Auswahl der wissenschaftlichen Literatur zum Thema „Aesthetic attention“
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Zeitschriftenartikel zum Thema "Aesthetic attention"
Okulov, Jaana. „Artificial Aesthetics and Aesthetic Machine Attention“. AM Journal of Art and Media Studies, Nr. 29 (15.10.2022): 13–28. http://dx.doi.org/10.25038/am.v0i29.534.
Der volle Inhalt der QuelleOnishchenko, E. I. „POLISH AESTHETIC DISCOURSE OF THE 20TH CENTURY: INTERPRETATION OF INTERPRETATIONS“. UKRAINIAN CULTURAL STUDIES, Nr. 1 (2) (2018): 25–29. http://dx.doi.org/10.17721/ucs.2018.1(2).05.
Der volle Inhalt der QuelleRolke, Bettina, Madeleine Y. Stepper, Verena C. Seibold und Elisabeth Hein. „Aesthetic Stimuli Attract Visual Spatial Attention“. Art and Perception 7, Nr. 1 (06.03.2019): 52–81. http://dx.doi.org/10.1163/22134913-20191101.
Der volle Inhalt der QuelleWang, Ruoxi. „A Review of the Impact of Aesthetic Experience on Consumers' Purchase Decisions“. Highlights in Business, Economics and Management 27 (21.03.2024): 312–18. http://dx.doi.org/10.54097/c23kp344.
Der volle Inhalt der QuelleWilson, Alan T. „The Virtue of Aesthetic Courage“. British Journal of Aesthetics 60, Nr. 4 (01.08.2020): 455–69. http://dx.doi.org/10.1093/aesthj/ayaa022.
Der volle Inhalt der QuelleOrtlieb, Stefan A., und Claus-Christian Carbon. „Kitsch and Perception: Towards a New ‘Aesthetic from Below’“. Art and Perception 7, Nr. 1 (06.03.2019): 1–26. http://dx.doi.org/10.1163/22134913-00001091.
Der volle Inhalt der QuelleCuccuru, Kathrine. „Aesthetic Attention: A Proposal to Pay It More Attention“. Estetika: The European Journal of Aesthetics 55, Nr. 2 (01.09.2018): 155. http://dx.doi.org/10.33134/eeja.175.
Der volle Inhalt der QuelleKnapp, Peggy A. „Aesthetic Attention and the Chaucerian Text“. Chaucer Review 39, Nr. 3 (01.01.2005): 241–58. http://dx.doi.org/10.2307/25094290.
Der volle Inhalt der QuelleMadsen, Clifford K. „Focus of Attention and Aesthetic Response“. Journal of Research in Music Education 45, Nr. 1 (April 1997): 80–89. http://dx.doi.org/10.2307/3345467.
Der volle Inhalt der QuelleKnapp, Peggy Ann. „Aesthetic Attention and the Chaucerian Text“. Chaucer Review 39, Nr. 3 (2005): 241–58. http://dx.doi.org/10.1353/cr.2005.0005.
Der volle Inhalt der QuelleDissertationen zum Thema "Aesthetic attention"
Bowden, Alan Mark Christopher. „Aesthetic perception, attention and aesthetic psychology“. Thesis, Durham University, 2015. http://etheses.dur.ac.uk/10992/.
Der volle Inhalt der QuellePane, Greta Lynn. „The First Scale of Attention: Linguistic Form and Aesthetic Experience in the Novel“. Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10905.
Der volle Inhalt der QuelleMoubarak, Elizabeth. „A case study of a special needs class: how attention to aesthetic considerations informs learning and individual growth“. Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104800.
Der volle Inhalt der QuelleÉtude de cas d'une classe d'éducation spécialisée : De quelle façon l'esthétisme influence-t-elle l'apprentissage et le développement personnel?Ce mémoire présente une étude de cas sur la façon dont l'esthétisme influence l'apprentissage et le développement personnel dans une classe d'éducation spécialisée. L'objectif est de mieux comprendre l'environnement évolutif de la classe et de son influence sur les élèves et sur moi-même, l'enseignante de la classe témoin. Le cadre de cette étude était une classe d'éducation spécialisée (B-111), située dans une école secondaire de premier cycle. Onze élèves, une préposée et une enseignante ont pris part à cette étude. Les données ont été recueillies et analysées à partir de méthodes issues des récentes recherches en éducation de l'art et plus précisément, sur l'enseignement à partir de l'art. La littérature sur l'esthétisme, sur la négociation de sens et sur l'apprentissage a servi les besoins de cette étude et les commentaires, les opinions ainsi que les travaux artistiques des participants y sont reliés. La question à savoir si l'esthétisme de la salle de classe crée un sentiment d'appartenance, agissant comme source de motivation sur l'assiduité en classe et sur le respect de l'établissement scolaire a été soulevée. Cette étude de cas démontre l'importance de la création de liens avec les élèves. La connaissance de la nature spécifique de la classe s'avère être un facteur crucial dans la création d'un environnement d'apprentissage sain et équilibré. Cette étude inspirera peut-être les directeurs d'école et les commissions scolaires, les décorateurs d'intérieur et les architectes, lorsque viendra le temps de concevoir les plans architecturaux, la décoration, la construction et l'organisation d'une école ou d'une salle de classe.
