Auswahl der wissenschaftlichen Literatur zum Thema „Ancient Funeral rites and cerimonies“
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Zeitschriftenartikel zum Thema "Ancient Funeral rites and cerimonies"
Kanukov, Zaurbek T. „Funeral Rites of the Alans and Persians: Convergences and Interpretations“. Vestnik of North Ossetian State University, Nr. 3 (25.09.2023): 66–74. http://dx.doi.org/10.29025/1994-7720-2023-3-66-74.
Der volle Inhalt der QuelleIvanchuk, Vasyl. „Individual and calendar funeral and manistic rites in the Hutsul region“. Scientific Herald of Uzhhorod University. Series: History, Nr. 2 (45) (25.12.2021): 123–33. http://dx.doi.org/10.24144/2523-4498.2(45).2021.247504.
Der volle Inhalt der QuelleRappa, Antonio L. „Thai funeral rites in late modernity“. BOHR International Journal of Social Science and Humanities Research 2, Nr. 1 (2023): 205–7. http://dx.doi.org/10.54646/bijsshr.2023.50.
Der volle Inhalt der QuellePavlova, Anzhelika N. „A costume in the funeral rituals of the Mari people“. Finno-Ugric World 12, Nr. 4 (25.12.2020): 423–29. http://dx.doi.org/10.15507/2076-2577.012.2020.04.423-429.
Der volle Inhalt der QuelleRappa, Antonio L. „Japanese funeral rites in late modernity“. BOHR International Journal of Social Science and Humanities Research 2, Nr. 1 (2023): 147–50. http://dx.doi.org/10.54646/bijsshr.2023.40.
Der volle Inhalt der QuelleBădocan, Ioana. „De la totemism la mască“. Anuarul Muzeului Etnograif al Transilvaniei 31 (20.12.2017): 279–89. http://dx.doi.org/10.47802/amet.2017.31.16.
Der volle Inhalt der QuelleMusaeva, М. К. „FUNERAL AND MEMORIAL RITES OF DAGESTAN PEOPLE IN MODERN URBAN CONDITIONS“. History, Archeology and Ethnography of the Caucasus 13, Nr. 4 (15.12.2017): 115–24. http://dx.doi.org/10.32653/ch134115-124.
Der volle Inhalt der QuelleLaughlin, Mary Mc. „Keening the Dead: Ancient History or a Ritual for Today?“ Religions 10, Nr. 4 (29.03.2019): 235. http://dx.doi.org/10.3390/rel10040235.
Der volle Inhalt der QuelleHyeon, Seung-hwan, und Sook-ja Byeon. „A Study of the Funeral Rites Characteristics of “Gulbongjeongchwalto” in “Garakgukgi”“. Research of the Korean Classic 57 (31.05.2022): 397–430. http://dx.doi.org/10.20516/classic.2022.57.397.
Der volle Inhalt der QuellePetrov, Igor G. „CLOTHING OF A DECEASED IN THE CONTEXT OF FUNERAL AND COMMEMORATIVE CUS-TOMS AND RITUALS OF THE CHUVASH“. Vestnik Chuvashskogo universiteta, Nr. 4 (25.12.2020): 86–99. http://dx.doi.org/10.47026/1810-1909-2020-4-86-99.
Der volle Inhalt der QuelleDissertationen zum Thema "Ancient Funeral rites and cerimonies"
Suriano, Matthew James. „The formulaic epilogue for a king in the Book of Kings in the light of royal funerary rites in ancient Israel and the Levant“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1679385691&sid=32&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleDonnison, Alexandra. „The appropriation of death in classical Athens : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in Classics /“. ResearchArchive@Victoria e-Thesis, 2009. http://hdl.handle.net/10063/1153.
Der volle Inhalt der QuelleLivingston, Kathryn Jane. „Regional variation in protopalatial Crete? a comparison of Minoan domestic and funerary architecture in Eastern and Central Crete /“. Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/6268.
Der volle Inhalt der QuelleThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on January 15, 2007) Includes bibliographical references.
Swart, Lisa. „A stylistic comparison of selected visual representations on Egyptian funerary papyri of the 21st Dynasty and wooden funerary stelae of the 22nd Dynasty (c. 1069 -715 B. C. E.)“. Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/19897.
