Zeitschriftenartikel: „Arabic poetrystory and criticism“

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Musgamy, Awaliah, Muhammad Rusydi und Kurniati Kurniati. „Gender Mainstreaming in Arabic Literature“. Jurnal Al Bayan: Jurnal Jurusan Pendidikan Bahasa Arab 12, Nr. 2 (02.09.2020): 245–62. http://dx.doi.org/10.24042/albayan.v12i2.6468.

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Arabic literature is a means of gender mainstreaming which is very rich in gender issues. This is based on the social fact that Arab society in its historical footsteps has a stereotype as a community that is very thick with its patriarchal culture. Consequently, the social condition which is less responsive to gender influences the birth of Arabic literary works in various types in which gender issues such as marginalization of women, subordination of women to men, violence, negative stereotypes, and others. This article is qualitative research by using feminist Arabic literary criticism as a perspective, gender mainstreaming in Arabic literature is carried out by tracing the gender issues that exist in Arabic literature in its various forms. Through feminist Arabic literary criticism, various theories of feminist literary criticism consisting of ideological criticism, gynocritical criticism, socialist criticism, psychoanalytic criticism, ethnic criticism, and lesbian criticism, are applied in transforming and reconstructing gender-responsive relations between men and women.

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Khan, Yahya. „The Classical and Modern Concept of Unity in Arabic Poem“. Journal of Islamic and Religious Studies 1, Nr. 2 (01.07.2016): 99–112. http://dx.doi.org/10.36476/jirs.1:2.12.2016.14.

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The issue of harmony and unity in the Arabic criticism and poem is of prime concern, which gained the great importance in modern criticism; as various critiques are of the different opinions regarding its existence, significance, applications and concepts even; in both ancient Arabic criticism and modern poetry. The present study will investigate to find out its roots in the ancient Arabic criticism and poetry; and to prove its references in modern Arabic criticism and poetry while indicating how this issue is kept alive by contemporary poets.

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Latifa, Zuhra, Tatik Mariyatut Tasnimah und Muhammad Iwan Burhani. „Perkembangan Kritik Sastra Arab Pada Masa Kontemporer: Faktor Kemakmuran, Metode Kritik, dan Kritikus“. Jurnal Adabiya 25, Nr. 2 (10.10.2023): 160. http://dx.doi.org/10.22373/adabiya.v25i2.17165.

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Abstract: The development of literary criticism in the Arab world has gone through a long process, where some methods also changed and developed along with the development of literary works in the Arab world. Not much different from the world of Arabic literature which has been echoed since the jahiliyah era, since that time also literary criticism began to surface. In the realm of Arabic literary criticism, classical literary criticism is the root that exerts an influence on contemporary literary criticism. The popularity of Arabic poetry became a stimulus for the birth of criticism to the point of giving birth to several figures with their own styles of criticism. This article aims to provide a glimpse into the journey of literary criticism in the contemporary period, by presenting some of the figures who struggled and were directly involved in the develoment process of contemporary literary criticism.Keywords: Contemporary, Literary, Criticism, Arabic

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M. Himeidi, Assist Prof Dr Sundus. „Plagiarism in Arabic Criticism Heritage“. ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 223, Nr. 1 (01.12.2017): 33–56. http://dx.doi.org/10.36473/ujhss.v223i1.318.

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The phenomenon of plagiarism has been commonly dealt with in Arabic criticism heritage,and many traditional Arab critics have written a specific part in their books covering this phenomenon under the title of "literary thefts". Literary thefts have been condemned in Arabic heritage as one poet takes some expressions or phrases from his predecessors, and such a tendency leads to the underestimation of the poet’s status. This phenomenon is called "citation" in Arabic rhetorics when the cited materials are extracted from the Glorious Qur'an or the Prophetic Traditions. This phenomenon has been given different names in Arabic heritage depending on the source of taken materials like sayings, poetry, etc.The phenomenon of plagiarism can be found in the poetic antithesis. Accordingly, plagiarism is the focus of this study. This study is organized around an introduction and three sections. Section one presents the concept of plagiarism from linguistic and terminological perspectivesa long with its history. Section two is limited to the different types of plagiarism in Arabic criticism heritage. Section three deals with the construction patterns of Arabic criticism heritage. Finally, conclusions are drawn out.

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Haikal, Yusuf. „The Actualization of Characters and References in The Classic Arabic Literature Criticism“. Jurnal CMES 14, Nr. 1 (20.06.2021): 24. http://dx.doi.org/10.20961/cmes.15.1.48323.

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This study aims to give an overview, review and actualize referral sources in the literary criticism of classical Arabic along with the figures from the source of the referral, which is expected to help and enrich the knowledge and insight for learners criticism in Arabic literature. The method used is descriptive qualitative and the study of literature. Through this method the data and studies taken from various sources of literature are then described and presented in the form of words based on the focus of the book which became the main reference. From the discussion, it could be concluded that the scientific and the development of criticism in Arabic Literature in the classical, more precisely between the eighth century to the twelfth century, is the golden period of development in the scientific criticism in Arabic literature. Moreover, the four centuries was also born to a wide variety of artwork and writing a review or even find a theory and new things related to literary criticism. There are at least four books is the source of the referral (mashdar) literary criticism of classical Arabic that can be actualized and utilized as well as made the object of research to the development of scientific criticism in Arabic literature at the present time. The fourth book is Thabaqāt Fuchūlus-Syu'arā’, al-muwāzanah, al-badi’, and dalā'ilul i'jāz. The fourth book, and its author, is also a testament to the greatness of the development of criticism in Arabic literature in the classic, and has represented a wide range of novelty born of the development of scientific criticism in Arabic literature.

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Ismail, Ismail, Tatik Maryatut Tasnimah und Ridwan Ritonga. „Kritik Sastra Arab pada Masa Yunani“. JURNAL Al-AZHAR INDONESIA SERI HUMANIORA 9, Nr. 1 (27.03.2024): 18. http://dx.doi.org/10.36722/sh.v9i1.2747.

