Auswahl der wissenschaftlichen Literatur zum Thema „Antonio de Curtis“
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Zeitschriftenartikel zum Thema "Antonio de Curtis"
Curtis, Christina. „Abstract ED7-4: Beyond the lab: Clinical implications“. Cancer Research 83, Nr. 5_Supplement (01.03.2023): ED7–4—ED7–4. http://dx.doi.org/10.1158/1538-7445.sabcs22-ed7-4.
Der volle Inhalt der QuellePoole, Gordon. „Totò’s talking body“. Gesture 7, Nr. 2 (19.06.2007): 241–53. http://dx.doi.org/10.1075/gest.7.2.06poo.
Der volle Inhalt der QuelleMerino Gómez, Elena, Fernando Moral Andrés und Alexandra Delgado Jiménez. „conversando con...RCR arquitectes. Parte I: De los límites del dibujo. Nostalgia de la ingravidez“. EGA Revista de expresión gráfica arquitectónica 23, Nr. 34 (27.11.2018): 24. http://dx.doi.org/10.4995/ega.2018.10934.
Der volle Inhalt der QuelleHoulahan, Kathleen, Aziz Khan, Noah Greenwald, Robert West, Michael Angelo und Christina Curtis. „Abstract GS03-11: Germline-mediated immunoediting sculpts breast cancer subtypes and metastatic proclivity“. Cancer Research 84, Nr. 9_Supplement (02.05.2024): GS03–11—GS03–11. http://dx.doi.org/10.1158/1538-7445.sabcs23-gs03-11.
Der volle Inhalt der QuelleCole, Kimberly, Melissa Tjota, Jeremy Segal, Peng Wang und Susanne Crespo-Ramos. „Abstract PO5-24-06: Genomic findings in metastatic breast cancer“. Cancer Research 84, Nr. 9_Supplement (02.05.2024): PO5–24–06—PO5–24–06. http://dx.doi.org/10.1158/1538-7445.sabcs23-po5-24-06.
Der volle Inhalt der QuelleStrand, Siri H., Belén Rivero-Gutiérrez, Kathleen E. Houlahan, Jose A. Seoane, Lorraine M. King, Tyler Risom, Lunden Simpson et al. „Abstract GS4-07: The Breast PreCancer Atlas DCIS genomic signatures define biology and correlate with clinical outcomes: An analysis of TBCRC 038 and RAHBT cohorts“. Cancer Research 82, Nr. 4_Supplement (15.02.2022): GS4–07—GS4–07. http://dx.doi.org/10.1158/1538-7445.sabcs21-gs4-07.
Der volle Inhalt der QuelleMattick, Lindsey, Hongying Sun, Karen Mustian, Luke Peppone, AnnaLynn Williams, Po-Ju Lin, Evelyn Arana et al. „Abstract PO4-12-09: National Physical Activity Guidelines and It’s Association with Fatigue in Patients with Breast Cancer Pre- and Post-Chemotherapy in a Prospective, Nationwide Study“. Cancer Research 84, Nr. 9_Supplement (02.05.2024): PO4–12–09—PO4–12–09. http://dx.doi.org/10.1158/1538-7445.sabcs23-po4-12-09.
Der volle Inhalt der QuellePisano, Etta, Constantine Gatsonis, Mitchell Schnall, Melissa Troester, Elodia Cole, Jean Cormack, Ilana Gareen et al. „Abstract PO3-19-03: Addressing USPSTF 2023 Identified Key Gaps in Knowledge in Breast Cancer Screening through TMIST (ECOG-ACRIN EA1151) or its Ancillary Studies“. Cancer Research 84, Nr. 9_Supplement (02.05.2024): PO3–19–03—PO3–19–03. http://dx.doi.org/10.1158/1538-7445.sabcs23-po3-19-03.
