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Zeitschriftenartikel zum Thema "Architectural design":
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Liu, Jia Sheng. „The Influence of Architectural Culture on Architectural Design“. Applied Mechanics and Materials 357-360 (August 2013): 278–81. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.278.
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The paper focuses on the relationship between the architectural culture and architectural design, puts forward the concept of architectural culture, expounds architectural cultures influence on Chinese traditional architecture and the western traditional architectures, and summarizes the importance and influence of architectural culture in the modern architectural design. This paper provides reference and experience for architects to design the modern architecture that can embody the design and spirit more vividly.
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Ma, Jian. „Architectural Programming and Architectural Design“. Advanced Materials Research 1065-1069 (Dezember 2014): 2650–53. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2650.
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Architectural programming provides the basis of architectural design, and provides a framework to guide the whole construction process, results and quality control of the project, the construction activities towards our default direction. Architecture programming plays a very important role in the control of the whole design process and design quality.
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Xu, Bao Hui, und Yu Bao. „Landscape Architectural Design of Ecological Sightseeing Park“. Applied Mechanics and Materials 522-524 (Februar 2014): 1760–63. http://dx.doi.org/10.4028/www.scientific.net/amm.522-524.1760.
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Ecological tourism park is a new form of tourism emerging in recent years, which have very important significance to the new rural construction. The design of landscape architecture in ecological park is still at the exploratory stage. This paper presents the design idea, design method of landscape architecture. In order to improve the design level of architectures in the ecological park, the method of integrating the architectural art, design technology and environment is proposed.
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Liu, Yajuan. „Application Strategies of Transparent Design in Architectural Design“. Journal of Architectural Research and Development 7, Nr. 6 (28.11.2023): 49–54. http://dx.doi.org/10.26689/jard.v7i6.5552.
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Transparent design is a reverse space processing method in architectural design that involves partially or completely removing the original division of space, thereby making the entire space more diverse. The application of transparent design methods mainly includes the processing of two-dimensional and three-dimensional spaces, and it involves aspects like building entities, design spaces, design materials, and building structures. Transparent design is a popular form of modern architectural design. It transforms the space and reflects the beauty of the space, allowing light, sight, and air to freely blend throughout the space. At the same time, architectural design is also consistent with the idea of “form follows function” advocated by contemporary architecture, so it has been gradually growing in popularity in architectural design. This article presents a detailed analysis of transparent design, including the types of transparent design, structural model design in transparent design, and the application strategies of transparent design in architecture.
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He, Li Xia, Tao Jiao und Qian Zhang. „Regionalism in Architectural Design“. Advanced Materials Research 926-930 (Mai 2014): 619–22. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.619.
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A common phenomenon in modern architecture is the over emphasis on technology at the expense of natural environment, regional culture, and human emotions. In this essay, the regionalism spirit in architectural design is introduced for future reference in architectural design.
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Tombazis, Alexandros N. „Architectural design“. Renewable Energy 5, Nr. 5-8 (August 1994): 893–99. http://dx.doi.org/10.1016/0960-1481(94)90109-0.
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Limonad, M. Yu, und E. A. Ilyina. „Plagiarism in educational architectural design“. Zemleustrojstvo, kadastr i monitoring zemel' (Land management, cadastre and land monitoring), Nr. 2 (17.01.2022): 153–58. http://dx.doi.org/10.33920/sel-04-2202-12.
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The article presents the problem of identification and qualification of unfair borrowings in educational architectural design by example of course student projects of the Department of Architecture, the Faculty of Architecture of the State University of Land Use Planning. The paper also contains the concept and classification of plagiarism in architectural projects and proposes a draft legal document on anti-plagiarism in the university.
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Alzhrani, Fouzia, Kawther Saeedi und Liping Zhao. „Architectural Patterns for Blockchain Systems and Application Design“. Applied Sciences 13, Nr. 20 (21.10.2023): 11533. http://dx.doi.org/10.3390/app132011533.
