Dissertationen zum Thema „Adaptation (Motion picture)“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Dissertationen für die Forschung zum Thema "Adaptation (Motion picture)" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Dissertationen für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
Orfall, Blair. „Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /“. Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Der volle Inhalt der QuelleNegrisolo, Letizia <1994>. „Tarzan of the Apes: the first motion picture adaptation (1918)“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13372.
Der volle Inhalt der QuelleSmyth, Pamela Lou. „The marriage of two minds: The divine deliverance of Peter Shaffer's Amadeus from stage to film“. CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/903.
Der volle Inhalt der QuelleWhitehurst, Katherine F. „Adapting Snow White : tracing female maturation and ageing across film, television and the comic book“. Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/24054.
Der volle Inhalt der QuelleWright, Barbara Irene. „La bête humaine : an examination of the problems inherent in the process of adaptation from novel to film“. Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26943.
Der volle Inhalt der QuelleArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Lee, Sin-man. „Adaptation of Hong Kong films in 1990's“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199172.
Der volle Inhalt der QuelleArmanno, Venero. „Three screenplay adaptations and the ownership effect“. Thesis, Queensland University of Technology, 2003.
Den vollen Inhalt der Quelle findenLee, Sin-man, und 李善雯. „Adaptation of Hong Kong films in 1990's“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952689.
Der volle Inhalt der QuelleFaithfull, Denise. „Adaptations : Australian literature to film, 1989-1998“. Thesis, Connect to full text, 2001. http://hdl.handle.net/2123/1771.
Der volle Inhalt der QuelleTitle from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.
Faithfull, Denise. „Adaptations Australian literature to film, 1989-1998 /“. Connect to full text, 2001. http://hdl.handle.net/2123/1771.
Der volle Inhalt der QuelleTitle from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.
Taylor, James. „Hollywood superheroes : the aesthetics of comic book to film adaptation“. Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/93641/.
Der volle Inhalt der QuelleHall, Alexander Charles Oliver. „Reel Hope: Literature and the Utopian Function of Adaptation“. Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1372450824.
Der volle Inhalt der QuelleWatkins, Edward Matthew. „The truth in selling science, and the drama of adapting it for television“. Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/watkins/WatkinsE1208.pdf.
Der volle Inhalt der QuelleSlugan, Mario. „Montage aesthetics : narrative, adaptation and urban modernity in Alfred Döblin's Berlin Alexanderplatz“. Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/67648/.
Der volle Inhalt der QuelleSmith, Benjamin. „Spandex cinema : three approaches to comic book film adaptation /“. Read thesis online, 2009. http://library.uco.edu/UCOthesis/SmithBP2009.pdf.
Der volle Inhalt der QuelleMartino, Mariarita. „An analysis of scopophilia in an intersemiotic context : four Italian film adaptations“. Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49036/.
Der volle Inhalt der QuelleQin, Liyan. „Trans-media strategies of appropriation, narrativization, and visualization adaptations of literature in a century of Chinese cinema /“. Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3258676.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed Jun 4, 2007). Available via ProQuest Digital Dissertations. Vita. Filmography : p. 264-270. Includes bibliographical references (p. 271-284).
Watson, Robert Stewart. „Richard Rorty, innovation strategies & movie inspiration“. Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41465/1/Robert_Watson_Thesis.pdf.
Der volle Inhalt der QuelleClark, Isabel Stirling. „The challenge of being yourself adaptation, adolescence, and disguise in teenage romantic comedy films of the late 1990s and early 2000s /“. Diss., Connect to the thesis Connect to the thesis, 2009. http://hdl.handle.net/10066/3614.
Der volle Inhalt der QuelleAlfred, Ruth Ann. „The effect of censorship on American film adaptations of Shakespearean plays“. [College Station, Tex. : Texas A&M University, 2008. http://hdl.handle.net/1969.1/ETD-TAMU-2733.
Der volle Inhalt der QuelleSmolenski, Kristina Lyn. „High fidelity: Adapting narcissism to film“. CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2101.
Der volle Inhalt der QuelleLangenfeld, Elizabeth Irene. „Hitchcock's "Rebecca": A rhetorical study of female stereotyping“. CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1718.
