Zeitschriftenartikel zum Thema „A famous Urdu poetry book“
Um die anderen Arten von Veröffentlichungen zu diesem Thema anzuzeigen, folgen Sie diesem Link: A famous Urdu poetry book.
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "A famous Urdu poetry book" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
1
Dr. Abdul Wajid Tabassum und Sadia Aziz. „Iqbal's Concept Of Shaheen: Historical Perspective( In the eyes of Saleem Ahmed)“. Dareecha-e-Tahqeeq 2, Nr. 3 (21.03.2022): 95–102. http://dx.doi.org/10.58760/dareechaetahqeeq.v2i3.22.
Der volle Inhalt der QuelleAnnotation:
Salim Ahmad is a renowned Urdu poet, essayist and critic of Urdu literature. He is famous for his creative writings in which he analyzes the classical poets in different ways. One can disagree with his point of view but his questions can not be denied which he raises about the poetry of Meer,Ghalib,Hali and Iqbal.Iqbal is his favorite poet. In his writings and poetry we can see the influence of Iqbal’s poetry and thought. He has written the book “ Iqbalakshair” in which he has raised many questions about the poetry and thought of Iqbal. This book is considered to be the most controversial in the history of Iqbal studies. The article is also a critical review of one of the essays of Salim Ahmad’s “ Iqbal ka aksharikardar—shaheen” included in his book “ Iqbal akshair
2
Khan Khattak, Dr Satar. „Comparative Study of Allama Iqbal’s Urdu and Persian Composition of ode“. DARYAFT 14, Nr. 01 (31.10.2022): 87–110. http://dx.doi.org/10.52015/daryaft.v14i01.213.
Der volle Inhalt der QuelleAnnotation:
Allama Muhammad Iqbal started his poetry from Urdu ode or amatory verses. But very soon he started his poetry in Persian. Iqbal realized that the skirt of Urdu language is very narrow for his ideas and thoughts. He recognized that Urdu is a young inexperienced language. Urdu is spoken, written and reading in a limited part of the subcontinent. On the other hand person is an old and experienced language of the world and is spoken, written and reading in a vast part of the Muslim world. Persian language keeps the most valuable assets of poetry and prose. The Persians odes of Allama Iqbal are found in Piyam-e-mashriq and Zaboor-e-Ajam. Some Urdu odes of Iqbal are found in Bang-e-Dara and Zarb-e-kaleem, but the most important odes are found in his famous book of Urdu poetry named as Bal-e-jibreel. This collection of poems by Allama Iqbal is very important, because what is clearly stated in his Persian odes, is what is indicated in Bal-e-Jibreel. The first part of Bal-e-Jibreel consists of ghazals. Essentially, these ghazals portray the same meaning that the Persian ghazals imply. However, the experimental writing of these ghazals, the sheer talent employed in this book are as climactic in terms of poetry.
3
Abdullatif, Noor Isa, und Isra Hashim Taher. „The Old Vs. New Indian Culture in Anita Desai's In Custody“. Al-Adab Journal 3, Nr. 142 (15.09.2022): 47–58. http://dx.doi.org/10.31973/aj.v3i142.3829.
Der volle Inhalt der QuelleAnnotation:
Anita Desai (1937- ) is a contemporary Indian novelist, short story, and children's books writer. She introduces psychological novels to India. Her works are highly symbolic. In her novels, she discusses cultural themes like the clashes of Eastern and Western cultures and the conflicts between Indian cultures and religions. In In Custody (1984), she discusses many cultural themes focusing on the death of the old valuable culture of India after Partition and the birth of a new culture.
In In Custody (1984), Desai depicts the changes that India has witnessed in post-colonial period. She focuses on the ruined ancient Indian culture which has been replaced by a new materialistic one at the hands of the British colonization. She concentrates on the death of art and poetry specially the death of Urdu poetry and language which are associated with the glorious culture once India had in the past. Deven, the protagonist, whose ambition is to be a great poet in Urdu is forced to teach Hindi instead of Urdu which is rarely used. The novelist narrates the journey of Deven who struggles to revive Urdu poetry by interviewing the famous Urdu poet, Nur. Deven faces many obstacles during his journey. These obstacles are represented in the change India has witnessed and in the change of people's motives and mentality. The paper discusses the influence of the Partition and the British colonialism on the Indian culture and the change India witnessed due to the Partition between Muslims and the Hindus.
4
Muhammad Jahanzaib, Samina Ashraf und Ghulam Fatima. „Awareness Level of Visually Impaired College Students about Urdu Poets and Poetry in Punjab: A Qualitative Inquiry“. Journal of Business and Social Review in Emerging Economies 6, Nr. 3 (30.09.2020): 1151–55. http://dx.doi.org/10.26710/jbsee.v6i3.1380.
Der volle Inhalt der QuelleAnnotation:
Language has been the most popular source of communication in human society since the start of civilization. The tradition of Folk Tales appeared as the foundation of literature in ancient times. Poetry is a significant way of expression in human literature. Urdu language possesses uncountable master pieces of prose and poetry. Visually impaired persons have proved themselves as literature lovers, good readers and visionary poets in past and present. This study is an effort to depict the awareness level of visually impaired college students about Urdu poets and their creations. The population of the study consisted of all visually impaired students enrolled in public and private sector colleges located in the district Lahore and Okara. A self developed and validated structured interview schedule containing 10 open ended questions was used to collect data from conveniently selected sample of 30 visually impaired students (males= 18, females=12). Descriptive statistics (percentages of responses) were calculated, collected information was coded; major themes were derived and interpreted by qualitative data analysis technique. The Study reflected that the visually impaired college students were having a lot of information about Urdu poets and their creations although there seemed a lack of in depth knowledge. They reported the lack of talking books and material in Braille on Urdu poetry of great and famous poets. They suggested the establishment of talking libraries throughout the country. Major findings were reported, conclusions were drawn and recommendations were made to Punjab Higher Education Department.
5
Tahir, Pervez. „Introducing Iqbal the Economist“. Pakistan Development Review 40, Nr. 4II (01.12.2001): 1167–76. http://dx.doi.org/10.30541/v40i4iipp.1167-1176.
Der volle Inhalt der QuelleAnnotation:
The Iqbal Memorial Lecture was instituted in 1994 when the Pakistan Society of Development Economists (PSDE) celebrated the completion of a decade of steady progress. A brief announcement stated: “The Iqbal Memorial Lecture attributed to the national poet [Emphasis added], Allama Muhammad Iqbal has been included in the programme for the first time. Professor Ian M. D. Little is delivering that lecture” [Secretary’s Report (1994), p. 1472]. Iqbal, the poet and philosopher par excellence, has made incisive remarks or comments on economic and social issues in his poetry, philosophical writings, and in the course of his discourses as well as some famous letters, particularly those written to the Quaid-i-Azam, Muhammad Ali Jinnah, the founder of Pakistan. But these do not make Iqbal an economist. The Secretary of the PSDE was, therefore, careful in observing that the lecture commemorates our “national poet”. However, it will be of great interest to this largest national congregation of economists and other scholars concerned with development to know that the very first published book of Iqbal related neither to poetry nor philosophy, but economics. It was written in Urdu. He also taught the subject at undergraduate and Master’s level, even though he had not studied it as a student. At the Government College, Lahore, Iqbal studied English, Philosophy and Arabic for his B.A. and then completed the M.A. in Philosophy.
6
Dr. Sadaf Ambreen, Dr. Bismina Siraj und Ms. Nuzat Rauf. „NAZAR ABID’S NAATIYA POETRY“. Tasdiqتصدیق۔ 4, Nr. 2 (30.12.2022): 166–72. http://dx.doi.org/10.56276/tasdiq.v4i2.131.
