Thematische Bibliographien / 420303 Culture, Gender, Sexuality

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Auswahl der wissenschaftlichen Literatur zum Thema „420303 Culture, Gender, Sexuality“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 19. Februar 2022

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Zeitschriftenartikel zum Thema "420303 Culture, Gender, Sexuality"

Lewis, Desiree, und Mary Hames. „Gender, sexuality and commodity culture“. Agenda 25, Nr. 4 (Dezember 2011): 2–7. http://dx.doi.org/10.1080/10130950.2011.633393.

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Gill, Lesley. „The Gender/Sexuality Reader: Culture, History, Political Economy:The Gender/Sexuality Reader: Culture, History, Political Economy.“ American Anthropologist 101, Nr. 3 (September 1999): 681–82. http://dx.doi.org/10.1525/aa.1999.101.3.681.

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Paudel, Udaya Raj. „The Politics of Gender Culture“. Literary Studies 33 (31.03.2020): 136–43. http://dx.doi.org/10.3126/litstud.v33i0.38069.

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Queer: The Problematic of Sexuality and (Sexual) IdentityQueer Theory that has turned a derogatory and abusive term homosexuality into a respectable one does not come in a single mode. Though queer theory comes through different forms, the theory developed out of gay and lesbian feminism is more prominent and has become an umbrella term for a coalition of culturally marginal sexual self-identifications. Historically, lesbian feminism split from the mainstream feminism accusing it of representing white, middle class, and heterosexual women and ignoring the existence of black and women with ‘perverse’ sexuality” (Rivikin and Ryan 676). Implicit in its agenda was the assumption of a core lesbian identity that was either biological given or conditioned by psychosocial factors. Lesbian feminism as such then was an attempt of establishing an essential Lesbian identity with an unchanging self (Berten 226). However, a number of lesbian critics, deeply informed by Michael Foucault’s multi-volume History of Sexuality and Derridian critique of coherent self and binary opposition, began rejecting the notion of essential and fixed identity and coherent self and started seeing all forms of sexual identities including lesbian and gay as social constructs and not a biological given.

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Refinetti, Roberto. „Sexuality and Culture—and Beyond“. Sexuality & Culture 14, Nr. 1 (22.01.2010): 1–4. http://dx.doi.org/10.1007/s12119-010-9065-y.

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Long, Kim Martin, Roger N. Lancaster und Micaela di Leonardo. „The Gender/Sexuality Reader: Culture, History, Political Economy“. MELUS 23, Nr. 4 (1998): 212. http://dx.doi.org/10.2307/467841.

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Reisel, Mary. „PostGender: Gender, Sexuality and Performativity in Japanese Culture“. Asian Studies Review 36, Nr. 2 (Juni 2012): 284–86. http://dx.doi.org/10.1080/10357823.2012.685509.

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Hammer-Tugendhat, Daniela, und Michael Zanchi. „Art, Sexuality, and Gender Constructions in Western Culture“. Art in Translation 4, Nr. 3 (September 2012): 361–82. http://dx.doi.org/10.2752/175613112x13376070683397.

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Hall, Sara. „Emancipatory Entertainments: Gender in Weimar Mass Culture“. German Politics and Society 21, Nr. 3 (01.09.2003): 120–29. http://dx.doi.org/10.3167/104503003782353394.

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Vibeke Rützou Petersen, Women and Modernity in Weimar Germany: Reality and Representation in Popular Fiction (New York: Berghahn, 2001)Richard C. McCormick, Gender and Sexuality in Weimar Modernity: Film, Literature, and “New Objectivity” (New York: Palgrave, 2001)

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Merino, Eloy E., und Linden Lewis. „The Culture of Gender and Sexuality in the Caribbean“. Hispania 89, Nr. 1 (01.03.2006): 65. http://dx.doi.org/10.2307/20063240.

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Morrissey, Marietta. „The Culture of Gender and Sexuality in the Caribbean“. Contemporary Sociology: A Journal of Reviews 33, Nr. 6 (November 2004): 689–90. http://dx.doi.org/10.1177/009430610403300633.

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Dissertationen zum Thema "420303 Culture, Gender, Sexuality"

Potts, Annie. „The Science/Fiction of Sex. A Feminist Deconstruction of the Vocabularies of Heterosex“. Thesis, University of Auckland, 1999. http://hdl.handle.net/2292/2331.