Der volle Inhalt der QuelleENGLISH ABSTRACT: This dissertation examines illustrated funerary papyri and wooden funerary stelae for information they can provide about the organization of artists in the 21st and 22nd Dynasty. It is an inquiry into the relationship between visual representation on the funerary papyri of the 21st Dynasty and wooden stelae of the 22nd Dynasty. An attempt is made to determine whether it is possible to identify the work of individual artists and workshops involved in producing the illustrated funerary papyri and wooden stelae, and in what way they may be related. This study covers a representative sample of workshops or individuals from around the beginning of the 21st Dynasty to the early 22nd Dynasty. Methodology involved undertaking the research on a descriptive and interpretative/comparative level. Panofsky's (1972: passim) model for describing pictorial works was used to interpret the iconography. The comparisons between the papyri and stelae were based upon a combination of the models developed by Freed (1996: passim) and Niwinski (1989a: passim). These models functioned as a control or corrective in order to formulate an interpretation. It was possible to definitively place 208 manuscripts out of 214 papyri into seven individual workshops. This was based upon their stylistic similarities and corresponding content. Papyri Workshop 1 is comprised of fifty-six manuscripts, and constitutes the largest group. The highest quality manuscripts were produced in this workshop, which was patronized by the high priests of Amun and their families. Papyri Workshop 2 is the smallest group consisting of only seven manuscripts. These two workshops contain the earliest manuscripts, which were generally executed in the Ramesside tradition. Papyri Workshop 3 contains the second largest grouping with fifty-two, and Papyri Workshop 4 consists of eleven. The majority of the members of this workshop belong to a homogenous, almost analogous group, in terms of content and composition. In the twenty-five manuscripts that belong to Papyri Workshop 5, it can be observed that the artists have taken complete liberties with the mass of iconography at their disposal. They have adapted and transformed the existing symbols into new compositions, so that no two manuscripts are alike. Papyri Workshop 6 is comprised of thirty manuscripts, and Papyri Workshop 7 has twenty. As opposed to Workshop 5, these two workshops display an economy of style and execution. They are also generally outlined in black. Furthermore, several subgroups are evident in the workshops, especially those that span many decades, such as Papyri Workshop 1 and 3.From a comprehensive examination of 103 stelae, it was possible to group 100 stelae into nine workshops. It is important to note that Stelae Workshop 1 is, in fact, linked to Papyri Workshop 1, to which thirteen stelae can be attributed. The stelae contain the same attributes and style of execution as the papyri. Stelae Workshop 2 consists of fifteen stelae, these are skilfully executed, and appear to be custom-made for the deceased. Workshop 3 comprises of fourteen stelae. Stelae Workshop 4 contains five, and Workshop 5 has nine. In contrast to Stelae Workshop 1, the principal representations within the stelae from Stelae Workshops 2 to 5 are generally standardized in form and format. Stelae Workshop 6 has six, while 7 and 8 are the two largest workshops with sixteen members each. These three workshops represent a general degradation of proficiency, culminating in a provincial folk-art quality of Stelae Workshop 7 and 8. Stelae Workshop 8 represents the final transition in style and format to the stelae of the Late Period. Stelae Workshop 9 is comprised of five stelae. The style of execution corresponds to the first phase of the Late Period stelae style. It is possible to observe the hand/s of individual artists or a master and student in the study selection, even within one workshop.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek ge"illustreerde begrafnispapiri en hout stelae met die oog op die inligting wat hulle oor die kunstenaarsorganisasie in die 21ste en 22ste dinastie kan verskaf. Die navorsing ondersoek die verband tussen visuele afbeeldings op die begrafnispapiri van die 21ste dinastie en hout stelae van die 22ste dinastie. Daar word gepoog om vas te stel of dit moontlik is om die werk van individuele kunstenaars en "werkswinkels" wat by die totstandkoming van die ge'illustreerde begrafnispapiri en hout stelae betrokke was, asook die wyse waarop hulle moontlik verwant is, te identifiseer. Die navorsing dek 'n verteenwoordigende korpus van die werkswinkels of individue uit die tydperk van die begin van die 21ste dinastie tot die vroee 22ste dinastie. Die metodologie het navorsing op 'n deskriptiewe en interpretatiewe! vergelykende vlak behels. Panofsky (1972: passim) se model vir die beskrywing van kunswerke is gebruik om die ikonografie te interpreteer. Die vergelykings tussen die papiri en die stelae is gebaseer op 'n kombinasie van die modelle wat deur Freed (1996: passim) en Niwinski (1989a: passim) ontwikkel is. Hierdie modelle het as 'n kontrole of