Dissertationen zum Thema „American crime literature“
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Marshall, Courtney Denine. „Sisters in crime black femininity, law, and literature in American culture /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1971758521&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleMachcinski, Kathryn F. „"Civilization is Going to Pieces": Crime, morality, and their role in The Great Gatsby“. Cleveland State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=csu1386665184.
Der volle Inhalt der QuelleGregoriou, Christiana. „The poetics of deviance in contemporary American crime fiction“. Thesis, University of Nottingham, 2003. http://eprints.nottingham.ac.uk/11826/.
Der volle Inhalt der QuelleNelson, Colby David. „Literary investigations of modern American crime narratives /“. Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9349.
Der volle Inhalt der QuelleDoyle, Darrin Michael. „The Big Baby Crime Spree and Other Delusions“. University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155575561.
Der volle Inhalt der QuelleGreenberg, Linda Margarita. „Acts of genre literary form and bodily injury in contemporary Chicana and Asian American women's literature /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1723112451&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleRoutledge, Christopher. „Modernity and identity in the detective novels of Raymond Chandler“. Thesis, University of Newcastle Upon Tyne, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388154.
Der volle Inhalt der QuelleAubert, Melanie. „"Last days of the victim": A case study in translating Argentine crime fiction“. Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28443.
Der volle Inhalt der QuelleWholl, Douglas J. „A rational choice approach to professional crime using a meta-synthesis of the qualitative literature“. [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002890.
Der volle Inhalt der QuelleDi, Paolo Osvaldo. „CADÁVERES EN EL ARMARIO: EL POLICIAL PALIMPSÉSTICO EN LA LITERATURA ARGENTINA CONTEMPORÁNEA“. UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_diss/36.
Der volle Inhalt der QuelleLeavitt, Joshua. „By the Book: American Novels about the Police, 1880-1905“. The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1598175125397595.
Der volle Inhalt der QuelleEvans, Karen Lenore. „MAKING THE DETECTIVE: EXAMINING THE INFLUENCES THAT SHAPED EDGAR ALLAN POE'S DUPIN TRILOGY“. Ohio Dominican University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=odu1507657582072463.
Der volle Inhalt der QuelleWagner, Tsipi. „Secular Understanding and Shattering the Myth of the American Dream: A Chronological Analysis of Changing Attitudes and Depictions of Murder within the Twentieth-Century American Literary Canon“. Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/72.
Der volle Inhalt der QuelleAgildo, João Rodrigo Lima. „A crise da esquerda norte-americana em \'The Book of Daniel\', de E.L. Doctorow“. Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-08112007-154057/.
Der volle Inhalt der QuelleThe question of the narrator in the theory of the novel develops into a central issue as human relations become broader and more complex. Hence the importance of introducing to the readers the North-American writer E. L. Doctorow and his novel The Book of Daniel, written in 1971, in which, through the narrator, one is presented with his different views on the North American History. The subject in post-modernism (when the book was written) is no longer able to organize the narrative homogeneously, which becomes fragmentary and time problematic. Thus, this \"historical reality\" is only available through the images and stereotypes provided by the narrator, and our aim in this study is to show how these different voices (of the narrator) convey the historical content of the narrative, i.e, the comunism of the 30s and 40s, and its later radical version of the 60s, and how this analysis contributes to the discussion of the relationship between narration and History.
Harksen, Jacob Carl. „Collect“. Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1371520225.
Der volle Inhalt der QuelleHeeb, Nick. „The Lucky Clover“. Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522146192847002.
Der volle Inhalt der QuelleVernon, Allie Harrison. „Does Money Indeed Buy Happiness? “The Forms of Capital” in Fitzgerald’s Gatsby and Watts’ No One is Coming to Save Us“. Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/english_theses/7.
Der volle Inhalt der QuelleBickerstaff, Jeffrey Christopher. „Tales from the Silent Majority: Conservative Populism and the Invention of Middle America“. Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1303310834.
Der volle Inhalt der QuelleMeyer, Neele [Verfasser], und Bernhard [Akademischer Betreuer] Teuber. „Glocalizing genre fiction in the global South : Indian and Latin American post-millennial crime fiction / Neele Meyer ; Betreuer: Bernhard Teuber“. München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1198111828/34.