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This research conducts a feminist poststructuralist examination of the vocabularies of heterosex: it investigates those terms, modes of talking, and meanings relating to sex which are associated with discourses such as scientific and popular sexology, medicine and psychiatry, public health, philosophy, and some feminist critique. The analysis of these various representations of heterosex involves the deconstruction of binaries such as presence/absence, mind/body, inside/outside and masculine/feminine, that are endemic to Western notions of sex. It is argued that such dualisms (re)produce and perpetuate differential power relations between men and women, and jeopardize the negotiation of mutually pleasurable and safer heterosex. Particular attention is paid to the ways in which sexological discourse deploys such dualisms as normal/abnormal, natural/unnatural, and healthy/unhealthy sex, and produces specifically gendered 'experiences' of sexual corporeality. The thesis examines a variety of written texts and excerpts from film and television; it also analyzes transcript material from individual and group interviews conducted by the researcher with heterosexual women and men, as well as sexual health and mental health professionals, in order to identify cultural pressures influencing participation in risky heterosexual behaviours, and also to identify alternative and safer pleasurable practices. Some of these alternative practices are suggested to rely on a radical reformulation of sexual relations which derives from the disruption of particular dualistic ways of understanding and enacting sex. The overall objective of the thesis is to deconstruct cultural imperatives of heterosex and promote the generation and acceptance of other modes of erotic pleasure. It is hoped that this research will be of use in the future planning and implementation of sex education and safer sex campaigns in Aotearoa/New Zealand which aim to be non-phallocentric and non-heterosexist, and which might recognize a feminist poststructuralist politics of sexual difference.
Note: Thesis now published. Potts, Annie (2002). The Science/Fiction of sex: feminist deconstruction and the vocabularies of heterosex. London & New York: Routledge. ISBN 04152567312. Whole document restricted, see Access Instructions file below for details of how to access the print copy.

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Davies, Faye Margarita. „Narratives of otherness: Masculinity and identity in contemporary Spanish literature for children and adolescents“. Thesis, University of Auckland, 1998. http://wwwlib.umi.com/dissertations/fullcit/9841949.

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While members of any group of men may appear to be ordinary gendered examples of humanity, behind their physical similarities lie many socio-political and familial differences; thus it is only by knowing such men as individuals that their identities are revealed. Such is the aim of this thesis: to discover the 'real man' behind the statistics about sex-roles and the predominance of male characters in children's and adolescents' literature. From within a selection of Spanish texts a variety of male characters are analysed, focusing on six major roles: father, grandfather, imaginary friend, detective, outlaw or similar marginalised man, and foreign other, with particular attention paid to the Gypsy. All the chapters are linked by the Bakhtinian theory that dialogue with the other leads to the development of a character's or potential reader's sense of identity. The first chapter, concerning fatherhood, is related to a person's sense of intrinsic identity, given with their name and genetic heritage. The grandfather represents a similar sense of family continuity, as well as enabling the young reader to understand Spain's recent historical and rural past. An imaginary friend may symbolise an aspect of identity concerned with a child's ability to achieve a goal or to occupy a special place within the family. Detective stories are analogous to the young person's developing identity as a reader able to decipher the mysteries of texts, whilst marginalised men typify children themselves: persons who have neither status nor money, but who are able to indulge in carnivalistic behaviour which adults call 'play.' The development of one's sense of national identity is fomented through interaction with texts about foreigners who have contributed to Spain's growth as a nation from pre-historic times to the present. A brief critical evaluation of the role of women in detective fiction and as marginalised figures is offered by way of contrast in the appropriate chapters. The thesis concludes that, when analysed as individuals, many male characters demonstrate traits not traditionally considered masculine, and that it is necessary to look beyond mere representations of gender in judging the value of characters in literature for children and adolescents.
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Rees-Roberts, Nicholas. „Sexuality, gender and culture in contemporary France“. Thesis, University of Sussex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288841.

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Gieseler, Carly Michelle. „Performances of Gender and Sexuality in Extreme Sports Culture“. Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4049.

