Dissertationen zum Thema „Architectural criticism – history“
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Samalavičius, Almantas Liudas. „Ideas and structures in architectural history“. Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060210_113316-20103.
Der volle Inhalt der QuelleArchitektūros istorija Vakaruose ir Lietuvoje yra tyrinėjama įvairiais aspektais. Apie tokius reikšmingus architektūros elementus kaip šviesa, spalva, garsas ir vanduo yra buvę reikšmingų specializuotų studijų šių reiškinių sąveikos su vieno ar kito istorinio laikotarpio architektūros kūriniais aptarti. Tačiau iki šiol tokio pobūdžio tyrimai apsiribodavo siaurais, fragmentiškais, griežtai specializuotais žvilgsniais į atskirų kultūros istorijos tarpsnių architektūrą arba tokio buvo pabrėžiami tik tam tikri, labai specifiniai sąveikos tarp architektūros kūrinių ir to meto pasaulėžiūros aspektai. Todėl nėra pakankamai ištyrinėta atskirais istorijos tarpsniais vyravusių metafizinių, religinių ir filosofinių pažiūrų įtaka meninei architektūros raiškai. Nesant tokių tyrimų, neįmanoma adekvačiai rekonstruoti architektūros istorinės raidos vaizdo. Nagrinėjant architektūros istorijos ir teorijos problematiką Lietuvoje, akivaizdu, kad labiausiai trūksta darbų, kuriuose atskirais kultūros istorijos tarpsniais vyravusių šviesos, spalvos, garso ir vandens sampratų įtaka architektūros meno raidai būtų įvertinta sintetiškai, apibendrintai ir nuosekliai, pasitelkus idėjų istorijos tyrimo metodologiją bei tarpdisciplinių kultūrologinių tyrimų analizės principus. Tai paskatino gilintis į minėtų elementus santykius ir sąveikas su architektūra nuo seniausių iki moderniųjų laikų, pasitelkiant idėjų istorijos atveriamas tyrimo galimybes. Tokios problematikos ir tyrimo perspektyvos pasirinkimas... [to full text]
Orth, Michael D. „Mirages Solidified: Myth, Beautification, and Tourism In The Creation of Santa Barbara’s El Pueblo Viejo Landmark District“. DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/615.
Der volle Inhalt der QuelleWhite, Deborah. „Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture“. Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.
Der volle Inhalt der QuelleMerwood, Joanna. „Towards the architecture of the future : César Daly and the science of expression“. Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23202.
Der volle Inhalt der QuelleGiven the separation of architectural form and content, presence and meaning, and the consequent challenge to the possibility of shared experience initiated in the Enlightenment which is still an inherent part of our contemporary architectural thought, it is crucial to re-examine the architectural theory of the 19th century as the origin of the modern condition. This thesis is a critical examination of Daly's collections of polemical articles from the Revue as artifacts of architectural knowledge, through an analysis of their form and content in relation to other significant 19th century architectural texts.
Anderson, Jennifer K. „Dogtrots in New Orleans: An Urban Adaptation to a Rural House Type“. ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1604.
Der volle Inhalt der QuelleReynolds, Craig A. „Thomas Jefferson’s Designs for the Federal District and the National Capitol, 1776-1826“. VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3779.
Der volle Inhalt der QuelleMuhidine, Eléonore. „Reconstruire la ville par les mots : trajectoires et engagements des critiques d’architecture berlinois des années 1950 à 1980“. Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20055.
Der volle Inhalt der QuelleBoth in East and West Berlin, as soon as the mid-fifties, architecture critics have come to the fore and shown that in spite of political pressures imposed on them, they shared a will to reflect upon the urban identity of the divided city. Indeed, the Reconstruction of German towns after WWII refers to a vast project of restoration of the material infrastructures but also the redefinition of a cultural and intellectual landscape bearing the heavy mark of Nazi ideology. Choosing a perspective of cultural and intellectual history, this thesis explores the careers, writings and networks of Ulrich Conrads, Günther Kühne, Julius Posener, Wolf Jobst Siedler, Klaus Duntze, Dieter Hoffmann-Axthelm and Nikolaus Kunhert in West-Berlin and of Kurt Liebknecht, Richard Paulick, Hermann Henselmann, Kurt Junghanns, Bruno Flierl and Wolfgang Kil in East-Berlin. Whether architects or history of art specialists, writers in the specialist press, journalists in the general press but also sometimes publishers and teachers in universities and art schools, those critics committed themselves to making the Berlin architectural culture [Baukultur] known in the XXth century. To a large extent they initiated a redefining of the stakes of architectural and urban criticism in post 1945 Germany
Morgan, Peter Alexander. „The Apparition of Transference“. The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430915081.
