Auswahl der wissenschaftlichen Literatur zum Thema „Aesthetic patterns“
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Zeitschriftenartikel zum Thema "Aesthetic patterns"
Liu, Yuhan. „Exploration of Aesthetic Ideas in Bronze Patterns of the Xia, Shang and Zhou Periods“. Highlights in Art and Design 4, Nr. 1 (28.08.2023): 100–104. http://dx.doi.org/10.54097/hiaad.v4i1.11995.
Der volle Inhalt der QuelleZhang, Siyue, Jinzi Qian, Chenjing Wu, Dexian He, Wei Zhang, Jing Yan und Xianyou He. „Tasting More Than Just Food: Effect of Aesthetic Appeal of Plate Patterns on Food Perception“. Foods 11, Nr. 7 (24.03.2022): 931. http://dx.doi.org/10.3390/foods11070931.
Der volle Inhalt der QuelleMuldiana, Fitriani, Shofa Laelatul, Neng Ani Karleni und Nani Ratnaningsih. „ESTETIKA MATEMATIS MOTIF SONGKET PADA ANYAMAN MENDONG TASIKMALAYA“. Euler : Jurnal Ilmiah Matematika, Sains dan Teknologi 9, Nr. 2 (01.12.2021): 109–21. http://dx.doi.org/10.34312/euler.v9i2.11259.
Der volle Inhalt der QuelleAks, Deborah J., und Julien C. Sprott. „Quantifying Aesthetic Preference for Chaotic Patterns“. Empirical Studies of the Arts 14, Nr. 1 (Januar 1996): 1–16. http://dx.doi.org/10.2190/6v31-7m9r-t9l5-cdg9.
Der volle Inhalt der QuelleMarkovic, Slobodan, und Suncica Zdravkovic. „Introduction to the special issue on visual aesthetics“. Psihologija 50, Nr. 3 (2017): 213–17. http://dx.doi.org/10.2298/psi1703213m.
Der volle Inhalt der QuelleWang, Yiyuan. „Artistic Research and Redesign of Backprint Style“. International Journal of Education and Humanities 10, Nr. 2 (04.09.2023): 199–201. http://dx.doi.org/10.54097/ijeh.v10i2.11641.
Der volle Inhalt der QuelleRichardson, Benjamin J. „Climate Change Law: Encounters with Aesthetics and Art“. Climate Law 8, Nr. 3-4 (31.10.2018): 279–319. http://dx.doi.org/10.1163/18786561-00803011.
Der volle Inhalt der QuelleStamatopoulou, Despina. „Integrating the Philosophy and Psychology of Aesthetic Experience: Development of the Aesthetic Experience Scale“. Psychological Reports 95, Nr. 2 (Oktober 2004): 673–95. http://dx.doi.org/10.2466/pr0.95.2.673-695.
Der volle Inhalt der QuelleKiianlinna, Onerva. „Aesthetic Gadgets: Rethinking Universalism in Evolutionary Aesthetics“. Philosophies 7, Nr. 4 (21.06.2022): 71. http://dx.doi.org/10.3390/philosophies7040071.
Der volle Inhalt der QuelleCai, Zong Wen, und Artde D. Kin Tak Lam. „A Study on Mandelbrot Sets to Generate Visual Aesthetic Fractal Patterns“. Applied Mechanics and Materials 311 (Februar 2013): 111–16. http://dx.doi.org/10.4028/www.scientific.net/amm.311.111.
Der volle Inhalt der QuelleDissertationen zum Thema "Aesthetic patterns"
Kenning, Gail Joy Art College of Fine Arts UNSW. „Pattern as process: an aesthetic exploration of the digital possibilities for conventional, physical lace patterns“. Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/39898.
Der volle Inhalt der QuelleO'Connor, Zena. „Facade colour and aesthetic response: Examining patterns of response within the context of urban design and planning policy in Sydney“. University of Sydney, 2008. http://hdl.handle.net/2123/4093.