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The purpose of this study is to examine the development of literary criticism in the Greek period. The data collection method used in this study is the literature review method. The researcher will search all data related to this study and record the data. The approach used in this study is a historical approach where researchers look for stories related to the history of the development of Arabic literary criticism in the Greek period. From the results of this research can be found out about the understanding and classification of Arabic literary criticism. In addition, this study provides information on Arabic literary criticism in Greek times, Greek influence on Arab criticism through reading, and criticism of orientalist books in the context of Greek influence. In literary criticism, the task of teaching literature with the support of literary theory is literary criticism, especially oral literary criticism, using works of literary criticism to explain abstract literary theories.Keywords - Criticism, Arabic Literature, Greek.

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Futaqi, Mirza Syauqi. „GENEALOGI KAJIAN PASCAKOLONIALISME DALAM KHAZANAH KRITIK SASTRA ARAB“. LiNGUA: Jurnal Ilmu Bahasa dan Sastra 14, Nr. 1 (29.06.2019): 205–12. http://dx.doi.org/10.18860/ling.v14i1.6321.

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This study is a comparative literature study that seeks to investigate postcolonialism study in the Arabic Literary Criticism from the early postcolonialism study to the current postcolonial study. This study uses American comparative literature theory, the diachronic approach, and historical methods. The results of this study are that postcolonialism entered into the Arabic Literary Criticism through postcolonial theory book that was translated to Arabic language, students who studied in America or Europe and then taught at universities in the Arabic world, and also the internet. In addition, the attitude of the Arabs towards postcolonialism study in the Arabic Literary Criticism is still limited as consumers and not theorists.

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Kajeej, Omar Abdullah. „غَ رَ بَ طَ نَ ظَ و هَو زا رَ يَا نَاقدٌ نَقده لَقصيدة "َبحق رَب اَلورىَ" لَلشعر اَلحاج عَمر اَ لَ كَ بَ وَي أَنموذجا“. Yandoto Academic Journal of Arabic Language and Literature 6, Nr. 01 (30.12.2022): 27–41. http://dx.doi.org/10.36349/yajoall.2022.v06i01.003.

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This research in title “Garba Dantsoho Zaria, is Critic his scrutinising the poetry of Alh. Umar Al-Kabawai named "for the sake of mankind’s creator" as model ". The paper intended to highlight the contributions of Garba Dantsoho Zaria, toward the development of Arabic literature and criticism in Nigerian Arabic Literature. The research contained the biography of the author (Critic) Garba Dantsoho Zaria, his struggle for seeking the Arabic language and Islamic studies, his compositions toward the development of Arabic language literature and criticism in the fill of Nigerian Arabic Education, at the end the paper explains the preferment and structure of his book, called the presentation, analysis, and the criticism of the Alh. Umar Al-kabawai poets, finally the conclusion, summary, and recommendations were been given.

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Boudjerra, Samira_. „Modernism Poetic of Abou Tammam from the Perspective of Ancient Arab Criticism. _Language Criticism Model“. Milev Journal of Research and Studies 5, Nr. 2 (31.12.2019): 189–208. http://dx.doi.org/10.58205/mjrs.v5i2.1126.

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linguistic Arabic critics and the modern poetry of Abou Tamam. They were the first to receive the modernity of About Tamam and provide their jujments which contributed in clarifying some critical concepts that are included in the core of hritecal Arabic poetry.

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Hailiyati, Nia. „The terms of contemporary Arabic literary criticism“. Alfaz (Arabic Literatures for Academic Zealots) 6, Nr. 01 (03.10.2018): 31. http://dx.doi.org/10.32678/alfaz.vol6.iss01.1095.

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This study discusses the use of developed terms of literary criticism in the Arab. literature always experiences renewal in terms of science because literary criticism is a cultural product that often interacts with the conditions of the surrounding world, one of which is the terms of literary criticism which is the criterion in its use, so that raises the question, what are the terms of the Arabic literary criticism that are developing now? the purpose of this study is to find out the terms of literary criticism that developed in contemporary times as balancing the transformation of the ever expanding world of external literature. The method used in this research is library research, which is by collecting library data related to terms in Arabic literature. The finding in this study is that in contemporary Arabic literature there are three phenomenal terms, first the inner experience of poets (writers), the second organic unity and the theme in literary works, the third form of poetry.

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ABU-HAIDAR, J. A. „WHITHER THE CRITICISM OF CLASSICAL ARABIC POETRY?“ Journal of Semitic Studies XL, Nr. 2 (1995): 259–81. http://dx.doi.org/10.1093/jss/xl.2.259.

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Qurrota Ayun, Hafizh. „Kritik Sastra Arab Pada Masa Jahilyah“. `A Jamiy : Jurnal Bahasa dan Sastra Arab 11, Nr. 2 (18.09.2022): 434. http://dx.doi.org/10.31314/ajamiy.11.2.434-444.2022.

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This study discusses the phenomenon of Arabic literary criticism that occurred during the period of ignorance. By knowing the critical phenomena that existed during the jahiliyyah period, it will be known how the character of Arabic literary criticism at that time was. Literary criticism during the jahiliyyah period was still very simple, namely by determining good and bad or comparing works with one another based on their natural literary taste. The result can be seen in the phenomenon of Muallaqa>t in which some of the best poems from various tribes are placed. The forms of literary criticism during the jahiliyyah period were generally in four forms, namely linguistic criticism, meaning criticism, musical criticism, and poet strata criticism. Linguistic criticism is criticism of the misuse of language. Meaning criticism is a criticism that judges the merits of a poem in terms of meaning. There are three basics in the critique of its meaning, namely its relevance to the life of the Arab community, the compatibility between the word and the meaning that shows it, and the aesthetic value or beauty of the meaning contained in the poem. Musical criticism is literary criticism seen from the good or bad standards of arud that exist in poetry. Criticism of the poet's strata is criticism based on the level of the poet during the jahiliyyah period.

