Thematische Bibliographien / Agostino (Church : Cesena, Italy)

Auswahl der wissenschaftlichen Literatur zum Thema „Agostino (Church : Cesena, Italy)“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024
Zuletzt aktualisiert am 26. Juli 2024

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Zeitschriftenartikel zum Thema "Agostino (Church : Cesena, Italy)"

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Delph, Ronald K. „From Venetian Visitor to Curial Humanist: The Development of Agostino Steuco's “Counter“-Reformation Thought*“. Renaissance Quarterly 47, Nr. 1 (1994): 102–39. http://dx.doi.org/10.2307/2863113.

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The study of Italian humanism in the age of the Reformation has focused almost exclusively on the relationship between humanism and the Italian Spirituali. This emphasis can be traced back to the many works of Delio Cantimori. Cantimori persistently argued that humanism, with its emphasis on scriptural studies, philology, and spiritual and ecclesiastical renewal promoted evangelical spirituality and church reform among Italians. He saw the Spirituali—many of whom were humanists—as pious, devout individuals caught between their own evangelical convictions and the traditions of a spiritually unsatisfying and morally corrupt ecclesiastical system. It was the dynamics of this spiritual crisis, fueled by the clash between evangelism and the doctrines of the church, that formed the basis of many of Cantimori's works on humanism and reform in Italy.
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2

Colombo, Daria. „Psychoanalysis and the Catholic Church in Italy: The role of Father Agostino Gemelli, 1925-1953“. Journal of the History of the Behavioral Sciences 39, Nr. 4 (2003): 333–48. http://dx.doi.org/10.1002/jhbs.10153.

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3

Chiabrando, F., A. Di Lolli, G. Patrucco, A. Spanò, G. Sammartano und L. Teppati Losè. „MULTITEMPORAL 3D MODELLING FOR CULTURAL HERITAGE EMERGENCY DURING SEISMIC EVENTS: DAMAGE ASSESMENT OF S. AGOSTINO CHURCH IN AMATRICE (RI)“. ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (12.05.2017): 69–76. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-69-2017.

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One of the challenging purposes that must be undertaken by applied geomatics, is the need of monitoring by documenting continuously over time the evolution of urban spaces. Nowadays, this is a subject of great interest and study, mainly in case of sudden emergency events that implicate urban areas and specific historical buildings of our heritage. The newest Geomatics technique solutions must enable the demands of damage documentation, risk assessment, management and data sharing as efficiently as possible, in relation to the danger condition, to the accessibility constraints of areas and to the tight deadlines needs.<br><br> In August 24<sup>th</sup> 2016, the first earthquake hit the area of central Italy with a magnitude of 6.0; since then, the earth never stop shaking in a wide area in the middle of Italy. On 26<sup>th</sup> and 30<sup>th</sup> of October, two other big seismic events were recorded (magnitude 5.9 and 6.5) and the already damaged built heritage were struck again. Since the beginning of the emergency all the available resources (human and material) were deployed and the world of researchers is trying to furnish an effective contribute as well. Politecnico di Torino, in coordination with the national institutions, is deploying people, expertise and resources. The geomatics research group and the connected Disaster Recovery team (DIRECT - <a href="http://areeweb.polito.it/direct/"target="_blank">http://areeweb.polito.it/direct/</a>) is part of this process and is working in deep contact and collaboration with the Remotely Piloted Aircraft Systems (RPAS) group of the Italian Firefighter. Starting from the first earthquake the late medieval religious complex of S. Agostino has been carefully monitored and detected, using a multi-perspective oblique imagery strategy with the aim to achieve 3D aerial and terrestrial models, in a multi-temporal perspective concerning three different time situation.
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4

Grazzini, Alessandro, und Giuseppe Lacidogna. „Mechanical Properties of Historic Masonry Stones Obtained by In Situ Non-Destructive Tests on the St. Agostino Church in Amatrice (Italy)“. Applied Sciences 11, Nr. 14 (09.07.2021): 6352. http://dx.doi.org/10.3390/app11146352.