Der volle Inhalt der QuelleThe overall aim of this research was to examine aesthetic response to façade colour. Drawing on a range of theories and studies from environment-behaviour studies (EBS), Nasar’s (1994) probabilistic model of aesthetic response to building attributes provided a theoretical framework within which to examine patterns of response. Prompted by the Development Control Plan for Sydney Regional Environmental Plan: Sydney Harbour Catchment (NSWDOP, 2005), this research also linked its aims and methods to planning policy in Sydney. The main research questions focussed on whether changes in aesthetic response are associated with variations in façade colour; and whether changes in judgements about building size, congruity and preference are associated with differences in façade colour. A quasi-experimental research design was used to examine patterns of aesthetic response. The independent variable was represented by four façade colours in two classifications. An existing process, environmental colour mapping, was augmented with digital technology and used to isolate, identify and manipulate the independent variable and for preparation of visual stimuli (Foote, 1983; Iijima, 1995; Lenclos, 1977; Porter, 1997). Façade colour classifications were created from extant colour theories (including those of Albers, 1963; Hard & Sivik, 2001 and Itten, 1961). The façade colour classifications were further developed using F-sort and Q-sort methodology (Amin, 2000; Miller, Wiley & Wolfe, 1986; Stephenson, 1953). Ten dependent variables, linked to overall aesthetic response, were drawn from studies relating to environmental evaluation, building congruity and preference (Groat, 1992; Janssens, 2001; Russell, 1988; Russell, 2003; Russell, Ward & Pratt, 1981; Wohlwill & Harris, 1980). The dependent variables were presented in the form of a semantic differential rating scale and a sample group of 288 evaluated the visual stimuli. The Latin-square technique was used for the controlled presentation of visual stimuli. Factor analysis, correlation analysis and analysis of variance were applied to the data. The findings indicate that variations in aesthetic response are associated with differences in façade colour. Judgements about building size varied by up to 5% and buildings featuring contrasting façade colours were judged to be larger and more dominant. Judgements about a building’s congruity varied by up to 13% and buildings that featured harmonious colours were considered to be more congruous. Preference varied and harmonious façade colours were not necessarily preferred over contrasting façade colours. The outcomes from this research suggest that a new approach to façade colour within the context of planning policy may be appropriate. A model of façade colour evaluation is presented and, unlike current planning guidelines, the model allows for a participatory approach to façade colour evaluation and specification. The model allows for factors that may influence aesthetic response to façade colour (such as contextual, perceptual and idiographic factors) as well as variation in architectural expression with respect to façade colour.
O'Connor, Zena. „Façade colour and aesthetic response: Examining patterns of response within the context of urban design and planning policy in Sydney“. Thesis, The University of Sydney, 2008. http://hdl.handle.net/2123/4093.
Der volle Inhalt der QuelleO'Connor, Zena. „Façade colour and aesthetic response examining patterns of response within the context of urban design and planning policy in Sydney /“. Connect to full text, 2008. http://hdl.handle.net/2123/4093.
Der volle Inhalt der QuelleIncludes tables and questionnaire. Includes list of publications. Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Faculty of Architecture, Design and Planning. Title from title screen (viewed May 5, 2009) Includes bibliographical references. Also available in print form.
Andersson, Susanne. „Walk : En tapetkollektion för Eco-Boråstapeter“. Thesis, Linnaeus University, School of Design, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-5617.
Der volle Inhalt der QuelleArbetet handlar om att skapa en mönsterkollektion för Eco-Boråstapeter. Kollektionen består av fem mönster som behandlar struktur, volym, rörelse och rytm. Tapeterna trycks med djuptrycksmetod på slätt bestruket non woven-papper. Målgruppen är unga designintresserade människor. En designprocess utifrån en inspirationsfas redovisas som består av experimentella filmer (Grey Gardens, Gummo och The Brown Bunny) och av fotografier tagna under promenader i Växjö. Hemmiljöer och synen på tapeter behandlas utifrån målgruppens, inredningsarkitektens och designerns perspektiv. Arbetet fokuserar också på Eco-Boråstapeters industri, produktion och miljökrav.
The project is about creating a wallpaper collection of five patterns for Eco-Boråstapeter. The collection consists of five patterns dealing with structure, volume, movement and rhythm. Printing method of the wallpapers is deep print on plain coated non woven paper. The target group is young people interested in design. The design process is based on an inspiration phase which consisted of watching experimental films (Grey Gardens, Gummo and The Brown Bunny) and photographs that were taken during walks around Växjö Lake. Home environments and the perceptions of wallpapers are treated from the target group, the designer and the interior arcitect’s perspective. The project also focuses on the industry, production and environmental issues of Eco-Boråstapeter.
Nixon, David J. „Infinitude: Investigating the Aesthetics of Complex Patterns through Printmaking“. Thesis, Griffith University, 2020. http://hdl.handle.net/10072/396520.
Der volle Inhalt der QuelleThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
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Höfel, Lea. „Behavioral and electrophysiological indices of processing aesthetics of graphic patterns and human faces“. [Leipzig] Leipziger Univ.-Verl, 2008. http://d-nb.info/990812529/04.
Der volle Inhalt der QuelleKafaru, Abiodun Babatunde. „An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria“. Thesis, University of Northampton, 2014. http://nectar.northampton.ac.uk/8864/.