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Mutmainah, Mia, und Tatik Mariyatut Tasnimah. „Pengaruh Romantisisme terhadap Tren Psikologis Maḥmūd ‘Abbās al-‘Aqqād dalam Kritik Sastra Arab Modern“. Al-Ma‘rifah 19, Nr. 1 (20.11.2022): 93–102. http://dx.doi.org/10.21009/almakrifah.19.01.08.

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This study aims to reveal the influence of the Western romanticism movement on the psychological style developed by Maḥmūd ‘Abbās al-‘Aqqād in assessing and understanding Arabic literary works in the modern era. This research is library research using the analytical-descriptive method. The result of this study shows that the psychological trend of al-‘Aqqād’s criticism is strongly influenced by the romanticism movement. Romanticism is a revolutionary movement in the artistic, literary, and intellectual fields that emerged in Europe as a form of resistance to the conditions around the 18th century. This movement emphasizes the individuality aspect to highlight the liberation of feelings and emotions. This aspect of individuality then became the basis of al-‘Aqqād’s criticism in assessing literary works which, according to him, were full of individual personalities. Thus, the psychological trend in Arabic literary criticism developed by al-‘Aqqād cannot be separated from the immense influence of the romanticism movement that emerged in the West. The results of this study increasingly show the significance of the West's role in the development of Arabic literary criticism in the modern era.

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ALmeyahi, Assist Prof Dr Thaer Abdulzahra Lazim. „Criticize the criticism in Arabic critical tradition ElSherif Elmurtadha as a sample"“. ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 225, Nr. 1 (01.09.2018): 59–76. http://dx.doi.org/10.36473/ujhss.v225i1.111.

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Abstract:- (Criticize the criticism ) performed by ElSherif Elmurtadha is considered as the main subject in his critical speech .The reader of his critical writings will discover his method in dialoguing the other .The previously mentioned performance obviously shown in his book in its two volumes. (dawns of advantages and pearls of necklaces ) known as (Emali Emurtadha) and his two other books (the shooting stars of youth and elders )(spectrum of imagination).This study aims at studying the critical speech in these three books. The research question is: does the criticizer of criticism repeat the known criticism of his days or add a scholar knowledge and a deep thinking to himself ?.The importance of this study is lies in its attempt to root the connotation of criticize the criticism in the Arabic critical tradition through criticizing EL Amedi ’s criticism by ElSherif Elmurtadha .This study comes in two parts: The first part is about the classical and modern Arabic criticize the criticism. The second part is about criticize the criticism performed by ElSherif Elmurtadha.

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Bani amer, Asem “Mohmad Amen”. „The Effect of Camel in the Arabic Criticism Discourse“. Journal of Arts and Social Sciences [JASS] 7, Nr. 2 (01.06.2016): 441. http://dx.doi.org/10.24200/jass.vol7iss2pp441-458.

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This study deals with the presence of camels in the structure of Arabic criticism discourse and its standards. These standards were taken from the behavior of camels, sush as virility, endurance and patience as descrbed by poets. Thus, the effect of camels become a method of Arab criticism.

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Bani amer, Asem “Mohmad Amen”. „The Effect of Camel in the Arabic Criticism Discourse“. Journal of Arts and Social Sciences [JASS] 7, Nr. 2 (01.06.2016): 441–58. http://dx.doi.org/10.53542/jass.v7i2.1129.

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This study deals with the presence of camels in the structure of Arabic criticism discourse and its standards. These standards were taken from the behavior of camels, sush as virility, endurance and patience as descrbed by poets. Thus, the effect of camels become a method of Arab criticism.

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Marinca, Andrei. „Kalām Atomism and its Criticism in Arabic Philosophy“. Philobiblon. Transylvanian Journal of Multidisciplinary Research in the Humanities 27, Nr. 1 (Juni 2022): 175–92. http://dx.doi.org/10.26424/philobib.2022.27.1.08.

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Ghoneim, Hala. „Crisis Poetry and the Crisis of Arabic Criticism“. International Journal of Critical Cultural Studies 18, Nr. 1 (2020): 57–69. http://dx.doi.org/10.18848/2327-0055/cgp/v18i01/57-69.

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Kilpatrick, Hilary, und Roger Allen. „Modern Arabic Literature (A Library of Literary Criticism)“. Die Welt des Islams 29, Nr. 1/4 (1989): 217. http://dx.doi.org/10.2307/1571022.

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أسعد, نرجس خلف. „The Reader Response Theory in Arabic Criticism Mohammad Al-Mubarak's Book: Istiqbal un-Nass (Text Reception) as an Example“. JOURNAL OF LANGUAGE STUDIES 4, Nr. 4 (12.10.2023): 46–64. http://dx.doi.org/10.25130/jls.4.4.3.

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The last century witnessed a lot of changes in world literary criticism. The modern critical approaches with their different philosophical, literary and linguistic attitudes emerged giving us various rules and ways of reading a literary text. These theories were divided into contextual approaches (the historical, psychological and social) paying attention to the author and the political, cultural and psychological changes he/she has undergone and how these changes affected the text through the author and his life. Critical studies then shifted from the context into text with the emergence of the textual approaches which argue that the critical reading begins with text and ends with it. The critical act moves then from the text to the receiver/reader with the appearance of the reader response theories which focus upon the reader as one of the most important elements of constructing the literary text and participating in it. Amid the tumult of all these studies, there were those who deny the existence of Arabic critical studies concerned with the reader or receiver till Mohamd Al-Mubark pulished his study: Text Reception in Arabic Criticism, tracing in it classical Arab critics' opinions concerning critical reading, its levels and types, the reader, his types and attitudes. This book is an attempt by the author to highlight the ancient Arabic critical heritage and to show the place of Arab critics and their critical potentialities in reading and receiving the literary text. Keywords: criticism, critical approaches, reader-response theory, ancient Arabic criticism, text reception.