Der volle Inhalt der QuelleAnnotation:
Naat is the versified poetry in honour of the Prophet of Islam, Muhammad (PBUH). From his famous companion Hassaan Bin Sabit till now every Muslim poet desires to write some verses in his honour. So Dr. Nazar Abid tried this. He compiled Berg-e-Naat. Dr. Nazr Abid has so far made Urdu ghazal a major source of his poetic expression, but now he is fortunate to be attracted to Urdu Naat as well. At the same time, it is a source of expression for various aspects of the Seerah. His collection of Natiya poetry. Berg-E-Naat was published in February 2022. This article presents a literal analysis of the dedicated poetry of Dr. Nazar abid with particular reference to its thought and artistic aspect of Naat. In which he showed his love through words.
7
Supriyadi, Moh, und Rizal Murtaqi. „Al-Jinas fi Diwan li al-Imam al-Syafi’i“. Dzil Majaz: Journal of Arabic Literature 2, Nr. 1 (04.03.2024): 51–66. http://dx.doi.org/10.58223/dzilmajaz.v2i1.183.
Der volle Inhalt der QuelleAnnotation:
The well-known beginning of Urdu poetry in this country was in the year 1450 AD, and hundreds of poets emerged and became famous during those long periods. He received several titles from the state, and he had published collections, and others. There are famous poets such as Anis, Dabir, Hali, Akbar Allahabadi, Amjad al-Khidarabadi, and these Poets whose poetry in Urdu literature is considered an argument, and what is cited in it. There are those poets mentioned, such as: Dagh, Anis, and Dabeer. They said visuals containing five hundred pistols, or six hundred pistols, and each pistol contains three verses, and the Urdu language after this is a language that has absorbed all meanings and descriptions. the beautiful. Therefore, the researcher seeks to research this collection, and the researcher chose this research to be the topic of research in his research, and the researcher must focus his research on the science of Badi’, which had not been researched before, meaning the sensitive one in the collection of Al-Shafi’i.
8
Hashmi, Alamgir, und Mahmood Jamal. „The Penguin Book of Modern Urdu Poetry“. World Literature Today 62, Nr. 1 (1988): 187. http://dx.doi.org/10.2307/40144266.
Der volle Inhalt der Quelle
9
Vasilyeva, L. A. „“Mir Taqi Mir”. A fragment from the History of Urdu Poetry “Water of Life” of Muhammad Husayn Azad“. Orientalistica 3, Nr. 5 (29.12.2020): 1437–49. http://dx.doi.org/10.31696/2618-7043-2020-3-5-1437-1449.
Der volle Inhalt der QuelleAnnotation:
The article is a translation into Russian of the chapter from the “Water of Life” by Muhammad Husain Azad (1830–1910). This is the chapter about the greatest Urdu poet Mir Taki Mir (1713/1723(?)–1810 AD). The critical work by Azad, the “Water of Life” is considered as the first history of Urdu poetry written in Urdu. Azad was the first to see in this phenomenon a continuous process. The periods in the development of literature are interlinked. Azad identifies five major periods of Urdu poetry and briefly describes each of them. His work comprises biographical facts, characteristics, vivid word-portraits of outstanding Urdu poets and colourful historical anecdotes associated with them. The “Water of Life” had a very significant impact on contemporaries of Azad, as well as on the further development of literary-critical thought in Urdu. It set the standard for literary criticism for many decades. “Water of Life” had a significant impact on contemporaries, as well as on the further development of literary-critical thought in Urdu. It set the standard for literary criticism for many decades to come. Regardless that some historical dates and literary facts, as well as some important generalizations of the author, seem today at least controversial, still many Urdu literati and critics even nowadays fully rely upon the evaluation and criticism of famous poets as given by Azad.
10
Shaheen, Dr Wajeeha, und Dr Qamar Abbas. „Dr. Tahir Taunsvi’s Composition of Poems“. DARYAFT 15, Nr. 01 (22.06.2023): 69–86. http://dx.doi.org/10.52015/daryaft.v15i01.308.
Der volle Inhalt der QuelleAnnotation:
Dr. Tahir Taunsvi is a distinguished researcher, critic and poet of Urdu language and literature. The most important aspect of his literary work is based on research and criticism. He made useful contributions in the field of Urdu poetry as well. His poetry book was published by “Bazam e Elam o Fun Pakistan” in 2001 AD. This book consists of impressive poems, poetics , “Hamd”, “Naat”, “Manqabat” and “Slaam”. His poems connect the readers to the tradition of Urdu poetry. It also reflects the modern themes and style. In his poems he expresses great love for Prophet Muhammad (PBUH), his sacred family and Islamic culture. His poems also reflect the themes of love, great human values and historical consciousness. In this article, the author has presented a brief evaluation of his poetry with reference to his poems.
11
Iqbal, Dr Aamar, Dr Qamar Abbas und Dr Mazhar Iqbal (Kalyar). „The journalistic and literary services of Editor Sufi Muhammad Ud din, A Critical Analysis“. Al-Aijaz Research Journal of Islamic Studies & Humanities 6, Nr. 1 (31.03.2022): 30–35. http://dx.doi.org/10.53575/u4.v6.01.(22)30-35.
Der volle Inhalt der QuelleAnnotation:
This article aims to investigate the contribution of poet, writer and journalist Malik Muhammad Din Awan. Malik Muhammad Din Awan started his career with poetry with famous poems "Qatta, Rubai and Musalis." He was well known for this Newspaper "Sufi" which explained the Muslim situation in Sub-continent. He also described the British hatred against Muslims through writings in Sufi Newspaper. He tried to awake the Muslims through poetry. He worked in Urdu poetry and prose by writing Khatoon e Jannat, Seerat e Ayesha and Zikar e Habib in which he emphasized the significant role of women in Islam.
12
AKHTER, NAHEED, und DR GHULAM AHMED. „Arabic 3. Dr. Peer Muhammad Hassan as Scholar and Arabic Transleter“. Al-Aijaz Research Journal of Islamic Studies & Humanities 6, Nr. 2 (27.06.2022): 30–40. http://dx.doi.org/10.53575/a3.v6.02(22).30-40.
Der volle Inhalt der QuelleAnnotation:
"Dr. Peer Muhammad Hassan was a great scholar who provided his services in scope of Arabic language in the field of translation from Arabic to Urdu and vice versa. He had an amazing command on it’which mad his looks as a reference and primary resources because his work is very reliable even Arabs impressed him. He is commonly known due to his great research work on famous Arabic dictionary Al-ubab Azakhir Wa Al-Lubab Al-Fakhir. He also improved the standard of translation and research to avoid mistakes formal translation. He also said some Arabic poetry, Wich is a clear evidence of his command on Arabic language as he also prepared an make for the famous Arabic scholar “Kitaab seebway ka index” seebway named in Urdu language. He completed his PhD from Punjab University in 1938 on the topic “Nuz hatul Al-Arwah Wa Rozatul Afrah”. This Article will discuss some of his work and inlight us about his life and work done by him."
13
Nadeem Akhtar, Nadeem Akhtar. „Iqbal in the Eyes of Poets of Jhang“. Tasdiqتصدیق۔ 1, Nr. 1 (30.12.2019): 42–57. http://dx.doi.org/10.56276/tasdiq.v1i1.13.
Der volle Inhalt der QuelleAnnotation:
Jhang is a land of two rivers. It is a favorite place of Sufis and poets. It is known for the shrine of Sultan Bahoo and Heer Ranjha. Majeed Amjad, Sher Afzal Jaffery, Jaffer Tahir, and Abdul Aziz Khalid are the famous poets of Jhang known worldwide for their great literary work. Allama Iqbal is the poet of the East. His poetry is an asset in the tradition of Urdu and Persian poetry. He gave the lesson of "self" to the people of the sub-continent, especially to the Muslims. The poets of Jhang paid tribute to the great scholar and poet by their poetry. This tribute carries the deep emotions and love of these poets.
