Dissertationen zum Thema „Appearance work“
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Baysal, Irfan. „The Appearance of Evaluation Models inPsychiatry : Some Swedish Examples“. Thesis, Örebro universitet, Akademin för juridik, psykologi och socialt arbete, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-10993.
Der volle Inhalt der QuelleMadros, Nor Haliza. „The influence of the appearance of work positions on the occurrence of eye symptoms in office buildings“. Thesis, University College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367912.
Der volle Inhalt der QuelleSaris, Katja. „Application of an appearance-based intervention to improve sun protection outcomes of outdoor workers in Queensland, Australia“. Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/53265/3/Katja_Saris_thesis.pdf.
Der volle Inhalt der QuelleReynolds, Katharine J. „Examining the Relationship between Body Work and Muscle Dysmorphia Symptoms“. TopSCHOLAR®, 2010. http://digitalcommons.wku.edu/theses/184.
Der volle Inhalt der QuellePouillaude, Amélie. „Performances esthétiques : socialisation et évaluation des corps en twirling bâton et en gymnastique rythmique“. Electronic Thesis or Diss., Université de Lille (2022-....), 2023. http://www.theses.fr/2023ULILA030.
Der volle Inhalt der QuelleAlthough they remain important areas of practice for women, aesthetic sports are the subject of very few sociological studies. Their interest lies in the fact that they differ from "ordinary" sporting activities, in that they maintain a strong proximity to cultural and artistic practices (Mennesson and Julhe, 2012). Physical appearance constitutes a central dimension of the practitioners' socialization, as well as of the judges' evaluations in these disciplines. Thus, the thesis focuses on the question of "bodily possibilities" (Schotté, 2016) offered to practitioners and judges, as expressed through their performance ratings.The ethnographic study has been carried out in two sports fields - twirling baton and rhythmic gymnastics - which are very similar in terms of motor and regulatory aspects. However, the two disciplines promote differentiated configurations of models of gender (Connell and Messershmidt, 2015). This can be explained by a discrepancy in their social and gendered recruitment and by a differentiated degree of institutionalization. While some coaches and judges attempt to emancipate from these spaces' aesthetic and gender norms, they never succeed in overturning the established heterosexual gender order. In this way, our work brings to light "the new clothes of male domination" (De Singly, 1993) in spaces historically apprehended as paths to empowerment for women
Obrátil, Pavel. „Polyfunkční dům v Litovli“. Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-227668.
Der volle Inhalt der QuelleTurrisi, Rob, Joel J. Hillhouse, Kimberly Mallett, Jerod L. Stapleton und June K. Robinson. „A Systematic Review of Intervention Efforts to Reduce Indoor Tanning“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/31.
Der volle Inhalt der QuelleEkemba, Chinedu, und Emin Ali Emurla. „Motivating Factors Influencing Consumers’ Brand Preferences for mobile phones: University of Gavle Students“. Thesis, Högskolan i Gävle, Avdelningen för ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-25080.
Der volle Inhalt der QuelleVierling-Kovar, Emmanuelle. „Le contrat de société en participation“. Phd thesis, Université de Strasbourg, 2013. http://tel.archives-ouvertes.fr/tel-00997288.
Der volle Inhalt der QuelleTeng, Ya-Ru, und 鄧雅如. „Appearance and reality: the work-leisure relationship for hotel receptionists“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/78042762580176380753.
Der volle Inhalt der Quelle國立高雄應用科技大學
觀光與餐旅管理研究所
96
The aim of the study was to explore and describe the work-leisure relationship of hotel receptionists and also explore their job characteristics and emotional labor. Using the qualitative research approach, participant was drawn from hotel G in Kaohsiung Taiwan. A purposive sample of 8 managers of hotel was interviewed in-depth. Participant observation was also conducted and field notes were written. The interviews were transcribed verbatim and analyzed using the constant comparative method
Heng, Liao Chi, und 廖啟恆. „Material appearance into Mind Image: The Thesis of the Work of Liao Chi Heng“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/24036486522455252584.
Der volle Inhalt der Quelle國立臺灣藝術大學
造形藝術研究所
99
This is a composition thesis on the painting works about the author's hometown, Yilan.The ideas for this existing study derived themselves from the essences of creativity from both the east and the west.It is through my reflection on the creative from and great thoughts of the predecessors in the arena of art and through my own working experience,that I have expanded the content of the artworks to from the style of transforming creativity.Finally,it is through my digesting of the object by seeing and seeking the feeling of recreation of objects that I derived the basic from of innovation. The first chapter, Introduction, described the motive, goal, structure, methods of the works. The second chapter, Figures in Subjects and Hearts, discussed how the figures formed and other academic discourses. The third chapter, The Idea of Painting Elements Fusion, is about the relationship of colors, shapes, lines, symbols, and spaces. The fourth chapter, the self discussion on composition series "World Creating Through Heart Images", explored the creative processes on street snapshots, fishing harbors, landscapes, stills, etc. The final chapter is Conclusion, which concluded the series of works and author's perspective. The article hopes to penetrate、physical image、image、Mind Image、Makes the boundary and the art of painting,combining individual creation to reflects the time change and the real feeling from the innermost heart.