Der volle Inhalt der QuelleFried, Spencer J. „Pursuing the Preservation of Place: The Automobile’s Significance to Los Angeles’ Physical Character and the Opportunity for its Continued Existence“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1152.
Der volle Inhalt der QuelleGuo, Yuqiao. „Post-disaster Transitional Housing for Displaced People“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/pomona_theses/124.
Der volle Inhalt der QuelleShearer, Katherine. „The "Postmodern Geographies" of Frank Gehry's Los Angeles“. Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1031.
Der volle Inhalt der QuelleDivision, Johnson City GIS. „An Historic Tour of Johnson City, Tennessee - 2006“. Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/rare-maps/55.
Der volle Inhalt der Quellehttps://dc.etsu.edu/rare-maps/1054/thumbnail.jpg
Thomas, Alexis. „An Analysis of the Physical and Cultural Landscape of Grand Isle, Louisiana“. ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2193.
Der volle Inhalt der QuelleDivision, Johnson City GIS. „Johnson City Zoning Map - 2003“. Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/rare-maps/60.
Der volle Inhalt der Quellehttps://dc.etsu.edu/rare-maps/1059/thumbnail.jpg
Zúñiga, Sara E. „Deciphering the Cultural Heritage and Function of the Ella Strong Denison Library Complex“. Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/986.
Der volle Inhalt der QuelleLatimer, Carrie Grace. „The Plots of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin“. Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/430.
Der volle Inhalt der QuelleHarrison, Tracy Elizabeth. „Visualizing Complexity : A Spatial Analysis of Decorative Geometric Pattern in the Islamic World, 900-1400 AD“. PDXScholar, 2005. https://pdxscholar.library.pdx.edu/open_access_etds/2434.
Der volle Inhalt der QuelleAlanazi, Naif F. „Successful Urban Design Principles for the Redevelopment of the Historic Seafronts in the Kingdom of Saudi Arabia, along the North Red Sea , Case Study: Yanbu Al-Bahr’s Historic Seafront“. VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3769.
Der volle Inhalt der QuelleEmond, Matthew W. „Endogenous Process & Designing Through Change“. Amherst, Mass. : University of Massachusetts Amherst, 2009. https://scholarworks.umass.edu/theses/300.
Der volle Inhalt der QuelleJeffroy-Meynard, Marie-Nicole. „FROM BAROQUE TO ROCOCO: PUBLIC TO PRIVATE SPACE IN THE HÔTEL DE SOUBISE“. Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1204.
Der volle Inhalt der QuelleRamos, Isabella. „Walking in The City: Koji Nakano’s Reimagining and Re-Sounding of The Tale Of Genji“. Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1037.
Der volle Inhalt der QuelleGaier, Samantha. „Interior Decoration as Fine Art: Rachel Feinstein and The Sorbet Room, 2001“. Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230.
Der volle Inhalt der QuelleDonley, John Mauck. „COOPERATIVE CONSTRUCTION IN SCHOOLS IN CALIFORNIA“. DigitalCommons@CalPoly, 2014. https://digitalcommons.calpoly.edu/theses/1332.
Der volle Inhalt der QuelleStergiou, Stavroula. „The concept of the avant-garde in twentieth and twenty-first century architecture : history, theory, criticism“. Thesis, Kingston University, 2014. http://eprints.kingston.ac.uk/32215/.
Der volle Inhalt der QuelleMoran, Kelly Drum. „Why Not Kinkade? An Evaluation of the Conditions Effecting an Artists Exclusion from Academic Criticism“. Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1390.
Der volle Inhalt der QuelleWinterton, David E. (David Edward). „Toward a natural history of architecture : the vegetal culture of Viel de Saint-Maux“. Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22551.
Der volle Inhalt der QuelleViel de Saint-Maux sought to resist the threat of an overweening rationality by valuing the wonderment cast by the discoveries of Science. He put his faith in natural science and applied this same compulsion to the ancient primitives who, he believed, knew divinely how to propitiate Nature and its fecundity. Fecundity and Agriculture become metaphors for cultural harmony, enlightenment and a re-fusion of the mystery of vitality into everyday life.
