studying the architectural heritage of medieval Moldavia, both types of proportions were identified, amenable to numerical and metrological measurements. In the examples given, the proportions were used to determine the architectural form and antiquity of the buildings.

Berichte der Organisationen zum Thema "Architecture Philosophy":

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Kiefer, M. L., D. B. Seidel, R. S. Coats, J. P. Quintenz, T. D. Pointon und W. A. Johnson. Architecture and computing philosophy of the QUICKSILVER, 3D, electromagnetic, particle-in-cell code. Office of Scientific and Technical Information (OSTI), Januar 1990. http://dx.doi.org/10.2172/7271685.

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Bush, R., und D. Meyer. Some Internet Architectural Guidelines and Philosophy. RFC Editor, Dezember 2002. http://dx.doi.org/10.17487/rfc3439.

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