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McManus, Anne-Marie. „Between Solidarity and Pleasure“. Journal of World Literature 2, Nr. 3 (2017): 394–407. http://dx.doi.org/10.1163/24056480-00203006.

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Elias Khoury, a leading voice within contemporary Arabic literature and criticism, talks about the worldliness of Arabic literature, both as a writer and as a critical voice whose longstanding political engagement offers much-needed perspective on the possibilities and limitations of world literary debates today.

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Fitriyah, Tika, Afif Kholisun Nashoih, Qoyyumul Fajar und Salima Muhammad Husain Barkah. „Expressive Speech Act in Comments on Instagram BBC Arabic“. Jurnal Al Bayan: Jurnal Jurusan Pendidikan Bahasa Arab 14, Nr. 2 (31.12.2022): 324–44. http://dx.doi.org/10.24042/albayan.v14i2.12127.

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A language reflects the culture of the speakers. The use of language on social media platforms without an editor creates several issues, one of which is that it can spiral out of control. The goal of this research is to categorize and analyze expressive speech acts of praise and criticism in BBC Arabic Instagram comments. This is a descriptive-qualitative study with data sources in the form of netizen comments on BBC Arabic between January and February. There are two hundred data in total and they were obtained using a purposive sample technique. According to the findings of this research, many users of social media express criticism more often than they express praise or appreciation, with a ratio of 87:13. Being outspoken in their criticism will become the character and culture of social media users over time. This is clearly not in line with Arab culture, where Islam is the dominant religion. As a result, that was expected that research based on this model will be able to influence how language is used on social media.

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Tottoli, Roberto. „Textual Criticism and Bibliography: The Case of Qurʾānic Studies“. AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 42, Nr. 1 (19.10.2020): 208–22. http://dx.doi.org/10.1163/17246172-40010035.

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Abstract Philological studies on Arabic and Islamic literature have traditionally been limited in many respects. The approaches to the texts and their editing have mostly reflected a primary interest in diffusing texts without sharing the editing methodology or discussing the specific problematic aspects of Arabic. In the realm of Qurʾānic studies most of the research has been devoted to the formation of the text and early manuscript evidence with some significant results but without addressing many other aspects and critical problems which still await the attention of scholarly research. Later manuscript attestations and the history of the printed Qurʾān have also been in general neglected fields of critical research.

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Atabik, Ahmad. „Al-Naẓm Stylistic Discourse in I’jāz al-Qur’ān Based on Al-Jurjānī’s Perspective: Analysis of Arabic Literature Criticism on the Qur'an Studies“. Ulumuna 25, Nr. 1 (30.06.2021): 57–83. http://dx.doi.org/10.20414/ujis.v25i1.425.

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This article discusses Arabic literature criticism during the classical period represented in al-Jurjāni’s naẓm (poetic) theory. It aims to analyze al-Jurjānī's thoughts in the field of balāgha (Arabic rhetoric) in revealing the miracles of the Qur'an in terms of its language beauty. Al-Jurjānī argues that one of the miraculous aspects of the Qur'an is concerned with its naẓm. Although the theory of naẓm had been previously proposed by Arabic literary scholars, such as al-Jāhiẓ, al-Baqillānī and al-Rummānī, al-Jurjānī, however, elaborated and developed the theory naẓm in great details. His theory contributes to the development of the meaning of balāgha and introduces it to public audience amongst scholars of the Qur’an. Al-Jurjānī concludes that naẓm is determined by the meaning of the Qur'anic verses as well as the structure in the discipline of naḥwu (grammar). The naḥwu and naẓm theory work together to generate meaning of the spoken sentence. Al-Jurjānī’s concept of naẓm supersedes later experts' and even modern Western linguists' discoveries and knowledge in the field of Arabic literary criticism.

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Akkoç, Pınar. „Mohammedan-Arabic Cultural Period and Bebel’s criticism on orientalism“. Alman Dili ve Edebiyatı Dergisi - Studien zur deutschen Sprache und Literatur 1, Nr. 41 (25.06.2019): 123–34. http://dx.doi.org/10.26650/sdsl2019-0002.

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Staif, Al-Nabi. „The Question of Freedom in Modern Arabic Literary Criticism“. Journal of Arabic Literature 26, Nr. 1 (01.01.1995): 165–74. http://dx.doi.org/10.1163/157006495x00148.

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Aziz, Abd, und M. Imam Sofyan Yahya. „KRITIK INTRINSIKALITAS DAN EKSTRINSIKALITAS SASTRA MODERN DALAM KAJIAN SASTRA ARAB MODERN“. Mumtaz: Jurnal Studi Al-Qur'an dan Keislaman 3, Nr. 1 (21.10.2019): 23–36. http://dx.doi.org/10.36671/mumtaz.v3i1.31.

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In the practice of literary criticism, including Arabic literature, there are two approaches in evaluating literary works, namely the intrinsic approach and the extrinsic approach. The intrinsic approach bases itself on the objective value of literary works itself without connecting with other sciences, or approaches that seek to see literary works objectively with the propositions of linguistics and literary aesthetics. From this approach was born a flow of semiotic literary criticism and structural literary criticism. Meanwhile, the extrinsic approach uses certain scientific measures in evaluating literary works. The extrinsic approach to literary criticism seeks to see literary works from the viewpoint of disciplines outside of literature. This approach gave birth to sociological literary criticism, psychological literary criticism, archaeological literary criticism, moral literary criticism, philosophical literary criticism, and others.

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Babana-Hampton, Safoi. „The Postcolonial Arabic Novel“. American Journal of Islam and Society 21, Nr. 1 (01.01.2004): 107–10. http://dx.doi.org/10.35632/ajis.v21i1.1818.