Der volle Inhalt der QuelleSielke, Sabine. „Reading rape : the rhetoric of sexual violence in American literature and culture, 1790-1990 /“. Princeton, NJ [u.a.] : Princeton Univ. Press, 2002. http://www.loc.gov/catdir/toc/prin031/2001036274.html.
Der volle Inhalt der QuelleHartsell, Bradley. „Projecting Culture Through Literary Exportation: How Imitation in Scandinavian Crime Fiction Reveals Regional Mores“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3323.
Der volle Inhalt der QuelleSchofield, April. „Blood At The Root“. TopSCHOLAR®, 2015. http://digitalcommons.wku.edu/theses/1450.
Der volle Inhalt der QuelleSilva, Guilherme Mariano Martins da. „A descentralização do conceito de super-herói paladino e a crise de identidade pós-moderna /“. São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/99090.
Der volle Inhalt der QuelleBanca: Fábio Akcelrud Durão
Banca: Orlando Nunes de Amorim
Resumo: O presente trabalho analisa a descentralização do paladino super-heróico na narrativa Invincible (2003), de Robert Kirkman. Para tanto, toma a personagem Super-Homem como arquétipo narrativo de super-herói e modelo criador do conceito paladinesco nos comic books e, por isso, recorta algumas das variadas histórias desta personagem que é narrada desde a década de 40. O enfoque da seleção foram as recriações e re-narrações do universo diegético do Homem de Aço, que, em conjunto com o estudo comparativo da narrativa gráfica de Kirkman, forneceram elementos para observar e comprovar a descentralização do conceito do super-herói paladino. O conceito de descentralização foi retirado das teorias sociais de Zygmund Bauman (2005) e de Stuart Hall (2009), acerca da crise de identidade do sujeito pós-moderno, e compreendido aqui como o deslocamento da identidade, sua liquidez. Portanto, sua aplicação como ferramenta de análise de narrativas é desenvolvida pela evidenciação das relações intertextuais que o universo de Invencível possui com as histórias do Super-Homem, dessa forma, demonstrando por meio das referências textuais, como a mudança dentro do paladino está relacionada a crise de identidade
Abstract: The present work analyses the super-heroic paladin decentralization in Robert Kirkman's narrative, Invincible (2003). Because of this, it takes the Superman character as the narrative archetype and the creator model of the paladin concept in the comic books, so it selects some of the many stories of this character narrated since the 40s. The re-creations and the retelling of the Man of Steel's diegetic universe were the focus of the selection to, in union with the comparative study of Robert Kirkman's graphic narrative, Invincible (2003), look and prove the super-hero paladin concept's decentralization in Kirkman's narrative. The decentralization concept is taken from the social theories of Zygmund Bauman (2005) and Stuart Hall (2009) about the post modern subject crisis and its understood here as the identity's displacement, it's liquidity. Therefore it's application as a tool to narrative analyses is developed by the demonstration of the intertextetual relationship that the Invincible universe shows towards Superman stories, thus showing by textual references how the paladin changing is related to the identity crisis
Mestre
Silva, Guilherme Mariano Martins da [UNESP]. „A descentralização do conceito de super-herói paladino e a crise de identidade pós-moderna“. Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99090.
Der volle Inhalt der QuelleConselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
O presente trabalho analisa a descentralização do paladino super-heróico na narrativa Invincible (2003), de Robert Kirkman. Para tanto, toma a personagem Super-Homem como arquétipo narrativo de super-herói e modelo criador do conceito paladinesco nos comic books e, por isso, recorta algumas das variadas histórias desta personagem que é narrada desde a década de 40. O enfoque da seleção foram as recriações e re-narrações do universo diegético do Homem de Aço, que, em conjunto com o estudo comparativo da narrativa gráfica de Kirkman, forneceram elementos para observar e comprovar a descentralização do conceito do super-herói paladino. O conceito de descentralização foi retirado das teorias sociais de Zygmund Bauman (2005) e de Stuart Hall (2009), acerca da crise de identidade do sujeito pós-moderno, e compreendido aqui como o deslocamento da identidade, sua liquidez. Portanto, sua aplicação como ferramenta de análise de narrativas é desenvolvida pela evidenciação das relações intertextuais que o universo de Invencível possui com as histórias do Super-Homem, dessa forma, demonstrando por meio das referências textuais, como a mudança dentro do paladino está relacionada a crise de identidade
The present work analyses the super-heroic paladin decentralization in Robert Kirkman‘s narrative, Invincible (2003). Because of this, it takes the Superman character as the narrative archetype and the creator model of the paladin concept in the comic books, so it selects some of the many stories of this character narrated since the 40s. The re-creations and the retelling of the Man of Steel‘s diegetic universe were the focus of the selection to, in union with the comparative study of Robert Kirkman‘s graphic narrative, Invincible (2003), look and prove the super-hero paladin concept‘s decentralization in Kirkman‘s narrative. The decentralization concept is taken from the social theories of Zygmund Bauman (2005) and Stuart Hall (2009) about the post modern subject crisis and its understood here as the identity‘s displacement, it‘s liquidity. Therefore it‘s application as a tool to narrative analyses is developed by the demonstration of the intertextetual relationship that the Invincible universe shows towards Superman stories, thus showing by textual references how the paladin changing is related to the identity crisis
Meresse, Bastien. „Thomas Pynchon ou les territoires de la faille“. Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA110.