Der volle Inhalt der QuelleFogal, Alex Alves. „O MÉTODO CRÍTICO DE ANTONIO CANDIDO E A ANÁLISE DA FORMA POÉTICA“. Via Atlântica, Nr. 35 (10.07.2019): 13–25. http://dx.doi.org/10.11606/va.v0i35.154614.
Der volle Inhalt der QuelleGoddu, André. „Ludwik Antoni Birkenmajer and Curtis Wilson on the Origin of Nicholas Copernicus’s Heliocentrism“. Isis 107, Nr. 2 (Juni 2016): 225–53. http://dx.doi.org/10.1086/687031.
Der volle Inhalt der QuelleDissertationen zum Thema "Antonio de Curtis"
Hachet, Elodie. „Totò. Des origines à l’original : La figure d’Antonio de Curtis dit « Totò » dans le cadre de la dramaturgie comique“. Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080005.
Der volle Inhalt der QuelleAntonio de Curtis, known as “Totò”, is considered one of the greatest actors of the 20th century, having aroused the admiration of major filmmakers of his time and of the public. A comic, burlesque, grotesque, sometimes provocative figure, but also light and sublime, the singular art of Totò was able to express itself both in cinema and in theater. This thesis of cinematographic studies is based on anthropological and historical elements in order to analyze the Totò phenomenon in all these dimensions. The study of the Neapolitan roots of the actor makes it possible to appreciate all the richness of Totò’s acting and gestures, exemplified in the first sketch of "L'Or de Naples" where he performs a pazzariello. This carnival theme is filled with analyzes of roles specifically linked to Neapolitan culture and, in this culture, of laughter, irony and derision. Indeed, these keys of reading and interpretation open up an understanding of the undoubted success of Totò with an audience that perceives all its subtlety
Krause, Miller Stanley. „PROSE RHYTHM IN THE ORATIONS AND EPISTLES OF MARCUS ANTONIUS MURETUS“. UKnowledge, 2009. http://uknowledge.uky.edu/gradschool_theses/599.
Der volle Inhalt der QuelleKornmeier, Uta. „Taken from life“. Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2006. http://dx.doi.org/10.18452/15547.
Der volle Inhalt der QuelleWaxworks were not always the cheap sensation spinners as which we perceive them today. Before the invention and wide-spread use of photography and illustrated magazines they were an important medium for distributing visual information. No other form of communication could offer such immediate representations the protagonists of world history. Perhaps the greatest part in their success took the material wax which allowed the creation of deceptively lifelike and hitherto most realistic depictions of celebrated individuals. In this thesis, Madame Tussaud’s serves as a prime example for examining the mode of operation of a waxwork exhibition. As far as the sources allow, the itinerary, the ‘cast’ and display of the exhibition is reconstructed, as well as the number and the social background of its visitors during the first half of the 19th century. It emerges that Marie Tussaud was a talented portrait artist and a show woman of ambition whose carefully constructed exhibition attracted mainly middle-class visitors with an interest in human classification. Thus, the waxworks was a ‘rational entertainment’ that was thought to further the development of knowledge and character in its visitors. While Madame Tussaud’s was perhaps the most famous waxworks, it was not the first one. The history of commercial exhibition of life-sized wax figures goes back to the 17th century. Their concept, however, changed significantly over the centuries. Three forms of waxworks are differentiated here: a) the baroque waxworks of groups of figures narrating programmatic and allegorical stories, b) the enlightened portrait gallery – such as Madame Tussaud’s – where celebrities are presented as individual characters, c) the modern tableau waxworks, that represents extraordinary as well as everyday events in a realistic way that was hitherto unprecedented. As a channel for the distribution of news and as a medium for representing reality waxworks have become outdated. As a tickle for the senses, however, they will yet remain effective.
FEDERICO, LUCA. „L'apprendistato letterario di Raffaele La Capria“. Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1005664.
