Zeitschriftenartikel: „Architecture and women“

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Ivanović-Vojvodić, Jelena, und Milena Zindović. „Women in architecture in Serbia“. Tehnika 75, Nr. 4 (2020): 379–88. http://dx.doi.org/10.5937/tehnika2003379i.

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This article presents women's work in architecture in Serbia since the beginning of the 20th century, until today. First part of the article is dedicated to the historical review of some of the important women architects and their work and accomplishments, based on the data gathered through the project Women in Architecture, which explores this topic since 2013. The second part of the article is a review of contemporary women's architectural production, since 1990. until today. Considering the large number of active women architects and their production, the valorization of the authors and work is based primarily on important professional awards received by women architects in the last 30 years. This review showcases the development of architecture in Serbia, as well as the important, although often neglected in academic circles, women's contribution and creativity in this field.

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Ockman, Joan, Sara Holmes Boutelle und Peter Adam. „Two Women in Architecture“. Journal of Architectural Education (1984-) 46, Nr. 1 (September 1992): 51. http://dx.doi.org/10.2307/1425242.

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Ockman, Joan. „Two Women in Architecture“. Journal of Architectural Education 46, Nr. 1 (September 1992): 51–55. http://dx.doi.org/10.1080/10464883.1992.10734534.

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4

Prince, Nandi. „Women of Colour and Black Women Leaders are Underrepresented in Architectural Firms Featured in Key Trade Publications“. Evidence Based Library and Information Practice 17, Nr. 3 (19.09.2022): 138–40. http://dx.doi.org/10.18438/eblip30180.

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A Review of: Mathews, E. (2021). Representational belonging in collections: A comparative study of leading trade publications in architecture. Library Resources & Technical Services, 65(3). https://journals.ala.org/index.php/lrts/article/view/7486 Abstract Objective – To measure how well women are reflected, specifically women of colour, in architectural trade publications. Design – Quantitative diversity audit. Setting – Architecture field. Subjects – Architectural firms whose work appeared in four trade publications (Architectural Record, Architectural Review, l’Architecture d’Aujourd’hui, and Detail) in 2019. Methods – A diversity audit was selected to analyze the representation of various subsets of women within the architecture core collections. The Avery index was used to identify architectural firms featured in four trade publications. The quantitative study collected demographic data from 354 firms, featuring 726 women. Within these firms, the author sought to identify women leaders and how many of those were women of colour. The author then used four guiding questions to analyze the journals: (1) individual journals’ coverage; (2) size of the firm; (3) type of firm, and (4) firms which issued a statement in support of the Black Lives Matter Movement and the likelihood of a woman of colour being in a leadership role. Main Results – The key results for the studies guiding questions were: (1) the overall average of women leaders in the firms covered in the journals was 24% and for women of colour 6%. Architectural Record featured the highest proportion of firms with women in leadership roles (28%) and those with women of colour as leaders (9%); (2) women leadership was higher in smaller firms (large 24%; medium 20%; small 31%) as was women of colour in leadership (large 3%; medium 6%; small 9%); (3) insufficient data was found for meaningful analysis of the representation of women according to specialization within the architectural field; and (4) the firms that issued clear BLM statements were highest in the US (15%) overall. Architectural Record, a US publication, featured the highest percentage of firms that made clear BLM statements (27%). Conclusion – The study concluded that there was an underrepresentation of women, women of colour, and Black women in architectural trade publications. The author’s position is that collection development practices should adequately reflect the library users they serve with acquisition actions that increase a more equitable representation. The author stated that the practical implications for this study fall under the rubric of remediation in the following areas: (1) balance inequities in architectural programs by increasing enrollment of women; (2) identify collections which lack inclusivity, balance them with curated electronic resources; and (3) collection policies should reflect readership and encourage a sense of professional belonging. In future studies, the author acknowledges that a qualitative study based on responses from architects would complement the current study.

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Pinzón, Ana María, und Andrea J. Merrett. „dearq 20: Women in architecture“. Dearq, Nr. 20 (Juli 2017): 1–2. http://dx.doi.org/10.18389/dearq20.2017.00a.

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Leavitt, Jacqueline, Ellen Perry Berkeley und Matilda McQuaid. „Architecture: A Place for Women“. Journal of Architectural Education (1984-) 44, Nr. 4 (August 1991): 237. http://dx.doi.org/10.2307/1425146.