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Muhsin Jassim Al-Musawi’s book offers a fresh contribution not only tostudies in Arabic literature but also to postcolonial critique, cultural criticism,comparative literature, and cross-cultural studies. Its interest lies inthe fact that it introduces a relatively less explored territory in postcolonialthought and cultural criticism: namely, Arabic literature. Theattention of many western and non-western scholars in the field has long been directed toward Anglophone literature from South Asia, Japan,Africa, and Canada, and then to Francophone literature from North Africaand the Antilles.In the context of the Arab world, the author also situates the importanceof his study in how The Thousand and One Nights, a work whosefate and reception he sees as emblematic of the fate of fiction writing inthe Arab world, was received. Just like the novel genre in general, thiswork only received scholarly interest rather recently, after centuries ofneglect and disdain by conservatist Arab scholars and elite culture.Central to postcolonial critique, whose sources and precedents can betraced to the practices and discourses of those writers associated with variousintellectual traditions (e.g., poststructuralism, deconstruction, Marxism,feminism, cultural studies) and which has affinities with the literary movementknown as postmodernism, is the experience of colonization as amoment of cultural self-consciousness and self-dividedness. This momentgenerates contradictory and ambivalent identity patterns and subject positionsresulting from the encounter with the Other (culture), and emphasizesthe constructedness of identity. Al-Musawi transposes these key postcolonialmotifs and insights to the realm of Arabic literature in order to revealimportant dimensions of the contemporary Arabic novel.Scholarly research on Arabic literature (both within and outside theArab world) often privileged poetry as an object of study, given its historicallyprominent place in elite culture and the Arab world’s literary canon.The subject choice of the book is of particular interest, because it targetsthe Arabic novel as an emerging literary genre, and, by the same token,because of its use of postcolonial analytical concepts to account for thisrelatively new literary genre’s place in contemporary Arab culture andsociety ...

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Saad AlBakar, Fahd Ibrahim. „Arabic Maqāmāt in Light of Foreign Antiquities (An Inductive Study) Literature and Criticism“. Al-Dad Journal 7, Nr. 2 (31.12.2023): 46–60. http://dx.doi.org/10.22452/aldad.vol7no2.3.

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This research deals with an important subject, which takes a great place in the context of the linguistic and literary and criticism works which were the subject of foreign studies. This research is concerned with how non-Arab critics receive the ancient Arab prose. The research took the art of Arabic Maqāmāt as a model for it, as it touched the influence of this art which was famous and popularized by Badi'zaman al-Hamzani, Abu Bakr al-Hariri, and others. Their impact was evident in the global creativity map, whether in Persian, Spanish, Hebrew, or other literature. The importance of this research has been increased that it took care of the critical impact that these Arabic Maqāmāt left on foreigners where many of them pay great attention to it, as it also subjected to a distinguished critical standard, as in the case of one of the German orientalists who the search took him as evidence of that. Keywords: ancient Arabic prose - non-Arabic antiquities - influence and impact - Adam Metz

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Staif, A. N. „The Question of Foreign Influences in Modern Arabic Literary Criticism“. Journal of Arabic Literature 16, Nr. 1 (01.01.1985): 109–18. http://dx.doi.org/10.1163/157006485x00103.

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Alzahrani, Hamdan. „The Artistic Dimension in the Meaning Treatment of Arabic Criticism“. Journal of King Abdulaziz University-Arts and Humanities 17, Nr. 2 (2009): 213–45. http://dx.doi.org/10.4197/art.17-2.6.

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Al-Hiyani, Mahmud Khudhair Khalf. „The Problem of Cognitive Criticism in Modern Arabic Critical Discourse“. JOURNAL OF LANGUAGE STUDIES 3, Nr. 4 (08.09.2023): 58–74. http://dx.doi.org/10.25130/jls.3.4.4.

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The openness or transcendence between the humanities and its tendency at the present time to care for knowledge in all its forms represents an exceptional case produced by the great revolution of globalization that worked to represent a new dominant culture that transcended the geographical borders of different countries, cultures, and nationalities, which in turn led to the subject of culture and related to the negative and positive sides. It is a major topic in most human sciences, and on this basis of the frequent relations between the cultures of peoples, new concepts and terms such as margin, center, femininity, masculinity, colonial discourse and beyond, and an intellectual, authority, and cultural criticism in all its forms, starting from the moment when the modern critical discourse approaches the creative text in terms of discovery of contours, contexts that are contrived or distorted and included, and the role of the language or creative text in not transforming itself into a social, cultural, or political document, not only modern critical approaches

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Ulwiyah, Risadatul. „EXISTENTIALISM IN ARABIC LITERATURE: PHILOSOPHICAL FOUNDATIONS, MODELS, FIGURES, AND CRITICISM“. LINGUISTIK : Jurnal Bahasa dan Sastra 8, Nr. 4 (15.11.2023): 619. http://dx.doi.org/10.31604/linguistik.v8i4.619-627.

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This article discusses existentialism in Arabic literature. The purpose of this study is to describe the philosophical foundations that underlie existentialism, models or forms of existentialism, figures who apply existentialism in their literature works, critiques of existentialism. The method used in collecting data is the technique of looking at notes on reference sources in books related to existentialism. The results of the study show that the foundations philosophical of existentialism is that humans have the highest authority in governing themselves with responsible freedom. The models that appear in this exsistentialism are novels, dramas, poetry with themes of anxiety, sadness and others. Arab literary figures who apply this exsistentialism in their works include: 'Abd al-Rahman Badawi, Khalil al-Hawi, Abd al-Wahab al-Bayati, Taufiq al-Hakim. Later in its development, existentialism received some criticism because of its extreme ideas which were contrary to what was brought by Islam, that humans must believe in God and the values of intellectual heritage.

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Alfaisal, Haifa S. „The Politics of Literary Value in Early Modernist Arabic Comparative Literary Criticism“. Journal of Arabic Literature 50, Nr. 3-4 (11.11.2019): 251–77. http://dx.doi.org/10.1163/1570064x-12341387.