14
Arsalan, Muhammad, und Dr Sumaira Akbar. „The Hamidi Kashmiri as Critic of Ghalib“. Noor e Tahqeeq 7, Nr. 03 (07.10.2022): 41–56. http://dx.doi.org/10.54692/nooretahqeeq.2022.06031819.
Der volle Inhalt der QuelleAnnotation:
Hamidi Kashmiri is a Modern critic of Urdu literature specially Urdu Ghazal. He has studied Ghalib's thought and art with the critical insight and has recovered Ghalib's intellectual sources very well. Hamidi Kashmiri first book on Ghalib is “Ghalib kay Takhleeqi sarchasmay” that is publised in 1969. “Iqbal aur Ghalib” and “Ghalib Jahan-i-Deegar” are his two more books in which he discussed Ghalib;s poetry. In these books, qualitative, thematic, technical and stylistic reviews of Kalam-i-Ghalib have been presented. In this article Hamidi kashmiri;s views about Ghalib’s poetry has been presented.
15
Aziz, Sana. „Book review: Aslam Pervez, The Life and Poetry of Bahadur Shah Zafar, translated from Urdu by Ather Farouqui“. Studies in People's History 5, Nr. 1 (11.05.2018): 114–15. http://dx.doi.org/10.1177/2348448918762220.
Der volle Inhalt der Quelle
16
Babar Hussain und Ghulam Shabbir. „‘‘Tahqeeq ka Fun’’, ‘‘Asool.e. Adbi Tahqeeq & ‘‘Urdu mei Asool.e.Tahqeeq’’:A Comparative Review“. Dareecha-e-Tahqeeq 2, Nr. 4 (21.03.2022): 48–62. http://dx.doi.org/10.58760/dareechaetahqeeq.v2i4.31.
Der volle Inhalt der QuelleAnnotation:
At this time in the world of Urdu literature, the first person whose name appears on the canvas of the mind is Dr. Gyan Chand Jain. Gyan Chand Jain Kashmar is the biggest name among the Urdu critics and researchers of Madhya Pradesh after independence. His book "Tahqeeq ka Fun" is a useful book to guide the researcher as Gyan Chand Jain covers all the important topics related to research and not only that but also explains it through examples. In this way Gyan Chand Jain continued to expand his field of research and he has collected research material in his famous work "Urdu Masnavi in North India" with great diligence, scholarly taste and curious insight. He has also established a total of eleven chapters in this book. From his research he has made available three more unpublished works of Mir. This research paper represents the comparative review of ‘Tahqeeq ka Fun’ by Gyaan Chand with ‘Asool e Adbi Tahqeeq’ by Atash Durrani and Urdu mei Asool e Tahqeeq’ by M. Sultana Bakhsh.
17
Dr. Abdul Wajid Tabassum. „Semantic Scope Of Naat And “Tazkra Naat Goyaan e Urdu”“. Dareecha-e-Tahqeeq 3, Nr. 2 (06.01.2023): 20–34. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i2.44.
Der volle Inhalt der QuelleAnnotation:
Naat is an important poetic genre of oriental languages, especially in Arabic, Persian and Urdu languages. There are different meanings attached to it. In Arabic and Persian languages, it means to describe good qualities with exaggeration. According to Urdu dictionaries, it means, Sift o Sana and to describe Tahraff o Tauseef, however, this word is used in poetry exclusively for the praise of the Holy Prophet Hazrat Muhammad (PBUH). This article is the study of the meanings of this word (Naat) in different languages and also the analytical review of the book “Tazkra_Naat Goyaan e Urdu” by Syed Younis Shah
18
Akbar, Dr Sumaira, Dr Abdul Aziz Malik und Dr Rabia Sarfraz. „Services of Radio Pakistan in the Promotion of Urdu Language & Literature“. Noor e Tahqeeq 7, Nr. 03 (26.09.2023): 19–29. http://dx.doi.org/10.54692/nooretahqeeq.2023.07032021.
Der volle Inhalt der QuelleAnnotation:
Radio is one of the most amazing and effective inventions of the last century. Radio Pakistan came into being with the independence of Pakistan in 1947. From the very beginning, Radio Pakistan made many efforts for the promotion and development of Urdu language, consciously and unconsciously. Urdu programs were started from Radio Pakistan to acquaint people with Urdu language. Later, Urdu experts were hired to correct the accent and pronunciation of Urdu language. The services of Radio Pakistan are very important in popularizing Urdu poetry through music. Drama is an important genre of literature and radio played an important role in bringing and popularizing Urdu drama to the masses. Many radio dramas of Radio Pakistan were later published in book form and proved to be an important addition to Urdu literature. Another important service of Radio Pakistan in relation to the promotion of Urdu language and literature is the publication of the Urdu radio magazine "Ahang". "Ahang" is the only Urdu magazine of Pakistan which has been continuously published since 1948. In short, services of Radio Pakistan for the promotion of Urdu language and literature have been assessed thoroughly.
19
Javed, Sajid. „Jameel Jalibi’s History of Urdu Literature; The Techniques, Standard and Limitations, A Critical and Research Analyses“. DARYAFT 14, Nr. 2 (30.12.2022): 69–80. http://dx.doi.org/10.52015/daryaft.v14i2.276.
Der volle Inhalt der QuelleAnnotation:
History of Urdu literature has been a very phenomenal subject of Urdu research. Our book-shelves are adorned and well equipped with esteemed writings of esteemed historians of Urdu language and literature. It is the subject of keen importance to analyze, compare, value and put them on the touch-stone of modern research that invites the critic to highlight the right areas where the historians have done exceedingly well and find genuine requisitions, still deemed necessary to revise the existing history works. Jameel Jalibi is the most famous and well-read historian of Urdu language and literature among the all. His (book series) “Tareekh-e-Adab-e-Urdu” consisting of 4 volumes keeps the place amongst highest ranks of history of Urdu. In this article, the technique of all of his four volumes has been discussed chronologically, critically and analytically. It has been studied in the liaison with modern trends and needs of research and criticism. The right amendments, displacements and additions, wherever are deemed mandatory to be done, in the historic study of Jameel Jalibi have been discussed. This article will offer the critics and researchers to revise the standards of historic mode of research and put the rational approach of research in literary works
20
Tariq, Dr Mohammad. „“Mohaserah” of Ahmad Faraz as an Exemplum of Resistance Poetry“. SMART MOVES JOURNAL IJELLH 8, Nr. 2 (11.02.2020): 14. http://dx.doi.org/10.24113/ijellh.v8i2.10379.
Der volle Inhalt der QuelleAnnotation:
The present paper is an introduction of Ahmad Faraz in English and a critical study of his great poem “Mohaserah” (Siege). “Mohaserah” is one of the master pieces of Faraz which requires a wide range of hermeneutics. After Ghalib, Iqbal, and Faiz, he is known as the most influential poet in Urdu humanities. His famous collection is hugely celebrated as “The Bible of Love”. “Mohaserah” is an exemplum of rebel literature which glorifies the integrity of lambent pen. Ahmad Faraz calls himself a sinning poet of righteousness in the bad times and considers poetry a source of creation. Faraz in the poem exposes the classical medieval imagination. “Mohaserah” censures the attack on the freedom of speech, human right and integrity. Glorifying the poet’s pen, the poem ends on a very optimistic note.
21
Dr. Muhammad Qasim. „Issues In Representations Of Ghalib’s Thought In The Renderings Presented In “A Dance Of Sparks”“. Khaldunia - Journal of Social Sciences 3, Nr. 1 (04.01.2024): 23–31. http://dx.doi.org/10.36755/khaldunia.v3i1.74.