Der volle Inhalt der QuelleAs a picaresque cartographer standing astride the Atlantic and Pacific coasts, Thomas Ruggles Pynchon Jr. stresses the flawed origin and entropic trajectory of the American continent, seven generations after the great Puritan migration to which his forebear William participated. This dissertation aims to recast the way his work defines these latent figures of the American fault, an “inherent vice,” for such is the title of his penultimate novel, in order to recover the lost prairie of the past and recompose an idealized counter-space within the realm of fiction. This work will consider how the notion of phantasmagoria inhabits a cityscape overcoded by optical devices and deceitful distortions that can only be resisted by the flâneur’s politics of loitering. By exposing the dreamworld of this city upon a hill, Pynchon delves into the depths of the continent and starts a stratigraphic study of America: geological fault-lines engage in a dialogue with deficient founding myths and fracture the revered geography of the continent, signaling the defective nature of its space but also of its time, permeated by the cracks of the crisis. To face the failure of founding narratives and the spasms of History, Pynchon’s work unfolds new modalities that, while not essential to narrative, disrupt reading procedures and suffuse his historical novels with the forking paths and counterfactuals of the “Subjunctive” form
Harris, Clea D. „The Germ Theory of Dystopias: Fears of Human Nature in 1984 and Brave New World“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/699.
Der volle Inhalt der QuelleHumphreys, Camilla S. „The scene of the crime: Imagining nature at the millennium“. 2001. https://scholarworks.umass.edu/dissertations/AAI3027209.
Der volle Inhalt der QuelleHainze, Emily Harker. „Wayward Reading: Women's Crime and Incarceration in the United States, 1890-1935“. Thesis, 2016. https://doi.org/10.7916/D8QC03W7.
Der volle Inhalt der Quelle„The Wicked Man's Portion Discourses of Vice and Boundaries of Moral Citizenship in Early New England“. Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.18109.
Der volle Inhalt der QuelleDissertation/Thesis
Ph.D. English 2013
Usiekniewicz, Marta. „The Eating Detective: Food and Masculinity in Twentieth Century Crime Fiction“. Doctoral thesis, 2017. https://depotuw.ceon.pl/handle/item/2294.
Der volle Inhalt der QuelleWilliams, Stewart. „Returning to the scene of the crime : spatial representation in Edgar Allan Poe's "Dupin trilogy"“. Thesis, 2005. https://eprints.utas.edu.au/22163/1/whole_WilliamsStewart2005_thesis.pdf.
Der volle Inhalt der QuelleEliášová, Helena. „Obraz novináře v současném detektivmím románu Severní Ameriky“. Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-324980.
Der volle Inhalt der QuelleTemitayo, Adeyelure Omotola. „Transgressive space and body in Chimamanda Adichie’s Americanah and Trevor Noah’s Born a Crime“. Diss., 2021. http://hdl.handle.net/10500/27458.