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Abstract The modernist epistemic disconnect from the “medieval Islamic republic of letters,” Muhsin al-Musawi argues, is attributable both to the incursion of Enlightenment-infused European discourse and a failure to read the import of the republic’s significant cultural capital. This article explores the effects of Eurocentric incursions on transformations in literary value in two of the earliest known works of comparative Arabic literary criticism: Rūḥī al-Khālidī’s Tārīkh ʿilm al-adab ʿind al-ifranj wa-l-ʿarab wa-fiktūr hūkū (The History of the Science of Literature of the Franks, the Arabs, and Victor Hugo, 1902) and Aḥmad Ḍayf’s Muqaddimah li-dirāsat balāghat al-ʿarab (Introduction to the Study of Arab balāghah, 1921). I employ the various theoretical formulations of the decolonial school of thought, primarily Walter Mignolo’s coloniality/modernity complex, in tracing these epistemological shifts in literary value and focus on the internalization of Eurocentric critiques of Arabic literary capital. I also discuss the politics involved in such processes, presenting a decolonial perspective on these modernists’ engagement with their Arabic critical heritage.

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Naaman, Erez. „Collaborative Composition of Classical Arabic Poetry“. Arabica 65, Nr. 1-2 (27.02.2018): 163–206. http://dx.doi.org/10.1163/15700585-12341476.

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Abstract Evidence of collaborative composition of poetry goes back to the earliest documented phases in the history of Arabic literature. Already during pre-Islamic times, poets like Imruʾ al-Qays used to challenge others to complete their impromptu verse and create poetry collaboratively with them. This practice—commonly called iǧāza or tamlīṭ and essentially different from the better known poetic dueling of the naqāʾiḍ (flytings)—has shown remarkable stability and adherence to its form and dynamics in the pre-modern Arabophone world. In this article, I will discuss evidence of collaborative poetry from pre-Islamic times to the early seventh/thirteenth century, in order to present a picture of the typical situations in which it was practiced, its functions, its composition process, and formal aspects. Although usually not producing poetic masterpieces, this practice has the merit of revealing much about the processes of composing classical Arabic poetry in general. In this respect, its study and critical assessment are highly important, given the fact that medieval Arabic literary criticism does not always reflect praxis or focus on the actual practicalities of composing poetry. This practice and the contextualized way in which it was preserved allow us to see vividly the inextricable link between poetic form and the conditions in which poetry was created. It likewise sheds light on the intricate ways in which poets resisted, influenced, and manipulated others by poetic means. Based on the obvious fact that collaborative composition is imbued with the spirit of play, I offer at the end of the article criticism of Johan Huizinga’s famous play concept and his (much less famous) views of early Arabic culture and poetry in light of the evidence I studied.

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Rais Uddin, Umair. „http://habibiaislamicus.com/index.php/hirj/article/view/241“. Habibia islamicus 5, Nr. 3 (30.09.2021): 139–60. http://dx.doi.org/10.47720/hi.2021.0503u10.

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Prof. Dr. Muhammad Ishaq Mansoori is a prominent scholar of Arabic and Islamic studies who played a vital role in the promotion of Arabic language and literature in Pakistan. Dr. Mansoori is a great Islamic preacher, good writer, eloquent speaker, expert educationist, an excellent researcher, good mentor and reformer as well. He always strived for the understanding of the holy Quran and the teaching of the Arabic language in Pakistan. He loves Arabic language very much. He edited various textbooks to develop the expertise of the students in Arabic language and understanding of the holy Quran. His sermons, speeches, lectures, articles and scholarly writings published in Urdu language were very easy and simple. In this study, I have viewed his literery services. I adopted the method of description, analytics and historical criticism which covers all the aspects.

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حسين, حاتم كريم. „Textual Coherence in Hazim A-Qurtaji’s Analysis of the Poem "Struggling with Love"“. JOURNAL OF LANGUAGE STUDIES 4, Nr. 4 (12.10.2023): 207–25. http://dx.doi.org/10.25130/jls.4.4.10.

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The ancient Arab heritage contains many rhetorical, stylistic and aesthetic theories that help us analyze the text and prove its textuality. Therefore, this study aims to shed light on this importance through an Arab critic, Hazem Al-Qirtagani, who is known for his long experience in this field. He has enriched Arabic criticism and linguistics with the idea of textual coherence, and his book Minhaj al-Bulagha, and Siraj al-Odaba' was truly considered a lamp for those who wanted to study Arabic criticism and text linguistics. . He put forward an important theory for understanding the text in form and significance, through his talk about the formal and moral ties through which proportion and harmony are achieved within the text, and then confirmed this through Al-Mutanabbi’s poem, which begins wiyh: "I overcome longing in you..."

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Yasin, Agus, Annisa Fithri Lathiifah und Zamzam Dwi Saputra. „Madzhabu Ar-Rumantikiyyah Fiil Adab Al-Arabi Al-Hadist ma’a al-Istimror wa At-Taghyir“. Buletin Al-Turas 29, Nr. 1 (31.03.2023): 1–20. http://dx.doi.org/10.15408/bat.v29i1.31013.

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PurposeThis study aims to explain the flow of romanticism along with the continuity and changes to con-temporary Arabic literature, and to be able to reveal dialogues about the flow of romanticism in modern Arabic literature, which is growing rapidly in the Arab world. Knowing the characteris-tics of Arabic literary Romanticism. Knowing the figures of Arabic Literary Romanticism. MethodThis study used a library research design and note-taking techniques. This research method uses aspects of library research with data sourcesof books and literacy related to romanticism in mod-ern Arabic literature: continuity and change. Results/FindingsThis study reveals the continuity and change as well as its influence on contemporary Arabic lit-erature, namely: 1) History of Arabic Literature in the modern era, 2) History of the Emergence of Western Romanticism in Arabic and its characteristics, 3) Development of Romanticism and its influence on Arabic Literature, 4) Figures of the Romanticism of Arabic Literature and their works. ConclusionRomanticism has had a major influence on Arabic literature, with the establishment of groups of Arabic literary, such as the Mahjar group, the Diwan school, the Apollo school and Usbah al-Asyrah. In addition, there is also a renewal of magazines and newspapers in the Arab world which call for renewal, and criticism of the previous flow (classicism).