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7

Seeber, Karin. „Women, Modernity, and Landscape Architecture“. Journal of Landscape Architecture 11, Nr. 1 (02.01.2016): 94–95. http://dx.doi.org/10.1080/18626033.2016.1144694.

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Pérez-Moreno, Lucía C., und Patrícia Santos Pedrosa. „Women Architects on the Road to an Egalitarian Profession—The Portuguese and Spanish Cases“. Arts 9, Nr. 1 (23.03.2020): 40. http://dx.doi.org/10.3390/arts9010040.

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The 1970s was a key decade in the path towards democracy in the Iberian Peninsula. Portugal and Spain suffered deep social, cultural and political changes, with Salazar’s and Franco’s Totalitarian Regimes ending in 1974 and 1975 respectively. In both countries, located side-by-side in the Western end of Southern Europe, democracy was finally established, marking a turning point in the liberties of all Iberian citizens, but especially in regard to women’s life and work. As the Editorial of the Special Issue ‘Becoming a Gender Equity Democracy: Women and Architecture Practice in Spain and Portugal’, this text aims to briefly present this panorama to appreciate the particularities of Portugal and Spain in relation with the delay incorporation of women to the architecture profession. It explains the gender stereotypes of Salazar’s and Franco’s Regime in order to understand the discrimination against women that they produced and how it maintained women far from the architecture profession. Therefore, it provides useful data on the incorporation of women into architectural studies in order to understand the feminization of this gendered profession in both countries. This Special Issue aims to create an opportunity for researchers and scholars to present discussions and ongoing research on how democracy affected women that wanted to practice architecture as well as architectural analysis of women architects.

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Muxí, Zaida, und Daniela Arias Laurino. „Filling History, Consolidating the Origins. The First Female Architects of the Barcelona School of Architecture (1964–1975)“. Arts 9, Nr. 1 (25.02.2020): 29. http://dx.doi.org/10.3390/arts9010029.

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After Francisco Franco’s death, the process of democratisation of public institutions was a key factor in the evolution of the architectural profession in Spain. The approval of the creation of neighbourhood associations, the first municipal governments, and the modernisation of Spanish universities are some examples of this. Moreover, feminist and environmental activism from some parts of Spanish society was relevant for socio-political change that affected women in particular. The last decade of Franco’s Regime coincided with the first generation of women that graduated from the Barcelona School of Architecture (ETSAB). From 1964 to 1975, 73 female students graduated as architects—the first one was Margarita Brender Rubira (1919–2000) who validated her degree obtained in Romania in 1962. Some of these women became pioneers in different fields of the architectural profession, such as Roser Amador in architectural design, Alrun Jimeno in building technologies, Anna Bofill in urban design and planning, Rosa Barba in landscape architecture or Pascuala Campos in architectural design, and teaching with gender perspective. This article presents the contributions of these women to the architecture profession in relation to these socio-political advances. It also seeks—through the life stories, personal experiences, and personal visions on professional practice—to highlight those ‘other stories’ that have been left out of the hegemonic historiography of Spanish architecture.

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Davidi, Sigal. „By women for women: modernism, architecture, and gender in building the new Jewish society in Mandatory Palestine“. Architectural Research Quarterly 20, Nr. 3 (September 2016): 217–30. http://dx.doi.org/10.1017/s1359135516000452.

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This article explores issues of gender and modern architecture in Mandatory Palestine in the context of 1920s and 1930s modernism. Women architects, newly immigrated from Germany, collaborated with WIZO, Women's International Zionist Organisation, in building Domestic Science and Agriculture training schools for Jewish immigrant women in the country. WIZO adopted the concept of the modern domestic sphere, particularly the rational kitchen, believing that a modern and efficient household will benefit women and society as a whole. Thus, their planned schools were to be modern both in appearance and in their built-up space: rational, airy and full of light. The women architects who studied and worked in Germany prior to their immigration, emphasised these modernist concepts in their design. These early ambitious architectural achievements by women for women were unique in the context of modernism and helped structure the national identity of the ‘New re-formed domestic woman’ in Mandatory Palestine.