korrektief gedien vir die formulering van 'n interpretasie. Dit was moontlik om 208 manuskripte uit 214 papiri met sekerheid in sewe individuele "werkswinkels" in te dee!. Die indeling is gebaseer op die stilistiese ooreenkomste en ooreenstemming in die inhoud. Papiruswerkswinkel 1 bestaan uit 56 manuskripte, en maak die grootste groep uit. Die hoogste gehalte manuskripte het in hierdie werkswinkel ontstaan en kan met die hoepriesters van Amun en hulle gesinne verbind word. Werkswinkel 2 is die kleinste groepie en bestaan uit net sewe manuskripte. Hierdie twee werkswinkels bevat die vroegste manuskripte. Papiruswerkswinkel 3 bevat die tweede grootste groepering met 52 manuskripte, en Papiruswerkswinkel 4 bestaan uit 11. Die meerderheid van die manuskripte van hierdie werkswinkel behoort aan 'n homogene, byna analoe groep, wat betref inhoud en samestelling. Uit die 25 manuskripte wat aan Papiriwerkswinkel 5 behoort, is dit duidelik dat die kunstenaars hulle vryhede veroorloof het met die massa ikonografiee tot hulle beskikking. Hulle het die bestaande simbole aangepas en tot nuwe komposisies verander, sod at nie twee manuskripte dieselfde is nie. Papiruswerkswinkel 6 en 7 is saamgestel uit onderskeidelik 30 en 20. In teenstelling met Werkswinkel 5 vertoon hierdie twee werkswinkels 'n "ekonomie" van styl en uitbeelding. Hulle het ook oor die algemeen 'n swart buitelyn. Daarbenewens is dit duidelik dat daar verskeie subgroepein die werkswinkels is, in die besonder die wat oor baie dekades strek, 5005 Papiruswerkswinkels 1 en 3. Uit 'n omvattende ondersoek van 103 stelae was dit moontlik om 100 stelae in nege werkswinkels te groepeer. Dit is belangrik om daarop te let dat Werkswinkel 1 in werklikheid met Papiruswerkswinkel 1, waaraan 13 stelae toegeskryf kan word, verbind kan word. Die stelae vertoon dieselfde kenmerke en styl as die papiri. Werkswinkel 2 bestaan uit 15 stelae wat kunstig gemaak is en wat Iyk asof hulle op bestelling vir die oorledenes vervaardig is. Werkswinkel 3 bestaan uit 14 stelae. Werkswinkel 4 bevat vyf, en in Werkswinkel 5 is daar nege. In teenstelling met Werkswinkel 1 is die belangrikste afbeeldings by die stelae in Werkswinkels 2 tot 5 meestal gestandaardiseer wat betref vorm en formaat. Werkswinkel 6 het ses, terwyl 7 en 8 die twee grootste werkswinkels is met 16 stelae elk. Hierdie drie werkswinkels verteenwoordig 'n algemene degradering van vakmanskap, wat daartoe lei dat die gehalte van Werkswinkels 7 en 8 die is van 'n "provinsiale volkskuns". Werkswinkel 8 verteenwoordig die finale oorgang in styl en formaat na die stelae van die Laattyd. Werkswinkel 9 bestaan uit vyf items. Die sty I stem ooreen met die eerste fase van die styl van die stelae uit die Laattyd. Die studie toon aan dat dit wei moontlik is om die hand(e) van individuele kunstenaars of 'n meester en sy student te onderskei, selfs binne net een werkswinkel.
Jones, Paula Louise. „Moving heaven and earth : landscape, death and memory in the aceramic Neolithic of Cyprus“. Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683220.
Der volle Inhalt der QuelleDesclaux, Vanessa. „Les Appels aux passants en Égypte ancienne : approche historique d’un genre littéraire“. Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20059.
Der volle Inhalt der QuelleThis Dissertation deals with the so-called “Appeal to the Living Ones” in Ancient Egypt since its beginning during the Fourth Dynasty until the end of the Pharaonic period. The identity of this formula will be sought over three millennia, in two main directions : History and Phrasæology.The first section “ Calling to the Living Ones ” will be devoted to the identification of contexts in which the appeals took place over time. It will provide an overview of the formula sorted by eras, referring to social groups who used it and its places of discovery.The archæological data will help us to survey the staging of the speech of the deceased. It seems indeed that the rhetoric of the appeals extends to the entire memorial. Furthermore, the decorum is involved in the capatio benevolentiae.In the second section, “ Commemorating over three millennia ”, we will extract and prospect the role of historicity at work in the formula. Phrasæology used in the appeals is first examined from the point of view of the Sitz im Leben. Then, we will analyse the ritual actions expected. Finally, we will try to rebuild the ritual sequences towards the dead, based on informations contained in the formula.The last section, “ The appeal, staging of a cohesive society ”, will highlight the ideological part of the formula. The appeal deals mainly with social Maat. It establishes a bridge between generations, beyond life and death. The success and the longevity of the formula seems to be connected to both mundane and ideologic preoccupations
Weiberg, Erika. „Thinking the Bronze Age : Life and Death in Early Helladic Greece“. Diss., Uppsala : Uppsala universitet, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-7448.
Der volle Inhalt der QuellePorter, Anne. „Mortality, monuments and mobility ancestor traditions and the transcendence of space /“. 2000. http://books.google.com/books?id=7l9tAAAAMAAJ.
