Auswahl der wissenschaftlichen Literatur zum Thema „Affaire des caricatures“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Affaire des caricatures" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Affaire des caricatures"
Strzelczyk, Agata. „Dyplomata, Polak, minister spraw zagranicznych. Agenor Gołuchowski młodszy w karykaturze wiedeńskich pism satyrycznych“. Galicja. Studia i materiały 7 (2021): 238–64. http://dx.doi.org/10.15584/galisim.2021.7.12.
Der volle Inhalt der QuelleHoffman, Zachary. „Stepan Sokolovskii, Novoe vremia, and the Cartoons of Empire“. Experiment 28, Nr. 1 (21.12.2022): 71–89. http://dx.doi.org/10.30965/2211730x-12340025.
Der volle Inhalt der QuellePlantureux, Jean (Plantu). „'I Must Not Draw . . .'“. European Comic Art 2, Nr. 1 (01.01.2009): 1–19. http://dx.doi.org/10.3828/eca.2.1.2.
Der volle Inhalt der QuelleGöktürk, Deniz. „Jokes and Butts: Can We Imagine Humor in a Global Public Sphere?“ PMLA/Publications of the Modern Language Association of America 123, Nr. 5 (Oktober 2008): 1707–11. http://dx.doi.org/10.1632/pmla.2008.123.5.1707.
Der volle Inhalt der QuelleDevlin, Morgana A. „Ribbentrop: First Non-Caricature Portrait“. Almanac “Essays on Conservatism” 65 (01.03.2020): 483–86. http://dx.doi.org/10.24030/24092517-2020-0-4-483-486.
Der volle Inhalt der QuelleWeston, Jane. „Bête et méchant“. European Comic Art 2, Nr. 1 (01.01.2009): 109–29. http://dx.doi.org/10.3828/eca.2.1.7.
Der volle Inhalt der QuelleBellin, Eva. „Faith in Politics. New Trends in the Study of Religion and Politics“. World Politics 60, Nr. 2 (Januar 2008): 315–47. http://dx.doi.org/10.1353/wp.0.0007.
Der volle Inhalt der QuelleThuynsma, Peter N. „Esk'ia Mphahlele remembered“. Tydskrif vir Letterkunde 46, Nr. 1 (25.01.2018): 213–16. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i1.4298.
Der volle Inhalt der QuelleLotherington, John. „Caricatures and Political Purposes: A Comment on Robert Kagan's Of Paradise and Power“. German Law Journal 4, Nr. 9 (01.09.2003): 977–84. http://dx.doi.org/10.1017/s2071832200016576.
Der volle Inhalt der QuelleFaßhauer, Vera. „Unharmonious Images Conceived by Troubled Minds: Graphic and Literary Caricatures in Heinrich Heine’s French Affairs and French Painters“. Interfaces, Nr. 42 (12.12.2019): 129–64. http://dx.doi.org/10.4000/interfaces.789.
Der volle Inhalt der QuelleDissertationen zum Thema "Affaire des caricatures"
Jarnier, Jean-Luc. „L’affaire Dreyfus et l’imagerie de presse en France (1894-1908)“. Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040023.
Der volle Inhalt der QuelleThe intensity of the crisis brought about by the Dreyfus affair is a proven fact. The press plays a major role. Caricaturists, in particular, contribute their images to daily and periodical publications, books, postcards and posters. The range of styles is wide. After some hesitation – which can be very short - their contributions are constructed engagements of either attack or defence. While some are undecided or indifferent, others resort to humour. We can also see elements of duplicity. At a golden era for the press, iconography of the Dreyfus affair can be seen in numerous newspapers. The images, which have been analysed since the first signs of the Affair, show a society tormented by the defeat of 1870, a patriotism sometimes sustained by a spirit of revenge and an unstable thirty-year old Republic. They also illustrate the extremely demonstrative increase in anti-Semitism and in a multifaceted nationalism ; reinvigorated by a crisis polishing up its arms against the regime. This thesis studies, first and foremost, the careers of the caricaturists in order to appreciate the impact of the Affair on their art. Secondly, it explores the evolution of the presentation of major actors in the Affair; in particular Émile Zola, Joseph Reinach and Henri Rochefort
Anderson, Pauline Tee. „L' intégration de dessins humoristiques dans la didactique de l'anglais des affaires et du commerce : le cas d'un enseignement en langues étrangères appliquées“. Montpellier 3, 1999. http://www.theses.fr/1999MON30026.
Der volle Inhalt der QuelleBazin, Maëlle. „Dessiner la liberté d'expression face au terrorisme : sémiotique et sociologie des pratiques graphiques en hommage aux victimes des attentats de « Charlie Hebdo » (France, janvier 2015)“. Electronic Thesis or Diss., Université Paris-Panthéon-Assas, 2023. http://www.theses.fr/2023ASSA0078.
