Auswahl der wissenschaftlichen Literatur zum Thema „Anthologique“
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Zeitschriftenartikel zum Thema "Anthologique"
Denogent, Jehanne. „Blaise Cendrars et Yvan Goll anthologues“. ALTERNATIVE FRANCOPHONE 3, Nr. 2 (20.03.2023): 40–49. http://dx.doi.org/10.29173/af29464.
Der volle Inhalt der QuelleDoyon-Gosselin, Benoit. „La pratique anthologique en Acadie“. Francophonies d'Amérique, Nr. 44-45 (05.02.2019): 61–86. http://dx.doi.org/10.7202/1055904ar.
Der volle Inhalt der QuelleLourié, Basil. „THE TENTH CENTURY: FROM ROMAN HAGIOGRAPHIQUE TO ROMAN ANTHOLOGIQUE“. Scrinium 4, Nr. 1 (30.03.2008): 446–49. http://dx.doi.org/10.1163/18177565-90000200.
Der volle Inhalt der QuelleRamond, Sophie. „Le Psaume 79 et sa fonction dans la collection d’Asaf“. Zeitschrift für die alttestamentliche Wissenschaft 135, Nr. 2 (16.05.2023): 265–77. http://dx.doi.org/10.1515/zaw-2023-2006.
Der volle Inhalt der QuelleAudet, René, und Geneviève Dufour. „De la représentativité à la singularité. Fonctions de l'anthologie et du collectif de nouvelles“. Dossier 35, Nr. 2 (10.02.2010): 27–42. http://dx.doi.org/10.7202/039163ar.
Der volle Inhalt der QuelleFaerber, Johan. „Le livre aveugle ou la passion anthologique dans l’oeuvre de Tanguy Viel“. RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 6, Nr. 2 (13.12.2012): 80. http://dx.doi.org/10.18352/relief.797.
Der volle Inhalt der QuelleRuiz Casanova, José Francisco. „Representación de la poesía de Andrés Sánchez Robayna en sus últimas antologías (2012 y 2016)“. Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, Nr. 29 (31.01.2018): 132–38. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2018292554.
Der volle Inhalt der QuelleDufays, Jean-Louis. „Patrimoine anthologique et stéréotypes culturels. Images de l’Afrique dans les manuels de littérature française en Belgique francophone (1960-1990)“. Textyles, Hors série n° 1 (01.01.1993): 101–12. http://dx.doi.org/10.4000/textyles.2199.
Der volle Inhalt der QuelleCorral, Rose. „Nadine Ly (ed.), Anthologie bilingue de la poésie espagnole. Bibliothèque de la Pléiade, Gallimard, Paris, 1995; 1340 pp.“ Nueva Revista de Filología Hispánica (NRFH) 44, Nr. 1 (01.01.1996): 278–79. http://dx.doi.org/10.24201/nrfh.v44i1.1939.
Der volle Inhalt der QuelleAdamson, Robin, und Clive Scott. „Anthologie Eluard“. Modern Language Review 80, Nr. 2 (April 1985): 473. http://dx.doi.org/10.2307/3728727.
Der volle Inhalt der QuelleDissertationen zum Thema "Anthologique"
Le, Chêne Ludivine. „L'âge du roman anthologique. Formes et enjeux de la digression dans l'écriture romanesque du premier XVIIe siècle“. Electronic Thesis or Diss., Université Grenoble Alpes, 2024. http://www.theses.fr/2024GRALL002.
Der volle Inhalt der QuelleAn object of confusion and disdain, the reputation of the digression since its origins is not in good shape. However, despite this rejection, novelists happily use it. Whether the digression occurs occasionally throughout the story or whether it spares the layout of the work, its presence affects all the compositional layers of the novel, in such a way as to reconsider the question of coherence. The smallest digressive units are inserted into the story in the manner of authorial interventions or construct sequences which combine the pleasure of the detour with a scholarly function. In the same way, on a larger scale, longer sequences alternate pieces of bravery and narrative pieces which accumulate and are interspersed in the work, so as to postpone its outcome. Digression therefore constitutes a strategic poetic tool, which novelists use in order to arrange and bring together the different parts of the novel, under the aegis of a new unity and coherence.Interpolated into the frame story, these strategic pieces profoundly modify the structure of the novel, sometimes to the point of causing its incompleteness, whether intended or not by the authors. The variety of digressive pieces thus leads us to reconsider the question of incompleteness, opening the way to authorial and editorial recompositions. As such, the study of the composition of novels from the first 17th century (1600-1600) considers digression as a privileged device, making it possible to bring together under a single generic category called anthology, both works in long format and those in shorter. To this end, our corpus examines comic novels and anti-novels (Bergerac, Furetière, L'Hermite, Scarron, Sorel); edifying, devout, tragic and sentimental novels (Camus, Nervèze, Rosset); then the Long novels, which bring together the heroic-gallant models and the pastoral (Desmarets, Gomberville, La Calprenède, Urfé, Scudéry); up to the continuations and abridged novels after 1660
Christian, de Mare CSSp. „Anthologie spiritaine“. Congregazione dello Spirito Santo, 2010. http://digital.library.duq.edu/u?/cdm-antholog,1170.