Der volle Inhalt der QuelleAnnotation:
Annemarie Schimmel (1922 - 2003) was a German orientalist, mystic, Islamic scholar, and Orientalist. She was particularly interested in Islam and the Near East. Within the context of Islamic civilization, there are numerous books in various languages. Schimmel was influenced by the ideas and theories of Iqbal. She translated and wrote about Bang.e.dara, Payam.e.mashriq, and Javed Nama in the German language. In addition, Schimmel was an influential orientalist and most eminent scholar of Ghalibiat. A Dance of Sparks is a very significant contribution to the field of Ghalibiat due to its theme, contents, and study of fire imagery in Mirza Ghalib's poetry. Schimmel, in this book, has translated several verses from Ghlib's Urdu and Persian poetry. In this article writer has evaluated the Urdu renderings’ for as the quality of these translations is concerned, is not a good example. Schimmel failed to transmit the faithful and true impact of Ghalib’s poetry.
22
Tahira Ghafoor und Dr. Ghazal yaqoob. „Study of Mirza Hadi Ruswa's writing style“. Dareecha-e-Tahqeeq 4, Nr. 3 (30.10.2023): 22–27. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i3.132.
Der volle Inhalt der QuelleAnnotation:
Mirza Hadi Ruswa (1857_1931) is one of Mirza Hadi Ruswa's writing style is marked by its unique blend of prose and poetry, resulting in a distinctive and eloquent narrative. His most renowned work, "Umrao Jaan Ada," exemplifies this stylistic fusion, making his writing captivating and melodious.Ruswa's prose is characterized by a rich vocabulary, intricate sentence structures, and a sense of refinement. He weaves poetic elements into his narrative, creating a lyrical quality that engages the reader. Through meticulous attention to detail and vivid descriptions, Ruswa breathes life into his characters and settings, allowing readers to immerse themselves fully in the story. Beyond its aesthetic appeal, Ruswa's style serves as a vehicle for social commentary, exploring themes of love, society, and the human condition with subtlety and insight. His literary finesse endures as a timeless treasure in Urdu literature, ensuring his lasting legacy as a masterful writer. the famous and well-known classic writers of Urdu. Mirza Hadi’s reason for fame is his novel Umrao Jaan Ada.He was a versatile genius and one of the pioneer of the Urdu novel. The present study analysis the writing style of Hadi Ruswa especially in the context of his novels.
23
Dr. Qamar Abbas und Dr. Mazhar Iqbal Kalyar. „Dr. Tahir Taunsvi’s “Ghazal” :An Analytical Study“. Dareecha-e-Tahqeeq 4, Nr. 1 (22.03.2023): 22–33. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i1.100.
Der volle Inhalt der QuelleAnnotation:
Dr. Hafeez Ur Rehman Tahir Taunsvi is famous for his valuable work in the field of Urdu research and criticism. His poetry, especially his “Ghazal” is also a significant part of his literary services. This aspect of his personality is mostly overpassed by the critics. His collection of poetry " تو۔۔ طے ہوا ،نا " published in 2001 AD. It has great value due to its diction, style and themes. Dr. Tahir Taunsvi’s “Ghazal” has beautiful colors of traditional and modern poetry. His “Ghazals” present the romantic atmosphere of love and beauty in an artistic style. Besides this, the optimistic and progressive approach increases the worth and value of his themes and style. It has great resistance against the exploitation and oppression. His “Ghazal” also promotes the great human and moral values. One can see the personal tragedy transforming into the grief of humanity in his “Ghazals”. In this article, the authors have presented an analytical study of Dr. Tahir Taunsvi’s Poetics.
24
Dr. Ateeq Anwar und Dr. Muhammad Tahir. „Imdad Imam Asar And Classical Criticism Of Ghazal“. Dareecha-e-Tahqeeq 3, Nr. 4 (22.02.2023): 117–23. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.90.
Der volle Inhalt der QuelleAnnotation:
Imdad Imam Asar wrote his book "Kashif Ul Haqaiq", in his book "Kashif Ul Haqaiq" Imdad Imam Asar has made Urdu poetry a subject like Hali, but his discussions are different from Hali. According to Imam Asar, the importance of natural poetry is unquestionable. Imdad Imam Asar says that natural language should be used in poetry. There should be moderation and proportion. Similes and metaphors should also be natural, exaggeration should be avoided. The description of various historical events and customs should be authentic. Scales of practical criticism have been formulated, mentioning all genres He has written a critical preface with explanations on Musnawi, Mursiyyah, Qaseedah, Vasukht, Qatah, Rabai, Masdus, and Ghazal.
25
Ahmad, Dr Mahboob, und Dr. Sudheer Ahmed. „Intellectual & Technical Review of Shakeb Jalali’s Verse“. Noor e Tahqeeq 8, Nr. 01 (31.03.2024): 73–81. http://dx.doi.org/10.54692/nooretahqeeq.2024.08011987.
Der volle Inhalt der QuelleAnnotation:
Shakeb Jalali is the representative poet of the present age. He is mainly a ghazal poet. After independence, it seemed that Urdu ghazal would die but Shakeb is one of the poets who gave new life to it. He uses contemporary themes which make most of his poems famous like proverbs. He had a short life span but he gave ghazal a new form. He is convinced to explain big topics with great simplicity. He spent all his life in depression; even then the element of despair is less visible in his verse. His ghazals are a great asset of Urdu poetry which would influence the readers forever. His verse is based on innovation presenting an entirely new style. He was convinced to describe his experiences, observations, conditions and internal events with truth and authenticity instead of deception, deceit, and lies. His individuality distinguishes him from the poets of his era through his verse that is intellectually and technically different and the new generation seems to be influenced by it. This article analyses Shakeb’s verse in terms of technique and intellect.
26
Vasilyeva, Ludmila A. „THE OUTSTANDING PHILOLOGIST OF INDIA, S. R. FARUQI“. Journal of the Institute of Oriental Studies RAS, Nr. 2 (24) (2023): 95–105. http://dx.doi.org/10.31696/2618-7302-2023-2-095-105.
Der volle Inhalt der QuelleAnnotation:
One of the primary conditions of our equal participation in the world scholarly community, first of all in the countries of the regions under study, is the awareness of our foreign colleagues and their works and academic activities. The article tells about one of the most reputed Indian philologists of our time, the recently deceased S. R. Farooqi. In the Urdu-speaking world he is known as an encyclopedist who made a huge contribution to the study of the Urdu language, literature and the culture associated with this language, and changed to a certain extent the direction of the development of literary criticism in Urdu. S. R. Farooqi was also a talented poet and prose writer. His works as well as poems, stories and novels have received prestigious awards and have been translated into foreign languages.S. R. Farooqi was an unique admirer of Russian philology among Indian and Pakistani scholars; he knew practically all the works of our famous academics that are available in English and Urdu translations. The names of Russian authors and quotations from their works can be seen on the pages of his publications. There is a translation of a passage from a well-known monograph by S. R. Faruqi at the end of the article, in which the Indian scholar shares his opinion on the book by our colleague, Prof. N. I. Prigarina about the great Urdu poet Mirza Ghalib translated into Urdu.
27
Qayyum, Assad, und Hafiz Muhammad Sajjad. „قرآن مجیدکے پانچ منظوم اردو تراجم کا تعارف و تجزیہ“. Journal of Islamic and Religious Studies 3, Nr. 1 (11.02.2020): 27–50. http://dx.doi.org/10.36476/jirs.3:1.06.2018.03.