Yi-Chi, Liao, und 廖怡琪. „The Speculative Spirit in the Artworks' Changing Appearance —A Study of Yang Mao-Lin's work“. Thesis, 2015. http://ndltd.ncl.edu.tw/handle/38235743578799920802.
Der volle Inhalt der Quelle國立高雄師範大學
美術學系
103
Abstract From the interpenetration between an artwork’s content and form, it can often be seen how the artist reflects on reality. When we study Yang Mao-Lin’s artworks under the context of Taiwan’s art history, we can see how his works reflect the empirical experience of individuals meeting the environment. His art form embodies a speculative spirit through its diversified appearance. From such a distinct art form, not only can we see a variety of vivid presentations that keep abreast with the times, but we can also examine greater historical problems through the analyzed contents that lie deep within. This paper examines Yang Mao-Lin’s artworks in four aspects. The first part focuses on Yang Mao-Lin’s biographical aspects. Based on current, related literature, I will analyze the relations between the artist’s life and his creation of artworks. The second part is a study of his artworks regarding their features and changes over time. From the perspective of artworks as a whole as well as artworks as parts of a chronicle, I will present the characteristics in Yang Mao-Lin’s artistic developments. The third part is an analysis on the artworks themselves. I will examine Yang Mao-Lin’s works under the context of Taiwan’s art history and compare it with other artworks to show their influence and position. The fourth part studies Yang Mao-Lin’s art criticism literature and, from the bilateral communication between artwork and criticism, further creates new values for Yang Mao-Lin’s artworks.
HWANG, TING-YING, und 黃庭英. „Does stickers'' appearance work? The influence of LINE brand stickers’ attractiveness on consumer behaviors“. Thesis, 2015. http://ndltd.ncl.edu.tw/handle/tgav6w.
Der volle Inhalt der Quelle國立中山大學
行銷傳播管理研究所
103
As smart mobile devices have become universal, many enterprises advertise their products or services by using stickers of communication applications (APPs)to promote their brands.. This research aims to examine the causal relationship between the physical attractiveness of LINE stickers and consumer behaviors. The results showed that the physical attractiveness and the costs of brand stickers have a significant main effect on users’ intention to download the stickers. However, there is no interaction effect between the physical attractiveness and the costs of brand stickers. Besides, the physical attractiveness of brand stickers has significant effects on both self-presentation capacity and interpersonal attraction. In particular, interpersonal attraction produced by stickers has a positive effect on users’ intention to download the stickers. Moreover, both the physical attractiveness of brand stickers and the brand identity have significant effects on the attitude toward the brands. Participants’ attitude toward the brands has positive effects on product purchasing intention/service use intention. Further, consumers’ loyalty to the brand was found to moderate the effects of the physical attractiveness of brand stickers and the brand identity on brand attitude.
Redhead, Megan E. „The role of appearance in selection for sex-typed jobs“. Thesis, 2014. http://hdl.handle.net/1805/6052.
Der volle Inhalt der QuelleMadeline Heilman’s (1983) Lack of Fit Model, which postulates why discrimination occurs in the selection of sex-typed jobs, has been applied to the interaction of applicant attractiveness. Yet recent research suggests that other appearance variables, namely sex-typed facial features, may be associated with perceptions of fit. Building upon Heilman’s 1983 model, the current study evaluated how sex-typed facial features relate to applicant selection for sex-typed fields. Undergraduate students were recruited for participation during the spring academic semester (n = 413) and data were analyzed using a 2x2x2 ANOVA. Results indicated that selection is significantly impacted by the three-way interaction of applicant sex, facial feature-type, and sex type of the applying field. Further, masculine-featured females and feminine-featured males were significantly less favored for selection within the feminine sex-typed field. Implications of these findings and the differential evaluation of male and female applicants in a feminine field are discussed.
Chiang, Tzu Hsuan, und 江姿璇. „Encounter with Oneself─elucidation of works referring appearance image“. Thesis, 2005. http://ndltd.ncl.edu.tw/handle/32137651778836905177.
