Auswahl der wissenschaftlichen Literatur zum Thema „Aesthetic core“
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Zeitschriftenartikel zum Thema "Aesthetic core"
Grubor, Nebojsa. „The relation between the beauty and the sublime in Hartmann′s aesthetics“. Theoria, Beograd 63, Nr. 3 (2020): 159–67. http://dx.doi.org/10.2298/theo2003159g.
Der volle Inhalt der QuelleGan, Shen Qi, und Hong Zhang. „The Discussion of the Concept of Sustainable Development of Ecological Architectural Aesthetics“. Advanced Materials Research 598 (November 2012): 8–11. http://dx.doi.org/10.4028/www.scientific.net/amr.598.8.
Der volle Inhalt der QuelleChitturi, Ravindra. „Design for Affect: A Core Competency for the 21st Century“. GfK Marketing Intelligence Review 7, Nr. 2 (01.11.2015): 16–21. http://dx.doi.org/10.1515/gfkmir-2015-0012.
Der volle Inhalt der QuelleWang, Lingyu, Yingchuan Li und Mingzhu Fang. „Aesthetic Education Curriculum Construction and Innovation In The New Engineering Education:An example of teaching an art appreciation aesthetics education course“. Advances in Education, Humanities and Social Science Research 1, Nr. 1 (09.05.2022): 369. http://dx.doi.org/10.56028/aehssr.1.1.369.
Der volle Inhalt der QuelleMa, Liyao. „Sensing the Poetic Habitat – A Study of Middle School Chinese Teaching from the Perspectives of Life Aesthetics“. Journal of Contemporary Educational Research 5, Nr. 12 (27.12.2021): 205–9. http://dx.doi.org/10.26689/jcer.v5i12.2872.
Der volle Inhalt der QuelleKudaev, Aleksandr Egorovich. „Aesthetic “sense of the world” of Nikolai Berdyaev: origins and approaches to the philosophy of beauty“. Философская мысль, Nr. 5 (Mai 2020): 61–87. http://dx.doi.org/10.25136/2409-8728.2020.5.32356.
Der volle Inhalt der QuelleBarry, Charlotte D. „Uncovering Meaning Through the Aesthetic Turn: A Pedagogy of Caring“. International Journal of Human Caring 12, Nr. 2 (März 2008): 19–23. http://dx.doi.org/10.20467/1091-5710.12.2.19.
Der volle Inhalt der QuelleSang, Fade, und Yuan Xu. „Research on the Current Situation and Improvement Strategies of Aesthetic Education in Music Classrooms in Primary and Secondary Schools in China“. Modern Economics & Management Forum 3, Nr. 1 (15.02.2022): 14. http://dx.doi.org/10.32629/memf.v3i1.648.
Der volle Inhalt der QuelleYang, Yanyu. „Research on Orff Music Teaching Model based on the Cultivation of Students' Aesthetic Ability“. BCP Education & Psychology 10 (16.08.2023): 50–54. http://dx.doi.org/10.54691/bcpep.v10i.5199.
Der volle Inhalt der QuelleZhihong Li, Yanhui Wang und Fanjun Meng. „Aesthetic Cognitive Module Theory: A Core Structure“. Journal of Aesthetic Education 52, Nr. 2 (2018): 71. http://dx.doi.org/10.5406/jaesteduc.52.2.0071.
Der volle Inhalt der QuelleDissertationen zum Thema "Aesthetic core"
Wallbaum, Christopher. „RED – A supposedly universal quality as the core of music education“. Georg Olms Verlag, 2018. https://slub.qucosa.de/id/qucosa%3A34616.
Der volle Inhalt der QuelleBenenti, Marta. „Expressive Experience. An Inquiry Concerning The Expressiveness of Objects“. Doctoral thesis, Università degli Studi di Torino, 2018. https://hdl.handle.net/11579/147780.
Der volle Inhalt der QuelleCritchfield, Katherine. „Radical democracies : the politics of the aesthetic in the Southern Cone“. Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269815.
Der volle Inhalt der QuellePineiro, Erik. „The aesthetics of code : on excellence in instrumental action“. Doctoral thesis, KTH, Industrial Economics and Management, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3648.
Der volle Inhalt der QuelleSoftware systems form an essential part of Western society,serving as tools to uphold institutions, processes andservices. It is understandable, therefore, that the mostfundamental aspects of programs are their function and utility.But they are not, however, the only things programmers areconcerned with when writing them.
On the contrary, programmers also discuss about many otheraspects of software, including the beauty of code. Theydistinguish between different programming styles and expresstheir personal preferences, often by way of admiring andvilifying other people's code. Programmers' identification withaesthetic preferences may give rise to vanity, to disagreementsso entrenched that they deserve the name of 'holy wars' and toother similar phenomena.
This thesis describes and analyses these phenomena, whichultimately originate in the human faculty to create andappreciate nuances, to become attached to them and to engage indisputes because of them - even infields as standardised ascomputer programming. Its aim is to expose the aesthetics ofcode, and in doing so, to discuss the symbolic aspects ofinstrumental action at large.