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Blockchain technology has gained popularity in various applications, including finance transactions and beyond. However, developing blockchain application systems is challenging due to stringent quality requirements, such as performance, scalability, and security. Software architecture plays a critical role in realizing key quality requirements. Nonetheless, little work has been performed on software architectures for blockchain applications since blockchain application development is still a new field. This paper proposes twelve architectural patterns for blockchain application software architectures based on 400 cross-industry real-world applications available on the Internet. We determine the key components of each application guided by a blockchain application taxonomy we developed. We then identify typical architectural patterns from the interactions of these components guided by well-known software patterns, such as peer-to-peer, layered, pipe-filter, and access control. Based on the roles of these patterns, we organize them into four architectural views comprising four structural, two interactional, four transactional, and two security patterns. We describe each pattern in detail using a standard form and demonstrate the patterns through a real-world blockchain application. The use of patterns can be valuable in addressing blockchain’s unique challenges, but creativity remains essential in crafting innovative solutions. Mixing architectural patterns according to varying requirements can help developers communicate effectively.
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Li, Wei. „Architectural Design with Autocad“. Advanced Materials Research 926-930 (Mai 2014): 1692–95. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.1692.
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Architectural design is a creative work, the final results of it is image and visually expressed in the form of drawings. AutoCad technology and architecture design are the combination of computer application technology, especially the inevitable outcome of the development of computer graphics technology. Usage this software is not only able to design construction drawing with specification, beautiful buildings, and can effectively help designers improving the design level and work efficiently, this is the manual drawing. Mastering the AutoCad architectural drawings in other words is to have the advanced and standard of architectural design language tools.
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Charleson, A. W. „Seismic design within architectural education“. Bulletin of the New Zealand Society for Earthquake Engineering 30, Nr. 1 (31.03.1997): 46–50. http://dx.doi.org/10.5459/bnzsee.30.1.46-50.
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This paper discusses the teaching of earthquake resistant design within schools of architecture. It aims to stimulate discussion on more effective means of teaching the subject, and to suggest ideas and resources for schools whose seismic design curriculum might benefit from further development.
It is argued that seismic design issues should be included and integrated into architecture curricula. The case is based primarily on observations of building failures resulting from flawed architectural design decisions and subsequent critical reaction from within the architectural profession itself. However, another reason is that the large sizes and restrictive layouts of some seismic load resisting systems impact unavoidably upon architectural layouts.
The content, teaching methods and teaching staff qualities appropriate for a seismic design curriculum are discussed in a case study from the School of Architecture, Victoria University of Wellington. Two key aspects of perceived success are the course's relevance to architectural design and the variety of presentation. Teaching methods, teaching aids and useful references are provided.
The evaluation of the courses considered in the case study is discussed, and postgraduate and post-graduation seismic education in New Zealand is reviewed.
Pickersgill, Robert Sean, und sean pickersgill@unisa edu au. „Architecture and Horror: Analogical Explorations in Architectural Design“. RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090525.162052.
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This thesis examines the relationship between the practice of architectural design and the media through which it is represented. It makes a consistent critical appraisal of the philosophical presumptions under which architectural theory is made, in particular, the relationship between theories of expression and representation. The thesis presents seven distinct projects by the author which developmentally explore the degree to which architecture is able to represent the sublime - in particular through the concept of horror. In this instance horror emerges as a category of excess that supervenes the uses of the term in the genres of film and literary studies. Within the thesis horror describes an (impossible) objective for representation The thesis argues that the environment within which these philosophical questions of 'effect' may most resonantly be explored is, ultimately, digital media. The author draws on contemporary commentary by Jacques Derrida and Georges Bataille, in particular Derrida's discussion of the Parergon and contemporary discussion of l'informe, the informal to support these arguments. It is within the apparently 'real' environments of virtual reality that the presentation of the mise-en-scene of horror may be explored. Immersive digital environments, it is argued, provide an appropriate level of freedom and direction for the exploration of the spatial experience of the abyss. The thesis concludes by presenting observations on the antinomy of aspirations that any materialist theory of architectural practice must attend to when working within digital media.
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Chase, Davis William. „Architectural design principles as evidenced in Gothic architecture“. Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/53714.
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Three specific architectural design principles are identified and documented through a study of gothic architecture.