Der volle Inhalt der QuelleBücher zum Thema "Ancient Funeral rites and cerimonies"
Conference, BOMOS network. Religion and society: Rituals, resources and identity in the ancient Graeco-Roman world : the BOMOS-conferences 2002-2005. Roma: Quasar, 2008.
Den vollen Inhalt der Quelle findenBayard, Jean Pierre. Le sens caché des rites mortuaires. Escalquens: Dangles, 2007.
Den vollen Inhalt der Quelle findenHyperides. Funeral oration. New York: Oxford University Press, 2009.
Den vollen Inhalt der Quelle findenHåkon, Roland, und Prusac Marina, Hrsg. Death and changing rituals: Function and meaning in ancient funerary practices. Oxford: Oxbow Books, 2014.
Den vollen Inhalt der Quelle findenAnders, Holm Rasmussen, Rasmussen Susanne William, BOMOS network Conference und BOMOS network Conference, Hrsg. Religion and society: Rituals, resources and identity in the ancient Graeco-Roman world : the BOMOS-conferences 2002-2005. Roma: Quasar, 2008.
Den vollen Inhalt der Quelle findenSchweyer, Anne-Valérie. Les Lyciens et la mort: Une étude d'histoire sociale. Istanbul: Institut français d'études anatoliennes d'Istanbul, 2002.
Den vollen Inhalt der Quelle findenRuiz, Juan Antonio Martín. Las sepulturas principescas del período orientalizante tartésico. Málaga: Universidad de Málaga, 1996.
Den vollen Inhalt der Quelle findenWoźny, Jacek. Czerwona ochra i ziarna zbóż: Symbolika odrodzenia zmarłych w obrzędach pogrzebowych kultur archaicznych międzymorza bałtycko-pontyjskiego. Bydgoszcz: Wydawn. Akademii Bydgoskiej im. Kazimeirza Wielkiego, 2005.
Den vollen Inhalt der Quelle findenFranco, Isabelle. Rites et croyances d'éternité. Paris: Pygmalion/Gérard Watelet, 1993.
Den vollen Inhalt der Quelle findenPeter, Dennis. Ancient Egypt. London: Franklin Watts, 2007.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Ancient Funeral rites and cerimonies"
Wijngaards, John. „Women Deacons in Ancient Christian Communities“. In Patterns of Women's Leadership in Early Christianity, 195–210. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867067.003.0011.
Der volle Inhalt der QuelleHirama, Michiko. „Music and Dance Performances at Funeral Rites as a Political Mechanism in the Ancient Japanese Court“. In Japanese Civilization Tokens and Manifestations, 77–85. Ksiegarnia Akademicka Publishing, 2019. http://dx.doi.org/10.12797/978838138072.05.
Der volle Inhalt der QuelleFulcher, Kate. „The provenance of black ritual liquids applied to coffins and cartonnage“. In Contributions to the Archaeology of Egypt, Nubia and the Levant, 223–29. Harrassowitz Verlag, 2024. http://dx.doi.org/10.13173/9783447121378.223.
Der volle Inhalt der QuelleHolt, Frank L. „A Life and Death in Egypt“. In A Mystery from the Mummy-Pits, 28–56. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197694046.003.0002.
Der volle Inhalt der Quelle„The Confucian Individual“. In Cultural Perspectives on Global Research Epistemology, 25–36. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-5225-8984-6.ch003.
Der volle Inhalt der QuelleFradinger, Moira. „Brazil’s Exposed Corpses“. In Antígonas, 150—C3.F3. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192897091.003.0005.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Ancient Funeral rites and cerimonies"
Rafikova, Yanina. „Stone anthropomorphic steles in the funeral rites of late Bronze age of Southern Trans-Urals“. In ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-40-50.
Der volle Inhalt der QuelleС.В., Очеретина,, und Кабаев, Д.А. „THE NECROPOLIS OF THE ANCIENT TOWN OF VLADIMIR ON THE TERRITORY OF THE PATRIARCH’S GARDEN BASED ON THE RESULTS OF ARCHAEOLOGICAL RESEARCH IN 2016-2017“. In Археология Владимиро-Суздальской земли. Crossref, 2021. http://dx.doi.org/10.25681/iaras.2021.978-5-94375-365-7.56-66.
Der volle Inhalt der QuelleВорошилова, О. М., und А. Н. Ворошилов. „GOLD IN FUNERAL CLOTHING OF LATE ANTIQUE PHANAGORIA“. In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-381-7.53-68.
Der volle Inhalt der QuelleАлексеева, Е. М. „Anthropomorphic ‘tombstones’ of the Gorgippia necropolis“. In Древности Боспора. Crossref, 2018. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-250-6.9-23.
Der volle Inhalt der QuelleАбрамзон, М. Г., А. Н. Ворошилов und О. М. Ворошилова. „COINS IN PHANAGORIAN FUNERARY TRADITION“. In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-381-7.21-45.
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