Auswahl der wissenschaftlichen Literatur zum Thema „African Jewelry“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "African Jewelry" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "African Jewelry"
Silberstein, Elodie. „Black Transnational Resistance“. Nka Journal of Contemporary African Art 2022, Nr. 51 (01.11.2022): 72–84. http://dx.doi.org/10.1215/10757163-10127181.
Der volle Inhalt der QuelleMatos, Larissa Gomes, Priscila Lira und Ettore Antunes. „A Química das Joias de Crioula valorização da história e cultura africana e afro-brasileira e o protagonismo das mulheres negras no Brasil“. História da Ciência e Ensino: construindo interfaces 27 (05.01.2024): 94–105. http://dx.doi.org/10.23925/2178-2911.2023v27espp94-106.
Der volle Inhalt der QuelleGlackin, Caroline E. „Traci Lynn Jewelry: an entrepreneur maximizing shining opportunities“. CASE Journal 15, Nr. 5 (30.03.2019): 378–96. http://dx.doi.org/10.1108/tcj-01-2018-0007.
Der volle Inhalt der QuelleMedeiros, A. C., E. Vonallmen, M. Fukada, A. Samuelson und T. Lau. „Impact of the newly arrived seed-predating beetle Specularius impressithorax (Coleoptera: Chrysomelidae: Bruchinae) in Hawai?i“. Pacific Conservation Biology 14, Nr. 1 (2008): 7. http://dx.doi.org/10.1071/pc080007.
Der volle Inhalt der QuelleHartwick, Elaine. „Geographies of Consumption: A Commodity-Chain Approach“. Environment and Planning D: Society and Space 16, Nr. 4 (August 1998): 423–37. http://dx.doi.org/10.1068/d160423.
Der volle Inhalt der QuelleStephens, Jay, David Killick und Shadreck Chirikure. „Reconstructing the geological provenance and long-distance movement of rectangular, fishtail, and croisette copper ingots in Iron Age Zambia and Zimbabwe“. PLOS ONE 18, Nr. 3 (22.03.2023): e0282660. http://dx.doi.org/10.1371/journal.pone.0282660.
Der volle Inhalt der QuelleYanchenko, Ya M. „BRAGGING AS ONE OF THE BASIC CONCEPTS OF HIP-HOP DISCOURSE“. Bulletin of Krasnoyarsk State Pedagogical University named after V.P. Astafyev 58, Nr. 4 (30.12.2021): 134–42. http://dx.doi.org/10.25146/1995-0861-2021-58-4-311.
Der volle Inhalt der QuelleChaabane, Ali Mohamed. „The African Woman as a Symbol of her Continent in Wole Soyinka’s The Lion and the Jewel“. Traduction et Langues 19, Nr. 2 (31.12.2020): 159–75. http://dx.doi.org/10.52919/translang.v19i2.378.
Der volle Inhalt der Quelleimram, Mary Daniel, David Roger Jowitt und Nanlir Nimram Daniel. „A comparative analysis of morphosyntactic features of Nigerian English and Ghanaian English“. Integrity Journal of Arts and Humanities 4, Nr. 5 (30.10.2023): 105–13. http://dx.doi.org/10.31248/ijah2023.105.
Der volle Inhalt der QuelleZhou, Qi Shen, Ming Xing Yang, Peng Fei Zhang und Ying Qiu. „Study on the Innovative Jewelry B2C Business Model in China and Africa“. International Journal of Engineering Research in Africa 10 (Juli 2013): 65–77. http://dx.doi.org/10.4028/www.scientific.net/jera.10.65.
Der volle Inhalt der QuelleDissertationen zum Thema "African Jewelry"
Cassavoy, Jamie. „African ornamentalism /“. Online version of thesis, 1996. http://hdl.handle.net/1850/11928.
Der volle Inhalt der QuelleElmbro, Frida. „Petaws and Perés : A study concerning youth and jewelry in West Africa“. Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-22147.
Der volle Inhalt der QuelleBoezaart, Kim. „Contemporary avant-garde jewellery in South Africa“. Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51665.