Der volle Inhalt der Quelle臺北市立師範學院
視覺藝術研究所
93
This paper is a discourse on the creation, and discusses the relationship between the appearance image and self-recognition. Appearance is the starting point of the encounter, and is the outset for recognizing ourselves. “Encounter with oneself”, seeing oneself is a remarkable feeling; whether in front of the mirror, in a picture, or in front of the family and friends, we always have opportunities to encounter our own image. It is likewise in art creation. I attempt to find the true appearance of the self through art creation, and explore the inner feelings. In other words, it is another form of extension to self-portrait. The main theme is appearance image, and the media included cloth, threads, and paper pulp fibers. It attempted to integrate the materials and explore the possibilities of visual presentation, and bring the artwork and audience closer to each other through the construction of texture and touch. “Encounter with oneself” is not only for me but also in hoping that the audience could realize the self-recognition and introspect during the “face-to-face” meeting of the artwork. This paper comprises four parts: Chapter 1 introduces the creation motive, research methodology, and research scope. Chapter 2 is literature review and probes into “mirror image and appearance image”, “mask and appearance image”, “the self and appearance image of the artist” as the theoretic foundation for creation. Of which, “mirror image and appearance image” discusses the mirror stage of Jacques Lacan, “mask and appearance image” discusses the persona of Carl Jung, and “the self and appearance image of the artist” discusses the double or multiple self-portraits of Claude Cahun, Frida Kahlo, Egon Schiele, and De-Jin Shiy. Chapter 3 explains the idea of creation, the reasons for choosing fabric, thread, and pulp fiber as the media, and the processing of the media. Chapter 4 details the ideas and forms of the eight series of my creative works.
Pieterse, Tanya. „Keeping up appearances : female correctional officers shaping their work identity in a South African Correctional Centre“. Diss., 2019. http://hdl.handle.net/10500/26375.
Der volle Inhalt der QuelleAlarming global crime levels lead to increased incarcerations, resulting in changes in the dynamics of the offender population. Developments that call for urgent progressive reforms of corrections, thereby fast-tracking the employment of female officers. A qualitative study was conducted to explore the lived work experiences of 17 female correctional officers, at Kgoši Mampuru II Management Area in Pretoria, South Africa, to determine how they shape their work identity in this male-dominated sector. An interpretive phenomenological analysis methodology is applied, informed by the Social Identity Theory (SIT) to conceptualise the factors that shape these officers’ work identity. Themes identified include the role of the corrections environment as a social institution, corrections operating as separate communities, and how being different contributes to the distinct attributes of female correctional officers. Emotional labour, vigilance and their uniform also proved significant tools these female officers applied as a means to cope and assert their rightful place in this harsh, strained environment.
Ubugebengu obuphakeme kakhulu emhlabeni sebuholele ekutheni sikhule isibalo seziboshwa emajele, okwenza ukuthi silokhu sidlondlobale njalo isibalo seziboshwa nakuba amajele esegcwele ngokweqile. Izinguquko esimweni sesibalo seziboshwa esikhulayo sezibeke ingcindezi engeziwe phezu kwamahlombe ojele nakuba sebevele bethwele kanzima. Lokhu sekudale isidingo esiphuthumayo sokuthi kwenziwe izinguquko ezinohlonze okuhloswe ngazo ukuphucula nokuthuthukisa isimo, ngokuthi kusheshiwe ukuqashwa kojele besifazane. Lolu cwaningo lwenziwe ngaphansi kwalesi simo-ke ngenhloso yokuhlola nokucubungula impilo ephilwa ngojele besifazane uma besemsebenzini nezigameko zansukuzonke abahlangabezana nazo ukuze kubhekwe ukuthi basibumba futhi basibonakalise kanjani isimo-bunjalo sabo njengabantu ukuze bathathe indawo yabo ngeqholo kulo mkhakha okukhonya kuwona kakhulu abantu besilisa. Ulwazi locwaningo lwaqoqwa ngokusebenzisa izingxoxo zokubonana ubuso nobuso ezingama-semi-structured interviews ezabanjwa nojele besifazane abayi-17 e-Kgoši Mampuru II Management Area ePitoli, eNingizimu Afrika. Izindlela zocwaningo ezasetshenziswa kwaba yindlela yocwaningo olukhwalithethivu kanye nohlaziyo olubizwa nge-interpretive phenomenological analysis. Ithiyori yokuzihlonza komuntu isimo sakhe emphakathini nokuthi ungubani iveza umbono wokuthi umuntu wakha izimo-bunjalo ezihlukahlukene okuyizimo-bunjalo zakhe uqobo ngaphakathi kanye nezimo-bunjalo afuna ukuziveza ngazo futhi azibonakalise ngazo emphakathini ukuze akwazi ukwenza izinto kahle futhi ngendlela efanele endaweni ethile azithola ekuyona. Izingqikithi eziyinhloko ezahlozwa ngenhloso yokweseka lo mgomo zibandakanya indima yesikhungo okwenzelwa kusona umsebenzi wokuhlunyeleliswa kwezimilo njengesikhungo zomphakathi, isikhungo sokuhlunyeleliswa kwezimilo uma sisebenza njengesikhungo somphakathi oseceleni noma ohlukile, kanye nokuthi ukwehluka kwaso kusifaka kanjani isandla ekuvezeni izimo-binjalo ezicacile futhi ezihlukile zojele besifazane. Ikhono labo lokulawula imizwa yabo ukuze bakwazi ukwenza umsebenzi wabo ngendlela efanele kanye nokucophelela kwabo kwahlonzwa njengamathuluzi asetshenziswa ngojele besifazane ukuze bakwazi ukumelana nesimo esilukhuni, esishubile futhi esimazonzo abasebenza ngaphansi kwaso. Indima edlalwa ngumfaniswano ekubumbeni isimo-bunjalo sabo emsebenzini nayo yabonisa ingqikithi encikile esemqoka eyahlonzwa ngenkathi kwenziwa uhlaziyo.