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Islam, Sk Zohirul. „Women Empowerment through Muslim Architecture Which Built by Name of them in Bangladesh during Mediaeval Period: A Preliminary Survey Report“. American Economic & Social Review 3, Nr. 1 (10.11.2018): 12–17. http://dx.doi.org/10.46281/aesr.v3i1.195.

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There are many Muslim architectures built by women patron which called Bibi/Begum in Bangladesh during mediaeval period as Binat Bibi Mosque architecture at Dhaka. It mentioned women's contribution financially. This research paper is trying to show women empowerment through architecture which built by name in Bangladesh during mediaeval era. It is a preliminary qualitative survey report and tries to understand how housewives inspired to makes/commissioned for constructing monuments. Besides, what was the position of them in the Royal court or their society as well as Bibi/Begum contribution in mediaeval Muslim mosque architecture of Bengal and by name monuments of tomb architecture formation?

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Heynen, Hilde, und Lucía Pérez-Moreno. „Narrating Women Architects’ Histories. Paradigms, Dilemmas, and Challenges.“ arq.urb, Nr. 35 (14.12.2022): 110–22. http://dx.doi.org/10.37916/arq.urb.vi35.635.

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Women studies in architecture have been inspired by different ways of thinking, which can be summarized in four ‘paradigms’: difference thinking, equality thinking, constructionist thinking and intersectionalist thinking. By revising seminal books, articles and exhibitions, this paper explores the historiographical dilemmas and challenges that narrating women architects’ histories involves, focusing on two of the most relevant ones: the question of authorship and the canonical understanding of the architecture as the design of new architectural objects. The paper discusses the impact of women studies in art on the methodologies used in narrating women architects, but also presents the differences that should be taken into account when exploring the work of women artist and architects.

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Simpson, Pamela H., und Clare Lorenz. „Women in Architecture, a Contemporary Perspective“. Woman's Art Journal 12, Nr. 2 (1991): 51. http://dx.doi.org/10.2307/1358293.

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Sánchez de Madariaga, Inés. „Women in architecture: the Spanish case“. Urban Research & Practice 3, Nr. 2 (02.06.2010): 203–18. http://dx.doi.org/10.1080/17535069.2010.481377.

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Sahney, Puja. „Producing Sacred Space in Secular Kitchens: South Asian Immigrant Women’s Hindu Shrines in American Domestic Architecture“. Special Issue - Storied Spaces: Renewing Folkloristic Perspectives on Vernacular Architecture 90-91 (29.04.2021): 24–42. http://dx.doi.org/10.7202/1076796ar.

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This paper demonstrates the processes of spatial production achieved through the setup of a home shrine by newly arrived Hindu immigrant women inside American houses, particularly the kitchens. By focusing on the home shrine, the paper uses a gendered lens through which to understand vernacular architecture, since women often garner greater control over domestic objects and interiors than they do over construction of buildings. I propose that production of sacred space, achieved through domestic objects like home shrines, is a fluid process. Its location in the house can be more easily changed from one place to another. Compared to the permanent construction of buildings, this compliancy of form may appear less concrete for providing objective architectural analysis. However, I suggest that it is the opposite. The flexibility involved in women’s production process makes room for greater spatial negotiation and demonstrates the diversity of ways concrete domestic architecture is maneuvered to satisfy women’s religious needs over time. Further, the paper demonstrates the wide array of complex decisions that women have to make regarding body movements in the house and worship practices, achieved through material intervention, that speak of domestic architecture in less static and more dynamic ways. By tracing women’s experiences with domestic architecture as new arrivals in the country, and later, as permanent residents, the paper foregrounds women’s strong architectural contributions through the use of domestic objects that enable a gendered and consequently a more inclusive approach to the study of architectural space.

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Smith, Laura Katz. „The International Archive of Women in Architecture:“. Art Reference Services Quarterly 1, Nr. 2 (14.01.1993): 75–83. http://dx.doi.org/10.1300/j102v01n02_08.

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Delman, Rachel M. „Women, art and architecture in Renaissance Europe“. Renaissance Studies 34, Nr. 3 (03.06.2019): 493–500. http://dx.doi.org/10.1111/rest.12597.