Der volle Inhalt der QuelleBrummert, Ulrike, und Bernadette Malinowski. „Chemnitzer Stadtgeschichte_n: Eine Anthologie“. Universitätsverlag Chemnitz, 2019. https://monarch.qucosa.de/id/qucosa%3A33185.
Der volle Inhalt der QuelleThe twenty best results of the competition Stadtgeschichte_n [stories of town] on the occasion of the 875th anniversary of Chemnitz.
Walter, Robert. „Beatus Rhenanus, 1485-1547 anthologie de sa correspondance“. Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37595236t.
Der volle Inhalt der QuelleTuleu, Vincent. „Approche dialogique des genres littéraires : suivie d'une anthologie dialogique“. Paris 3, 2006. http://www.theses.fr/2006PA030048.
Der volle Inhalt der QuelleLiterary theory tackles the notion of genre from within a traditional space bordered by four poles: form, theme, register, and utterance. Studies of genre have sprung from a constant desire to ground the supremacy of one particular genre as a means for finding a basis for literariness. A dialogical approach, however, is based on the hypothesis that a relational strategy is at work within the text and that literary genres are able to zero in on the dialogical nature of this relationship. If we question Jakobson’s schema of communication, we are thereby enabled to leave behind a unilateral conception of informational transmission in favour of the dialogical principle underlying all communication. With the help of possible world semantics, it then becomes possible to embark upon a description of the referential processes at play within the literary text. By defining three major dialogical strategies, we are then in a position to discuss the communicational functioning of certain literary genres
DUNTZE, JEROME. „Langage medical populaire : anthologie des expressions relatives a la medecine“. Reims, 1990. http://www.theses.fr/1990REIMM039.
Der volle Inhalt der QuellePerrot, Jean-Luc. „L'Orgue en France de 1789 à 1860 : Présentation d'une anthologie“. Lyon 2, 1989. http://www.theses.fr/1989LYO20020.
Der volle Inhalt der QuelleBetween 1789 to 1860, the french organ undergoes a remarkable evolution; it can be noticed in organ-chests and their manufacturing as well as in the registration which progressively leaves the stereotyped patterns of the eighteenth century to become a kind of scoring of the musical piece. The instrument is affected by a multitude of contradictory tendencies which spread from the revolutionary music to the opera (the italian bel canto), from the obsolete plain-song to the military band. In churches, during the services, the interventions of the organ which are carefully codified in ritual books, are strangely influenced by these forms. Nevertheless, the renewal of the repertoire roughly begins in 1850 with the publishing of german composers. With the inaugurations of instruments, the notion of concert organs is dawning whereas the religious repertoire is losing some of its interest. Through an anthology of utterly unknown but representative organ pieces from the literature of the time, balbastre and franck are smoothly and progressively linked. While some forms are dying, some others (such as the simphonies and sonatas) are coming in life. A few works will only have an ephemeral existence (such as the battles) and are typically related to this transitory period. These pages duly analysed ans commented upon, prove the savoir-faire, the knowledge in the possibilities of the organ which batiste, lasceux, fessy had
Lambin, Hélène. „La Photographie (en France) de 1970 à 2000. Anthologie de textes“. Paris 8, 2002. http://www.theses.fr/2002PA082176.
Der volle Inhalt der QuelleBy grouping together and undertaking analysis of a hundred and thirty-eight texts, published between 1970 and 2000, for the most part in France, this thesis discusses the upheavals that have taken place in the status of photography over the last thirty years. Photography has undergone some far-reaching transformations since 1970. Its instrumental function have diminished, and photography has been confronted with the contemporary phenomenon of unexplored worlds of images. A phase of autonomisation is beginning, which can be seen in the growing assertion that art is the exclusive end of the photographic process. A cultural field is developing that draws its identity " from " and " for " photography. This autonomisation process is, however, not yet complete since art is not the goal of all photographic production. Since photography cannot be reduced to questions of art, the issue is that of a history that encompasses the plurality of fields and practices
Itier, César. „Le théâtre moderne en quechua à Cuzco: (1885-1950) : étude et anthologie“. Aix-Marseille 1, 1990. http://www.theses.fr/1990AIX10048.