Der volle Inhalt der QuelleBeyond the African boundaries, the black body is marked with an othered identity that often leaves its bearer open to discrimination. Being black is considered a transgression because, presumably, it constitutes deviance from a particular skin pigmentation, spatial norm and cultural practice. This dissertation examines the depiction of people of colour, particularly blacks, as transgressive bodies and invaders of space. From a postcolonial perspective, it investigates the racial implications of blackness by reason of migration. This study draws on a critical analysis of Chimamanda Ngozi Adichie’s Americanah (2013) and Trevor Noah’s Born a Crime (2016) to investigate the intersection of identity, race and spatial zones as thematic concerns in both texts. I contend that despite the fact that race is a social construct, it continually has an impact on the individual living of blacks in the space they inhabit or where they exist. They are burdened by the negativities generated by their colour, consequently perceiving themselves as deviants from the norm. Unlike Adichie’s other novels, the theme of migration is more profound in Americanah to reflect the intense consequences of race for African migrants in the western world. Therefore, I seek to establish that the stereotyping of Africans owing to their racial and cultural differences forces them to alter their identity in order to be recognised and accepted. In the same regard, the study projects Trevor Noah’s holistic representation of displacement both within self and community. More insightful is the writer’s engagement of body politics as a propeller for socio-economic issues. These issues explored in both texts ultimately present a (re)imagining of people of colour within the othered zones.
Buite die Afrikagrense word die swart liggaam gemerk met 'n gemarginaliseerde (“anderste”) identiteit wat die draer dikwels ooplaat vir diskriminasie. Swartwees word as 'n oortreding beskou, want dit is vermoedelik 'n afwyking van 'n bepaalde velpigmentasie, ruimtelike norm en kulturele praktyk. Hierdie verhandeling ondersoek die uitbeelding van mense van kleur, veral swart mense, as oortredende liggame en indringers van die ruimte. Vanuit 'n postkoloniale perspektief ondersoek dit die rasse-implikasies van swartheid as gevolg van migrasie. Hierdie studie neem as uitgangspunt die kritiese analise van Chimamanda Ngozi Adichie se Americanah (2013) en Trevor Noah se Born a Crime (2016) om die interseksie van identiteit, ras en ruimtelike sones as tematiek in albei tekste te ondersoek. Ek beweer dat, ondanks die feit dat ras 'n sosiale konstruk is, dit voortdurend 'n impak het op die individuele leefwyse van swart mense in die ruimte waarin hulle woon of waar hulle bestaan. Gevolglik word hulle belemmer deur negatiewe aspekte wat deur hul kleur gegenereer word, en hulself gevolglik as afwykers van die norm beskou. Anders as haar ander romans, is Adichie se migrasieprobleme meer diepgaande in Americanah om die intense gevolge van rassekwessies vir Afrika-migrante in die Westerse wêreld te weerspieël. Daarom wil ek vasstel dat die stereotipering van Afrikane weens hul rasse- en kulturele verskille hulle dwing om hul identiteit te verander om erken en aanvaar te word. In dieselfde verband projekteer die studie Trevor Noah se holistiese voorstelling van verplasing binne die self en die gemeenskap. Meer insiggewend is die skrywer se betrokkenheid by liggaamspolitiek as 'n voorstuwer vir sosio-ekonomiese kwessies. Hierdie kwessies, wat in albei tekste ondersoek word, bied uiteindelik 'n (her)verbeelding van mense van kleur binne die “ander” sones.
