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Thematische Bibliographien / A tent as a narrative / Bücher

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Bücher zum Thema „A tent as a narrative“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 6. Februar 2022

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1

Stressing and unstressing in a tent: A narrative reminiscence. Ames: Iowa State University Press, 1987.

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2

Shiloh: A narrative play. [United States]: Granite Hills Press, 2015.

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3

Storytelling, narrative, and the thematic apperception test. New York: The Guilford Press, 1996.

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4

S, Allen Douglas, Hrsg. Tent pegs and 2nd Lieutenants: Memoirs and stories of the Korean War. Winnetka, Il: Converstation Press, Inc., 2002.

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5

Services, Asian Educational, Hrsg. With the Tibetans in tent and temple: Narrative of four years' residence on the Tibetan borders and of a journey into the far interior. New Delhi: Asian Educational Services, 1999.

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6

Vos, George A. De. Cross-Cultural Dimensions in Conscious Thought: Narrative Themes in Comparative Context. Lanham, Md: Rowman & Littlefield, 2004.

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7

Eric, De Vos, Hrsg. Basic Dimensions in Conscious Thought: The Self and Socialization of Human Concerns. Lanham, Md: Rowman & Littlefield, 2004.

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8

Atwood, Margaret Eleanor. The tent. New York: N.N. Talese, 2006.

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9

Mokashi-Punekar, Shankar. Tent pole. Calcutta: Writers Workshop, 1987.

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10

Atwood, Margaret Eleanor. De tent. Amsterdam: Prometheus, 2006.

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11

Atwood, Margaret Eleanor. The tent. London: Bloomsbury, 2006.

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12

Linde, Barbara M. Tent caterpillars. New York, NY: Gareth Stevens Publishing, 2015.

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13

Saunders, Susan. Tent show. New York: Dutton, 1990.

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14

Atwood, Margaret Eleanor. The Tent. New York: Knopf Doubleday Publishing Group, 2007.

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15

ill, Burns Raymond 1924, Hrsg. Backyard tent. Mahwah, N.J: Troll Associates, 1986.

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16

ill, Allison Diane Worfolk, Hrsg. Tent show. New York: Dutton, 1990.

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17

Atwood, Margaret Eleanor. The tent. Toronto: McClelland & Stewart, 2006.

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18

Atwood, Margaret Eleanor. The tent. New York: Nan A. Talese/Doubleday, 2006.

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19

Larson, Larry. Tent meeting. New York, N.Y: Dramatists Play Service, 1987.

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20

Chatman, Seymour Benjamin. Coming to terms: The rhetoric of narrative in fiction and film. Ithaca, N.Y: Cornell University Press, 1990.

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21

ill, McCully Emily Arnold, Hrsg. In my tent. New York: Macmillan, 1992.

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22

Tent City princess. [Place of publication not identified]: Lucky Marble Books, 2013.

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23

Humes, Harry. Tent sleep: Poems. Clinton, N.Y: Two Rivers Review, 2003.

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24

ill, Bing Christopher H., Hrsg. The orphan's tent. New York: Atheneum Books for Young Readers, 1996.

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25

Smyth, Gerard. The mirror tent. Dublin, Ireland: Dedalus Press, 2007.

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26

The mirror tent. Dublin: Dedalus, 2007.

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27

The red tent. Long Preston, North Yorkshire: Magna Large Print Books, 2002.

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28

Thomas, Crawford. The cement tent. [Mahwah, N.J.]: Troll Associates, 1995.

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29

Maynard, Janice. Tent for two. New York: Zebra Books, 1997.

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30

Tent of blue. Fredericton, N.B: Goose Lane, 2002.

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31

Volpe, Theresa. Get the tent. Glenview, Ill: Scott Foresman, 2002.

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32

The red tent. [Rockland, Mass.]: Compass Press, 2000.

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33

Diamant, Anita. The red tent. New York: Picador USA, 1998.