Der volle Inhalt der QuelleENGLISH ABSTRACT: This study considers the dynamics and nature of neo-avant-garde jewellery with specific reference to contemporary South African (neoavant- garde) jewellery. In Chapter One defensible working descriptions of the terms "avant-garde" and "neo-avant-garde" are established in order to establish some manageable conclusions regarding their application to jewellery design. These descriptions are derived from a consideration of the concepts in contemporary aesthetic discourse. Chapter Two considers the role, justifications and implications of adornment with a view to isolating the development, influences and nature of neo-avant-garde jewellery. A distinction is drawn between the aesthetics, ontology and art-relevant status of such jewellery and commercial or mainstream jewellery. Chapter Three analyses specific examples of contemporary South African avant-garde jewellery in the light of the above-mentioned distinctions. Works are considered in relation to the transgression of material, the transgression of taste, the transgression of integrity of form and the integration of narrative and parochial content and attempts to demonstrate that an appropriate critical posture in regard to such jewellery is art, rather than craft-relevant. In Chapter Four general influences regarding themes and concepts apparent in the author's body of practical work are discussed. An annotated catalogue supplements the general discussion.
AFRIKAANSE OPSOMMING: CONTEMPORARY AVANT-GARDE JEWELLERY IN SOUTH AFRICA Hierdie studie ondersoek die dinamika en karaktereienskappe van neoavant- garde juweliersware, met spesifieke verwysing na kontemporêre Suid-Afrikaanse neo-avant-garde juweliersware. In Hoofstuk Een word die terme "avant-garde" en "neo-avant-garde" beskryf. Die doel hiervan is om uiteindelik die omvattende gebruike en definisies van hierdie terme (met betrekking op kontemporêre estetika) vas te lê. Hoofstuk Twee gee 'n oorsig aangaande die redes vir- en implikasies van fisieke versiering. Die ontwikkeling, invloede en aard van neo-avant-garde juweliersware word bespreek en gekontrasteer met komersiêle jeweliersware. In lig van die bogenoemde onderskeidings verwys Hoofstuk Drie na spesifieke Suid-Afrikaanse voorbeelde van neo-avant-garde juweliersware. Hierdie voorbeelde word oorweeg in terme van hul oorskryding van tradisionele grense aangaande materiaalgebruik, smaak, integriteit van vorm en die integrasie van relaas. Die studie poog om die relevansie van neo-avant-garde juweliersware as kuns eerder as kunsvlyt te demonstreer. In Hoofstuk Vier word die outeur se praktiese werke bespreek deur middel van 'n geannoteerde katalogus. Die katalogus word voorafgegaan deur 'n bespreking van invloede, temas en konsepte van die deurlopende ooreenkomste in die outeur se werke verduidelik.
Burger, Idane. „Contemporary jewellery practices and the dialogic interpretation of African material culture“. Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80080.
Der volle Inhalt der QuelleENGLISH ABSTRACT: In this thesis I examine the extent to which interpretations of African material culture play a role in the creation and visualisation of an ‘African aesthetic style’ in South African contemporary jewellery practices. My investigation of an ‘African aesthetic style’ in this thesis is informed by the production, display and writings on African cultural objects. I demonstrate contemporary jewellery design to derive from a critical methodology, particularly as it facilitates a renegotiation of the relationship and dialogue between the producer and viewer of contemporary jewellery objects.
AFRIKAANSE OPSOMMING: In hierdie tesis ondersoek ek die wyse waarop interpretasies van Afrika materiële kultuur 'n rol speel in die skepping en die visualisering van 'n 'Afrika estetiese styl' in Suid- Afrikaanse kontemporêre juwelierspraktyke. My ondersoek van so 'n styl is ingelig deur die produksie en uitstalling van, sowel as diskoerse rondom Afrika kulturele objekte. Ek ondersoek kontemporêre juweliersontwerp as 'n kritiese metodologie, veral ten opsigte van die wyse waarop dit 'n nuwe verhouding tussen die vervaardiger en toeskouer van kontemporêre juweliersobjekte fasiliteer.
MacFadyen, DN, BK Reilly, CL Bellamy und RJ Eiselen. „Morphological differences between three South African species of Evdes Dejean, 1833(Coleopptera: Buprestidae)“. The Coleopterists Bulletin, 2007. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001013.
Der volle Inhalt der QuelleTrujillo, Vanessa. „Jewels for Dollars: Native and Nonnative Freshwater Fish Interactions in a Stressful Dry Down Environment“. FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3212.
Der volle Inhalt der QuelleGouws, Andries. „Location assessment of independent jewellery retailers : analysis of Cape Town metropolitan regional shopping centres“. Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/95608.