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Stav, Kobi, Meny Alcalay, Smadar Peleg, Arie Lindner, Gabriela Gayer und Israel Hershkovitz. „Pelvis Architecture and Urinary Incontinence in Women“. European Urology 52, Nr. 1 (Juli 2007): 239–44. http://dx.doi.org/10.1016/j.eururo.2006.12.026.

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Treep, Lucy. „Part of the Landscape“. Architectural History Aotearoa 19 (13.12.2022): 94–99. http://dx.doi.org/10.26686/aha.v19i.8051.

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In 1969, Lincoln College (later University) opened a two-year postgraduate course in Landscape Architecture, the first of its kind in New Zealand. It was described as "for those who seek employment as professional landscape designers in private consulting practice or as members of planning teams in departments concerned with major engineering projects, highways, forestry, conservation and large-scale agricultural development." The college was seen to actively encourage women into the profession and from the first days of the course at Lincoln, women were part of the landscape. On March 3, 1969, Emily Mulligan was one of five founder students attending the first lecture of this new course. After Mulligan graduated in 1971, she was joined, in 1974, by Di Lucas, Diane Menzies and Esmae Sage, and not long after then, women started to regularly fill about half of each Landscape Architecture class. In comparison, the first woman student at the Auckland College School of Architecture, Laura Cassels-Browne, enrolled in 1926, nine years after the establishment of the school. The first woman graduate of the School of Architecture was Merle Greenwood in 1933, 16 years after the school's establishment. Even in the 1960s and 70s women architecture students (who still made up small numbers) reported feeling uncertain of their welcome into the profession. Drawing on conversation with Emily Mulligan (now Williams), this paper will explore the nature of the landscape course at Lincoln, in what ways women students were encouraged in its early days, and the relationship of the course with the wider profession.

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Hultzsch, Anne. „Other Practices: Gendering Histories of Architecture“. ZARCH, Nr. 18 (02.09.2022): 30–41. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022186968.

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“To write women back into history”, is an often-used phrase in recent feminist discourse. More and more scholars work to increase the visibility of those women who took charge of design projects in the recent and not so recent past. While crucial, such efforts are, in the paradox way of how privilege works, to an extent counterproductive: presenting these women (and other, historically marginalised figures) as exceptions from the rule – as eccentric trailblazers - implies the majority of their female (or Black, indigenous, queer, other ...) contemporaries had no influence within (white, male) architectural practices. This position paper argues that we also need to look for other practices that enabled women (and others) in greater numbers to gain agency. Writing is one such practice: the recording of experience, critiques, and instructions to appropriate the designed, ascribing meaning to architectures and landscapes. Locating architectural agency in a practice that, while presuming some privilege, was much more open to marginalised groups than that of the architect, enables us to look at the past more inclusively: to write gendered histories that open up spaces for those that were there, in fact.

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McCarthy, Christine. „Architectural style spreads its wings: New Zealand Architecture in the 1880s“. Architectural History Aotearoa 10 (14.02.2022): 1–15. http://dx.doi.org/10.26686/aha.v10i.7306.

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The 1880s was a period in New Zealand of economic depression. It caused "unemployment, family distress, ragged children and exploited women workers, general business collapse, a crash in the property market, a ten-year banking crisis, bankruptcies and unstable ministries." But despite this Hodgson identifies this period in New Zealand's architectural history as one when: "Architectural style ... started to spread its wings and this period contains some fine examples of building design which was definitely out of the mainstream."

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Mathews, Emilee. „A comparison of women role models in architecture firms featured in Architectural Record and Architectural Review“. Art Libraries Journal 47, Nr. 4 (Oktober 2022): 84–91. http://dx.doi.org/10.1017/alj.2022.16.

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How are women represented, specifically women of colour, in architecture library collections? I focus on two major trade periodicals to find out: Architectural Review (a British publication) and Architectural Record (American). I analyse firms highlighted in these periodicals in 2019, researching the proportion of women in leadership per each featured company. I compare against demographic and occupational statistics in the respective countries to see if these periodicals accurately represent the field, or further reinforce antiquated notions. My findings suggest that who the periodicals highlight is roughly proportionate or more diverse than the field itself, but the field continues to mostly represent white men as successful architects. Library collections reify that notion. In order to decentre the monolithic nature of many library collections, I further suggest approaches to increasing diversity based on my own initiatives.