Keywords:aesthetics, code, instrumental action,internet discussion fora, programming, symbolic action
Smith, Alexandra Bailey. „Writing Against the Image: Teju Cole, Ben Lerner, and Aesthetics of Failure“. Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/14483.
Der volle Inhalt der QuelleLouanjli, Moe Mohamed. „Aesthetics of Dysfunction: On Virtual Agglomerations and the Creative Errancies of Code“. Thesis, Griffith University, 2013. http://hdl.handle.net/10072/367972.
Der volle Inhalt der QuelleThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
Full Text
Taylor, Elizabeth. „Walking through snow an exploration of the aesthetic experience of snow through code driven artwork /“. Tallahassee, Fla. : Florida State University, 2009. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/2181908.
Der volle Inhalt der QuelleAdvisor: Meg Mitchell, Florida State University, College of Visual Arts, Theatre, and Dance, Dept. of Art. Includes bibliographical references.
ALVES, RITA DE CÁSSIA GONÇALO. „WHICH IS THE DRESS CODE? MORAL AND AESTHETIC JUDGEMENT IN THE EVANGELICAL WOMEN S DRESS“. PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27270@1.
Der volle Inhalt der QuelleCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
A presente dissertação traz uma pesquisa acerca da moral evangélica que contempla o vestuário feminino como um importante elemento de distinção social. A partir da etnografia realizada em igrejas evangélicas na região metropolitana do Rio de Janeiro, procurei observar de que forma as subjetividades se manifestam nos discursos e como experiências religiosas e culturais operam nos distintos modos de vestir-se, performar-se e julgar o belo. Disso resulta que, entre o juízo de gosto e as práticas do vestir, há operações de agenciamento em que as mulheres investem na construção de uma identidade visual personalizada sem contrapor a moral evangélica, mas também evidenciando as múltiplas formas sobre como essas normas são incorporadas. Neste sentido, o diálogo entre os mecanismos de distinção e as relações entre performatividade e materialidade constroem uma ética corporal e comunal, contribuindo para o entendimento da regulação e inscrição desses corpos femininos, portadores de significados sociais.
The present work brings a research about the gospel morality, which includes women s clothing as an important element of social distinction. From the ethnography in evangelical churches in the metropolitan region of Rio de Janeiro, I tried watching how the subjectivities are manifested in speeches and how religious and cultural experiences operating in distinct ways of dress up perform and judge the beautiful. It follows that between the judgement of taste and practices of dressing there are agency operations where women invest in constructing a personalized visual identity without opposing the evangelical morality, but also showing the multiple ways on how these norms are incorporated. In this sense, the dialogue between distinction mechanisms and the relations between performativity and materiality build a corporal and communal ethics, contributing to the understanding of the regulation and registration of these female bodies carrying social meanings.
Sonenberg, Marc Ian. „Discovery through Numeric Strata: A Balance of Form and Aesthetics“. [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0719101-221505/restricted/sonenbergm0809b.pdf.
Der volle Inhalt der QuelleGallant, Alison Dara. „'The story come up different every time': Louise Erdrich and the emerging aesthetic of the minority woman writer“. The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243523540.
Der volle Inhalt der QuelleBücher zum Thema "Aesthetic core"
An introduction to Kant's aesthetics: Core concepts and problems. Oxford, UK: Blackwell Pub., 2005.
Den vollen Inhalt der Quelle findenWenzel, Christian Helmut. An introduction to Kant's aesthetics: Core concepts and problems. Malden, MA: Blackwell Pub., 2005.
Den vollen Inhalt der Quelle findenMcLean, Alex (Christopher Alex), 1975-, Hrsg. Speaking code: Coding as aesthetic and political expression. Cambridge, Mass: The MIT Press, 2012.
Den vollen Inhalt der Quelle findenThe aesthetic code of don Ramón del Valle-Inclán. Huntington, W.Va: University Editions, 1994.
Den vollen Inhalt der Quelle findenAmoroso, Leonardo. L' estetica come problema. Pisa: ETS editrice, 1988.
Den vollen Inhalt der Quelle findenFilm come esperienza. Roma: Bulzoni, 1986.
Den vollen Inhalt der Quelle findenDottori, Riccardo. Paul Cézanne: L'opera d'arte come assoluto. Palermo: Centro internazionale studi di estetica, 1994.
Den vollen Inhalt der Quelle findenRoy, Ron, und John Hesselberth. Mastering Cone 6 Glazes: Improving Durability, Fit and Aesthetics. Brighton, Ontario: Glaze Master Press, 2002.
Den vollen Inhalt der Quelle findenCoren, Michael. Aesthete: The Frank diaries of Michael Coren. Toronto: Random House of Canada, 1993.