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فياض, سميرة حمد, und علي مطر جرو. „Criticism of colloquial speech in Al-Ubab Alzakhir by Al-Saghani“. JOURNAL OF LANGUAGE STUDIES 6, Nr. 4, 1 (15.07.2023): 41–55. http://dx.doi.org/10.25130/jls.6.4.1.3.

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The aim of the research is to reveal and study a linguistic phenomenon that characterizes the Arabic language, which is colloquial speech, and it is known that colloquial speech has an effective role in the development and development of the language. In support of him when he found his roots in Arabic, he showed his rejection of him for lowering his level of eloquence, and from whom Al-Saghani cared about him in his lexicon Al-Abab Al-Zakher, which included a number of colloquial speech notes that required me to collect and count them, and study them in a careful critical study that revealed the depth of Al-Saghani’s influence on the words of the common people because of his A significant impact on the development and development of language .

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Tourmuzi, Lalu Muhamad Rusdi F., und Tatik Mariyatun Tasnimah. „KRITIK SASTRA ARAB ERA SHADR ISLAM“. SHAWTUL ‘ARAB 1, Nr. 2 (24.04.2022): 78–86. http://dx.doi.org/10.51192/sa.v1i2.322.

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This article aims to examine the development of literary criticism in the early era of Islam. The research method used by the researcher is the library method. Researchers look for data related to the content of the study, take notes, and collect data relating to the history of the development of literary criticism in the early era of Islam. As for the results of this study, the reader can find out what is relevant regarding the definition of criticism, the development of literary criticism, the purpose of poetry, and know the influence of Islam on Arabic literature Islam. This makes the writers of the present era know the traces of Muslim writers at the beginning of the development of Islam.

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Al Faouri, Awni Subhi. „Intertextuality in Habib Al Zayoudi’s Poetry“. Journal of Arts and Social Sciences [JASS] 6, Nr. 2 (01.06.2015): 107. http://dx.doi.org/10.24200/jass.vol6iss2pp107-116.

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This research paper discusses intertextuality in Habib Al Zayoudi’s poetry. Intertextuality is considered one of the recent techniques used in modern Arabic criticism. The study shows that the poet is fully aware of pre- Islamic poetic and cultural works. He is also fully aware of the poetic and intellectual output of the Arabs since early Arabic and Islamic times until today. The study also shows that the poet is also aware of the overall human legacy. The study found that Al Zayoudi invested his encyclopedic knowledge and utilized it in his unique poetic production, which earned him a prominent position on the scene of Arabic poetry.

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Al Faouri, Awni Subhi. „Intertextuality in Habib Al Zayoudi’s Poetry“. Journal of Arts and Social Sciences [JASS] 6, Nr. 2 (01.06.2015): 107–16. http://dx.doi.org/10.53542/jass.v6i2.1091.

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This research paper discusses intertextuality in Habib Al Zayoudi’s poetry. Intertextuality is considered one of the recent techniques used in modern Arabic criticism. The study shows that the poet is fully aware of pre- Islamic poetic and cultural works. He is also fully aware of the poetic and intellectual output of the Arabs since early Arabic and Islamic times until today. The study also shows that the poet is also aware of the overall human legacy. The study found that Al Zayoudi invested his encyclopedic knowledge and utilized it in his unique poetic production, which earned him a prominent position on the scene of Arabic poetry.

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Riedel, Dagmar Anne. „Medieval Arabic Literature between History and Psychology: Gustave von Grunebaum’s Approach to Literary Criticism“. Arabist: Budapest Studies in Arabic 19-20 (1998): 111–22. http://dx.doi.org/10.58513/arabist.1998.19-20.11.

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This paper deals with Gustave von Grunebaum’s approach to literary criticism. The topic accounts for his reputation within the scientific community of Near Eastern studies. In this article, I am only interested in Grunebaum’s understanding of medieval Arabic literature. Since Grunebaum was a prolific author, I have to focus on a small selection of his writings. I shall argue that Grunebaum’s contribution to the understanding of medieval Arabic literature is the contribution of a historian rather than that of a literary critic.

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Rahmawati, Nailur, Retno Purnama Irawati, Muchlisin Nawawi und Sulimah Sulimah. „ARABIC LANGUAGE DIRECTIVE SPEECH ACT IN SALAHUDDIN AL-AYYUBI MOVIE“. Arabi : Journal of Arabic Studies 5, Nr. 2 (31.12.2020): 142. http://dx.doi.org/10.24865/ajas.v5i2.292.

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A movie can be used as an effective and feasible medium for delivering messages; this served as the study’s rationale. This research acquired communicative speeches in the Salahuddin Al Ayyubi movie. This research aimed to explore two objectives: to describe the form of directive speech acts and to find out the functions of the directive speech acts. The techniques used in this research comprised: (1) uninvolved conversation observation; (2) recording; (3) transcription; and (4) note-taking. The results showed that (1) there were six forms of directive speech acts in the dialogues of "Saladin al-Ayyubi", i.e., imperative, request, invitation, advice, criticism, and prohibition; (2) the functions of directive speech acts in the dialogues of "Saladin al -Ayyubi” are quite varied. The imperative functions had 83 speech data. The request function comprised 52 speech data. The invitation function involved 33 speech data. The advice function consisted of 39 speech data. The criticism act had 13 speech data. The prohibition function consisted of 23 speech data.

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Alanbar, Omar. „Problems of the Structural Approach: Methodology and Approach“. Dirasat: Human and Social Sciences 49, Nr. 5 (15.09.2022): 1–12. http://dx.doi.org/10.35516/hum.v49i5.2771.