Essoukan, epee Hermann. „La Vision poétique du 'Monde' dans les films-essais Méditerranée de Jean-Daniel Pollet, Sans soleil de Chris Marker et Asientos de François L. Woukoache“. Electronic Thesis or Diss., Université Grenoble Alpes, 2023. http://www.theses.fr/2023GRALL024.
Der volle Inhalt der QuelleThe present study does not only examine the idea of a cinema that thinks and participates in the poetic thought, as stated by Norman McLaren as: ‟the flowing movement of the film that echoes that of the thought”, but it also argues for the idea of a poetic cinema and a poetics of cinema focused on a new aesthetic of mediation and creation that explores the poetic universe. In addition to engaging in the definition of a cinema of poetry and a poetics of cinema, this study intends to offer a deeper insight into the understanding of certain aesthetic and artistic mechanisms that poetically affect the attention of percept’acteurs (poetic attention) when they are faced with filmic effects/texts and processes that no longer rely on immersion and determining factors such as observed in popular cinemas, entertainment, storytelling, and documentary films. The attention of the percept’acteurs is rather drawn to the visual/perceptual indeterminacy, of the ‟aesthetic walk”, to sound like Jean-Marie Schaeffer and on the ‟poetics of idleness”.The essay-films Méditerranée by Jean-Daniel Pollet, Sans soleil by Chris Marker and Asientos by François L. Woukoache, make the percept’acteurs – a neologism that we use instead of spectator, since these films no longer deal with spectacle – to navigate in a timeless sphere and export them beyond the time, in order to break the relationship they maintain with classic films and to encourage a new look towards the artwork. For these filmmakers of poetry and memory, it’s about an ambivalent way to uproot and bury the word in order to defy conventions and break habits through a poetic and ‟political” vision in the broaden sense (Political-historical) of the world, a new aesthetic, a diy and artistic poaching, leading to a kind of reinvention of the language.Keywords: Essay films, Modern cinematography, a poetic cinema, aesthetic attention, poetic attention, percept’acteurs, artistic creation
Yang, Taoxi [Verfasser], und Ernst [Akademischer Betreuer] Pöppel. „Inhomogeneity of visual space, discontinuity of perceptual time and cultural imprinting as exemplified with experiments on visual attention, aesthetic appreciation and temporal processing / Taoxi Yang ; Betreuer: Ernst Pöppel“. München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/119811195X/34.
Der volle Inhalt der QuelleHomlong, Siri. „The Language of Textiles : Description and Judgement on Textile Pattern Composition“. Doctoral thesis, Uppsala : Acta Universitatis Upsaliensis (AUU), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-7216.
Der volle Inhalt der QuelleWerner, Petra. „Ett medialt museum : lärandets estetik i svensk television 1956-1969“. Doctoral thesis, Södertörns högskola, Estetik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30912.
Der volle Inhalt der QuelleRooney, Kevin Kelley. „Vision and the experience of built environments: two visual pathways of awareness, attention and embodiment in architecture“. Diss., Kansas State University, 2015. http://hdl.handle.net/2097/20597.
Der volle Inhalt der QuelleEnvironmental Design and Planning Program
Robert J. Condia
The unique contribution of Vision and the Experience of Built Environments is its specific investigation into the visual processing system of the mind in relationship with the features of awareness and embodiment during the experience of architecture. Each facet of this investigation reflects the essential ingredients of sensation (the visual system), perception (our awareness), and emotions (our embodiment) respectively as a process for aesthetically experiencing our built environments. In regards to our visual system, it is well established in neuroscience that human vision divides into the central and peripheral fields of view. Central vision extends from the point of gaze (where we are looking) out to about 5° of visual angle (the width of one’s fist at arm’s length), while peripheral vision is the vast remainder of the visual field. These visual fields project to the parvo and magno ganglion cells which process distinctly different types of information from the world around us and project that information to the ventral and dorsal visual streams respectively. Building on the dorsal/ventral stream dichotomy, we can further distinguish between focal processing of central vision and ambient processing of peripheral vision. Thus, our visual processing of, and attention to, objects and scenes depends on how and where these stimuli fall on the retina. Built environments are no exception to these dependencies, specifically in terms of how focal object perception and ambient spatial perception create intellectual and phenomenal experiences respectively with architecture. These two forms of visual processing limit and guide our perception of the built world around us and subsequently our projected and extended embodied interactions with it as manifested in the act of aesthetic experience. By bringing peripheral vision and central vision together in a balanced perspective we will more fully understand that our aesthetic relationship with our built environment is greatly dependent on the dichotomous visual mechanisms of awareness and embodiment.