The comparative method is used to show progressive change in gothic architecture and to illustrate how these design principles are evident in this change. Master of Science
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Jansen, Antonius Gradus Johannes. „Architectural design decisions“. [S.l. : Groningen : s.n. ; University Library of Groningen] [Host], 2008. http://irs.ub.rug.nl/ppn/314295305.
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Armstrong, Jeffrey Kent. „The homeowner as designer : a method for improving architect-clinet communication“. Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61677.
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Cheng, Kwai-wai. „A collaborative design tool for virtual design studios /“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20971497.
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Mohamed-Ahmed, Ashraf. „Proposition d'une méthode mixte d'évaluation de l'Incidence des média sur le processus de conception architecturale“. Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29560/29560.pdf.
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La thèse traite de l'incidence des media d'aide à la conception sur le processus de conception architecturale. Plus spécifiquement, en se basant sur une littérature multidisciplinaire, l’objectif de la thèse est d’analyser l’incidence de trois media, utilisés traditionnellement dans les milieux académique et professionnel, soit l’esquisse à main levée, la maquette et le logiciel de conception assistée par ordinateur (ici, Sketch-UP 7.0) sur le concepteur, le processus de conception architecturale et de la qualité des projets générés. 35 étudiants en architecture ont participé à cette étude. Une méthodologie d’évaluation mixte de cette incidence est proposée, soit d’une part des mesures quantitatives pour évaluer les capacités visuo-spatiales des étudiants-concepteurs (tests psychométriques), la gestion de leur charge cognitive (tâche secondaire) lors du processus de conception et d’autre part, des mesures qualitatives de la gestion de la charge cognitive (questionnaire du NASATLX) et de la qualité des projets générés (évaluation consensuelle d’experts). Les résultats n’ont pas permis de montrer de différence significative entre les media concernant les deux mesures de la charge cognitive, ainsi que pour la qualité des projets générés. De plus, aucune corrélation n’a été établie entre la charge cognitive et la qualité des projets. The thesis discusses the impact of design media upon architectural design. Based on a multidisciplinary literature revue, the objective of the thesis is to analyze the impact of three media, namely the freehand sketch, the physical model and the software (here, Sketch-UP 7.0) on architectural design. 35 students in architecture have participated in the study. A mixed evaluation methodology is proposed to evaluate the impact, namely quantitative measures of visual-spatial abilities (psychometric test), and the cognitive load management (secondary task technique) during the design, and also qualitative measures to evaluate the cognitive load management (NASATLX) and the quality of projects generated (consensual assessment technique). The results show no significant statistical difference between the three media for the cognitive load management, and the project quality. Furthermore, no correlation was found between the cognitive load management and the project quality.
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Wiggins, Glenn E. „Methodology in architectural design“. Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/14498.
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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989. Includes bibliographical references (leaves 173-174). The act of designing in architecture is a complex process. Many designers, when probed for reasons to explain their actions, are either unable to answer questions, or provide explanations that are not true descriptions of their actions. Frequently the designer will answer that his or her reason for making a particular design decision is based on 'feeling' or 'intuition.' Under this model the design process assumes a 'mystical' aura. Architectural designers can create, yet are unable to say how they do so. Often that which can be explicitly discussed by the designer is the least significant part of his or her design process. It is unlikely that designers are 'channeling' information from cosmic sources. Rather, they are working with knowledge that is largely tacit. This thesis attempts to de-mystify the process of architectural design. Through a close scrutiny of existing literature, incorporation of personal experience as an architect, and testing of theories with lay, novice, and expert designers a theory of design methodology is proposed. by Glenn E. Wiggins. M.S.
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Papakammenou, V. „Lighterials in architectural design“. Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1388845/.