Der volle Inhalt der QuelleBetween the years 1885 and 1950, cuzco city (peru) saw the flowering of a theatre in quechua language, developed by the local dominant social class. This literature, almost unpublished, with a mostly incaic thematic, has never been studied and we try first to rebuild a story of the performances. Then, we contemplate what, in their social and ideological context, favoured their birth, development and decline, and that we have to take into account to understand the texts themselves : sociolinguistic composition of the cuzquenian society of cvtime, economic expansion of the local dominant social class, their keen regionalism in facing limenian oligarchic power, incaist identity affirmation legitimating their aspirations, notions about culture, language anbd society etc. . . This theatre inherits from a creaole linguistic and poetic tradition which goes b2ck tot he xvie century and wghose traces can be followed through a specific vocabulary and poetic characteristics that we analyse. An anthology of quechua texts with translation takes up about half of this volume
Höschele, Regina. „Die blütenlesende Muse Poetik und Textualität antiker Epigrammsammlungen“. Tübingen Narr, 2007. http://d-nb.info/1000446409/04.
Der volle Inhalt der QuelleBücher zum Thema "Anthologique"
Des poètes et des arbres: Promenade anthologique. Paris: Différence, 2005.
Den vollen Inhalt der Quelle findenHelder, Herberto. Le poème continu: Somme anthologique, 1961-2008. Paris: Gallimard, 2010.
Den vollen Inhalt der Quelle findenGeneviève, Champeau, und Ly Nadine, Hrsg. Le phénomène anthologique dans le monde ibérique contemporain. Bordeaux: Maison des pays ibériques, 2000.
Den vollen Inhalt der Quelle finden1945-, Bonenfant Réjean, und Gaudet Gérald 1950-, Hrsg. Dictionnaire des écrivains de la Mauricie: Répertoire bio-bibliographique, critique et anthologique. Ottawa, Canada: Ecrits des Forges, 1991.
Den vollen Inhalt der Quelle findenDorfles, Gillo. Metamorfosi = Metamorphoses: Una esponizione antologica a cura di una exposition anthologique proposee par Luciano Caramel. Milano: Fabbri Editori, 1988.
Den vollen Inhalt der Quelle findenBuies, Arthur. Anthologie. [Saint-Laurent, Québec]: BQ, 1994.
Den vollen Inhalt der Quelle findenRacle, Gabriel. Anthologie. [Ottawa]: G. Racle, 2004.
Den vollen Inhalt der Quelle findenRacle, Gabriel. Anthologie. Ottawa]: G. Racle, 2004.
Den vollen Inhalt der Quelle findenRacle, Gabriel. Anthologie. Ottawa]: G. Racle, 2004.
Den vollen Inhalt der Quelle findenPhilippe, Capelle-Dumont, Hrsg. Anthologie. Paris: Cerf, 2009.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Anthologique"
Lourié, Basil, und Albrecht Berger. „The Tenth Century: From roman hagiographique to roman anthologique. Toward the publication of the hagiographical dossier of St Gregentios“. In Patrologia Pacifica: Selected Papers Presented to the Western Pacific Rim Patristics Society, herausgegeben von Vladimir Baranov, 446–49. Piscataway, NJ, USA: Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463216320-032.
Der volle Inhalt der QuelleTzonis, Alexander, und Liane Lefaivre. „Anthologie“. In Das Klassische in der Architektur, 133–92. Wiesbaden: Vieweg+Teubner Verlag, 1987. http://dx.doi.org/10.1007/978-3-663-07792-3_4.
Der volle Inhalt der QuelleBruck, Emilia M., und Aggelos Soteropoulos. „Automatisiertes und vernetztes Fahren: Berücksichtigung des lokalen, räumlichen Kontextes und räumliche Differenzierung“. In AVENUE21. Politische und planerische Aspekte der automatisierten Mobilität, 7–16. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63354-0_2.
Der volle Inhalt der QuelleSchopenhauer, Arthur. „Anthologie“. In Über den Tod, 61–94. C.H.Beck, 2010. http://dx.doi.org/10.17104/9783406616655-61.
Der volle Inhalt der Quelle„Anthologie“. In La prière continuelle au XVIIe siècle, 105–76. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.elsem-eb.5.111806.
Der volle Inhalt der Quelle„Anthologie“. In Poetische Dogmatik: Christologie, 91–184. Verlag Ferdinand Schöningh, 1995. http://dx.doi.org/10.30965/9783657768905_004.
Der volle Inhalt der Quelle„Anthologie“. In Jean Lesage vous parle, 39–384. Les Presses de l’Université de Laval, 2017. http://dx.doi.org/10.1515/9782763733012-004.
Der volle Inhalt der Quelle„anthologize, v.“ In Oxford English Dictionary. 3. Aufl. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/7410750110.
Der volle Inhalt der Quelle„Antologia / Anthologie“. In Der Weg nach Pasargada, 110–11. Vervuert Verlagsgesellschaft, 1985. http://dx.doi.org/10.31819/9783964569875-036.
Der volle Inhalt der Quelle„Anthologie/Textsammlung“. In Handbuch Literatur & Materielle Kultur, 380–82. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110416497-047.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Anthologique"
Piantoni, Antoine. „Robert de la Vaissière et le « problème romantique » :Enjeux d’une anthologie poétique dans l’entre‑deux‑guerres“. In Enquête sur les enquêtes. Fabula, 2022. http://dx.doi.org/10.58282/colloques.8038.
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