Toenemende misdaadsyfers lei globaal tot al hoër getalle oortreders in gevangenskap, wat onvermydelik die dinamiek van dié groeiende populasie verander. Die tendens noodsaak die transformasie van korrektiewe dienste, wat gevolglik die indiensneming van vroulike korrektiewe beamptes bespoedig het. ‘n Kwalitatiewe studie is onderneem met 17 vroulike beamptes te Kgoši Mampuru II Korrektiewe Bestuursarea, Pretoria, Suid-Afrika. ‘n Interpretiewe fenomenologiese analisemetode is toegepas, met die beginsels van die Sosiale Identitieitsteorie as grondslag, om die faktore te konseptualiseer wat bydra tot werksidentiteitvorming van vroue in hierdie manlik gedomineerde sektor. Temas geidentifiseer behels die rol van die korrektiewe omgewing as sosiale instelling, korrektiewe dienste wat funksioneer as afsonderlike gemeenskap, en die besondere bydraes wat die vroulike beampte, juis deur haar uniekheid lewer. Emosionele arbeid, voortdurende waaksaamheid, asook die rol van haar uniform, is verder aangedui as betekenisvolle meganismes wat dié beamptes aanwend in ‘n uitdagende omgewing en so hul regmatige plek inneem in hierdie onkonvensionele werksmilieu.
Psychology
M.A. (Psychology)
Lin, LI-Yin, und 林俐吟. „The (dis)appearance of the other——A study of Lee Min-Tse’s art works and its subjective space“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/62077910530587960900.
Der volle Inhalt der Quelle國立臺南藝術大學
藝術史學系藝術史與藝術評論碩士班
99
The dissertation is a study of Lee Min-tse’s art works from 1988 to 2010 and concentrated on how the “faces” appeared and the unique meaning about “space” in Lee Min-tse’s art. After discussing the series Hou-hong Village and expand some issues: how Lee Min-tse recurrences and locates himself in Taipei Fine Arts Museum and Kaohsiung Museum of Fine Arts’s curatorial strategies, the thesis analyzed three series Mr. Lee, the Dandy, Rising Thoughts, and We Are the World. The dissertation has some different opinions from others’ which used biographical writing on Lee Min-tse’s art, around “ordinary”, “literati”, and “martial” stories, and so on. And doubting the conclusions took Lee Min-tse’s painting as patrolling or daydreams. However, these earlier studies couldn’t explain why Mr. Lee, the Dandy shows his rear or the meaning of space in Lee Min-tse’s art. According Emmuel Levinas’ Other Ethics, the thesis will infer the relationship between “the Self” and “the Other” and space issue in works whose motif about “face” from Lee Min-tse’s art works. Seeing Lee Min-tse’s position recurs and established “the Self” by being involved in national museum strategies “from international to local” and “from north to south”, the thesis concludes how “the Other” establishes “the Self” and the “Mr. Lee” doesn’t represent Lee Min-tse himself but signifies a presentation which about how a perceived object appeared to a subject and how the Other encounters subject on Ethics. Furthermore, “Mr. Lee” as an absolute other, encounters the Other in series Big Face and appears in the rifts on faces; and taking the rifts as a passage, subject appearance will reveal by facing the Other’s face. As the result shows, the topological space in Lee Min-tse’s art works should be taken as an ethical responsibility pictorial space, and Lee Min-tse encounters the Other in his works.