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This research offers a new approach to architectural design by suggesting that artificial light could be included in the architect’s conceptual toolbox. An exploration of the lighting techniques currently used in interior design shows a direct connection between artificial light and architectural design. This is followed by an investigation of innovative lighting applications that are based on new materials. These materials either emit light themselves or can be connected to light in different ways to radiate light. For this thesis the word lighterials has been coined to distinguish them from opaque, non-light-related materials. After lighterials have been accepted as an architectural group of forms, the architectural space is analysed in terms of its most important elements with reference to artificial lighting and interior architecture. Within this scope a new element, poetics, is introduced, bringing the two design fields even closer together. The question is asked: How can lighterials influence architectural design, including the poetics of a space? The question is tackled by three different studies, a pilot study, a case study and interviews, which employed architecture students, lighting design students and professional architects respectively. The first study provides information about future trends around lighterials and the second about how lighting designers could use lighterials. In the third and main study, using the methodologies of think-aloud protocol, structured interviews and questionnaires, the architects indicate through their use of lighterials in design how lighterials could influence architectural space and its poetics. From analysis of these studies it is apparent that these new lighting applications have the potential to completely change or to enhance an architect’s design. Further, the incorporation of lighterials in design can dramatically change the user’s experience of a space. In its examination of new characteristics of light as architectural form this research offers a unique contribution to the field.
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Parnell, Steve. „Architectural design, 1954-1972“. Thesis, University of Sheffield, 2012. http://etheses.whiterose.ac.uk/14585/.
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This thesis examines the architectural magazine's contribution to the writing of modern architectural history using the magazine Architectural Design (AD) as a case study. There are four main narratives to this research, one "grand" and three "micro"; The overarching grand narrative (or meta-narrative) is the proposal to replace the existing art historical formulation of architectural history with a more holistic understanding of history based on power struggles in the field of architecture. This strategy is derived from an application of Pierre Bourdieu's theoretical framework to the field of architectural cultural production. The position of the architectural magazine as an institution in the construction of the architectural profession, and the ever-changing definition of architecture is one underlying micro-narrative. The introduction discusses the role that the architectural magazine played in the emergence of the modern architectural profession, alongside other institutions, specifically the academy and professional bodies. The central, and largest, micro-narrative is a critical history of the magazine Architectural Design from 1954 to 1972. Brief biographies of its editors and a background to the magazine from its inception in 1930 up to 1953 precede this by way of contextualisation. This history of AD discusses the content and context of the magazine and traces its shift from a professional architectural magazine to an autonomous. "little" magazine, focussing on several key structural themes that underpin the magazine. Throughout, the role that AD played in the promotion of the post-war neo-avant-garde, in particular the New Brutalists and Archigram, is documented and the relationships between the small circle of people privileged to produce and contribute to the magazine, and AD's rivalry with the Architectural Review are highlighted. The final micro-narrative is a reading of post-war modem architectural history from 1954 to 1972 through the pages of AD, tracing the rise and demise of modem architecture in terms of three defining shifts from the period evident in the magazine: "high to low"; "building to architecture"; and "hard to soft". This period also coincides exactly with the life of the Pruitt Igoe housing blocks in SI. Louis whose demolition, according to Jencks, represented the death of modern architecture. A growing post-modern sensibility in architecture is manifest in the magazine through an increasing resistance to modernist thinking. This study consciously employs post-modern methodologies to a period of modern architecture in an attempt to disturb modernist mythologies that have ossified into history.
Vissers, Chris A., Luís Ferreira Pires, Dick A. C. Quartel und Marten van Sinderen. Architectural Design. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43298-4.
Saaty, Thomas L., und Luis G. Vargas. „Architectural Design“. In International Series in Operations Research & Management Science, 47–70. Boston, MA: Springer US, 2001. http://dx.doi.org/10.1007/978-1-4615-1665-1_3.
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Musto, Daniela, Donatella Castelli, Carlo Meghini, Etienne L. M. E. van Dorsellaer und Frank J. M. Heijmink. „Architectural Design“. In Automatic Tools for Designing Office Information Systems, 147–233. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-84323-5_5.
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Reynders, Nele, und Wim Dehaene. „Architectural Design“. In Analog Circuits and Signal Processing, 85–112. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-16136-5_4.
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Saaty, Thomas L., und Luis G. Vargas. „Architectural Design“. In International Series in Operations Research & Management Science, 41–61. Boston, MA: Springer US, 2012. http://dx.doi.org/10.1007/978-1-4614-3597-6_3.