Lee, Dongeon. „Phenomenology, hermeneutics, and existentialism as sources of an inquiry into the meaning of modern architecture“. Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/21807.
Der volle Inhalt der QuelleDedecca, Paula Gorenstein. „Sociabilidade, crítica e posição: o meio arquitetônico, as revistas especializadas e o debate do moderno em São Paulo(1945-1965)“. Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-10072012-130257/.
Der volle Inhalt der QuelleThis work intends to discuss the unity and plurality of the architectonic environment of São Paulo, through their social networks, professional spaces and critical movements, using as primary source some specialized magazines, published in the city between 1945 and 1965. The study will investigate the relationship between an intellectual group - a parcel of architects working in São Paulo - and its manifestations, seeking to understand the particular space in which some of its professional ties, cultural and ideological exchanges, and projetual attitudes were developed. The first chapter seeks to outline the social networks of those architects, through the intersection of urban space, cultural, professional and academic institutions. The second chapter studies the local criticism - their intellectual approaches, disarticulations, fractures and dislocations - across their inner dialogues and their different looks launched on Brazilian contemporary architecture, especially the one produced in Rio de Janeiro. Finally, the third chapter aims to approach the projectual dialogues between the local architects through the analysis of some architectural competition held in São Paulo in the period and that found an echo in local architecture magazines.
Krūgelis, Linas. „Relation between novation and tradition in contemporary Lithuanian sacred architecture“. Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130207_143156-00377.
Der volle Inhalt der QuelleDarbe keliamos ir tiriamos dvi Lietuvos sakralinės architektūros problemos – tradicija ir novacija, jų tarpusavio santykis šiuolaikinėje sakralinėje architektūroje. Tradiciją lemia istorija, per šimtmečius susiformavę įpročiai ir papročiai. Taip pat nemenką įtaką daro tokie svarbūs veiksniai kaip karai, okupacijos ir svetima ideologija. Lietuvoje ilgą laiką buvo draudžiama ir varžoma religinės minties ir praktikos sklaida. Tokiomis sąlygomis sakralinės architektūros tradicija neišliko gyvastinga, buvo trukdoma visavertiškai jos raidai. Platesnė ir išsamesnė šios architektūros analizė padėtų nustatyti, kokios tradicijos ryškėja projektuojant katalikų kulto pastatus, kas išliko sena sakralinėje architektūroje. Nagrinėjant bažnyčių architektūrą, be istorinių veiksnių, susiduriama su novacijomis, jų raiškos problema. Sovietmečiu Lietuvoje architektai nebuvo rengiami projektuoti sakralinius statinius, o ir pačių bažnyčių nebuvo statoma dėl valdžios vykdomos ateistinės politikos: tikintieji buvo persekiojami, kunigams taikomos įvairios represijos. Bažnyčios okupacinės valdžios nurodymu buvo sąmoningai niokojamos – verčiamos sandėliais ar gamyklomis arba paliekamos griūti be priežiūros. Atgavus nepriklausomybę, pradėta padėtį taisyti – imta paskubomis projektuoti ir statyti bažnyčias. Netrukus pastebėta, kad patirties ir išmanymo stoka atvėrė kelią klaidoms ir nepamatuotiems sprendimams. Bažnyčios tuo metu dažnai buvo projektuojamos neprofesionaliai, neatsižvelgiama į subtilius... [toliau žr. visą tekstą]
Pasholok, Maria. „Imaginary interiors : representing domestic spaces in 1910s and 1920s Russian film and literature“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c9d47ca1-6164-48fb-99f1-67ef37c77c4a.
Der volle Inhalt der QuelleKrūgelis, Linas. „Tradicijų ir novacijų santykis šiuolaikinėje Lietuvos sakralinėje architektūroje“. Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130207_143150-41950.