Der volle Inhalt der QuelleFaro, Forteza Agustín. „Películas de libros /“. Zaragoza : Prensas Universitarias de Zaragoza, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014845544&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuelleDunn, John T. „Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet“. Thesis, view full-text document, 2002. http://www.library.unt.edu/theses/open/20022/dunn%5Fjohn%5Ft/index.htm.
Der volle Inhalt der QuelleVadico, Luiz 1967. „A imagem do Icone - Cristologia atraves do cinema : um estudo sobre a adaptação cinematografica da vida de Jesus Cristo“. [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285049.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-04T16:47:26Z (GMT). No. of bitstreams: 1 Vadico_Luiz_D.pdf: 37535634 bytes, checksum: 76b8dab80a19203607af8ee6ac1d4bc3 (MD5) Previous issue date: 2005
Resumo: Nesta tese verifico as imagens de Jesus Cristo que foram elaboradas pelo cinema em seu esforço de adaptar esta estória para a sua linguagem. Teria o cinema desenvolvido incidental ou acidentalmente cristologia? Em busca destas respostas analisei detidamente os filmes mais representativos da produção cinematográfica,abarcando o período entre 1895e 2004. Com este objetivo, tive sempre em mente o filme como o principal documento de análise e objeto último de minhas conclusões sem deixar, no entanto, de levar em consideração a percepção de outros críticos e o momento histórico-social da sua produção. Com esta intenção, analiso como se elabora a narrativa, como esta dialoga com os textos evangélicos e com a sociedade que a originou- através da tradição- e como o cinema, adaptando-a as suas necessidades, originou uma nova forma de Cristologia
Abstract: In this thesis, I verify which Jesus images were elaborated by the cinema in its efforts to adapt this story to its own language. Had the cinema developed Christology incidentally or accidentally? In search for alI these answers, I analyzed the most representative movies of the cinematographic production in its very small details, in the period consistent within 1895 and 2004. In my mind, have I always had the movie as the main analysis document and final object of my final conclusions; however, I had considered it alI, the perception of other critics and the social-historical moments of its production. Withal, I analyze how the narrative is elaborated, how this one dialogizes to the gospel texts and to the society in which it was originated - throughout the tradition ¿ and how the cinema, having it adapted to its own needs, created a new way of Christology
Doutorado
Doutor em Multimeios
Housel, Rebecca Anne Languages & Linguistics Faculty of Arts & Social Sciences UNSW. „My truth: women speak cancer“. Publisher:University of New South Wales. Languages & Linguistics, 2007. http://handle.unsw.edu.au/1959.4/40732.
Der volle Inhalt der QuelleJanssens, Christian. „Maurice Maeterlinck, un auteur dans le cinéma des années 1910 et 1920: une approche historique, sociologique et esthétique“. Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209632.
Der volle Inhalt der QuelleDoctorat en Information et communication
info:eu-repo/semantics/nonPublished
Bremer, Rose Mary. „Screening gender and sexuality in contemporary Quebec film adaptation“. Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1085495358.
Der volle Inhalt der QuelleTitle from first page of PDF file. Document formatted into pages; contains vi, 186 p.; also includes graphics. Includes bibliographical references (p. 171-186). Available online via OhioLINK's ETD Center.
Baskin, Richard Lee. „Act I, Scene 2 of Hamlet: a Comparison of Laurence Olivier's and Tony Richardson's Films with Shakespeare's Play“. Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500951/.
Der volle Inhalt der QuelleHall, Stefan. „“You’ve Seen the Movie, Now Play the Game”: Recoding the Cinematic in Digital Media and Virtual Culture“. Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300365433.
Der volle Inhalt der QuelleHaiduc, Sonia Amalia. „Writers On Screen: Embodying The "Life-Text" In The Literary Biopic“. Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672140.