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Vissers, Chris A., Luís Ferreira Pires, Dick A. C. Quartel und Marten van Sinderen. „Design Models and Design Languages“. In Architectural Design, 29–51. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43298-4_2.
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Vissers, Chris A., Luís Ferreira Pires, Dick A. C. Quartel und Marten van Sinderen. „Protocol Design“. In Architectural Design, 263–86. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43298-4_10.
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Vissers, Chris A., Luís Ferreira Pires, Dick A. C. Quartel und Marten van Sinderen. „Service Design“. In Architectural Design, 221–39. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43298-4_8.
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Vissers, Chris A., Luís Ferreira Pires, Dick A. C. Quartel und Marten van Sinderen. „Systems and System Design“. In Architectural Design, 1–27. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43298-4_1.
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Vissers, Chris A., Luís Ferreira Pires, Dick A. C. Quartel und Marten van Sinderen. „Protocol Elements“. In Architectural Design, 287–320. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43298-4_11.
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Vissers, Chris A., Luís Ferreira Pires, Dick A. C. Quartel und Marten van Sinderen. „Reference Models and Standard Interaction Systems“. In Architectural Design, 321–31. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43298-4_12.
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Konferenzberichte zum Thema "Architectural design":
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Kulkarni, Ambarish, Ajay Kapoor, Mehran Ektesabi und Howard Lovatt. „Architectural Proposals for Electric Vehicle Design“. In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-63299.
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Due to global warming and depletion of fossil fuels, alternative sustainable fuel technology is essential. As a consequence of this need, many automotive original equipment manufacturers have started manufacturing electric vehicles (EVs) as sustainable, zero-emission solution. This paper evaluates different architectures for EV design to establish a preferred architecture. A detailed literature study is outlined to evaluate production and concept proposals of many original equipment manufacturers, student projects, and autonomous electric cars. The different architectural aspects of these designs, such as mechanical and electrical technologies, are discussed. Starting with initial schematics, a theoretical model is developed for each of the EV drive train architectures. The study uses advanced modeling techniques to compare these architectures. Different drive train architectures are compared in the contexts of functionality, operation, manufacturability, and modularity. The preferred architecture was developed using advanced tools such as virtual modeling to establish operational sequences for the components that make up an EV. In addition, product data management software was used as management tool to document changes during the architecture’s development. Recommendations and discussions on a selection of vehicle architectures are detailed along with those for a preferred architecture.
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Cavalcante, Everton, und Thais Batista. „Using Software Architecture Descriptions to Detect Architectural Smells at Design Time“. In Congresso Ibero-Americano em Engenharia de Software. Sociedade Brasileira de Computação, 2023. http://dx.doi.org/10.5753/cibse.2023.24697.
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Architectural smells are decisions made at the software architecture level, whether intentional or not, that may negatively impact the quality of a software system. In the literature, architectural smells are identified mainly by relying on the source code or other implementation artifacts. However, architectural smells could be detected at design time, even before employing implementation efforts and preventing them from being reflected at the system implementation. This research investigates how software architecture descriptions realized through architecture description languages (ADLs) can be used to identify architectural smells at design time. This work focuses on how architectural smells manifest and can be detected in SysADL, an ADL that allows describing both structure and behavior of software architectures using standardized diagrams from the OMG’s SysML language.
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Dong, Andy, Somwrita Sarkar, Marie-Lise Moullec und Marija Jankovic. „Eigenvector Rotation as an Estimation of Architectural Change“. In ASME 2016 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/detc2016-59114.
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Many important technical innovations occur through changes to existing system architectures. To manage the balance between performance gains by the innovation and the risk of change, companies estimate the degree of architectural change an innovation option could cause due to change propagation throughout the entire system. To do so, they must evaluate the innovation options for their integration cost given the present system architecture. This article presents a new algorithm and metrics based upon eigenvector rotations of the architectural connectivity matrix to assess the sensitivity of a system architecture to introduced innovations, modelled as perturbations on the system. The article presents studies of the impact of changes on synthetic system architectures to validate the method. The results show that there is no single architecture that is the most amenable to introduced innovation. Properties such as the density of existing connections and the number of changes that modify intra- or inter-module connections can introduce global effects that are not known in advance. Hierarchical modular system architectures tend to be relatively stable to introduced innovations and distributed changes to any architecture tends to cause the largest eigenvector rotations.