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Way, T. „Early Social Agendas of Women in Landscape Architecture“. Landscape Journal 25, Nr. 2 (01.01.2006): 187–204. http://dx.doi.org/10.3368/lj.25.2.187.

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Meder, I., und U. Krippner. „VIENNESE JEWISH WOMEN IN HORTICULTURE AND GARDEN ARCHITECTURE“. Acta Horticulturae, Nr. 881 (November 2010): 1075–80. http://dx.doi.org/10.17660/actahortic.2010.881.180.

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Yucel, Sebnem. „Feminist practices: interdisciplinary approaches to women in architecture“. Gender, Place & Culture 19, Nr. 4 (August 2012): 552–53. http://dx.doi.org/10.1080/0966369x.2012.693762.

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Hildayanti, Andi. „ANALOGI PEREMPUAN DALAM PERKEMBANGAN ARSITEKTUR VERNAKULAR DI SULAWESI SELATAN“. Pepatudzu : Media Pendidikan dan Sosial Kemasyarakatan 18, Nr. 2 (30.11.2022): 136. http://dx.doi.org/10.35329/fkip.v18i2.3037.

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In the vernacular architecture development, the female body size has been used as a basis for determining the room size in the building. The existing forms appreciation manifested in domain forms, space functions, materials, and ornaments. The female gender elements, both in terms of body anatomy and special room, are applied as a form of reflection the traditional identity house. One of the traditional houses that applies gender roles as an architectural philosophy is the Karampuang Traditional House which is located in Sinjai Regency, South Sulawesi. This study discusses the role of women as the basis for the philosophy and architectural symbolism of the Karampuang Traditional House. The analytical method used is descriptive analysis interpretation based on the architectural components found in the Karampuang house data. The results showed that complexity of female gender which cannot be separated from the nature of women and the history of Karampuang where the first person to build and prosper Karampuang is a woman. The use and placement of symbols on parts and ornaments of the house represents the female body anatomy. The female gender is more dominant in the traditional Karampuang house. Aspects based on gender in the Karampuang traditional house are influenced by the history believed by the community, and female gender elements both in terms of body anatomy, as well as a special room for women are applied in their traditional houses. In the context of preserving traditional houses and regional culture, especially in Karampuang, serious attention is needed both by the people themselves and by the government in an effort to protect, maintain, and maintain the uniqueness of Karampuang architecture.

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So, John. „The Origin of Korean Church Architecture“. Religion and the Arts 23, Nr. 3 (10.06.2019): 217–39. http://dx.doi.org/10.1163/15685292-02303002.

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Abstract This article examines the characteristics of Korean church architecture from the perspective of the hanok (the traditional Korean house). Previously, Western commentators criticized Korean church architecture as not reflecting a theological ideology and lacking a consistent architectural style. However, examining Korean church architecture through the lens of Western church architecture does not allow for the adequate appreciation or understanding of this form. This study, therefore, considers the development of Korean churches through an examination of the hanok, including floor plans, the concept of spatial expansion, and attitudes toward daylight. In addition, gender-based seating arrangements, the horizontal extension of space, and windows that admit horizontal daylight also reflect common aspects of the hanok. Beyond showing how a distinctly Korean church architecture developed over time, these characteristics also demonstrate the central role of women and the congregation in Korean churches, in contrast to the clergy-centric design of Western churches.

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Wasilah, Wasilah, und Andi Andi Hildayanti. „ARCHITECTURAL PERSPECTIVE OF GENDER ROLE IN DIGITAL ERA“. JURNAL SIPAKALEBBI 4, Nr. 1 (01.07.2020): 243–52. http://dx.doi.org/10.24252/jsipakallebbi.v4i1.14488.

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Many influential architects—many of them female—have been able to change how the world sees architectural design and the built environment. Their works are masterpieces that have not only been able to transform how the world understands architecture, but have also forefronted gender equality. This study thus seeks to forefront the building design of female architects who have influenced world civilization. Using a case study method, this research explains the architectural flow adopted by women architects, as well as the function, design, and characteristics of their works. It shows that women such as Julia Morgan, Zaha Hadid, and Norma Merrick Sklarek have been able to balance and inform urban development around the world, providing role models for young female architects in the digital era . Publication Rationale: We desire to show that gender equality exists in the world of architecture, and that the works of female architects have been able to influence world civilization.