Der volle Inhalt der QuelleAnnotation:
This research article gives a brief introduction and analysis of five Urdu translations of the Holy Qur’ān. Qur’ānic translations are an important source of learning and understanding of Qur’ān. In Urdu the translations of the Holy Book started in late 16th Century A.D. The number of these translations is in hundreds till now, which include translations in Urdu prose and verse. The first rhymed Urdu translation of the Holy Quran was written in the last quarter of 18th Century A.D. At present these translations are in hundreds, including complete as well as partial translations. Most of the translations are in rhymed form, while some are in free verse also. In this article five complete Holy Qur’ān translations have been discussed. Main aim of the article is to introduce the poets and their translations, as well as brief analysis of the translations. The translations are; Asar Zubairi Lakhnavi's "Sehr ul Bayan", Syed Shamim Rajz's "Aab e Rawaan", Seemab Akbar Abadi's "Wahi e Manzum", Abdul Aziz Khalid's "Furqan e Javed" and Qazi Ata ullah's "Mafhoom ul Quran". This article also explains how much the poets succeeded in presenting the message of Qur’ān. The merits and demerits of the translations have been highlighted. The article concludes that poetry, specially rhymed form, is not suitable for the translations of the Holy Book.
28
Dr Muhammad Mohsan. „THEMATIC SIMILARITIES BETWEEN IQBAL AND HIS CONTEMPORARY POETS“. Tasdiqتصدیق۔ 4, Nr. 2 (30.12.2022): 127–38. http://dx.doi.org/10.56276/tasdiq.v4i2.110.
Der volle Inhalt der QuelleAnnotation:
Iqbal was a great poet of modern Urdu poetry and his contemporary poets directly accepted his influence. Iqbal's poems were published in Sir Abdul Qadir's magazine "Makhzn", so he gained fame very quickly. His contemporary poets started imitating his themes and styles when he became famous. In the beginning, Iqbal made the phenomena of nature the subject of his poems. His contemporary poets have also presented the beauty of nature in their poetry. Soon Iqbal changed his direction of thought and awakened the consciousness of the nation. When Iqbal started patriotic, national, and reformist poetry, themes of national nature flourished in his contemporaries' poems. The poetry of Iqbal's era is intellectually homogenous and common. The main reason is that Iqbal and his contemporaries share many revolutionary ideas and national thoughts. In the poems of Iqbal and his contemporaries, dreams are found for the country's bright future. In their poetry, the description of the homeland, India's greatness, and the scenes of nature are reflected. Iqbal and his contemporary poets have made naturalism, nostalgia, patriotism, and children's literature the same subject. They have the same reform, moral, political, and social consciousness. Iqbal and his contemporary poets were patriotic. They revealed the hidden secrets of the universe and nature. In the poetry of Iqbal and his contemporary poets, the element of message and preaching is prominent. There is a lot of similarity in their imagination and thoughts.
29
Aman Ullah Khan, Muhammad. „Study of Post – Colonial Theory According the thoughts of Rumi and Allama Muhammad Iqbal“. Negotiations 2, Nr. 1 (23.03.2022): 23–37. http://dx.doi.org/10.54064/negotiations.v2i1.37.
Der volle Inhalt der QuelleAnnotation:
نظریاتِ اقبال میں نظریہ پس نوآبادیت اور فکر رومی کا جائزہ
Dr. Allama Muhammad Iqbal is one of the persons known as a Thinker, Poet and Idealist of the Muslim Nation. He was born at Sialkot on 9th of November 1877. He is the man who gave an idea of living with new spirit of life. His philosophy of human being is a new theory of human life. He spent his life under British rule and saw the life so close that nobody could seek the true meaning of life under slavery of European ruler. So, he gave some new ideas which are the basic subject of this article. His theory of Selflessness, the basic right of a woman and many other can see in his poetry. His poetry is the basic thing that has given a new spirit to Muslim Nation. So, he is placed as a thinker and Philosopher of this nation. Allama Muhammad Iqbal was a poet, philosopher and politician, whose poetry in Persian and Urdu is regarded as among the greatest in modern times. He is also famous for his work on religious and political philosophy in Islam. The poet was a strong promoter of the political and spiritual revival of Islamic civilization across the world, a series of famous lectures he delivered to this effect were published as The Reconstruction of Religious Thought in Islam. Allama Iqbal was a poet and a philosopher; he was always concerned about the thoughts and ideas. His words and ideas inspired many poets and thinkers. This article represents an analysis of the thoughts of Iqbal According the life of Iqbal. This article represents an analysis of the Post-Colonial Impact ،Theory of Selflessness and Place of Woman according the life of Iqbal.
30
Tahir, Ali Raza, und Zainab Ali. „A NEXUS BETWEEN RELIGION, PHILOSOPHY AND SCIENCE With special reference to “The Reconstruction of Religious Thought in Islam”“. Pakistan Journal of Social Research 04, Nr. 04 (31.12.2022): 786–91. http://dx.doi.org/10.52567/pjsr.v4i04.892.
Der volle Inhalt der QuelleAnnotation:
Dr. Allama Muhammad Iqbal (1877-1938) (Iqbal, D. J. 1979) is a well-known Muslim theologian, philosopher, mystic, political theorist, politician, and wisdom poet of the 20th century. He is also known as the architect of Pakistan. He contributed in both the mediums of prose and poetry. His poetry is in both the languages Urdu and Persian. Similarly, he wrote and delivered lectures in both Urdu and English. His major philosophical work is in English. The magnum opus of his philosophical work is ‘The Reconstruction of Religious Thought in Islam’. This book consists of seven lectures. In the beginning, in 1924, he wrote an article on the concept of Ijtihad. He delivered it as a lecture on 13th December 1924 in Habibia Hall, Islamia College Lahore. Sheikh Abdul Qadir presided over the address. This lecture was warmly welcomed by Muslim intellectuals all over the subcontinent. The representative of the Madras Muslim Association Saith Jamal Ahmad invited Iqbal to deliver a series of lectures under the above-said title. He wrote and delivered six lectures in Madras in January 1929 and later at Hyderabad and Aligarh University. The 1st edition of this book was published in 1930 with six lectures. In 1932/1933 he visited England to participate in the second round table conference. During his stay in England at the request of Aristotelian Society London, he delivered a lecture under the title ‘Is Religion Possible?’ Later on, he included the above-mentioned lecture in the second edition of this book. The 2nd edition was published in 1934 by Oxford University Press. The problem of the relationship between religion, philosophy, and science was a subject of special interest to him. Although he discussed this issue in his wisdom poetry also but he systematically addressed it in this book which is his major philosophical contribution. This article is an effort to critically appreciate Allama Iqbal’s views on religion, philosophy, and science from the perspective of his philosophical discourse. Key Words: Religion, Philosophy, Science, Civilization, Reconstruction, Revelation, Reason
31
Beenish Fatima. „‘‘Kai Chaand Thay Sar e Aasman’’ :The Narration Of The Dilapidation Of Civilization“. Dareecha-e-Tahqeeq 1, Nr. 2 (21.03.2022): 47–63. http://dx.doi.org/10.58760/dareechaetahqeeq.v1i2.5.
Der volle Inhalt der QuelleAnnotation:
Shams ur Rahman Farooqi is an Indian poet and one of the leading Urdu critics and theorists. He is regarded as the T.S. Eliot of Urdu criticism and has formulated fresh models of literary appreciation. Farooqi’s novel is a true character sketch of Urdu-Persian poetry and Indo-Islamic culture. Although the novel has extraordinary qualities and is its own example, but the history and civilization of the age which it is talking about, is now ours. Is of no particular importance. Also, the language used in this novel is no longer commonplace, so it will be largely difficult and incomprehensible. One can clearly see the effects of this cultural breakdown mentioned earlier. And what has been said about language is that of the easy going temperament of our time. In addition to gender differences, it also interferes with the fact that the character that the author has established in the middle of the novel, contrary to the myths, is not the character of a famous and great classical poet. Rather, he is a person of our cultural history who is known to the world as Wazir Khanum alias Chhoti Begum. She has the honor of being the mother of Wazir Khanum Nawab Mirza Dag Dehlavi. As far as the fame and popularity of Dagh Dehlavi is concerned, if you look at it, Wazir Khanum will be called an anonymous woman. This is also a fact because our literary history about Wazir Khanum has been generally silent. Now, in this novel, the way in which the main character is presented and the details of facts and events that have been narrated, even if they are not fully historically confirmed, but they tell a lot about the life and personality of Wazir Khanum. Something can be guessed. At the same time in the light of the personality of Wazir Khanum of this eraIf a list of the best Urdu novels is compiled, Shams-ur-Rehman Farooqi's "Kai Chand The Sar Aasman" will surely be counted among the first ten novels
32
Taneja, Anand Vivek. „Book Review: Ruth Vanita, Gender, Sex, and the City: Urdu Rekhti Poetry in India, 1780–1870“. Indian Economic & Social History Review 51, Nr. 2 (April 2014): 279–82. http://dx.doi.org/10.1177/0019464614527537.