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34

The Red Tent. 2. Aufl. New York: Picador/St. Martin's Press, 2007.

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35

Diamant, Anita. The red tent. London [etc.]: Pan an imprint of Macmillan Publishers, 2006.

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36

Fitzgerald, Terrence D. The tent caterpillars. Ithaca, N.Y: Comstock Pub. Associates, 1995.

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37

Dearman, J. Andrew. Narrative Contexts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190246488.003.0009.

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Annotation:

Modern discussion of social issues provides an analogy to the historical and cultural analysis of Old Testament narratives by contemporary readers. Implied and expressed tensions regarding multiethnic marriage in the books of Ruth, Ezra, and Nehemiah are discussed as ways to understand the social contexts influencing these three books and how various generations in ancient Israel might have responded to the accounts, given these tensions. Interpreters have proposed that the book of Ruth originated as a story to counter the rejection of marriage to foreign women presented in the books of Ezra and that proposal is examined for its strengths and weaknesses and as an example of exploring the world behind a text.

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38

Galynker, Igor. Suicidal Narrative. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190260859.003.0006.

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According to the narrative crisis model, as people with trait vulnerability to suicidal behavior experience stressful life events, they develop a perception of their life story as moving toward “the dead end,” which gives rise to the acute suicide crisis syndrome. This chapter details the suicidal narrative component of the narrative crisis theory, which organizes the common themes of suicidal narrative into seven phases that follow a coherent life story of progressive failure and alienation until the future becomes impossible: Setting up unrealistic life goals, entitlement to happiness, humiliating personal or social defeat, failure to redirect to more realistic goals, perceived burdensomeness, thwarted belongingness, and perception of no future. A person’s perception of his or her life in terms of coherent suicidal narrative is associated with imminent suicide risk. This chapter contains an interview algorithm to probe the suicidal narrative, three representative case examples, and a test case.

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39

Hogan, Patrick Colm. Style in Narrative. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197539576.001.0001.

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Style has often been understood both too broadly and too narrowly. In consequence, it has not defined a psychologically coherent area of study. In the opening chapter, Hogan first defines style so as to make possible a systematic theoretical account through cognitive and affective science. This definition stresses that style varies by both scope and level—thus, the range of text or texts that may share a style (from a single passage to an historical period) and the components of a work that might involve a shared style (including story, narration, and verbalization). Hogan illustrates the main points of this chapter by reference to several works, prominently Woolf’s Mrs. Dalloway. Subsequent chapters in the first part focus on under-researched aspects of literary style. The second chapter explores the level of story construction for the scope of an authorial canon, treating Shakespeare. The third turns to verbal narration in a single work, Faulkner’s As I Lay Dying. Part two, on film style, begins with another theoretical chapter. It turns, in chapter five, to the perceptual interface in the genre of “painterly” films, examining works by Rodriguez, Mehta, Rohmer, and Husain. The sixth chapter treats the level of plot in the postwar films of Ozu. The remaining film chapter turns to visual narration in a single work, Lu’s Nanjing! Nanjing! The third part addresses theoretical and interpretive issues bearing on style in graphic fiction, with a focus on Spiegelman’s Maus. An Afterword touches briefly on implications of stylistic analysis for political critique.

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40

Britt, Brian M. Remembering Narrative in Deuteronomy. Herausgegeben von Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.12.

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The narrative of Deuteronomy contains Moses’s farewell speech, which in turn encompasses retrospective and prospective history, legal instruction, and covenant ritual. Past, present, and future thus merge within a larger narrative frame that unobtrusively records and performs acts of memory that give the book coherence. This chapter surveys scholarship on the narrative of Deuteronomy and proposes the category of memory as a way to integrate the book’s elements. Historical criticism, literary scholarship, sociopolitical approaches, and reception history all agree that Deuteronomy has a complex narrative structure with a fairly straightforward message. The questions that remain are whether and how such a complex text can yield such a clear purpose. A historically contextualized reading of Deuteronomy, attentive to repetitions, injunctions to remember, and the framing statement “I call heaven and earth to witness against you today” (4:26; 30:19), shows how acts of memory lend coherence to the book’s complex narrative.