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McNEILL, KAREN. „Julia Morgan: Gender, Architecture, and Professional Style“. Pacific Historical Review 76, Nr. 2 (01.05.2007): 229–68. http://dx.doi.org/10.1525/phr.2007.76.2.229.

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Architect Julia Morgan (1872-1957) cultivated a professional style that enabled her to exert authority in a male-dominated profession. This article focuses on three aspects of that style: her costume, her relationship to the media, and her downtown San Francisco offi ce. Rather than a shy woman who sought anonymity, Morgan was a savvy professional with a strong gender consciousness who actively sought success and shaped her own destiny. Her story provides insight into the history of women in the professions and the gendered landscape of the Progressive Era city. Since Julia Morgan left behind few words regarding her social views, professional intentions, or architectural philosophy, this article is also an interdisciplinary exercise that investigates the intersection of biography, material culture, gender, and the built environment.

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Velasco, Sherry. „Surveilling Gender through Architecture and Urbanism in Early Modern Spanish-Algerian Spaces“. Letras Femeninas 42, Nr. 2 (01.11.2016): 63–73. http://dx.doi.org/10.14321/letrfeme.42.2.0063.

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Abstract Influenced by feminist perspectives on urban and architectural studies, this essay examines the relationship between premodern Muslim urbanism and gendered relations, an issue that has received little attention in Hispanic cultural studies to date. This discussion will center on two particular features of domestic architecture and city planning typical of sixteenth- and seventeenth-century Algiers: the location and nature of street-facing windows and the communicable rooftops. Focusing primarily on Christian writers such as Antonio de Sosa, Miguel de Cervantes, and Lope de Vega, Velasco explores how their accounts document the ways in which women in Algiers could find unexpected and illicit ways of turning the high windows and the communicable rooftops to their advantage. Despite the constraints presented by an urban design and domestic architecture intended to segregate the sexes and control behavior, women in early modern Algiers (many of whom were recent immigrants from Spain) found ways to utilize their built environment to observe and navigate the world around them, gain access to a public domain commonly reserved for men, and sustain networks with other women in ways that might bypass traditional spatial, social, and personal restrictions and limitations. Through female-only gatherings and other forms of camaraderie that made use of traditional Islamic urbanism, Muslim women in Algiers found ways to challenge long-standing dichotomies of male/female, public/private, interior/exterior, visible/hidden, and chaste/lustful.

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Hayden, Dolores, und Robert G. Kennedy. „Architecture, Men, Women and Money in America, 1600-1860“. Journal of American History 73, Nr. 3 (Dezember 1986): 729. http://dx.doi.org/10.2307/1902999.

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Eaton, Leonard K., und Roger G. Kennedy. „Architecture, Men, Women and Money in America 1600-1860“. Technology and Culture 29, Nr. 3 (Juli 1988): 695. http://dx.doi.org/10.2307/3105306.

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Humphreys, R. Stephen. „Women as Patrons of Religious Architecture in Ayyubid Damascus“. Muqarnas 11 (1994): 35. http://dx.doi.org/10.2307/1523208.

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Shahtaheri, Seyed Mohsen, Jean E. Aaron, David R. Johnson und David W. Purdie. „Changes in trabecular bone architecture in women during pregnancy“. BJOG: An International Journal of Obstetrics and Gynaecology 106, Nr. 5 (Mai 1999): 432–38. http://dx.doi.org/10.1111/j.1471-0528.1999.tb08296.x.

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Lucy Fischer. „City of Women: Busby Berkeley, Architecture, and Urban Space“. Cinema Journal 49, Nr. 4 (2010): 111–30. http://dx.doi.org/10.1353/cj.2010.0008.

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Schoffel, Sarah. „WOMEN IN ARCHITECTURE IN VICTORIA FROM 1930 TO 1960“. Architectural Theory Review 1, Nr. 1 (April 1996): 104–11. http://dx.doi.org/10.1080/13264829609478266.

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Reese, Laurie. „"THAT EXCEPTIONAL ONE": WOMEN IN AMERICAN ARCHITECTURE 1888–1988.“ Art Documentation: Journal of the Art Libraries Society of North America 8, Nr. 3 (Oktober 1989): 163. http://dx.doi.org/10.1086/adx.8.3.27948115.