Nangaphandle kwemingcele ye-Afrika, imizimba yabantu abamnyama imakwe ngobuzazisi babanye, lokhu okuvama ukushiya lowo walowo mzimba omnyama esesimweni sokubandlululwa. Ukuba mnyama kuthathwa njengento eyisono neyeqe umngcele omukelekile ngoba, kuvanyiswe ukuthathwa njengokwehlukile kwibala elithile lesikhumba, indawo evamile kanye nezinkambiso zamasiko. Le dissertation ihlola ukuthathwa kwabantu abanebala, ikakhulukazi elimnyama, njengemizimba ewukweqa okuhle nokwamukelekile kanye neyabahlasela indawo. Ukusuka kwimibono yenkathi engemuva kobukoloni, iphenya ngemiphumela yombono webala elimnyama ngenxa yokuya kwamanye amazwe. Ucwaningo luthathela kuhlaziyo olunzulu lwemibhalo kaChinamanda Ngozi Adichie ye-Americanah (2013) kanye ne-Trevor Noah’s Born a Crime (2016) ukuphenya ngokuxhumana kobuzazisi, ukubuka izinto ngeso lebala kanye nezindawo njengezinto eziyizihloko zemibhalo. Ngibeka elokuthi noma udaba lwebala kuyinto eyenziwe ngabantu, kodwa inomphumela kumuntu ophila njengomuntu omnyama, ohlala endaweni ahlala kuyo noma lapho akhona. Ngenxa yalokho-ke, bathwele umthwalo omubi ngenxa yebala labo, ngalokho bazibona njengabahlukile kokujwayelekile nokufanele. Ngokwehluka namanye amanoveli, ukukhathazeka ngokuya kwamanye amazwe kubonakala kakhulu kwi-Americanah ukubheka kanzulu ngemiphumela ejulile yokubuka izinto ngokwebala kubantu ababuya eAfrika abaya kumazwe asentshonalanga. Ngakho ke, ngifuna ukuqaphela indlela abantu abangama-Afrika ababonwa ngayo ngendlela ethile embi nemi ndawonye (stereotyping) ngenxa yomehluko wabo ngokubona izinto ngokwebala kanye nomehluko ngokwezamasiko, ukushintsha ubuzazi babo ukuze bamukelwe nokumukeleka. Ngale ndlela, ucwaningo lubhekisa kwindlela ephelele kaTrevor Noah, yokuzibona eqhelilee nokwehluka ngobuyena ngaphakathi kuye kanye nasemphakathini. Ngokubona izinto ngeso elijulile ngokubheka ezepolitiki kombhali njengesisunduzi kwizinto ezibhekene nabantu kanye nezomnotho. Lezi zinto zicwaninga ngokombhalo kanye nokubeka kabusha ngombono nendlela entsha abantu bebala, emkhakheni wabanye.
Afrikaans and Theory of Literature
M.A. (Theory of Literature)
Adeyelure, Omotola Temitayo. „Transgressive space and body in Chimamanda Adichie’s Americanah and Trevor Noah’s Born a crime“. Diss., 2001. http://hdl.handle.net/10500/27457.
Der volle Inhalt der QuelleText in English with summaries in English, isiZulu and Afrikaans
Beyond the African boundaries, the black body is marked with an othered identity that often leaves its bearer open to discrimination. Being black is considered a transgression because, presumably, it constitutes deviance from a particular skin pigmentation, spatial norm and cultural practice. This dissertation examines the depiction of people of colour, particularly blacks, as transgressive bodies and invaders of space. From a postcolonial perspective, it investigates the racial implications of blackness by reason of migration. This study draws on a critical analysis of Chimamanda Ngozi Adichie’s Americanah (2013) and Trevor Noah’s Born a Crime (2016) to investigate the intersection of identity, race and spatial zones as thematic concerns in both texts. I contend that despite the fact that race is a social construct, it continually has an impact on the individual living of blacks in the space they inhabit or where they exist. They are burdened by the negativities generated by their colour, consequently perceiving themselves as deviants from the norm. Unlike Adichie’s other novels, the theme of migration is more profound in Americanah to reflect the intense consequences of race for African migrants in the western world. Therefore, I seek to establish that the stereotyping of Africans owing to their racial and cultural differences forces them to alter their identity in order to be recognised and accepted. In the same regard, the study projects Trevor Noah’s holistic representation of displacement both within self and community. More insightful is the writer’s engagement of body politics as a propeller for socio-economic issues. These issues explored in both texts ultimately present a (re)imagining of people of colour within the othered zones.