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The purpose of this study is to expose the strategies through which extreme sports constitute gender through exaggeration, parody, queering, resistance, and transcendence of normative gendered binaries. I interrogate how extreme sports operate on the margins of sport, gender, media, and lived experience to better understand the processes and performances that retain, reinforce, and resist our notions of normative gender, bodies, and sexuality. Starting with the claim that performance is constitutive of gender and culture, I will focus on how extreme sporting performances create significant commentaries on mainstream assumptions surrounding sporting gender, sexuality, and corporeality. These commentaries function in extreme sports' spaces: to critique how extreme sports reclaim oppressive language of gendered binaries; to give voice to sexual silences in performances that lampoon, retrofit, and transcend those assumptions; and, for athletes to reclaim corporeality through strategies of parody, resistance, and elision. Taking up the transcendent possibilities for gender, body, and sexuality in extreme sports, I suggest that these are also places to reimagine a phallocentric combat myth, revisit issues of class and performance, and speak of the invisibility of racial difference. Using critical analysis, interviews, and personal narrative, I explore performances of gender, sexuality, and the body in mediated and live extreme events beginning with the revival of the roller derby phenomenon exemplified in the 2007 documentary Hell on Wheels, the 2006 A&E series Rollergirls, and the multiple websites, leagues, and fictional representations such as 2009's Whip It. I then turn to MTV's pranktainment playground of Jackass, Viva la Bam and Nitro Circus as well as the traveling motocross spectacle Nuclear Cowboyz. Finally, I attend to the extreme bodies of ultradistance running through multiple texts and conversations with runners as well as my own participation in the 2011 Keys100 in the Florida Keys. My study will not repeat the many questions, critiques, or concerns of foundational or traditional scholarship on sports, media, or risk. Instead, I focus on several key issues across the chapters: how sport is housed as always already a masculine realm, how mainstream and extreme sports do gender corporeally, and the ways extreme sports challenge our mainstream notions of sexualities.

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Deerfield, Katherine. „Heavenly bodies : gender and sexuality in extra-terrestrial culture“. Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/93157/.

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This thesis explores how gender and sexuality are conceptualised in human spaceflight. The culture of outer space has received relatively little critical attention, and even less on the subjects of gender and sexuality. In this thesis I aim to expand upon this limited field and to investigate how the cultural dimensions of outer space can be used to productive critical ends. The history of gender in human spaceflight is a troubled one. For decades, women were systematically excluded from most spaceflight endeavours. I argue that in addition to this, more insidious forms of exclusion have continued despite increasing representation of women in the global astronaut corps. Representations of gender in space culture are drawn from a long history of traditional conceptualisation of masculine and feminine bodies, particularly in spatial theory. Additionally, using the particular spatiality of extra-terrestrial spaces, I argue that traditional notions of gendered bodies and spaces can be uniquely destabilised by human spaceflight experience. The gendering of outer space is often entangled with sexual culture in space discourse,as discussions of women in space are often conflated with discussions of sexuality, reproduction, and human futures in space. I analyse these ideological connections alongside feminist and queer theory to argue that while space culture is primarily heteronormative, it also holds great potential for destabilising narratives of heteronormativity. Discussions of the future, in particular, often revolve around heteronormative ideas of family and procreation, however the temporality of space culture is not as straightforward as these narratives would suggest. It is my contention that the critical potential of outer space both necessitates and facilitates a radical shift in understandings of spatiality and temporality. Ultimately, I argue that the extremity associated with extra-terrestrial exploration can inform broader theoretical discussions of gender, sexuality, cultural space, time and the future.

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Bonsey, Anna C. „Navigating Hookup Culture: Critical Perspectives from Students in Their Senior Year“. Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/999.

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This study explores college students’ attitudes towards hookup culture, and how these attitudes potentially shift over their four years in college. More specifically, I examine how being a student at a women’s liberal arts college influences students’ interactions with the hookup culture, and how the education they receive shapes these interactions. I conducted in-depth interviews with 11 students at Scripps College, all in the spring semester of their senior year. I investigate themes including: pluralistic ignorance, sex positivity and female empowerment, criticisms of gendered stereotypes, and race and class dynamics within the hookup culture.

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Whatling, Clare. „Configurations of sex, gender, sexuality and the grotesque : McCullers, Wittig, lesbian butch-femme“. Thesis, University of Nottingham, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282139.

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Ehner, Carolyn Michelle. „Gender Ideology at the Lowell Boott Mills: A Material Culture Analysis“. W&M ScholarWorks, 1999. https://scholarworks.wm.edu/etd/1539626203.

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Kaminski, Elizabeth. „Listening to drag: music, performance, and the construction of oppositional culture“. The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1060196344.