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Rastelli, F. „O4.19: Muscle strength and architecture in obese older women“. European Geriatric Medicine 5 (September 2014): S78. http://dx.doi.org/10.1016/s1878-7649(14)70172-x.

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Moore, K. N., J. Seo, S. Gazecki, S. Kim, N. B. Lasko, S. P. Orr und E. F. Pace-Schott. „0945 Sleep Architecture Predicts Hyperarousal Among Trauma-exposed Women“. Sleep 41, suppl_1 (April 2018): A350—A351. http://dx.doi.org/10.1093/sleep/zsy061.944.

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Stephen Humphreys, R. „WOMEN AS PATRONS OF RELIGIOUS ARCHITECTURE IN AWUBID DAMASCUS“. Muqarnas Online 11, Nr. 1 (1993): 35–54. http://dx.doi.org/10.1163/22118993-90000331.

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Caven, Valerie. „Career building: women and non‐standard employment in architecture“. Construction Management and Economics 24, Nr. 5 (Mai 2006): 457–64. http://dx.doi.org/10.1080/01446190600601354.

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Jones, Kay Bea. „Women's Choices, Women's Voices. Women in Architecture Symposium. Chicago Chapter, American Institute of Architects and Chicago Women in Architecture. January 12, 1991“. Journal of Architectural Education (1984-) 45, Nr. 4 (Juli 1992): 248. http://dx.doi.org/10.2307/1425195.

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Parra-Martínez, José, und John Crosse. „Women in the Advancement of Avant-garde Culture: Galka E. Scheyer and the Promotion of Modern Architecture in California“. Arte, Individuo y Sociedad 34, Nr. 3 (21.04.2022): 911–33. http://dx.doi.org/10.5209/aris.76151.

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The relocation of Galka Scheyer, the renowned art dealer and American representative of the Blue Four, to California in 1925 had a significant, yet unrecognized, impact on the development of the region’s early modern architecture. After multiple efforts to land commissions for Rudolph Schindler, her residence, designed by Richard Neutra and Gregory Ain, became a meeting place for artists and members of Hollywood’s collecting community. Around 1935, Scheyer’s unconventional house and gallery was both her trademark and a reflection of her own character as an art educator and facilitator. This paper explores the role Scheyer and some personalities of her closest art circles, particularly women, played in promoting modernist architecture. Influenced by Scheyer’s enthusiasm for the emancipatory nature of avant-garde culture, figures like Marjorie Eaton became intertwined in numerous episodes of architectural matronage. Although their stories are of paramount importance for achieving a more inclusive understanding of California modernism, these women’s contributions are frequently neglected in the canonical histories of modern architecture, in which Scheyer appears as an inopportune presence. Along with a critique of such inaccurate historiographical accounts, this essay focuses on Scheyer’s agency in linking artistic concepts and contexts as part of her project to advance Californian architecture.

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Sherriff, Clare. „Arnold Mitchell (1863–1944): ‘Fecundity’ and ‘Versatility’ in an Early Twentieth-Century Architect“. Architectural History 55 (2012): 199–235. http://dx.doi.org/10.1017/s0066622x00000101.

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The architectural historian Roderick Gradidge, referring to the 1900s, wrote that ‘in architecture there have never been such opportunities for younger men as there were at the turn of the century’. Arnold Mitchell is an architect typical of those who took advantage of such opportunities, a man (women were yet to have the chance) who saw the economic and aesthetic potential for new architecture, both nationally and internationally. Understanding the nature of architectural practice should not be reliant solely upon knowledge of the stellar architects of any given period. It depends upon integrating others, one or two rungs down the ladder but who achieved success in their own sphere, into the corpus examined, in order to achieve a fuller understanding of the profession.

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Nik Mohammad, Nik Mastura, Rohana Sham und Azlin Abdul Latif. „Identity of Historic City and Women Travelling Behavior“. Environment-Behaviour Proceedings Journal 1, Nr. 1 (26.06.2016): 323. http://dx.doi.org/10.21834/e-bpj.v1i1.228.