Der volle Inhalt der QuelleZappulla, Carmelo. „Per una scienza architettonica del pattern?“ Doctoral thesis, Universitat Politècnica de Catalunya, 2014. http://hdl.handle.net/10803/232456.
Der volle Inhalt der QuelleCouturier, Louise. „Motifs esthétiques et imaginaires ancestraux : le cinéma des frères Dardenne et l'imaginaire social de Cornelius Castoriadis“. Electronic Thesis or Diss., Paris 10, 2022. http://www.theses.fr/2022PA100013.
Der volle Inhalt der QuelleThe Dardenne Brothers’ cinematography takes place in a very changing society. The economic crisis, the fading of industrial template, the beginning of the postindustrial area drive to a lake of landmarks. The Dardenne’s fiction films react against this loss of social significations. We can find in aesthetic patterns filled with ancient imaginary values. Those patterns are bound to a network of social and ancestral meanings. Those meaning values exceed their functional dimension. They carry meanings and uses coming from yore. They act like bridges toward their previous occurrences, which are myths, tales, holy scriptures, etc. We assume that those patterns are a way to resist disillusioning. Ancestral imagination comes in order to overcome the vanishing of social imagination. At this point, we can say that the Dardenne’s filmography deals with Cornelius Castoriadis’ socio-philosophy. The Greek philosopher of the twentieth century’s work is about social imagination and how societies exist thanks to a structural imagination. This preoccupation seems to reemerge in the Dardenne’s aesthesis as a guideline. Their images carry fictions bound to foundation stories. Which are able to federate people as a community. This cinematography revives ancestral imaginary. This collective memory strengthens the feeling of membership to the human community. The aesthesis pattern engages the imagination process. It joins the narration. As a matter of fact, those stories lead to the main characters’ consciousness as other people are human too
Bücher zum Thema "Aesthetic patterns"
Engelberg, Edward. The vast design: Patterns in W.B. Yeats's aesthetic. 2. Aufl. Washington, D.C: Catholic University of America Press, 1988.
Den vollen Inhalt der Quelle findenFatima, Ibrahim Binta, und Binta Fatima Ibrahim. Themes, patterns and oral aesthetic forms in Nigerian literature. Ilorin, Nigeria: Haytee Press and Pub. Co., 2008.
Den vollen Inhalt der Quelle findenJohn, Briggs. Fractals: The patterns of chaos : a new aesthetic of art, science, and nature. New York: Simon & Schuster, 1992.
Den vollen Inhalt der Quelle findenWinold, Allen. Harmony: Patterns and principles. Englewood Cliffs, N.J: Prentice-Hall, 1986.
Den vollen Inhalt der Quelle findenStone, Mark Van. Celtic knots: Techniques and aesthetics. Arvada, Colo: Alphabet Studio, 1992.
Den vollen Inhalt der Quelle findenHarris, Carolyn. Knitting patterns from nature. London: B.T. Batsford, 1989.
Den vollen Inhalt der Quelle findenLindner, Christoph, und Gerard Sandoval, Hrsg. Aesthetics of Gentrification. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722032.
Der volle Inhalt der QuelleBecker, Joyce R. Nature's patterns: Inspirations and techniques for quilt makers. Lincolnwood, Ill., U.S.A: Quilt Digest Press, 1996.
Den vollen Inhalt der Quelle findenDavis, W. Bowdoin. Duchamp: Domestic patterns, covers and threads. New York: Midmarch Arts Press, 2002.
Den vollen Inhalt der Quelle finden(Firm), Vanessa-Ann Collection, Hrsg. 100 cross-stitch gifts from nature. New York: Sedgewood Press, 1989.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Aesthetic patterns"
Machnik, Grzegorz T., Miłosław Chodacki und Wiesław Kotarski. „Using Genetic Algorithm to Aesthetic Patterns Design“. In Computational Collective Intelligence, 123–32. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-45246-3_12.
Der volle Inhalt der QuellePejić, Biljana S., und Bojana P. Škorc. „Ambiguity and Aesthetic Reception of Pirot Carpet Patterns“. In Уметност и наука у примени: искуство и визија = Art and Science Applied: Experience and Vision, 315–29. Београд: Универзитет уметности у Београду, Факултет примењених уметности, 2022. http://dx.doi.org/10.18485/smartart.2022.2.2.ch17.
Der volle Inhalt der QuelleGethner, Ellen, David G. Kirkpatrick und Nicholas J. Pippenger. „M.C. Escher Wrap Artist: Aesthetic Coloring of Ribbon Patterns“. In Lecture Notes in Computer Science, 198–209. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-30347-0_21.