Der volle Inhalt der QuelleLa presente tesis examina el subgénero de la biografía literaria cinematográfica y su intersección con la literatura y con otros géneros cinematográficos, visto desde la perspectiva del modo melodramático. Se investiga la dramatización del ‘life-text’, definido como el proceso mediante el cual los acontecimientos del espacio-tiempo no discursivo llegan a ser elementos discursivos en la biografía literaria y cinematográfica, por medio de una inspección de la figura del autor en una selección de biografías literarias cinematográficas aparecidas entre la época clásica de Hollywood y el año 2018. Puesto que la figura y la misma presencia del autor son no solo la piedra angular del género biográfico en el cine, sino también el escenario de la implicación del espectador en la narrativa, la figura del autor que se halla plasmada en esta clase de biografía viene a ser un punto de autenticación emocional que nos permite identificar y descodificar las fuerzas que son parte integrante del campo semántico tanto de la biografía cinematográfica como del melodrama, además de capacitarnos para participar en la experiencia metamodernista, que oscila entre la ironía y la seriedad, la convicción y la incredulidad, a medida que la figura del autor en pantalla representa, a la par que pone en duda, las teorías existentes sobre la autoría. Dado el enfoque interdisciplinario de este análisis crítico, se han tenido en cuenta la importancia de elementos de tipo literario, cinematográfico y cultural, como pueden ser el material biográfico, las adaptaciones anteriores o contemporáneas de las películas, el trabajo ya realizado por el director o guionista, y cuestiones relativas al estrellato. Asimismo, se contemplan las intersecciones de la biografía cinematográfica literaria y otros géneros cinematográficos, además de las funciones de los discursos comerciales y culturales relacionados con cuestiones de autenticidad, que es una de las preocupaciones centrales de la biografía cinematográfica. Resumidamente, la tesis pretende presentar la biografía cinematográfica literaria como una categoría que se ha involucrado de maneras complejas con la figura del escritor y con nuestro mundo cultural en general.
Green, Bryony Rose Humphries. „A book history study of Michael Radford's filmic production William Shakespeare's The Merchant of Venice“. Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1710/.
Der volle Inhalt der QuelleKaderabek, Sarah. „Beyond fidelity : the works of Gogol', Dostoevskii and Chekhov in Soviet and Russian film“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36962.
Der volle Inhalt der QuelleEscue, Jessica Margaret. „Margaret Dale, Adapting the Stage to the Screen: Aesthetic, Appropriation, and Intimacy in Ballet Programming for Post-War BBC Television“. Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33148/.
Der volle Inhalt der QuelleZgodinski, Brianna R. „I Hate It, But I Can't Stop: The Romanticization of Intimate Partner Abuse in Young Adult Retellings of Wuthering Heights“. Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1518101149052937.
Der volle Inhalt der QuelleM'hammed, Oubella Abdelkrim. „L'adaptation cinématographique des romans de Tahar Ben Jalloun: L'Enfant de sable, La Nuit sacrée et la Prière de l'absent“. Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210449.
Der volle Inhalt der QuelleTrois volumes, pp. 429 + 220 (Annexes).
Cette thèse porte sur l’analyse des tenants et des aboutissants de deux longs-métrages de fiction inspirés par l’œuvre de l’écrivain Tahar Ben Jelloun, à savoir La Nuit sacrée (1993) du Français Nicolas Klotz et La Prière de l’absent (1994) du Marocain Hamid Bénani.
Compte tenu du fait que le 7e Art s’est intéressé depuis toujours à tous les genres littéraires, l’auteur s’est attaché à explorer la dynamique intrinsèque des romans et des films qui font l’objet de ce travail, tout en mettant en relief les rapports que le cinéma entretient avec les représentations socioculturelles issues de ce croisement. Plutôt que se s’enfermer dans une seule démarche méthodologique, le choix a été opéré de s’ouvrir à plusieurs types d’investigation, de façon à mieux prendre en considération les spécificités des œuvres abordées.
Le premier volume de la thèse s’ouvre sur un survol de l’histoire de la littérature maghrébine d’expression française, en général, et marocaine, en particulier, et retrace son évolution, de même que les obstacles qu’il lui a fallu surmonter pour tenter de s’imposer, et qu’elle doit du reste encore surmonter de nos jours.
Après quoi, il est procédé à la définition des différents paramètres des trois romans de Tahard Ben Jelloun, à travers les fonctions et fonctionnements des composantes paratextuelles que sont les titres, les incipits et les clausules des corpus en question. Il s’agit, à ce stade, de démontrer qu’il existe une forte motivation entre ces éléments – souvent considérés comme marginaux – et le texte proprement dit.
Le travail se penche ensuite sur l’étude de chaque roman séparément, selon une approche correspondant à la nature particulière qui s’en dégage.