Der volle Inhalt der QuelleCombining contributions from the semiotics of images, the anthropology of the written word and media studies, this research focuses on a corpus of several hundred drawings produced in response to the Islamist terrorist attacks of January 2015 in the Île-de-France region. It establishes the extent to which the drawing, as an auxiliary and subject of discourse of popular mobilisations, constitutes a vector of cohesion between French people. The first part of the thesis shows how the attacks of January 2015 constitute a pivotal moment in remembrance practices in France and explains the connections and originality of this doctoral research. Following on from work on the sociology of the attacks, this thesis focuses primarily on the visual dimension of the messages, an aspect that has been little explored until now. The second part examines the media treatment of the attacks, looking at how the framing of an attack on freedom of expression affects the ways in which the French press and television engage the public. The third part analyses a large amount of empirical material from a number of French public and private archives. It takes account of the plurality of graphic practices and forms of politicization in three specific communication devices: ephemeral memorials in three provincial towns, walls in the capital and letters sent to the editorial staff of Charlie Hebdo
NIELSEN, Anne Mark. „Blasphemy, secularisation and multiculturalism : a study of the Rushdie affair, the Theo van Gogh affair and the Mohammad caricature crisis“. Doctoral thesis, 2010. http://hdl.handle.net/1814/15398.
Der volle Inhalt der QuelleExamining Board: Prof. Bo Stråth (EUI, Supervisor); Prof. Kiran K. Patel (EUI); Prof. Lisbet Christoffersen (Roskilde University); Prof. Willfried Spohn (Georg-August-Universität)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
This thesis examines secularisation theories and explores the question of their capability to capture and explain contemporary conflicts in Europe centred on the space and role for, primarily Muslims, religion in the public sphere. From the 1980s onwards, the "resurrection of religion” has reigned as the paradigm for the development of religion in the modern world, substituting the otherwise prevailing prediction that religion would “die out” as the inevitable effect of modernity. The prediction of revitalising religious vitality was motivated by the Iranian Revolution and a general worldwide rise in what broadly came to be labelled as 'religious fundamentalism'. Subsequently, this was fuelled by incidents such as the Rushdie affair, the 9/11 terror attacks, the Madrid and London bombings, the murder of Theo van Gogh and the Mohammed caricature crisis. Besides causing somewhat of a Kuhnian shift within secularisation theory and the social sciences more generally, these incidents, among many others, have also aroused a secular retort in Europe responding to what is perceived to be an inappropriate increasing religious vitality in otherwise modern and secularised societies.
Bücher zum Thema "Affaire des caricatures"
Laurent, Gervereau, und Prochasson Christophe, Hrsg. L' affaire Dreyfus et le tournant du siècle (1894-1910). Nanterre: Bibliothèque de documentation internationale contemporaine, 1994.
Den vollen Inhalt der Quelle findenWright, Patrick. Affairs of the heart. London: Heinemann, 1985.
Den vollen Inhalt der Quelle findenGorrell, Bob. Affairs of state. Gretna, La: Pelican Pub. Co., 1995.
Den vollen Inhalt der Quelle findenDombrowski, André. The image affair: Dreyfus in the media, 1894-1906. Philadelphia, PA: University of Pennsylvania, Department of the History of Art, 2015.
Den vollen Inhalt der Quelle finden1964-, Dudley William, Hrsg. Watergate. San Diego, Calif: Greenhaven Press, 2002.
Den vollen Inhalt der Quelle findenJohn, Clarke. The catastrophe continues: Twenty-one years of interviews. Melbourne, Vic: Text Publishing, 2008.
Den vollen Inhalt der Quelle findenStupid white men-- and other sorry excuses for the state of the nation! Waterville, Me: Thorndike Press, 2002.
Den vollen Inhalt der Quelle findenMoore, Michael (director). Glupye belye li͡udi. Moskva: AST, 2005.
Den vollen Inhalt der Quelle findenMoore, Michael (director). Mike contre-attaque! et s'en prend aux escrocs qui ont fait main basse sur la Maison-Blanche. Paris: Editions La Decouverte, 2002.
Den vollen Inhalt der Quelle findenMoore, Michael (director). Stupid white men-- and other sorry excuses for the state of the nation! New York: ReganBooks, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Affaire des caricatures"
Eko, Lyombe. „Charlie Hebdo and French Collective Memory: Origins of the Right to Caricature“. In The Charlie Hebdo Affair and Comparative Journalistic Cultures, 53–91. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18079-9_3.
Der volle Inhalt der QuelleJomier, Augustin. „Loin des caricatures. Les échos de l’« Affaire » en Algérie“. In La caricature au risque des autorités politiques et religieuses, 137–62. Presses universitaires de Rennes, 2010. http://dx.doi.org/10.4000/books.pur.102885.
Der volle Inhalt der Quelle„8. John Grand-Carteret, a Historian of the Dreyfus Affair through Caricature?“ In Revising Dreyfus, 269–84. BRILL, 2013. http://dx.doi.org/10.1163/9789004256958_010.
Der volle Inhalt der QuelleAnsell, Joseph P. „An Ambassador for Co-operation“. In Arthur Szyk, 74–91. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781874774945.003.0006.
Der volle Inhalt der QuelleSommerville, C. John. „The Club Image and Vicarious Community“. In The News Revolution in England, 1–3. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195106671.003.0012.
Der volle Inhalt der QuelleLlewellyn, Karl N. „This Case System: What to Do with the Cases“. In The Bramble Bush, 37–54. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195368451.003.0003.
Der volle Inhalt der Quelle