Der volle Inhalt der Quelle
33
Anjum, Salma, und Nazia Bibi. „Impact of Allama Muhammad Iqbal on Najeeb al-Kailani with reference to his Book “Iqbal: The Revolutionary Poet”“. Journal of Islamic and Religious Studies 2, Nr. 1 (08.02.2020): 13–30. http://dx.doi.org/10.36476/jirs.2:1.06.2017.14.
Der volle Inhalt der QuelleAnnotation:
Najeeb Al-Kailani is a famous Egyptian Islamic writer. He was immensely impressed by Iqbal’s philosophy. He was absorbed in the study of Islamic literature in the early days of his life and dared to write many articles in various magazines, touching various aspects of Iqbal’s poetry. Al-Kailani then by maintaining his interest in Iqbal’s poetry, was compelled to write the book entitled إقبال الشاعر الثائر"”, (Iqbal, the Revolutionary poet). He was awarded with prize by ministry of education and training, and in 1977 President of Pakistan General Muhammad Ziaul haq awarded him gold medal. This article highlighted the impact of Allama Muhammad Iqbal in al-Kailani’ book and analyzed its text by refereeing it to the original poetry of Allama Muhammad Iqbal. This article concluded that Kailani’s book is finest and comprehensive book, which demonstrated the life and philosophy of Allama Muhammad Iqbal.
34
Alwaqaa, Mujahid Ahmed Mohammed. „City Literature in Abdu al-Aziz al-Makkali’s Poetry“. International Journal of Comparative Literature and Translation Studies 9, Nr. 3 (25.08.2021): 22. http://dx.doi.org/10.7575/aiac.ijclts.v.9n.3p.22.
Der volle Inhalt der QuelleAnnotation:
World literature teems with the portrayal of famous cities throughout the world. This kind of literature is unanimously known as city literature. It does not merely describe and portray places, objects, and landscapes for their own sake, it, however, gives readers a revisionist perspective to look afresh and introspectively into self, history, and culture. This paper aims to shed light on a city that witnessed great changes throughout its history. It is called Sana’a, the capital of Yemen, and it is one of such world-famous and ancient cities about which interesting and rich literature has been written. Sana’a has been immortalized in the prose and poetry of local and international prolific and intelligent writers such as Abdu al-Aziz al-Makkali, a famous contemporary Yemeni poet. Sana’a is magnificently portrayed in different exotic images in al-Makkali’s collection of poetry entitled Book of Sana’a. The poet engages in a kind of dialogue with the city in a personal experience and unique particularity, but in the process, this particularity becomes cosmopolitan. Each poem is located in a particular space which gives the poet and reader alike a sense of the place, history, and culture, and an intense feeling of wider identification and empathy. Sana’a is anthropomorphically portrayed as a beautiful woman, sad woman, beloved lady, spirit, and city of heaven. It is fantastically depicted as a unique piece of artifact molded and designed by the hands of God. So, this piece of research attempts to analyze social and political imports and the different images of the city employed by al-Makkali in his poetic work: Book of Sana’a. As a theoretical framework, the paper adopts both historical theory of criticism as well as the formalist theory, so the analysis is focused on both context and text of the selected poems.
35
Beenish Fatima. „"Haasil Ghaat " A Reflection of Trans Cultural Literature“. Dareecha-e-Tahqeeq 1, Nr. 1 (21.03.2022): 21–30. http://dx.doi.org/10.58760/dareechaetahqeeq.v1i1.3.
Der volle Inhalt der QuelleAnnotation:
‘‘Hasil Ghat’’ is written by famous romantic novelist Bano Qudsia who is the well known Urdu writer and famous for her love, romance and social novels. This novel describes the views of an old Pakistani Humayun Farid, who is visiting her immigrant daughter. This story points out the difference between the two civilizations. The author also describes the difference between two ages, which creates psychological complexes. This novel is a story of memories, thoughts, cultural comparisons, and views about life in the USA and Pakistan. There is clearly a critical tone in this book toward western culture. This novel is for the people who favour Pakistani social and cultural values over western culture.Bano Qudsia seems to have conservative beliefs about women. She disapproves of the concept of modern women being equal to men. Therefore, her ideas may not be acceptable to everyone. After all, this novel is a true depiction of Transcultural Literature.
36
Ghazi, Akbar Ali. „Sain Rafiq Ranjha and Baba Qasoor Mand“. Negotiations 1, Nr. 3 (22.12.2021): 54–63. http://dx.doi.org/10.54064/negotiations.v1i3.30.
Der volle Inhalt der QuelleAnnotation:
سائیں رفیق رانجھا تے بابا جی قصور مند
This article covers the poetic and research services of Sufi poet Sain Muhammad Rafique Ranjha from Hamza Ghous Sialkot. He is a Punjabi "Sofi "poet and a compiler. In this article, I have already mentioned his own poetry collection and life. In his own book, he has used a dozen genres of poetry. This Sufi poet, who is experimenting with new and old genres, but “Rubai” is his favorite genre. The first book "Warasat-e- Faqr" by Sain Muhammad Rafique Ranja consists of 418 pages which has been composed. While the second book “Suchay Moti” is by the famous Punjabi poet of Gujarat Baba Ji Qasoor Mand which has 290 pages. It is published in 2017. Both books contain mystical poetry. Along with the books, brief information about the lives of the authors is also given.
37
Laval-Turpin, Nicole. „Femina et son tournoi des poétesses : simple stratégie médiatique ? Le cas exemplaire d’Hélène Picard“. Çédille, Nr. 20 (2021): 53–72. http://dx.doi.org/10.25145/j.cedille.2021.20.05.
Der volle Inhalt der QuelleAnnotation:
"Born on 1 February 1901, the purpose of Femina was to promote a new feminine type so, they prioritized Poetry. Was it just for embellishment? An open space for creation? Comtesse de Noailles, Queen of Romania, double-barrelled names, worked towards its prestige until a poetry contest on 15 January 1903. Any female reader could enter the competition. It was a success and some new poetesses came to light: Hélène Picard got the National Poetry Award in 1907. Thanks to her book L’instant éternel, she could enter famous «salons parisiens» and approach the writer Colette. The point: what were the exact function, support and limits of Femina before the advent of Surrealism?"
38
Armani, David, und Louise Gormley. „Persian Love Poetry“. American Journal of Islam and Society 25, Nr. 1 (01.01.2008): 136–38. http://dx.doi.org/10.35632/ajis.v25i1.1503.