Der volle Inhalt der QuelleBlattmeier, Monika. „Patterns for Visualizing the Aesthetic Qualities of Business Processes“. In Technology, Work and Globalization, 285–308. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38719-7_9.
Der volle Inhalt der QuelleGdawiec, Krzysztof. „Aesthetic Patterns from the Perturbed Orbits of Discrete Dynamical Systems“. In Computer Information Systems and Industrial Management, 358–66. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-40925-7_33.
Der volle Inhalt der QuelleGdawiec, Krzysztof, Wiesław Kotarski und Agnieszka Lisowska. „Automatic Generation of Aesthetic Patterns with the Use of Dynamical Systems“. In Advances in Visual Computing, 691–700. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24031-7_69.
Der volle Inhalt der QuelleColman, Adam. „Shelley, Alcohol, and the “world we make”: Habit’s Patterns in The Cenci“. In Drugs and the Addiction Aesthetic in Nineteenth-Century Literature, 53–79. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-01590-9_2.
Der volle Inhalt der QuelleSchulz, Karin. „»Una ventata di pazzia«?“ In Bewegungsszenarien der Moderne, 143–62. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-9.
Der volle Inhalt der QuelleMüller, Francis. „Analysis“. In Design Ethnography, 77–86. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-60396-0_6.
Der volle Inhalt der QuelleKlestil, Matthias. „Introduction: African American Environmental Knowledge at Niagara“. In Environmental Knowledge, Race, and African American Literature, 1–41. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-82102-9_1.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Aesthetic patterns"
Cui, Shuandong, Yan Zhang und Yunfei Chen. „Visual aesthetic calculation and evaluation model of background pattern formed by the repeated arrangement of single patterns“. In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002895.
Der volle Inhalt der QuelleWu, Tao, Limin Zhang und Junjie Yang. „Automatic generation of aesthetic patterns with cloud model“. In 2016 12th International Conference on Natural Computation and 13th Fuzzy Systems and Knowledge Discovery (ICNC-FSKD). IEEE, 2016. http://dx.doi.org/10.1109/fskd.2016.7603328.
Der volle Inhalt der QuelleChen, Junchun, Tie Ji, Jian Peng und Bin Wang. „An AI-Assisted Design Method for “Huayao Cross-stitch” Patterns Based on Semantics“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001866.
Der volle Inhalt der QuellePei, Yao, und Tan Fuqiang. „Aesthetic Analysis of Embroidery Patterns in Gannan Hakka Traditional Costumes“. In Proceedings of the 2019 4th International Conference on Social Sciences and Economic Development (ICSSED 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icssed-19.2019.68.
Der volle Inhalt der QuelleFATIHADDIN, DOAA, BOB EVES und MOAMER GASHOOT. „IMPLEMENTING ISLAMIC PATTERNS IN INTERIOR DESIGN TO ENHANCE THE SPIRITUAL AESTHETIC“. In ISLAMIC HERITAGE 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/iha180111.
Der volle Inhalt der QuelleHo, Amic. „The Role of Visual Aesthetics in Emotional Response“. In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004170.
Der volle Inhalt der QuelleJederström, Moa, Hanna Sandell, Örjan Dahlström, Kristina Fagher, Laura Korhonen, Carolina Lundqvist und Toomas Timpka. „864 BO48 – Towards prevention of self-objectification in young female athletes on social media: instagram posting patterns of female elite athletes in aesthetic and non-aesthetic individual sports“. In 7th IOC World Conference on Prevention of Injury and Illness in Sport, Monaco, 29 February–2 March 2024. BMJ Publishing Group Ltd and British Association of Sport and Exercise Medicine, 2024. http://dx.doi.org/10.1136/bjsports-2024-ioc.121.
Der volle Inhalt der QuelleZhou, Zheng, Sijin Wang, Wenjie Wu, Aijun Huang, Yafeng Niu, Hui Tang, Yingjie Victor Chen und Zhenyu Cheryl Qian. „ClockPetals: Interactive Sequential Analysis of Traffic Patterns VAST Challenge MC1 Award: Multi-Challenge Award for Aesthetic Design“. In 2017 IEEE Conference on Visual Analytics Science and Technology (VAST). IEEE, 2017. http://dx.doi.org/10.1109/vast.2017.8585620.
Der volle Inhalt der QuelleNaik, Niyati S., und Ihab Elzeyadi. „External Dynamic Screens for Thermal Delight and ‘Alliesthesia’“. In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.12.
Der volle Inhalt der QuelleChokron, Sylvie, Seta Kazandjian und Maria De Agostini. „Effects of Reading Direction on Visuospatial Organization: A Critical Review“. In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2009. http://dx.doi.org/10.4087/wvik1820.
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