Der volle Inhalt der QuelleRegional shopping centres play an important role in the South African economy, especially by providing location services to retailers (large and small) and non-retailers. One of the main value propositions of regional shopping centres is to attract a large number of customer footprint to a central location where a group of retailers can market and sell to a larger customer market. Independent retail jewellers have numerous channel options available, in South Africa the preferred channel for independent jewellery retailers is a physical retail outlet within regional shopping centres. The purpose of this research is to determine the value proposition quality of Cape Town Metropolitan regional shopping centres as a preferred location to independent retail jewellers. The location value proposition analysis was performed by evaluating a set of location criteria as prescribed by available literature. Furthermore, this research also explores the antecedents of relationships and trust between shopping centre management and independent retail jewellers. This research followed a mixed-method approach and the focus is a sample of regional shopping centres and independent retail jewellers within the Cape Town Metropolitan area. Information was gathered through interviews by using structured questionnaires, which was prepared from literature on location value assessment criteria for shopping centres, relationship management and building trust within relationships. The research shows that although regional shopping centres are the preferred channel for independent retail jewellers there are some location value proposition elements that require improvement. A key concern for shopping centre management should be the imbalance in power created by contractual agreements that mostly favour regional shopping centres. This imbalance in power negatively influences relationships and trust between shopping centre management and independent retail jewellers. Furthermore, the feedback from independent retailer jewellers is that rental costs charged for location services are miss-aligned to the value received from these services. This study is limited that it only surveyed regional shopping centre management and independent retailer jewellers within the Cape Town Metropolitan area in South Africa. The limited scope and focus of this study confines the generalisability of this study for other types of retailers and / or other metropolitan areas within South Africa. The value of this study is that it tested location criteria from international literature within the South African context and set the foundation for future research, which is currently limited in South Africa.
Verhulp, Ian Marc. „Moving from performance appraisal to performance management at Goldmaster“. Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/635.
Der volle Inhalt der QuelleZannoni, Elio. „Jewellery store robbery: a victim risk and intervention perspective“. Diss., 2008. http://hdl.handle.net/10500/1693.
Der volle Inhalt der QuelleCriminology
M.A. (Criminology)
De, Beer Marlene. „Journey of awareness : an exploration of identity through design“. Thesis, 2006. http://hdl.handle.net/10321/348.
Der volle Inhalt der QuelleMy journey of awareness which is an exploration of my identity through design has resulted in a body of artefacts presenting as sculptures and various pieces of jewellery and a written dissertation. The sculptures include bronze castings as well as stoneware ceramic pieces. I produced silver jewellery and vitreous enamelled pieces which include some gold and glass bead detail. Although my sculptures could be considered as fairly small, working on this scale was a new experience to me as a jewellery designer who is used to working on an even smaller scale. I found it challenging to express the necessary emotion and meaning in my work while creating on such a relatively small scale. The body of artefacts is a concrete manifestation of my exploration of identity and was produced as an intuitive expression of memories and emotion. My memories are of personal experiences within a specific cultural and historical context, and the exploration forms part of a critical transformative inquiry. The motivation for this transformative inquiry forms part of a holistic de-fragmentation of my personal and cultural identity in an attempt to construct meaning and authenticity through design. The artefacts were produced in holistic cycles presenting in two distinct phases which are discussed chronologically. I recorded the process and my thoughts and feelings in a reflective journal which included a visual journal in my studio and served as a reference for my discussion of the cycles. I experienced the process of making as a ritualistic enactment of healing and the construction of meaning. In the written and illustrated submission for the award of this degree, I have endeavoured to offer an explanation of my professional and emotional development that formed part of the transformative process. I have chosen not to separate my explanation of my development as a designer and my personal development as it occurred concurrently. Digital imagery of my body of artefacts forms a record of my work offered for exhibition purposes and is included with the written dissertation.
Bücher zum Thema "African Jewelry"
Annette, Braun, Hrsg. Mickael Kra: Jewellery between Paris glamour and African tradition. Stuttgart: Arnoldsche, 2006.
Den vollen Inhalt der Quelle findenMeyer, Laure. Black Africa: Masks, sculpture, jewelry. Paris: Terrail, 1992.
Den vollen Inhalt der Quelle findenMeyer, Laure. Black Africa: Masks, sculpture, jewelry. Paris: Terrail, 2007.
Den vollen Inhalt der Quelle findenAfrican hats and jewellry [sic]. Rochester, Kent: Grange Books, 1998.
Den vollen Inhalt der Quelle findenHorn, Diane Victoria. African gold ornament designs. Owings Mills, MD: Stemmer House, 1993.