Riley, Matthew. „Attentive listening the concept of Aufmerksamkeit and its significance in German musical thought, 1770-1790 /“. Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 2000. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.325815.
Der volle Inhalt der QuelleBaldissera, Marcia. „Quelles expériences pour quels films? Les temps de notre relation esthétique au monde“. Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0074.
Der volle Inhalt der QuelleThe aim of this thesis is to analyze the aesthetic structure of the cinematographic experience. We depart from a definition of film as an (audio)visual flux with a beginning, an evolution, and an end. From the evidence of this constructive principle, this thesis intends to show how the temporal structure of films generates cognitive differences in the spectators' experience. The notion of “temporal structure” is related to the ordering of shots and sounds within their durations in succession and/or in simultaneity, while the adjective “cognitive” refers to the acquisition process and use of our knowledge. This study is based on Kant's aesthetics, Husserl's phenomenology, Deleuze's cinema analysis, Searle's Intentionality, and Schaeffer's aesthetic and fiction cognition theories, in an interdisciplinary perspective, drawing on cognitive sciences empirical data. It is a comparative analysis of the unfolding of the cinematographic reception process – perception, attention and comprehension – and takes the different times of this reception into account, that is, the relation between the object film and the spectators. The objective is twofold: on the one hand it is a question of uncovering the cognitive implications of the cinematographic technique for the spectators' experience through close consideration of the functions of this technique and the principles which the authors’ Intentionality have inscribed upon it; on the other hand, it is a question of evaluating the scope of these constructive and Intentional principles on contemporary cinema, as recent decades have emphasized the progressive radicalization of filmic rhythm. Cinema becomes as such an example of the temporal structures that uphold our relation to the real world
Bücher zum Thema "Aesthetic attention"
Cronin, Catherine Anne. Are contemporary visual artists exchanging aesthetic values and meaningful content for shock tactics and sensation to gain instant acclaim and public attention. London: LCP, 2001.
Den vollen Inhalt der Quelle findenSdegno, Emma, Martina Frank, Pierre-Henry Frangne und Myriam Pilutti Namer. John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5.
Der volle Inhalt der QuelleVolodina, Elena. Materials science: Design, architecture: in 2 t. Volume 1. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1039908.
Der volle Inhalt der QuelleVolodina, Elena. Materials Science: Design, architecture. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1046078.
Der volle Inhalt der QuelleSerafimova, Vera, Ivan Pankeev und L. G. Tyurina. History of Russian literature of the XX-XXI centuries. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1866868.
Der volle Inhalt der QuelleSerafimova, Vera. History of Russian literature of XX-XXI centuries. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1138897.
Der volle Inhalt der QuellePrice, Lew Paxton. The oldest magic: The prehistory, ancient history, nature of, and early influence of music, with special attention to the role of the flute. Garden Valley, CA: L.P. Price, 1995.
Den vollen Inhalt der Quelle findenStewart, Garrett. Attention Spans. Herausgegeben von David LaRocca. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765102268.
Der volle Inhalt der QuelleLanzendörfer, Anselma. Designated Attention. Herausgegeben von Christian Thorau und Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.11.
Der volle Inhalt der QuelleBender, John W. Aesthetic Realism 2. Herausgegeben von Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0004.
Der volle Inhalt der QuelleBuchteile zum Thema "Aesthetic attention"
Sedgman, Kirsty. „Audience Attention and Aesthetic Experience“. In The Reasonable Audience, 23–42. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99166-5_3.
Der volle Inhalt der QuelleMandal, Ranju, Susanne Becken, Rod M. Connolly und Bela Stantic. „Residual Attention Network vs Real Attention on Aesthetic Assessment“. In Recent Challenges in Intelligent Information and Database Systems, 310–20. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1685-3_26.
Der volle Inhalt der QuelleNovacich, Samuel. „Makeup and marquinha: aesthetics of the bodily surface in Rio de Janeiro“. In Embodying Peripheries, 52–73. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-661-2.03.