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Shahin, Mojtaba, Peng Liang und Zengyang Li. „Architectural design decision visualization for architecture design“. In the 5th European Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2031759.2031762.
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Gorbea, Carlos, Ernst Fricke und Udo Lindemann. „The Design of Future Cars in a New Age of Architectural Competition“. In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49722.
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This paper presents how complex system architecture lifecycles, such as that of cars, follow a similar S-curve shaped path as that of individual technological innovations. By applying this theory we show that today’s automotive industry has started a new chapter of architectural competition with similarities to its early history from 1885–1915 when steam, electric and internal combustion engine cars were competing to dominate the automotive market. Taking a historical perspective, we find that firms that organize their development activities to focus on bringing about architectural innovation are better placed in succeeding in the future market until a new dominant architecture emerges. The architecture lifecycle framework used in this study is constructed by means of a performance index. The index scores the performance of 91 cars of various architectures based on five overall system variables: power, weight, maximum velocity, fuel efficiency and the manufacturer’s suggested retail price. Depicting architectural performance over time helps identify periods of architecture competition and dominance where historical agents to change can be identified. The key factors that brought about architectural competition in the early 1900’s involved a series of innovation breakthroughs in engine and fuel technologies. Today, a new wave of power train innovations is being triggered primarily by environmental regulatory demands to reduce vehicle emissions. Future research lies in presenting a methodology for selecting vehicle architectures early on in the product development cycle that are best suited for the market going forward based on a manufacturer’s goals and a cost-benefit analysis.
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Carota, Francesco. „Architecture Beyond Borders. Exploring the Relationship between Architectural Theory and Practice in Transnational Endeavors within the Belt and Road Initiative“. In On Architecture — Challenges in Design. STRAND - Sustainable Urban Society Association, 2023. http://dx.doi.org/10.60152/pb1mytc7.
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The paper delves into the intricate relationship between architectural critique and design practice within the realm of transnational architecture endeavors, specifically focusing on the global infrastructure development facilitated by the Belt and Road Initiative (BRI). As a monumental project spanning numerous countries and continents, the BRI has sparked a wave of architectural interventions that transcend national boundaries. These endeavors offer a unique opportunity to explore how the circulation of design ideas and practices across nations manifests in tangible architectural artefacts, which have thus far remained on the periphery of mainstream architectural discourse. By drawing upon diverse case studies from different parts of the world, where various stakeholders such as governments, investors, communities, and architectural professionals are involved, this research examines the tensions that arise between global and local architectural practices, the negotiation of cultural identities and the adaptation of design standards to accommodate diverse geographical and sociocultural contexts. Through this investigation, the contribution critically evaluates and challenges the oversimplification of global architecture through taxonomic scientific frameworks, rejecting the notion that urban architecture is a static and universally applicable knowledge object that can be studied using a singular framework. Instead, it sheds light on the complex dynamics at play in the creation of built environments within a multi-dimensional globalized context. The final aim is to promote the development of new concepts and theoretical perspectives that foster a more cosmopolitan and inclusive understanding of architecture and urbanism.
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Burghelea, Paul-Andrei. „Architectural Aesthetics and Personality: An Experiment to Research the Correlations Between Personality Traits and Visual Preferences for Complexity in Architectural Scenes“. In Design Computation Input/Output 2021. Design Computation, 2021. http://dx.doi.org/10.47330/dcio.2021.crzn5183.