Den vollen Inhalt der Quelle findenRovine, Victoria. Status symbols: African textiles and adornments. [Iowa City, Iowa]: University of Iowa Museum of Art, 1995.
Den vollen Inhalt der Quelle findenPeter, Westerdijk, Lee Schecter Me Sun und Michael Ward Inc, Hrsg. Symbols of wealth: Abstractions in African metalwork. New York, NY: Michael Ward, Inc., 1988.
Den vollen Inhalt der Quelle findenWentholt, Arnold. Glittering as gold: The Harry and Miep Schillings collection of West and Central African bronze adornments. Leiden: Uitgeverij C. Zwartenkot, 2017.
Den vollen Inhalt der Quelle findenAfrica adorned. London: Harvill Press, 1996.
Den vollen Inhalt der Quelle findenGold of Africa Barbier-Mueller Museum, Hrsg. African gold: Jewellry and ornaments from Ghana, Cote d'Ivoire, Mali and Senegal in the collection of the Gold of Africa, Barbier-Mueller Museum in Cape Town. Munich: Prestel, 2011.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "African Jewelry"
Josiah, Barbara P. „African Continuities, Jewels, and Economic Linkages to Mining“. In Migration, Mining, and the African Diaspora, 157–73. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230338012_11.
Der volle Inhalt der QuelleAdebajo, Adekeye. „Thabo Mbeki and Jacob Zuma: The Lion and the Jewel“. In Global Africa, 65–67. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032667218-14.
Der volle Inhalt der QuelleMunich, Adrienne. „Jews and Jewels: A Symbolic Economy on the South African Diamond Fields“. In 'The Jew' in Late-Victorian and Edwardian Culture, 28–44. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230594371_2.
Der volle Inhalt der QuelleMalaila, Charles Pfungwa, Michelle Burger, Andries van Heerden und Gregory Chawynski. „Inner City Development for Kids in South Africa: A Jewel City Mixed Use Precinct Case Study Approach“. In Lecture Notes in Networks and Systems, 536–42. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80091-8_63.
Der volle Inhalt der Quelle„North African Jewelry and Textiles“. In Siwa, 5–10. The American University in Cairo Press, 2015. http://dx.doi.org/10.2307/j.ctv2ks71wz.5.
Der volle Inhalt der QuelleMatanda, Ephraim, und Nyasha Madzokere. „‘The Tarnished Jewel?’“. In African Studies in the Academy, 159–84. Langaa RPCIG, 2017. http://dx.doi.org/10.2307/j.ctvh9vv87.10.
Der volle Inhalt der Quelle„Jewels in the Making“. In A Venture in Africa. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755622122.ch-006.
Der volle Inhalt der QuelleFoster, Karen Polinger. „Knowing the Unknown“. In Strange and Wonderful, 49–76. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190672539.003.0004.
Der volle Inhalt der QuelleDesmond, Ray. „The First European Settlements“. In The European Discovery of the Indian Flora, 12–28. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198546849.003.0002.
Der volle Inhalt der Quelle„The Bezels of Wisdom“. In Classic Asian Philosophy, herausgegeben von Joel Kupperman, 60–75. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195189810.003.0004.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "African Jewelry"
Lutta, Nelson. „Diversification of Africa's Energy Portfolio': Economic Outlook a Case Study of Kenya“. In SPE/AAPG Africa Energy and Technology Conference. SPE, 2016. http://dx.doi.org/10.2118/afrc-2575262-ms.
Der volle Inhalt der QuelleWang, Youjin, Deborah O. Erwin, Lina Jandorf, Detric Johnson, Veronica Meadows-Ray, Mattye Willis und Heather Ochs-Balcom. „Abstract B12: Recruitment of African American breast cancer pedigrees for The Jewels in Our Genes Study: Recruitment outcomes and sample characteristics“. In Abstracts: Sixth AACR Conference: The Science of Cancer Health Disparities; December 6–9, 2013; Atlanta, GA. American Association for Cancer Research, 2014. http://dx.doi.org/10.1158/1538-7755.disp13-b12.
Der volle Inhalt der QuelleRehman, Abid Ur, und Marwan Abdelbary. „Lifting Heavy Oil from Inactive Well By Hydraulic Lift Systems“. In SPE Middle East Artificial Lift Conference and Exhibition. SPE, 2022. http://dx.doi.org/10.2118/206911-ms.
Der volle Inhalt der Quelle