Der volle Inhalt der QuelleBücher zum Thema "Antonio de Curtis"
Ambrosino, Gianni, und Aldo De Francesco. Totò sbanca: Conoscere e amare il principe Antonio de Curtis. Napoli: Iuppiter edizioni, 2016.
Den vollen Inhalt der Quelle findenTotò. Siamo uomini o caporali?: Diario semiserio di Antonio de Curtis. Roma: Newton Compton, 1993.
Den vollen Inhalt der Quelle findenMelissa Lepre, Rita, Cristiane Paiva Alves, Patrícia Unger Raphael Bataglia und Antonio Carlos Jesus Zanni de Arruda. Desenvolvimento moral e educação em valores: estudos e pesquisas. Gradus Editora, 2021. http://dx.doi.org/10.46848/978118.
Der volle Inhalt der QuelleAlcántara Moral, Antonio. Los cantes de laboreo de Torredelcampo. 2021. Aufl. Editorial Universidad de Sevilla, 2019. http://dx.doi.org/10.12795/9788447222155.
Der volle Inhalt der QuellePayne, Michael. Olympic Turnaround. Greenwood Publishing Group. Inc., 2006. http://dx.doi.org/10.5040/9798400692949.
Der volle Inhalt der QuellePinto, Álvaro Parra. Romances Curtos Em Espanhol Fácil para Iniciantes Com + de 60 Exercícios and Vocabulário de 200 Palavras: O Principezinho de Antoine de Saint-Exupery. Independently Published, 2019.
Den vollen Inhalt der Quelle findenMelo, Francisco Dênis, und Edvanir Maia da Silveira. Nas trilhas do sertão: escritos de cultura e política do Ceará – volume 7. SertãoCult, 2022. http://dx.doi.org/10.35260/54210157-2022.
Der volle Inhalt der QuelleBuchteile zum Thema "Antonio de Curtis"
Badica, Gabriela. „Utopian Discourse and the 2008 Global Financial Crisis: Andrew Ross Sorkin’s and Curtis Hanson’s Too Big to Fail, and Antonio Muñoz Molina’s Todo lo que era sólido“. In Performing Utopias in the Contemporary Americas, 193–217. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-56873-1_11.
Der volle Inhalt der QuelleGladfelter, Elizabeth Higgins. „Natural Sciences at the Beginning of the Twenty-first Century“. In Agassiz’s Legacy, 409–24. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195154412.003.0007.
Der volle Inhalt der QuelleLaing, Sarah. „Short Story“. In Katherine Mansfield and Elizabeth von Arnim, 147–58. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474454438.003.0011.
Der volle Inhalt der Quelle„The Discovery That Atoms “Fly to Bits”: Becquerel and the Curies (Paris and Warsaw)“. In Traveling with the Atom A Scientific Guide to Europe and Beyond, 327–58. The Royal Society of Chemistry, 2019. http://dx.doi.org/10.1039/9781788015288-00327.
Der volle Inhalt der QuelleVillaverde, Cirilo. „X I“. In Cecilia Valdés, 88–101. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195143959.003.0011.
Der volle Inhalt der QuelleWinkler, Kevin. „Double Feature“. In Everything is Choreography, 53–70. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190090739.003.0004.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Antonio de Curtis"
BOILLAT, GUY, und AUGUSTO MURACCHINI. „ISOCLINE CURVES AND VARIATIONAL SCALAR FIELD“. In In Honor of the 65th Birthday of Antonio Greco. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812708908_0003.
Der volle Inhalt der QuelleMsika, Rebecca, Magalie Robilliard, Alain Fourquet, Baptiste Porte und Youlia Kirova. „Abstract P4-12-23: Institut Curie guidelines on breast target volume delineation for patients treated in lateral position“. In Abstracts: 2019 San Antonio Breast Cancer Symposium; December 10-14, 2019; San Antonio, Texas. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7445.sabcs19-p4-12-23.
Der volle Inhalt der QuelleRivetti, Lara Cristina Casares. „A esfera social no trabalho da arte: relações entre forma e contexto político na obra de Antônio Dias“. In Encontro da História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4491.