Den vollen Inhalt der Quelle findenDiodato, Roberto. Vermeer, Góngora, Spinoza: L'estetica come scienza intuitiva. Milano: B. Mondadori, 1997.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Aesthetic core"
Ji, Xia. „“Trees Don’t Sing! … Eagle Feather Has no Power!”—Be Wary of the Potential Numbing Effects of School Science“. In Palgrave Studies in Education and the Environment, 17–33. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79622-8_2.
Der volle Inhalt der QuelleSzili, Joseph. „The Aesthetic Core of the Work of Art: The Boundaries of Its Phenomenological Description“. In Man within His Life-World, 341–53. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2587-8_19.
Der volle Inhalt der QuelleLacey, Stephen. „A Radical Aesthetic“. In Cathy Come Home, 28–68. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-349-92457-8_3.
Der volle Inhalt der QuelleGreiner, Rasmus. „Appropriation and Configuration“. In Cinematic Histospheres, 183–204. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_8.
Der volle Inhalt der QuelleSiani, Alberto L. „No Code Aesthetics“. In Hegel and the Present of Art’s Past Character, 134–43. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003388340-9.
Der volle Inhalt der QuelleBanerji, Subir, und Shamir B. Mehta. „Aesthetic Posts and Cores“. In Practical Procedures in Aesthetic Dentistry, 167–71. Oxford, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781119324911.ch6.5.
Der volle Inhalt der QuelleSpence, Jocelyn. „Feeling Through Technology“. In Springer Series in Design and Innovation, 411–19. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_39.
Der volle Inhalt der QuelleDi Stefano, Elisabetta. „Beyond the Beauty-Utility Diatribe“. In Springer Series in Design and Innovation, 3–10. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_1.
Der volle Inhalt der QuelleWilliams, Rhys. „Solar as Narrative Element“. In Solarities, 159–68. Earth, Milky Way: punctum books, 2023. http://dx.doi.org/10.53288/0404.1.14.
Der volle Inhalt der QuelleO’Donoghue, Helen. „Come to the Edge“. In Landscapes: The Arts, Aesthetics, and Education, 77–89. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-010-0043-7_6.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Aesthetic core"
Zhao, Xinshu, und Xin Liu. „The Occurrence of Aesthetic Ethics in Primitive Society: Marx’s Perspective of Objective Sensibility“. In 5th International Conference on Contemporary Education, Social Sciences and Humanities - Philosophy of Being Human as the Core of Interdisciplinary Research (ICCESSH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200901.023.
Der volle Inhalt der QuelleDimitrakopoulou, Georgia. „WILLIAM BLAKE�S AESTHETICS IN THE MYTH OF THE ANCIENT BRITONS“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.16.
Der volle Inhalt der QuelleMarković, Suzana, Jelena Dorčić, Dora Rašan, Bruna Bucić und Marko Blažić. „AESTHETIC GUEST EXPERIENCE IN RESTAURANT: A STATE-OF-THE-ART REVIEW“. In 5th International Scientific Conference – EMAN 2021 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2021. http://dx.doi.org/10.31410/eman.s.p.2021.135.
Der volle Inhalt der QuelleAchiche, Sofiane, Anja Maier, Krasimira Milanova und Aurelian Vadean. „Visual Product Evaluation: Using the Semantic Differential to Investigate the Influence of Basic Geometry on User Perception“. In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-40443.
Der volle Inhalt der QuelleAgius, Sean, Philip Farrugia und Emmanuel Francalanza. „A Framework for a Motorcycle Design Computer-Based Intelligent Tool“. In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22356.
Der volle Inhalt der QuelleJohnson, Jason S., Matthew Parker, Christina James, Joshua Taron und Logan Armstrong. „FXAT SCREEN“. In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intlp.2016.11.
Der volle Inhalt der QuelleDurac, Livia. „Aesthetics and Creativity. Identity Configurations“. In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/21.
Der volle Inhalt der QuelleTrebbi, Lorena, und Chiara Del Gesso. „Hybrid sensory surfaces: biological meets digital“. In Intelligent Human Systems Integration (IHSI 2022) Integrating People and Intelligent Systems. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100938.
Der volle Inhalt der QuelleBenaissa, Brahim, und Masakazu Kobayashi. „Design aesthetics recommender system based on customer profile and wanted affect“. In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.19.
Der volle Inhalt der QuelleLi, Ling, Dong Liang, Yuanhang Gao, Sheng-Jun Huang und Songcan Chen. „ALL-E: Aesthetics-guided Low-light Image Enhancement“. In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/118.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Aesthetic core"
Perdigão, Rui A. P. New Horizons of Predictability in Complex Dynamical Systems: From Fundamental Physics to Climate and Society. Meteoceanics, Oktober 2021. http://dx.doi.org/10.46337/211021.
Der volle Inhalt der QuelleHicks, Jacqueline. Export of Digital Surveillance Technologies From China to Developing Countries. Institute of Development Studies, August 2022. http://dx.doi.org/10.19088/k4d.2022.123.
Der volle Inhalt der QuelleCox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.
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