Après un panorama historique de la cinématographie marocaine et une brève présentation du parcours respectif des cinéastes Nicolas Klotz et Hamid Bénani, le deuxième volume se concentre, pour sa part, sur l’approche des films annoncés dans le cadre de cette étude.
L’analyse du travail d’adaptation débute par la distinction qui s’impose entre la littérature et le cinéma, aussi bien du point de vue productif que réceptif, via la mise en lumière des caractéristiques propres à ces moyens d’expression artistique. S’il apparaît légitime de confronter le cinéma et la littérature, il faut éviter de s’enfermer dans un comparatisme valorisant l’un au détriment de l’autre, sans jamais perdre de vue tout ce qui différencie ces deux formes d’écriture et les publics auxquels elles s’adressent.
Le moteur principal du travail étant l’étude du processus d’adaptation cinématographique, l’auteur s’engage par ailleurs à mettre en perspective les expériences adaptatives retenues dans ces pages, afin de les saisir sous plusieurs angles et divers niveaux de sens imbriqués, mêlant fait culturel et activité artistique.
Toute adaptation n’étant jamais que l’une des nombreuses interprétations possibles du texte originel, l’essentiel est ici d’observer, au-delà des convergences et des divergences existant entre le film et le roman, quels sont les enjeux et les objectifs de La Nuit sacrée de Klotz et de La Prière de l’absent de Bénani. À cet effet, l’accent est mis sur le concept de transfert historico-culturel cher à Michel Serceau, où le contexte sociohistorique et les conditions de fabrication jouent un rôle déterminant pour l’appropriation de l’œuvre littéraire.
Ainsi, parallèlement à l’élucidation des techniques de fabrication des films, une grande importance est accordée aux contextes historique, culturel et artistique dans lesquels ils ont vu le jour, afin de mettre en lumière la singularité du regard que chacun des réalisateurs porte sur la production du romancier. La thèse montre par là comment ces adaptations, qui émanent d’approches et de transferts bien distincts, au niveau du contexte comme des codes culturels, ont donné lieu à deux films aux différences très marquées, tant sur le plan thématique que qualitatif.
Outre la bibliographie, la filmographie et un index des noms figurant à la fin du manuscrit principal, les annexes qui composent le troisième volume offrent un fac-simile des scénarios originaux de La Nuit sacrée et de La Prière de l’absent, suivi du découpage séquentiel des deux films et de la transcription d’entretiens inédits avec les réalisateurs Nicolas Klotz et Hamid Bénani, ainsi qu’une sélection d’articles de presse.
Doctorat en Information et communication
info:eu-repo/semantics/nonPublished
Moody, Kyle Andrew. „"Why so serious?" comics, film and politics, or the comic book film as the answer to the question of identity and narrative in a post-9/11 world /“. Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249507295.
Der volle Inhalt der QuelleSoler, i. Alomà M. Encarnació. „La sarsuela en el cinema com a imatge del quotidià : 1896-1940“. Doctoral thesis, Universitat de Barcelona, 2005. http://hdl.handle.net/10803/403462.
Der volle Inhalt der QuelleHayes, Kalmia Joy. „Thematic integrity in filmic versions of E.M. Forster's novels“. Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002261.
Der volle Inhalt der QuelleVav, Rooyen Rachel. „The invisible image: a study on animated representation in the adaptation of the Bible“. Thesis, 2019. https://hdl.handle.net/10539/29341.
Der volle Inhalt der QuelleThe adaptation of the Bible into visual media has been practiced for centuries. To find out why visual adaptation techniques were used for biblical accounts into animation, this paper compares panel-based image story-telling techniques against those of animation. It does so by providing an in-depth analysis of the representational processes involved for animation to communicate meaning, namely Roland Barthes’s photographic Connotation Procedures in relation to Frank Thomas and Ollie Johnston’s principles of animation, and Foucault’s discussion of discourse.
NG (2020)
Edwards, Kyle D. „Corporate fictions: film adaptation and authorship in the classical Hollywood era“. Thesis, 2006. http://hdl.handle.net/2152/3764.
Der volle Inhalt der QuelleCoutanche, Michael. „The best of both worlds : a screenplay adaptation of the novel Lord Nelson Tavern by Ray Smith /“. 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29556.