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This research aims to investigate some of the problems of the Structural Approach which has a huge impact on various schools of Arabic literary criticism as a result of the scientific shift it introduced to the field. This paper sheds light on some of the most consequential complications of the Structural Approach which are frequently cited as points of criticism. The objective of considering such issues is to offer the Arab literary critic with ways to deal with and overcome some of the most substantial challenges of the Structural Approach. This work can be classified as falling under the umbrella of reviewing the Structural Approach of literary criticism.

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Mills, Simon. „Edward Pococke (1604–1691), Comparative Arabic-Hebrew Philology, and the Bible“. Journal of Medieval and Early Modern Studies 53, Nr. 1 (01.01.2023): 117–47. http://dx.doi.org/10.1215/10829636-10189043.

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Edward Pococke is best known to historians today as one of seventeenth-century Europe's preeminent discoverers of Islam. This article explores three less familiar aspects of his work as a scholar of Arabic: his comparative approach to the “Oriental” languages; his interest in the Arabic translations of the Bible; and his study of Judaeo-Arabic biblical criticism. It argues that foregrounding these concerns—developed throughout the course of his long career as Laudian Professor of Arabic and Regius Professor of Hebrew at Oxford—enables Pococke's work to be situated in its more specific theological contexts. In this way, it seeks to look beyond attempts to position Pococke at the origins of a disciplinary history of modern “Arabic studies,” and to understand instead how his scholarship was intertwined with early modern theological disputes—most of all, the debate about the status of the Masoretic text of the Hebrew Bible.

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Firmansyah, Firmansyah, Ahmad Aziz Masyhadi und Deden Fardan Hamdani. „The Duality of Islam and Arabic: Criticism of The Expression “Take The Islam and Through The Arabic”“. TRANSFORMATIF 6, Nr. 1 (28.04.2022): 65–76. http://dx.doi.org/10.23971/tf.v6i1.3881.

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Raees Uddin, Umair. „http://habibiaislamicus.com/index.php/hirj/article/view/198“. Habibia Islamicus 5, Nr. 2 (26.06.2021): 123–39. http://dx.doi.org/10.47720/hi.2021.0502u09.

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Prof. Dr. Ihsan-ul-Haq was a prominent scholars of Arabic and Islamic studies who played a vital role in the promotion of Arabic language and literature and awaking of Muslim nation in in Pakistan. Dr. Ihsan was a great Islamic preacher, good writer, eloquent speaker, compassionate and exemplary teacher, an excellent researcher, good mentor and reformer as well. He always strived for the understanding of the Qur'an and the teaching of the Arabic language in Pakistan. He loved Arabic language very much. Listening, speaking, reading and writing Arabic was his favorite pastime. He edited various textbooks in Arabic to develop the expertise of the students in Arabic language. He was also a great admirer of Urdu language. His sermons, speeches, lectures, articles and scholarly writings published in Urdu language were very easy, simple and neat. He speaks in a common sense according to the mental level of the listener and the reader so that the right of communication can be exercised. In this study, I have viewed the impact of Arabic language in his literary services. I adopted the method of description, analytics and historical criticism which covers all the aspects.

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Talafha, Ahmad, Mushira Talafha, Khetam Shraideh, Imad Ababneh, Lina AlJarah und May Al Shaikhli. „Embedded Cultural Patterns in Abu Firas Al-Hamadani’s Ra’iyyah: Arabic Poetry“. World Journal of English Language 13, Nr. 1 (28.12.2022): 319. http://dx.doi.org/10.5430/wjel.v13n1p319.

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This paper tackles the cultural patterns in Abu Firas Hamdani's captivity poetry, namely Ra’iyyah poem. The poet, who is normally a part of ideological, cultural, or social paradigms, represents and regenerates, consciously or unconsciously, the cultural patterns, especially those represented by his predecessors in their literary works, whether in prose or verse. Antonyms and displacement, and many other linguistic tools, allow a space for the poet to freely criticize, expose, and thus persuade authorities into setting him free. Undoubtedly, cultural criticism, a product of postmodern thoughts, is one of the prominent trends in the world of literary criticism, and it places the focus on culture as a platform from which the authors express their status and agenda. The embedded cultural patterns that are traced in Abu Firas’ poetry are divided into three major themes, based on the suggested cultural patterns as elaborated in the current study.

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Anggun Maharani, Khayyu, Ashief El Qorny, Rambu Zainab Apriani, Muhammad Hilmi Syukri und Farhan Azis Wildani. „Imla’ Errors in Junior High School Students’ Writing: Criticism of Teacher's Pronunciation Error“. Jurnal Al Bayan: Jurnal Jurusan Pendidikan Bahasa Arab 15, Nr. 2 (25.10.2023): 311. http://dx.doi.org/10.24042/albayan.v15i2.16181.

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The number of errors that occur in students' Arabic wordswriting was one of the strongest reasons for researchers to research and analyze students' mistakes in writing Arabic. The teacher's unclear pronunciation can be one of the biggest factors in the occurrence of errors in students' Arabic writing. The researcher aimed to find out and analyze the errors and the various causal factors in writing student disclaimers. A qualitative descriptive research method was used in the research. Then, observation, interviews and documentation were carried our as data collection at junior boarding school in Yogyakarta. In the data analysis, data reduction, data presentation and data verification were used. Based on the data collected and analyzed, it was found that there was a teacher's pronunciationerrors in the dictation that causederrors in students’ writing which was described as follows; 1) the teacher's makhorijul hurufare not fluent and clear, 2) they are not careful in pronouncing vowels and mad (long and short rules), 3) the pronunciation of alif lam qomariyah and syamsiyah is not clear. From the results of this analysis, it can be proven that the pronunciation of a teacher in conveying dictation lessons greatly influences the results of students' writing dictation. This study providesd suggestions for teachers who will deliver dictation lessons.

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