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This paper represents on women behavior safety enigma, also an on-going progress study of the cultural landscape in the context of the historic city where knowledge unfolds. The study has tracked women’s experience of place, which responses on the visual elements that become an incredibly diverse culture surrounding and norms. Eventually, the historic city seems meet their expectations in cultural aspects a safe building has resulted for living and work environment. Therefore, having known their understanding influence on structure-building façade concluded and rediscovered the perception that adds value contributes in the urban setting.© 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies, Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.Keywords: People and environments; cultural knowledge; architecture; indigenous architecture

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James-Chakraborty, Kathleen. „Expanding Agency. Women, Race and the Dissemination of Modern Architecture“. ZARCH, Nr. 18 (02.09.2022): 16–29. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022186967.

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Expanding Agency: Women, Race and the Dissemination of Modern Architecture is a five-year research project funded by a European Research Council Advanced Grant. It explores the role that women and members of ethnic minorities, primarily African Americans, played in transmitting modern architecture and design internationally between 1920 and 1970. Strands devoted to patronage, journalism, entrepreneurship, and institution building offer alternatives to accounts that focus primarily on architects. This approach expands our understanding of who had agency in this important story and more generally in shaping the built environment. Taking a global view that stresses comparisons across continents also helps build a more nuanced history of how architecture, landscape architecture, interior decoration, and the design of furnishing were transformed by new ideas that emanated from a multiplicity of sources. This in turn can help support a more diverse profession that, in the wake of #metoo and Black Lives Matter, is better prepared to engage with a broad public, including to address such social challenges as sustainability and the integration of migrants.

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Kingsley, Karen, und Anne Glynn. „Women in the Architectural Workplace“. Journal of Architectural Education (1984-) 46, Nr. 1 (September 1992): 14. http://dx.doi.org/10.2307/1425236.

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Matthewson, Gill. „"You have no idea": Women in Architecture in the Eighties“. Architectural History Aotearoa 6 (30.10.2009): 51–57. http://dx.doi.org/10.26686/aha.v6i.6754.

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A number of moves in the seventies had meant that more women than ever before were in architecture schools and by the eighties they were flooding into the profession. Over the decade their numbers quadrupled (as measured by registration) as women moved from the exception to the norm. But their impact was variable. This paper will try to tease out that impact from women-only practices to support groups to what they published to moves away from the profession.

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Jalón Oyarzun, Lucía. „Windowish Practices, Unreadable Backgrounds and Raw Semiotics. Tracing Minor Architectures and Ecologies of Signs in Women’s Writing“. ZARCH, Nr. 18 (02.09.2022): 210–19. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022186216.

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Minor architectures can be defined as an open set of spatial practices and know-hows based on the agency of bodies. While these practices escape representation, codification or measurement, they have a fertile relation with literature. After framing this relationship, we analyze the work of three women writers (Carmen Martín Gaite, Ali Smith and Toni Morrison) to unveil them as minor spatial and material practitioners. While they have not been trained as architects many women throughout history have practiced and organized space in meaningful and wise ways, and they have become aware of minor spatial knowledges resting at the core of what architecture can be (and do). By inventing forms of embodied writing and material inscription, they have expanded a minor repertoire of spatial practices.

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Petrushikhina, Svetlana V. „THE QUESTION OF FEMALE BODY IN ARCHITECTURAL THEORY IN THE LATE 20TH CENTURY“. Articult, Nr. 2 (2021): 91–96. http://dx.doi.org/10.28995/2227-6165-2021-2-91-96.

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This article is devoted to the phenomenon of female body in the foreign theory of architecture in the 1980‑s–90‑s. The works of D. Agrest, E. Grosz, D. Bloomer and D. Fausch are examined in the present paper. There are two perspectives on the problem of female corporeality: poststructuralist and phenomenological. Jennifer Bloomer and Diane Agrest adopt a poststructuralist critical strategy in which the notion of the feminine is considered as the “Other” of the logocentric architectural discourse. Elisabeth Gross notes that women have always been displaced from the realm of architecture. This is indicated not only by the absence of female architects, but also by the fact that the inherent attributes of female corporeality have been completely disregarded. Diane Agrest suggests that these attributes were appropriated by male architects. The phenomenological perspective on the female corporeality is reflected in Deborah Fausch's concept of “feminist architecture”. “Feminist architecture” brings back the value of concrete, sensual bodily experience in the perception of architecture. The subject's perceptual experience through the body allows the semantic dimension to unfold in the building.

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