Der volle Inhalt der QuelleTypescript. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29556
Lin, Chi-fan. „Fiction and film in Taiwan 1960s to 1980s narratives, politics, and aesthetics /“. 1999. http://catalog.hathitrust.org/api/volumes/oclc/46990510.html.
Der volle Inhalt der QuelleRysová, Aneta. „Známé kriminální kauzy v českém filmu: od reality a novinových/televizních zpráv k filmovému zpracování, až po filmové recenze. Causa Sametoví vrazi“. Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-348025.
Der volle Inhalt der QuelleDIEHL, Karen. „Imagining Proust : a case study of film adaptation as a cultural practice“. Doctoral thesis, 2004. http://hdl.handle.net/1814/5789.
Der volle Inhalt der QuelleExamining Board: Prof. Luisa Passerini (Supervisor), Kulturwissenschaftszentrum Institut Essen & Università di Torino ; Prof. Peter Becker, European University Institute ; Prof. Anton Kaes, UC Berkeley ; Deborah Cartmell, PhD, University de Montfort
First made available online on 25 April 2018
Knuttila, Lee Gabriel Kubik. „Adapted for the multitude : a theory of early cinema spectatorship /“. 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR51548.
Der volle Inhalt der QuelleTypescript. Includes bibliographical references (leaves 107-110). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR51548
Steyn, Aletta Sophia. „A narratological and semiotic analysis of the adaptation of The French lieutenant's woman, from novel to film“. Thesis, 2014. http://hdl.handle.net/10210/9505.
Der volle Inhalt der QuelleThis dissertation conducts a semiotic analysis of the transposition of The French Lieutenant's Woman from novel to film. Special attention is paid to the concept of narrative point of view. The study is introduced by a chapter outlining the theoretical approach followed in this dissertation, after which a careful analysis of The French Lieutenant's Woman as written narrative and as film is attempted. The success of this adaptation is illustrated by showing how Karl Reisz uses the same principles of subversion, violation and manipulation which give Fowles's narrative style its distinctive character. It is also shown that an adaptation can be successful as long as the particular characteristics of the specific medium are taken into account.
„Words and images: the representations of rebels in 1950s American novels and film“. 2006. http://library.cuhk.edu.hk/record=b5892979.
Der volle Inhalt der QuelleThesis (M.Phil.)--Chinese University of Hong Kong, 2006.
Includes bibliographical references (leaves 100-103).
Abstracts in English and Chinese.
Abstract --- p.i
論文摘要 --- p.iii
Acknowledgements --- p.iv
Introduction --- p.1
Chapter Chapter One: --- Literary Language Versus Film Language --- p.17
Chapter Chapter Two: --- Cinematic Novels Versus Novelistic Cinema --- p.46
Chapter Chapter Three: --- Film Adaptation: Transfer Versus Cinematic Reshaping --- p.73
Work Cited --- p.100
Alberts, Johan. „Adapting a Dogma 95 film set design for the stage production of Festen in South Africa“. 2013. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001315.
Der volle Inhalt der QuelleAdapting popular motion pictures to theatre stage productions has been very popular in recent years. Some of the best examples are the motion picture productions The Lord of the Rings, Billy Elliot and The Colour Purple that were adapted to stage musical productions. This was the case with the original Danish film Festen or The Celebration that was adapted and staged as a theatre play with English text in London in 2004. Pertaining to Festen, the film was originally produced according to the Dogma 95 Principles - a set of principles that were specifically aimed at the film industry and totally differed from any known and applied film practices of the time. The main problem that scenic designers of later stage productions had to deal with when the film was adapted to a stage production was that these principles had a very specific influence on the stage designs for this specific production. For the staging of the play Festen by the Drama Department of Tshwane University in Pretoria the director and the designer not only decided to oppose the Dogma 95 Principles totally, they also decided to design a set in a Film Noir style. They further decided to stage the play with a Caucasian cast using the English text and a black cast using a Zulu text. This resulted in having a major influence on the final outcome of the production. The research question that has to be answered in this research project is "whether it is possible to adapt the design of a very specific type of film production that was originally governed by a set of specific principles for a stage production of the same play".
Matson, Yuji. „The word and the image: collaborations between Abe Kôbô and Teshigahara Hiroshi“. Thesis, 2007. http://hdl.handle.net/1828/301.
Der volle Inhalt der Quelle