Der volle Inhalt der QuelleAnnotation:
This little book is a beguiling collection of Persian love poems drawn fromboth classical and modern poetry, but united by the theme of love in its myriadinterpretations. Included are poems that explore the spiritual lovebetween humans and God, the magical love between lovers or spouses, theaffectionate love between family members and between friends, and eventhe patriotic love for one’s homeland. Each poem is accompanied with a preciousPersian chef d’oeuvre from the British Museum and, in particular, numerous illustrations of Persian miniatures. The editors come to this subjectwith vast expertise: Vesta Sarkhosh Curtis is curator of Islamic andIranian coins in the British Museum, and Sheila R. Canby is an assistantkeeper in the British Museum specializing in Islamic Iran. Both have publishedon Persian art, art history, archaeology, and myths, among other topics.Their aim is not to produce a well-researched and exhaustive collectionof Persian love poetry, but rather “to encourage readers to delve further intothe wealth of Persian literature” (p. 5). With its modest aim of capturing theinterest of novice western readers, theirs is a delightful book that charms itsway to success.As explained in the “Introduction,” Iranians and other Persian (Farsi)speakers treasure poetry not only because of the beauty of the poetic languageitself, but also because they derive joy and comfort from the poets’ perspectivetoward the world. The most famous Persian poets often have a mystical(Sufi) viewpoint toward life, whereby passion is a path to reach God and thetruth. Interwoven into the people’s social consciousness, poetry holds arevered place in Persian culture. A single verse from the best-known Persianpoems can capture an idea with elegant brevity. Iranians and other Persian(Farsi) speakers still recite poetry as a succinct and powerful way to expressa point, thought, or emotion. To explain how deeply embedded poetry is inthe Persian psyche, many oft-quoted proverbs draw much of their meaningand message from Persian poetry ...
39
Williams, Myriah. „Discussing ymddiddan : The dialogue poems of the Black Book of Carmarthen“. North American journal of Celtic studies 8, Nr. 1 (März 2024): 1–48. http://dx.doi.org/10.1353/cel.2024.a925565.
Der volle Inhalt der QuelleAnnotation:
abstract: The term ymddiddan has been used by editors and scholars to refer to a body of medieval Welsh poetry usually containing or composed of dialogue. This paper begins by addressing the use and misuse of the term, assessing the meaning of ymddiddan and demonstrating how editors' application of the term to titles of poems that are frequently untitled in their manuscript context has shaped perceptions of a genre of medieval Welsh dialogue poetry. Arguments about the performance of ymddiddanau made in connection with evidence from prose tales such as Owein are also considered. The rest of the paper seeks to reach an understanding of the nature of medieval Welsh dialogue poetry by analyzing the poems themselves. For this, the Black Book of Carmarthen (NLW Peniarth MS 1) is used to provide parameters for investigation. Not only do the poems in this manuscript have a concrete historical connection, but the high proportion of them that have been designated as ymddiddan means that the Black Book scribe's idiosyncrasies and editorial decisions may have impacted our understanding of the corpus. With the form and features of dialogue poems clarified, the issue of a genre is re-evaluated. The results of this study form the basis of a sister article, in which the most famous Welsh dialogue poem, Ymddiddan Myrddin a Thaliesin , is tested against the definition of dialogue poetry established here.
40
Hul, Ołeksandra. „Chinese avant-garde poetry in times of mind, mayhem and money through the interpretation of Maghiel van Crevel“. Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 45, Nr. 4 (20.12.2019): 409–22. http://dx.doi.org/10.36770/bp.236.
Der volle Inhalt der QuelleAnnotation:
The article is written in the form of a book review. It tells about the Chinese avant-garde poetry as a tendency in the literature of the turn of the 20th and the 21st centuries. We are acquainted with the contemporary poetry through the eyes of Maghiel van Crevel, who, being a famous professor-sinologist, describes the lyrical vanguard with all its peculiarities. In his book he shows the real background of the exile poetry. The reader can not only see the positive sides of the modern poetry, but can also understand the controversial nature of the “Misty poetry” in its entirety. The article gives a brief history of contemporary poetry. It covers the period of forbidden underground poetry during the times of cultural revolution, and shows all the transformation stages of the Chinese avant-garde in literature. In the article we can trace the attitude of Maghiel van Crevel towards the Western art influence on the Chinese culture and poetry. He skillfully expresses his thoughts and feelings by using the words of the others and citing the leading Chinese literary critics.
The most interesting thing is that the author of the book focuses his attention on the poets who do not belong to the key representatives of the poetic avant-garde. This helps the reader to understand that a poet is an ordinary person and can write in a simple manner using the colloquial speech just to be closer to other people.
The key aim and goals of the Article is to become a vivid literary guide to the avant-garde poetry environment and to give some clues to the reasons of the poetry in exile.
41
Ozer, Murat. „Tulip in the Desert“. American Journal of Islam and Society 18, Nr. 4 (01.10.2001): 191–94. http://dx.doi.org/10.35632/ajis.v18i4.1998.
Der volle Inhalt der QuelleAnnotation:
The poet-philosopher Muhammad Iqbal (1877-1938) of the Indiansubcontinent, who has been called the most serious Muslim philosophicalthinker of modem times by Fazlur Rahman, does not occupy the place hedeserves in the memory of the 'Umma of Islam today. For this fallen'Umma which has not produced world-class thinkers for centuries, this stateof amnesia cannot be afforded if the desire for revival is genuine. To thisend, I believe, the recent book of Mustansir Mir, Tulip in the Desert: ASelection of the Poetry of Muhammad Iqbal is a very timely contribution.The book consists of twelve short chapters preceded by an introductionon the life, poetry and philosophy of Iqbal. The author, who edited andtranslated this selection from Urdu and Farsi, is a professor in theDepartment of Philosophy and Religious Studies at Y oungston StateUniversity, Ohio. His book is more than a collection of Iqbal's poetry. Heputs his own background to the service of the reader. Each chapter startswith a commentary on the poems selected according to a theme. Each poemis supplied with extensive explanatory notes, which sometimes take morespace than the poem itself. As the author rightly states, these commentariesand notes elucidate Iqbal's use of historical, religious, philosophical andliterary resources of the Islamic tradition. The book is a comprehensiveintroduction to various aspects of Iqbal's ideology and art in his poetry.Considering that the number of existing books on Iqbal is far less thansufficient as compared to the magnitude and importance of his work, thepresent one is a significant contribution to commemorate Iqbal, and teachlay people, as well as the learned, his recipe for overcoming the problemsthat Muslims have been facing for centuries ...
42
Schneider, Federico. „Pastoral Therapies for the Heartbroken in Guarini's Pastor Fido and Monteverdi's Book V“. Quaderni d'italianistica 29, Nr. 1 (01.01.2008): 73–103. http://dx.doi.org/10.33137/q.i..v29i1.8494.
Der volle Inhalt der QuelleAnnotation:
The idea of pastoral poetry as therapy against love-melancholy is well rehearsed throughout the Renaissance. Guarini's Pastor Fido (1589) and Monteverdi Fifth Book of Madrigals (1605) represent two effective responses to the therapeutic urgencies of the pastoral. Guarini's famous pastoral ushers in a new form of dramatic poetry: tragicomedy, that is, with its tragic-in-the-comic purging formula and its advocacy for music as a necessary catalyst for the purging effect of poetry. Monteverdi's Book V co-opts to a great extent Guarini's pastoral in order to issue a program for a new tragic-in-the-comic aesthetics of musical grieving with an obvious cathartic purpose. Both efforts, then, are symptomatic signs of a culture that is not only particularly keen on the therapeutic function of the pastoral; it also pursues that therapeutic function by means of a profound reflection on aesthetics that shows a striking continuity across disciplinary lines.
43
Saveska, Olga. „The Book of Poetry Hysterical Fans and Its Preface by Theodor Chakarmov“. Bulgarski Ezik i Literatura-Bulgarian Language and Literature 63, Nr. 4 (09.08.2021): 392–403. http://dx.doi.org/10.53656/bel2021-4-4-veer.teod.
Der volle Inhalt der QuelleAnnotation:
The most famous book of poetry by the yambol poet Teodor Draganov, Hysterical Fans (Истерични веери), deserves to be the subject of wider scholarly interest. This article aims to show the functional and pragmatic characteristics of its preface, written by the poet Theodor Chakarmov. The functional characteristics of the preface that make it a pretext for a manifesto, as well as its interpretive functions are analyzed in the text. Attention is paid to the place this book of poetry takes in the context of both the Bulgarian and European avant-garde. The text will answer the following questions: who and what are the influences on the author of the preface and the author of the main text, what is the nature of their aesthetic thinking, what is the "appropriate" readership for the book, and what features of the preface and the volume make them suitable for analysis in an international context.