Der volle Inhalt der QuelleNasser, Nasir A. „Rhinoplasty“. In Oral and Maxillofacial Surgery for the Clinician, 775–813. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-1346-6_38.
Der volle Inhalt der QuelleMäcklin, Harri. „Roman Ingarden on Aesthetic Attention“. In Roman Ingarden’s Aesthetics and Ontology. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350321533.0013.
Der volle Inhalt der QuelleBasu, Sweta, und Narayanan Srinivasan. „Disinterested attention and aesthetic experience“. In Progress in Brain Research. Elsevier, 2024. http://dx.doi.org/10.1016/bs.pbr.2024.05.012.
Der volle Inhalt der QuelleEaton, Marcia Muelder. „The Aesthetic Life“. In Merit, Aesthetic and Ethical, 99–113. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195140248.003.0008.
Der volle Inhalt der QuelleNanay, Bence. „5. Aesthetics and the other“. In Aesthetics: A Very Short Introduction, 56–71. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198826613.003.0005.
Der volle Inhalt der QuelleHughes, Eugene, und Arnold Berleant. „Aesthetic Engagement as a Pathway to Mental Health and Well-being“. In The Oxford Handbook of Mental Health and Contemporary Western Aesthetics, C12S1—C12N3. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780192866929.013.12.
Der volle Inhalt der QuelleLee, Corina. „Aesthetic surgery“. In Oxford Textbook of Anaesthesia for Oral and Maxillofacial Surgery, Second Edition, 93–106. 2. Aufl. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/med/9780198790723.003.0009.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Aesthetic attention"
Radeev, A. „FOR A NEW AESTHETICS, OR BACK TO AESTHETIC EXPERIENCE“. In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2546.978-5-317-06726-7/58-60.
Der volle Inhalt der QuelleHou, Jingwen, Sheng Yang und Weisi Lin. „Object-level Attention for Aesthetic Rating Distribution Prediction“. In MM '20: The 28th ACM International Conference on Multimedia. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3394171.3413695.
Der volle Inhalt der QuellePidaparthy, Hemanth, Abhay Chauhan und Pavan Sudheendra. „Multi-level Attention Aggregation for Aesthetic Face Relighting“. In 2024 IEEE/CVF Winter Conference on Applications of Computer Vision (WACV). IEEE, 2024. http://dx.doi.org/10.1109/wacv57701.2024.00401.
Der volle Inhalt der QuelleMarković, Suzana, Jelena Dorčić, Dora Rašan, Bruna Bucić und Marko Blažić. „AESTHETIC GUEST EXPERIENCE IN RESTAURANT: A STATE-OF-THE-ART REVIEW“. In 5th International Scientific Conference – EMAN 2021 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2021. http://dx.doi.org/10.31410/eman.s.p.2021.135.
Der volle Inhalt der QuelleXu, Munan, Jia-Xing Zhong, Yurui Ren, Shan Liu und Ge Li. „Context-aware Attention Network for Predicting Image Aesthetic Subjectivity“. In MM '20: The 28th ACM International Conference on Multimedia. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3394171.3413834.
Der volle Inhalt der QuelleSheng, Kekai, Weiming Dong, Chongyang Ma, Xing Mei, Feiyue Huang und Bao-Gang Hu. „Attention-based Multi-Patch Aggregation for Image Aesthetic Assessment“. In MM '18: ACM Multimedia Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3240508.3240554.
Der volle Inhalt der QuelleRukavishnikov, A. „THE PRINCIPLE OF AESTHETIC EXEGESIS IN THE CONTEXT OF “THEOLOGY OF PRESENCE”“. In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2562.978-5-317-06726-7/129-133.
Der volle Inhalt der QuelleZhang, Andy S. J. „Teaching Computer Aided Product Design With Aesthetic Considerations“. In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-85531.
Der volle Inhalt der QuelleJiXiong, Ma, Zhang Hao, He KangJian und Xu Dan. „Exploring affective image representation with visual attention and aesthetic fusion“. In Fourteenth International Conference on Graphics and Image Processing (ICGIP 2022), herausgegeben von Liang Xiao und Jianru Xue. SPIE, 2023. http://dx.doi.org/10.1117/12.2680098.
Der volle Inhalt der QuelleLiu, Caini, und ChengQi Xue. „Aesthetic Computational Model and Experimental Research Based on Seeking the Particle of Image Elements“. In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002880.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Aesthetic attention"
Perera, Duminda, Vladimir Smakhtin, Spencer Williams, Taylor North und Allen Curry. Ageing Water Storage Infrastructure: An Emerging Global Risk. United Nations University Institute for Water, Environment and Health, Januar 2021. http://dx.doi.org/10.53328/qsyl1281.
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