Der volle Inhalt der QuelleHequet, Delphine, Louise Maumy, Celine Callens, David Gentien, Ivan Bieche, Paul Cottu, Jean-Marc Guinebretiere, Anne Vincent-Salomon, Florence Lerebours und Roman Rouzier. „Abstract P2-08-21: Outcomes results of Prosigna® test in early breast cancer patients: Experience of Institut Curie, France“. In Abstracts: 2019 San Antonio Breast Cancer Symposium; December 10-14, 2019; San Antonio, Texas. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7445.sabcs19-p2-08-21.
Der volle Inhalt der QuelleSlembrouck, L., C. Laurent, LJ Delahaye, L. Mittempergher, I. Vanden Bempt, S. Vander Borght, L. Darrigues et al. „Abstract P4-08-25: Decentralized beta testing of MammaPrint and BluePrint NGS kit at University Hospitals Leuven and Curie Institute Paris“. In Abstracts: 2018 San Antonio Breast Cancer Symposium; December 4-8, 2018; San Antonio, Texas. American Association for Cancer Research, 2019. http://dx.doi.org/10.1158/1538-7445.sabcs18-p4-08-25.
Der volle Inhalt der QuelleSebbagh, S., M. Cosquer, YM Kirova und A. Livartowski. „Abstract P4-13-14: Lung cancer after treatment of breast cancer:retrospective study from Curie Institut“. In Abstracts: Thirty-Fifth Annual CTRC‐AACR San Antonio Breast Cancer Symposium‐‐ Dec 4‐8, 2012; San Antonio, TX. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/0008-5472.sabcs12-p4-13-14.
Der volle Inhalt der QuelleHamy-Petit, A.-S., A. Toussaint, C. Sautter, F. Coussy, A. Donnadieu, R. Rouzier, C. Saule et al. „Abstract P6-16-02: Fertility preservation in young breast cancer patients: Real life data on 1390 patients treated in the Institut Curie“. In Abstracts: 2018 San Antonio Breast Cancer Symposium; December 4-8, 2018; San Antonio, Texas. American Association for Cancer Research, 2019. http://dx.doi.org/10.1158/1538-7445.sabcs18-p6-16-02.
Der volle Inhalt der QuelleCottu, PH, MJ Rodrigues, Y. Kirova und A. Vincent-Salomon. „Treatment of infra-centimetric HER2-positive(+) invasive breast tumors. The Institut Curie experience.“ In CTRC-AACR San Antonio Breast Cancer Symposium: 2008 Abstracts. American Association for Cancer Research, 2009. http://dx.doi.org/10.1158/0008-5472.sabcs-3152.
Der volle Inhalt der QuelleVincent, Laura, Clémentine Jankowski, Marion Cortet, Laurent Arnould, Sylvain Ladoire, Bruno Coudert, Isabelle Desmoulins et al. „Abstract P2-16-14: HER2-positive breast cancer: Combined18F-FDG PET and CGFL/Curie nomogram to predict pathologic complete response after preoperative chemotherapy with trastuzumab“. In Abstracts: 2019 San Antonio Breast Cancer Symposium; December 10-14, 2019; San Antonio, Texas. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7445.sabcs19-p2-16-14.
Der volle Inhalt der QuelleKaczmarek, E., C. Saint-Martin, J.-Y. Pierga, E. Brain, R. Rouzier, C. Dubot, A. Savignoni et al. „Abstract P5-21-14: Long-term survival in HER2-positive metastatic breast cancer treated with first-line trastuzumab: Real-life results from the Curie ESME database“. In Abstracts: 2017 San Antonio Breast Cancer Symposium; December 5-9, 2017; San Antonio, Texas. American Association for Cancer Research, 2018. http://dx.doi.org/10.1158/1538-7445.sabcs17-p5-21-14.
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