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Petrus, John Stephen. „Gender Transgression and Hegemony: the Politics of Gender Expression and Sexuality in Contemporary Managua“. The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429609857.

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Bücher zum Thema "420303 Culture, Gender, Sexuality"

Goth culture: Gender, sexuality and style. Oxford: Berg, 2008.

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Postgender: Gender, sexuality, and performativity in Japanese culture. Newcastle upon Tyne: Cambridge Scholars, 2009.

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Wakeford, Nina. Networks of desire: Gender, sexuality and computing culture. London: Routledge, 2002.

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Kam-Tuck, Yip Andrew, Hrsg. Religion, gender, and sexuality in everyday life. Burlington, VT: Ashgate Pub., 2013.

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Alfred, Thomas. The Bohemian body: Gender and sexuality in modern Czech culture. Madison: University of Wisconsin Press, 2007.

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Doing leadership differently: Gender, power, and sexuality in a changing business culture. Victoria, Australia: Melbourne University Press, 1998.

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1964-, Ruthner Clemens, und Whitinger Raleigh 1944-, Hrsg. Contested passions: Sexuality, eroticism, and gender in modern Austrian literature and culture. New York: Peter Lang, 2012.

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Modern Austrian Literature and Culture Association. Conference. Contested passions: Sexuality, eroticism, and gender in modern Austrian literature and culture. New York: Peter Lang, 2012.

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Sahota, Komalpreet Kaur. Sharam Nahi Aundi? Navigating Culture, Religion, Gender and Sexuality in a Colonized World. Tempe, Arizona: Arizona State University, 2019.

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Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture. London: Reaktion Books, 2005.

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Buchteile zum Thema "420303 Culture, Gender, Sexuality"

Chavura, Stephen A., John Gascoigne und Ian Tregenza. „Culture, gender, sexuality“. In Reason, Religion and the Australian Polity, 230–53. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in modern history ; Volume 49: Routledge, 2019. http://dx.doi.org/10.4324/9780429467059-11.

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Kellner, Douglas. „Gender and sexuality wars“. In Media Culture, 147–78. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429244230-5.

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Storey, John. „Gender and sexuality“. In Cultural Theory and Popular Culture, 152–86. Eighth edition. | London ; New York : Routledge, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781315226866-8.

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Bhana, Deevia, und Tamara Shefer. „Gender, culture and sexuality“. In Schools as Queer Transformative Spaces, 158–77. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Routledge research in educational equality and diversity: Routledge, 2019. http://dx.doi.org/10.4324/9781351028820-10.

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Ojwang, Dan. „Gender, Sexuality and Community“. In Reading Migration and Culture, 104–30. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137262967_6.

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Storey, John. „Gender and sexuality“. In Cultural Theory and Popular Culture: An Introduction, Ninth Edition, 150–86. 9. Aufl. Ninth Edition. | New York : Routledge, 2021. | Revised edition of the author’s Cultural theory and popular culture, 2018.: Routledge, 2021. http://dx.doi.org/10.4324/9781003011729-8.

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Srivastava, Sanjay. „Masculinity, sexuality and culture“. In Women’s and Gender Studies in India, 110–27. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge India, 2019. http://dx.doi.org/10.4324/9780429025167-9.

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Robb, George. „Gender, Sex, and Sexuality“. In British Culture & the First World War, 58–92. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-30751-4_4.

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Robb, George. „Gender, Sex, and Sexuality“. In British Culture and the First World War, 32–66. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-04056-5_3.

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Verjus, Anne. „Gender, Sexuality, and Political Culture“. In A Companion to the French Revolution, 196–211. Oxford: Blackwell Publishing Ltd, 2012. http://dx.doi.org/10.1002/9781118316399.ch12.

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Konferenzberichte zum Thema "420303 Culture, Gender, Sexuality"

Mueller, Michelle. „Polyamory as ReligiousSexual Counter-Culture: An Analysis throughGayle Rubin’s“Charmed Circle”“. In International Conference on Gender and Sexuality. The International Institue of Knowledge Management (TIIKM), 2021. http://dx.doi.org/10.17501/26028611.2020.2102.

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Aryani Suwito, Kandi. „The Reproduction of Gender and Sexuality Discourse on LGBT Sub-Culture - Lesbian, Gay, Bisexual, Transgender in Facebook“. In International Post-Graduate Conference on Media and Communication. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007330003830388.

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