44
Asmara, Hilda Dimyati. „Mafhȗm ash-Shi’r ‘inda Qudâmah ibn Ja’far min Khilâl Kitâb “Naqd ash-Shi’r”“. Uktub: Journal of Arabic Studies 1, Nr. 1 (30.06.2021): 53. http://dx.doi.org/10.32678/uktub.v1i1.4941.
Der volle Inhalt der QuelleAnnotation:
It is not easy for the student in the present era to define the concept of poetry according to one of the ancients of criticism or creativity. This is because the simplest brick in the concept - which is the definition - has appeared in different forms for many of them; Each world has its own definition, according to their hurricane, culture, and perceptions; Where these definitions varied; Between focusing on meter and rhyme, and between highlighting quantity and quality, and between intent and intention, and between emphasizing systems and imagery. Through these various definitions and entry points, it seems to us how difficult this study lies. To derive the concept of poetry for a critic, creator or poet. Here we are in front of a flag of criticism, trying to define his concept of poetry, and to extract some criteria that make measured speech his poetry. This science is Qudamah bin Jaafar, and our work is based on his book “Naqd al-Sha’ir”, “which is considered the first famous scientific critical impact on Arabic literature, Through this research, the researcher tries to present some of the issues raised by Qudama bin Jaafar to define the concept of poetry in his book "Naqd al-Sha'ir".
45
Mahmood, Muhammad Tariq, und Dr Muhammad Munir Azhar. „ARABIC: الإسهاماة العلمیة للسید سلیمان الندوی فی السیرة النبویة“. ĪQĀN 2, Nr. 03 (31.12.2019): 1–14. http://dx.doi.org/10.36755/iqan.v2i03.97.
Der volle Inhalt der QuelleAnnotation:
Syed Suleiman Nadvi is one of the most famous and prominent writer and Religious scholars of Sub-Continent. He has written a number of books in different languages i.e., Arabic, Urdu. This article narrates the literary services of Syed Suleiman Nadvi about the Seerat-al-Nabi. One of his renowned writing is ‘Seerat-al-Nabi’. He, through his writings and lectures has demonstrated his love for Holy Prophet. Basically, Seerat-al-Nabi is one of his prominent book which is a complete biography of Holy Prophet and is considered authentic source of Seerat studies. It has seven parts. First two parts have been written by Allama Shibli Nomani while the other five parts are written by Syed Suleiman Nadvi. This book provides comprehensive details about the life of holy Prophet (SAW) and it has been translated in different languages. He also delivered eight lectures about Seerat-al-Nabi which are available in the book form named; Khutbaat-e-Madras. To aware and inspire the children about the life of the Holy Prophet Muhammad (SAW) he wrote a book Rahmat-e-Alam. In these writings he presented whole life span of the Holy Prophet in a brilliant and comprehensive manner.
46
Hashmi, Alamgir. „The Penguin Book of Modern Urdu Poetry. Mahmood Jamal, editor and translator. Penguin: Harmondsworth, England, 1986. Pp. 165. £3.95.“ Modern Asian Studies 24, Nr. 2 (Mai 1990): 414–15. http://dx.doi.org/10.1017/s0026749x00010386.
Der volle Inhalt der Quelle
47
Cormier, Raymond J. „The Cambridge Songs (Carmina Cantabrigiensia), ed. and translated by Jan M. Ziolkowski. Cambridge, MA: Department of the Classics, Harvard University, 1994, 1998; The President and Fellows of Harvard College, 2020, 472 pp., 10 ill.“ Mediaevistik 35, Nr. 1 (01.01.2022): 453–54. http://dx.doi.org/10.3726/med.2022.01.96.
Der volle Inhalt der QuelleAnnotation:
Abstract: This important eleventh-century collection of Latin poetry antecedes a more famous anthology, the thirteenth-century Carmina Burana (“Songs from Benediktbeuern”). This Cambridge group includes a wide variety of contents – panegyrics, dirges, political, religious, and didactic lyrics, comic tales, as well as poems of spring and of love. Like a medieval “top hits,” this varied assemblage could easily have been a student’s or poet’s class book or a professional entertainer’s songbook.
48
Khobir, Mohammad Azza Nasrul. „DILEMA PENGGUNAAN SYI'IR JAHILIYYAH DALAM TAFSIR "Kajian Atas Pemikiran Thaha Husein"“. Al-Munir: Jurnal Studi Ilmu Al-Qur'an dan Tafsir 2, Nr. 02 (14.12.2020): 55–92. http://dx.doi.org/10.24239/al-munir.v2i02.64.
Der volle Inhalt der QuelleAnnotation:
This article exposes on Thaha Husain’s thoughts on the authenticity of the pre-Islamic poetry descriptively by investigating his arguments in his famous book Fi al-Syi’ri al-Jahili (On Pre-Islamic Poetry) which was then changed into Fi al-Adab al-Jahili (On Pre-Islamic Literature) with some revisions. This study mainly discusses the authenticity of the pre-Islamic poetry, its urgency in interpreting the Qur’an, and how the Qur’an views pre-Islam Arab society. It is revealed in the article that a lot of pre-Islamic poetry was not composed in the era of ignorance (Jahiliyah) by pre-Islamic Arab poet but by plagiarists in the era of Abbasiyah Empire for some purposes: political, religion, Qishshah and Hadith narrators. According to Thaha Husain, that a lot of the pre-Islamic poetry neither fit in with pre-Islam Arab nor describe objectively pre-Islam Arab society. It is sufficient to refer to the Qur’an, which certainly valid, to obtain objective descriptions of the pre-Islamic Arab society.
49
Holbekov, Mukhammadjon. „PERCEPTION AND INTERPRETATION OF CREATIVITY OF ALISHER NAVOI IN FRENCH ORIENTAL STUDIES“. INTERNATIONAL JOURNAL OF WORD ART 6, Nr. 3 (30.06.2020): 40–50. http://dx.doi.org/10.26739/2181-9297-2020-6-6.
Der volle Inhalt der QuelleAnnotation:
The great Uzbek poet Alisher Navoi(1441-1501), during his lifetime, was widely known not only in his homeland, but also far beyond its borders. A contemporary and biographer of Navoi, the famous historian Hondemir, of course, not without some hyperbole, wrote: "He (Navoi -M.Kh.) in a short time took the cane of primacy from his peers; the fame of his talents spread to all ends of the world, and the stories of the firmness of his noble mind from mouth to mouth were innumerable.The pearls of his poetry adorned the leaves of the Book of Fates, the precious stones of his poetry filled the shells of the universe with pearls of beauty
50
Graham, Gordon. „Understanding America Better A Ten-book Challenge“. Logos 23, Nr. 2 (2012): 31–55. http://dx.doi.org/10.1163/1878-4712-11111115.
Der volle Inhalt der QuelleAnnotation:
AbstractEleven Americans, including a publisher, an international entrepreneur, two librarians, an historian, an art designer, a real estate agent, an author, an academic, an IT consultant and a bibliophile, were asked to choose which ten books they would recommend to a new arrival in the United States. Their target was defined as literate in English, well read, and with an intelligent outsider's knowledge of the United States. The participants, who made their choices unbeknown to one another, were invited to annotate their choices. The result is a kaleidoscope of views and arguments, with surprisingly little overlap, reflecting the endless diversity of the subject. The earliest of the 87 titles recommended is dated 1786, the most recent 2011. They include the famous and the obscure, scholarly and popular, tomes and light reading, poetry and essays, history and biography, science and sociology.