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41

Hamley, Edward Bruce. The Story Of The Campaign: A Complete Narrative Of The War In Southern Russia, Written In A Tent In The Crimea. Kessinger Publishing, LLC, 2007.

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42

Hamley, Edward Bruce. The Story Of The Campaign: A Complete Narrative Of The War In Southern Russia, Written In A Tent In The Crimea. Kessinger Publishing, LLC, 2007.

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43

Burroway, Janet. Writing Fiction, Tenth Edition: A Guide to Narrative Craft. University of Chicago Press, 2019.

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44

America: A Narrative History (Brief Tenth Edition) (Vol. 1). W. W. Norton & Company, 2016.

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45

Burroway, Janet, Elizabeth Stuckey-French und Ned Stuckey-French. Writing Fiction, Tenth Edition: A Guide to Narrative Craft. University of Chicago Press, 2019.

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46

Meretoja, Hanna. Transforming the Narrative In-Between. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190649364.003.0007.

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Chapter 7 explores the ethical potential of dialogic storytelling, in dialogue with David Grossman’s To the End of the Land (2008) and Falling Out of Time (2011). It analyzes how storytelling animated by an ethos of dialogue—involving receptivity, responsivity, and openness—functions as a mode of non-subsumptive understanding, whereas subsumptive narratives, examined here against the backdrop of the Israel-Palestine conflict, tend to reinforce harmful cultural stereotyping. In relation to theories of the dialogical self and Bracha Ettinger’s and Judith Butler’s work on trans-subjectivity and vulnerability, the chapter contributes to an ethics of relationality that articulates the primacy of the dialogic space with respect to individual subjects, our implicatedness in violent histories, our fundamental dependency on one another, as beings capable of and vulnerable to violence, and the potential of dialogic storytelling to create trans-subjective narrative in-betweens that make possible new modes of experience and transformative, agency-enhancing encounter-events.

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47

Schiff, Brian. A New Narrative for Psychology. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199332182.001.0001.

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A New Narrative for Psychology is a far-reaching book that seeks to reorient how scholars and laypersons study and think about persons and the goals of psychological understanding. The book provides a challenging critique of contemporary variable-centered, statistical methods, revealing what these approaches to psychological research leave unexplored; it presents readers with a cutting-edge, narrative, approach for getting at the thorny problem of meaning making in human lives. For readers unfamiliar with narrative psychology, this is an excellent first text, which considers the history of narrative psychology and its place in contemporary psychology. The book goes well beyond the basics, however. A New Narrative for Psychology offers a fresh and innovative theoretical perspective on narrative as an active interpretive process that is implicated in most aspects of everyday life, and the ways in which narrative functions to make present and real subjective and inter-subjective experiences. Theory is grounded in vivid illustrations of what can be learned from the intensive study of how persons, in time and space, narrate their experiences, selves, social relationships, and the world. A New Narrative for Psychology reintroduces narrative psychology as a credible, trustworthy, and useful perspective for considering the hows and whys of human meaning making and argues for the necessity of narrative as a central, and complementary, perspective in scientific psychology. It is an invitation to a conversation about the critical questions of psychology, the most effective strategies for approaching them, and the future of discipline.

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48

Howes, Laura L. Place, Space, and Landscape in Medieval Narrative (Tenn Studies Literature). Univ Tennessee Press, 2007.

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49

Rijnhart, Susie Carson. With The Tibetans In Tent And Temple: Narrative Of Four Years Residence On The Tibetan Border And Of A Journey Into The Far Interior. Kessinger Publishing, LLC, 2007.

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50

With The Tibetans In Tent And Temple: Narrative Of Four Years Residence On The Tibetan Border And Of A Journey Into The Far Interior. Kessinger Publishing, LLC, 2007.

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