Der volle Inhalt der QuelleThe research involves two problems of Lithuanian sacred architecture – tradition and innovation. Tradition has been preconditioned by history, habits and customs formed within centuries. Such important factors as wars, occupations and foreign ideologies have also made a great influence. Any spread of religious thought and practice was forbidden and restricted quite for a long time in Lithuania. Under such circumstances the tradition of sacred architecture could not stay vital and develop in full-rate. Deeper and more precise analysis of the aforementioned architecture could contribute to identifying the traditions in designing Roman Catholic buildings and what has remained old in this sacred architecture. While analyzing church architecture, innovations and the problem of their expression are faced alongside the historic factors. During soviet times, architects were deprived of getting any training in design of sacred buildings, and churches were not built due to atheistic policy of authorities of the time. Believers were even persecuted and priests underwent various repressions. By the order of occupational authorities, churches were purposely destroyed – turned into storehouses or factories, or simply desolated and condemned to destruction. As soon as Lithuania regained its independence, attempts were made to improve the situation. It was started to design and build churches hastily. Soon it was noticed that lack of experience and knowledge has opened the way to mistakes... [to full text]
Ceylanli, Zeynep. „Sigfried Giedion'“. Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609934/index.pdf.
Der volle Inhalt der Quelles book on modern architecture: Space, Time and Architecture &ndash
The Growth of A New Tradition. Giedion&rsquo
s life, his education, his other writings and his relationships with the pioneers of the era are considered as significant influences on the writing of the book. After giving an informative summary of the book, the key themes of the book are analyzed. While analyzing these themes, the opinions of other architectural historians on these themes are also taken into consideration. The reviews on the book are elucidated in order to grasp the first reactions of architectural history circles, and then they were followed by the later impressions. The claim is that Space, Time and Architecture is an influential resource for the understanding of how modern architecture is written about in the first half of the twentieth century. The proof of this influence is both the written sources on the book and its rule in Manfredo Tafuri&rsquo
s formulation of &lsquo
operative criticism&rsquo
.
Bower, Matthew S. „Catastrophe in Permanence: Benjamin's Natural History of Environmental Crisis“. Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984263/.
Der volle Inhalt der QuelleSido, Anna E. „Making History: How Art Museums in the French Revolution Crafted a National Identity, 1789-1799“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/663.
Der volle Inhalt der QuelleMcKnight, Justine. „Redefining The Art Experience : From Static To Temporal Art Forms“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1998. https://ro.ecu.edu.au/theses/1450.
Der volle Inhalt der QuelleHerrera, Adriana. „Ficción Extrema: Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas)“. FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1741.
Der volle Inhalt der QuelleTAYLOR, SHAWN. „SPEED AND RESOLUTION IN THE AGE OF TECHNOLOGICAL REPRODUCIBILITY“. VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3888.
Der volle Inhalt der QuelleAndrus, Timothy G. „Stuart Davis's Early Theoretical Writing, 1918–1923: Realism, Cubism, and Dada“. VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4589.
Der volle Inhalt der QuelleSimons, Gary. „"Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism“. Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3347.
Der volle Inhalt der QuelleMaiden, Shelby. „The Commodity Club: Commodity Fetishism in Modern Art and Tattoos“. Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/467.
Der volle Inhalt der QuelleBerger, Aimee E. „Dark Houses: Navigating Space and Negotiating Silence in the Novels of Faulkner, Warren and Morrison“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2732/.
Der volle Inhalt der QuelleFox, Peter Holden. „Textual apparitions: power, language, and site in the work of Jenny Holzer“. Pomona College, 2007. http://ccdl.libraries.claremont.edu/u?/stc,10.
Der volle Inhalt der QuelleMehrmand, Sonia M. „Canonizing the Colosseum: Remembering, Manipulating, and Codifying Memory in the Eternal City“. Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/241.
Der volle Inhalt der QuelleVines, Jacob L. „Encounters with the American Prairie: Realism, Idealism, and the Search for the Authentic Plains in the Nineteenth Century“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2511.
Der volle Inhalt der QuelleMarianacci, Caitlyn D. „Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women“. Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.
Der volle Inhalt der QuelleDuffy, Owen J. JR. „The Politics of Immateriality and 'The Dematerialization of Art'“. VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4641.
Der volle Inhalt der QuelleByington, Danielle. „Transmutations of Ophelia's "Melodious Lay"“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3203.
Der volle Inhalt der QuelleFrechette, Mariel. „Danger in Deviance: Colonial Imagery and the Power of Indigenous Female Sexuality in New Spain“. Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/210.
Der volle Inhalt der QuelleWatts, Chelsea Anne. „Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art“. Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3403.
Der volle Inhalt der QuelleJones, Rebecca E. „Catching All Passions in His Craft of Will: Portraits and Pater in Oscar Wilde’s “The Portrait of Mr. W. H.”“. VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4219.
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