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The design of strengthening and securing work for historic buildings requires knowledge of the masonry mechanical characteristics, often obtainable through laboratory tests that require invasive samples. The non-destructive techniques, applicable in situ in a rapid and non-invasive way, represent a valid alternative to estimate mechanical strengths without destructive sampling. In this study, a methodology was calibrated which, by combining the results of the ultrasonic and impact tests, makes it possible to reach a good estimate of the compression strength and elastic modulus of a particular rock: sandstone. Most buildings in Amatrice, the city devastated by the violent earthquake of Central Italy in 2016, were built by means of this sedimentary rock. By carrying out a diagnostic campaign on the remaining walls of the St. Agostino church in Amatrice, it was possible to obtain a correlation, specific for this case study, between the compression strengths from laboratory tests and the results of the ultrasonic and impact tests. Unlike the traditional Sonreb methods, this methodology wanted to favor the use of the impact method instead of the sclerometrer test. In this way, it will be possible to operate on other damaged buildings of similar construction types located in the seismic crater of Amatrice, evaluating the mechanical characteristics of the masonry structures be means of in situ non-destructive tests in order to design the safety and strengthening work.
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Musatova, Tatyana. „Emperor Nicholas I, collector and philanthropist. Days 9/22 and 10/23 December 1845 in Bologna“. Stephanos Peer reviewed multilanguage scientific journal 54, Nr. 4 (31.07.2022): 50–67. http://dx.doi.org/10.24249/2309-9917-2022-54-4-50-67.

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Bologna with its eldest university in Europe was an important point of Emperor Nicholas I’s grand tour of Italy in 1845. In Rome the tsar talked with the Pope on problems of inter-church relations, then the rest of the time in the eternal city and along the entire route (from Palermo to Naples, from Florence to Bologna and Venice) he showed himself as a prominent collector, patron of the arts, who adopted his parents love for Italian art. The tsar had a special reverence for the Bologna painting school, the Bolognese Baroque style, which, along with the Roman Baroque, was refl ected in his purchases for the New Hermitage. Only in Bologna he acquired the originals of classical painting (Guercino, Agostino Caracci). There he practically completed the formation of his famous collection of Italian neoclassical sculpture (C. Baruzzi) and ordered copies from the local Pinacoteca of such a high level that they, having partially reached our time, were honored to enter the GE painting collection. Russian monarch’s visit is commemorated only in Rome and Bologna by commemorative plaques, the fi rst of which is offi cial, and the second is an “ordinary” Bolognese marquis, who considered it an honor to visit his palace by the Russian tsar.
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Larentis, Omar, Enrica Tonina, Silvia Iorio, Chiara Tesi, Roberta Fusco und Marta Licata. „A possible case of “kissing” osteochondroma and multiple enchondromas in a medieval skeleton from the church of Sant’ Agostino in Caravate (Northern Italy)“. Anthropologischer Anzeiger, 26.09.2022. http://dx.doi.org/10.1127/anthranz/2022/1600.

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Bücher zum Thema "Agostino (Church : Cesena, Italy)"

1

Ferretti, Anna Colombi. Girolamo Genga e l'altare di S. Agostino a Cesena. Bologna: Nuova Alfa, 1985.

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2

Parise, Denis, und Valentina Orioli. La chiesa di San Zenone a Cesena: Storia e restauro. Firenze: Alinea, 2009.

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3

Samperi, Renata. L' architettura di S. Agostino a Roma: 1296-1483 : una chiesa mendicante tra Medioevo e Rinascimento. Roma: Librerie Dedalo, 1999.

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4

Trotta, Giampaolo. La chiesa e il convento di Sant'Agostino nel loro contesto urbano. [Florence, Italy]: Messaggerie toscane, 1991.

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5

Cengio, Gilberto Dal. Le virtù di Agostino: Disamina su otto impenetrabili figure femminili. Saonara (PD): Il prato, 2017.

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6

Negro, Vincenzo, Graziella Polidori und Diego Tabanelli. La Chiesa di Sant'Agostino a Modena: Pantheon Atestinum. [Modena]: Fondazione Cassa di risparmio di Modena, 2002.

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7

La Chiesa di Santa Cristina: Dono di Pio VII Chiaramonti, perla di Giuseppe Valadier. Cesena: Editrice Stilgraf, 2012.

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8

Tiberia, Vitaliano. Gian Lorenzo Bernini, Pietro da Cortona, Agostino Ciampelli in Santa Bibiana a Roma: I restauri. Todi, Perugia, Italy: Ediart, 2000.

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9

Kurtzman, J. Vesper and Compline Music for Four Principal Voices: Agostino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Biondi da Cesena, Maurizio Cazzati, ... Italian Sacred Music, Vol 14). Routledge, 1998.

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