Buite die Afrikagrense word die swart liggaam gemerk met 'n gemarginaliseerde (“anderste”) identiteit wat die draer dikwels ooplaat vir diskriminasie. Swartwees word as 'n oortreding beskou, want dit is vermoedelik 'n afwyking van 'n bepaalde velpigmentasie, ruimtelike norm en kulturele praktyk. Hierdie verhandeling ondersoek die uitbeelding van mense van kleur, veral swart mense, as oortredende liggame en indringers van die ruimte. Vanuit 'n postkoloniale perspektief ondersoek dit die rasse-implikasies van swartheid as gevolg van migrasie. Hierdie studie neem as uitgangspunt die kritiese analise van Chimamanda Ngozi Adichie se Americanah (2013) en Trevor Noah se Born a Crime (2016) om die interseksie van identiteit, ras en ruimtelike sones as tematiek in albei tekste te ondersoek. Ek beweer dat, ondanks die feit dat ras 'n sosiale konstruk is, dit voortdurend 'n impak het op die individuele leefwyse van swart mense in die ruimte waarin hulle woon of waar hulle bestaan. Gevolglik word hulle belemmer deur negatiewe aspekte wat deur hul kleur gegenereer word, en hulself gevolglik as afwykers van die norm beskou. Anders as haar ander romans, is Adichie se migrasieprobleme meer diepgaande in Americanah om die intense gevolge van rassekwessies vir Afrika-migrante in die Westerse wêreld te weerspieël. Daarom wil ek vasstel dat die stereotipering van Afrikane weens hul rasse- en kulturele verskille hulle dwing om hul identiteit te verander om erken en aanvaar te word. In dieselfde verband projekteer die studie Trevor Noah se holistiese voorstelling van verplasing binne die self en die gemeenskap. Meer insiggewend is die skrywer se betrokkenheid by liggaamspolitiek as 'n voorstuwer vir sosio-ekonomiese kwessies. Hierdie kwessies, wat in albei tekste ondersoek word, bied uiteindelik 'n (her)verbeelding van mense van kleur binne die “ander” sones.
Nangaphandle kwemingcele ye-Afrika, imizimba yabantu abamnyama imakwe ngobuzazisi babanye, lokhu okuvama ukushiya lowo walowo mzimba omnyama esesimweni sokubandlululwa. Ukuba mnyama kuthathwa njengento eyisono neyeqe umngcele omukelekile ngoba, kuvanyiswe ukuthathwa njengokwehlukile kwibala elithile lesikhumba, indawo evamile kanye nezinkambiso zamasiko. Le dissertation ihlola ukuthathwa kwabantu abanebala, ikakhulukazi elimnyama, njengemizimba ewukweqa okuhle nokwamukelekile kanye neyabahlasela indawo. Ukusuka kwimibono yenkathi engemuva kobukoloni, iphenya ngemiphumela yombono webala elimnyama ngenxa yokuya kwamanye amazwe. Ucwaningo luthathela kuhlaziyo olunzulu lwemibhalo kaChinamanda Ngozi Adichie ye-Americanah (2013) kanye ne-Trevor Noah’s Born a Crime (2016) ukuphenya ngokuxhumana kobuzazisi, ukubuka izinto ngeso lebala kanye nezindawo njengezinto eziyizihloko zemibhalo. Ngibeka elokuthi noma udaba lwebala kuyinto eyenziwe ngabantu, kodwa inomphumela kumuntu ophila njengomuntu omnyama, ohlala endaweni ahlala kuyo noma lapho akhona. Ngenxa yalokho-ke, bathwele umthwalo omubi ngenxa yebala labo, ngalokho bazibona njengabahlukile kokujwayelekile nokufanele. Ngokwehluka namanye amanoveli, ukukhathazeka ngokuya kwamanye amazwe kubonakala kakhulu kwi-Americanah ukubheka kanzulu ngemiphumela ejulile yokubuka izinto ngokwebala kubantu ababuya eAfrika abaya kumazwe asentshonalanga. Ngakho ke, ngifuna ukuqaphela indlela abantu abangama-Afrika ababonwa ngayo ngendlela ethile embi nemi ndawonye (stereotyping) ngenxa yomehluko wabo ngokubona izinto ngokwebala kanye nomehluko ngokwezamasiko, ukushintsha ubuzazi babo ukuze bamukelwe nokumukeleka. Ngale ndlela, ucwaningo lubhekisa kwindlela ephelele kaTrevor Noah, yokuzibona eqhelilee nokwehluka ngobuyena ngaphakathi kuye kanye nasemphakathini. Ngokubona izinto ngeso elijulile ngokubheka ezepolitiki kombhali njengesisunduzi kwizinto ezibhekene nabantu kanye nezomnotho. Lezi zinto zicwaninga ngokombhalo kanye nokubeka kabusha ngombono nendlela entsha abantu bebala, emkhakheni wabanye.
Afrikaans and Theory of Literature
M.A. (Theory of Literature)
Edwards, Marlise Ajanae. „A treacherous pedagogy : the politics of writing personal narratives of sexual violation /“. 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3108074.
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