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In architecture, sparse research has been conducted on the effects of psychometric factors over the stylistic preferences of actors. The overlapping research between psychology and architectural aesthetics shows some consistent relationships between distinct facets of personality and visual preferences [Cleridou and Furnham 2014; Cook and Furnham 2012]. Those findings are incipient and are based on specific architectural styles. In the interest of producing general standard measurements for the architectural stylistic preferences of groups and individuals, this paper explores the following question: ‘What aspects of trait personality can predict an actor’s preferences for visual complexity in architecture?’ The paper starts from the current state of the art in visual cognition, trait theory and complexity, followed by an experiment designed to test correlations between architectural visual preferences for complexity and personality traits. Seven participants had some type of architectural training while the other three were part of the general population. The sample’s cultural background varied slightly most having a Romanian, British or Malaysian nationality. The findings describe possible linear relationships between high general complexity and intellect (p=0.004), and respectively broad extroversion (p=0.001). Other findings show possible links between self-consciousness (p=0.016) and high complexity interiors, as well as broad agreeableness (p=0.011) and medium complexity surfaces. Participant rated familiarity might not explain the high significance. The small sample sizes and other limitations are possible causes of the overly optimistic nature of the results. Successful developments in this area are potentially valuable in contemporary industrial research with applications in business intelligence. Other theoretical potential and use scenarios are discussed.
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Foged, I. W. „Architectural metabolic forms“. In DESIGN AND NATURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/dn120101.
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Clark, Raymond S. „Integrated Architectural Design“. In Structures Congress 2009. Reston, VA: American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41031(341)161.
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Berichte der Organisationen zum Thema "Architectural design":
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Hoh, Zachary, und Sara Smith. Architectural Apparel Design. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1281.
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Bachmann, Felix, Len Bass und Mark Klein. Deriving Architectural Tactics: A Step Toward Methodical Architectural Design. Fort Belvoir, VA: Defense Technical Information Center, März 2003. http://dx.doi.org/10.21236/ada413701.
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Hay, Benjamin P., David M. Roundhill, Robert Treat Paine, Jr, Kenneth N. Raymond, Robin D. Rogers, James E. Hutchison, David A. Dixon, Gregg J. Lumetta und Brian M. Rapko. Architectural Design Criteria for F-Block Metal Ion Sequestering Agents. Office of Scientific and Technical Information (OSTI), Juni 1999. http://dx.doi.org/10.2172/827036.
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Heather Murren, President. Architectural and engineering design work for the Nevada Cancer Institute facility. Office of Scientific and Technical Information (OSTI), Dezember 2004. http://dx.doi.org/10.2172/897005.
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Bond, Laura S., Kenneth H. Crawford, Beth A. Symonds, James R. Anderson und Sue Weideman. A Case Study of a Prototype Computer-Aided Architectural Design System. Fort Belvoir, VA: Defense Technical Information Center, August 1988. http://dx.doi.org/10.21236/ada199766.
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McIntosh, Andrea Rose, und Nafisa M. Jadavji. Application of Neuroscience Principles for Evidence-based Design in Architectural Education. Journal of Young Investigators, September 2017. http://dx.doi.org/10.22186/jyi.33.4.71-76.
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Bond-Harris, Laura S. An Architectural Modeler and Its Incorporation into the Design 4D program. Fort Belvoir, VA: Defense Technical Information Center, September 1990. http://dx.doi.org/10.21236/ada227158.
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Hay, Benjamin P., David A. Dixon, Gregg J. Lumetta, Brian M. Rapko, David M. Roundhill, R. D. Rogers, James E. Hutchison, R. T. Paine und Kenneth N. Raymond. Architectural Design Criteria for f- Block Metal Ion Sequestering Agents--Final Report. Office of Scientific and Technical Information (OSTI), Juni 2000. http://dx.doi.org/10.2172/15001497.
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BP Hay, DA Dixon, GJ Lumetta, BM Rapko, DM Roundhill, RD Rogers, JE Hutchison, RT Paine und KN Raymond. Architectural Design Criteria for f-Block Metal Ion Sequestering Agents Final Report. Office of Scientific and Technical Information (OSTI), Juni 2000. http://dx.doi.org/10.2172/756591.
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Hay, B. P., R. T. Paine und D. M. Roundhill. Architectural design criteria for f-block metal sequestering agents. 1997 annual progress report. Office of Scientific and Technical Information (OSTI), Juni 1997. http://dx.doi.org/10.2172/12612.
