Dissertationen zum Thema „20th century american history“
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De, Rouvray Cristel Anne. „Economists writing history : American and French experience in the mid 20th century“. Thesis, London School of Economics and Political Science (University of London), 2005. http://etheses.lse.ac.uk/36/.
Der volle Inhalt der QuelleHart, Bradley William. „British, German, and American eugenicists in transnational context, c. 1900-1939“. Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283886.
Der volle Inhalt der QuelleSutherland, Frederick E. „The Cuyuna Iron Range| Legacy of a 20th century industrial community“. Thesis, Michigan Technological University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10120229.
Der volle Inhalt der QuelleThe Cuyuna Range is a former North American iron mining district about 90 miles(145 kilometers) west of Duluth in central Minnesota. The district was the furthest south and west of the three Minnesota iron ranges (Vermilion, Mesabi, and Cuyuna). In 2011, Students and staff from Michigan Technological University's Department of Social Sciences were asked to identify and promote features of the Cuyuna Range's mining heritage. Methods and approaches of mulitsited archaeology were used to unify the diverse places and themes into a more cohesive narrative. Their investigations focused on sites of technological innovation, social conflict, and important people. One collaborative project involved training a team of local volunteers to survey seven iron mining communities to identify sites with historic importance. In total, 876 sites were documented. The data generated from this effort can be used to develop plans for cultural tourism focused on the iron mining heritage of the Cuyuna Iron Range. It was found that using multiple themes from multisited archaeology strengthened the region’s narrative better than simply focusing on sites from a single thematic viewpoint
Zheng, Juan. „African American Cultural Products and Social Uplift, the End of the 19th Century - the Early of the 20th Century“. W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626432.
Der volle Inhalt der QuelleRuffing, Jason L. „A Century of Overproduction in American Agriculture“. Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700066/.
Der volle Inhalt der QuelleForrester, Katrina Max. „Liberalism and realism in American political thought, 1950-1990“. Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283922.
Der volle Inhalt der QuelleHäusler, Clemens Albert Josef. „The transatlantic exchange between American liberals, British Labourites, and German social democrats from the mid-1950s to the mid-1970s“. Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609089.
Der volle Inhalt der QuelleByers, Mark. „After the new failure of nerve : Charles Olson and American modernism, 1946-1951“. Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:02478ea1-832a-4ecc-9c47-a264ba746c49.
Der volle Inhalt der Quelle李百臻 und Pak-tsun Lee. „The late Qing revolutionaries' understanding of the American War of Independence“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31951399.
Der volle Inhalt der QuelleMacNeill, Molly. „Church and state : public education and the American religious right“. Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21237.
Der volle Inhalt der QuelleBlack, Latoya R. „Breaking barriers : oral histories of 20th century African-American female journalists in Indiana“. Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1371196.
Der volle Inhalt der QuelleDepartment of Journalism
Bronitsky, Jonathan Bernard. „The Anglo-American origins of neoconservatism“. Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708897.
Der volle Inhalt der QuelleBennett, Sarah. „The American contexts of Irish poetry, 1950-present“. Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.
Der volle Inhalt der QuelleEnns, James Cornelius. „Saving Germany : North American Protestants and Christian mission to West Germany, 1945-1974“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610651.
Der volle Inhalt der QuelleWhite, Steven Robert. „A confluence of thinking: The influence of 20th century art history on American landscape architecture“. Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278634.
Der volle Inhalt der QuelleJanuzzi, Angela. „Making an "American Classic": Faulkner, Ferber, and the Politics of 20th Century Canon Formation“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/JanuzziA2007.pdf.
Der volle Inhalt der QuelleYang, Jing, und 杨静. „The construction of the Chinese woman in 1990s American cinema“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B43813185.
Der volle Inhalt der QuelleLi, Jing. „Self in community: twentieth-century American drama by women“. HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/322.
Der volle Inhalt der QuelleMartin, Ruth Ellen. „American civil liberties, fear and conformity, 1937-1969“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648218.
Der volle Inhalt der QuelleKwoba, Brian. „The impact of Hubert Henry Harrison on Black radicalism, 1909-1927 : race, class, and political radicalism in Harlem and African American history“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0b4a7787-ae07-4131-b051-be0edef5ffca.
Der volle Inhalt der QuelleHeckerl, David K. „From Emerson's 'Great guest' to Strauss's Machiavelli : innocence, responsibility, and the renewal of American studies“. Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35708.
Der volle Inhalt der QuelleWalker, Lisa Kay. „Anti-Bolshevism and the Advent of Mussolini and Hitler: Anglo-American Diplomatic Perceptions, 1922-1933“. PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4629.
Der volle Inhalt der QuelleMcCann-Washer, Penny. „An American voice : the evolution of self and the awareness of others in the personal narratives of 20th century American women“. Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1063194.
Der volle Inhalt der QuelleDepartment of English
Slaughter, Carolyn Overton. „Language as disclosure in five modernist American works“. Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184311.
Der volle Inhalt der QuelleJessen, Julie K. „African-American culture and history : northwestern Indiana, 1850-1940 : a context statement for the Indiana State Historic Preservation Office“. Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1027112.
Der volle Inhalt der QuelleDepartment of Architecture
Arthi, Vellore. „Human capital formation and the American Dust Bowl“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ea2309bd-57fd-463b-ac40-a1c2af870b1f.
Der volle Inhalt der QuelleBellettiere, Giovanna Marie. „AMERICAN FEMINISM: THE CAMERA WORK OF ALICE AUSTEN, ALFRED STIEGLITZ, AND BERENICE ABBOTT“. Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/578947.
Der volle Inhalt der QuelleM.A.
This thesis explores the work of photographers: Alice Austen, Alfred Stieglitz, and Berenice Abbott in relation to the American landscape of New York from approximately 1880 through 1940. Although the artwork of Georgia O’Keeffe is not addressed specifically, her role as an artist communicating her modern self image through Stieglitz’s photography is one area of focus in the second chapter. Previous scholarship has drawn parallels between women artists and photographers solely in terms related to their gender identity. In contrast, my project identifies a common theoretical thread that links the work of these artists: namely, that photography allowed professional women of this time to react and rise above the constrictions of gender expectations, and moreover, how their own attitudes based in feminist sensibility enabled them to fashion and broadcast bold, liberated self-images. Inspired by the radical transformations of women’s social roles in the United States, each artist produced photographs that represented the evolving role of women in the late nineteenth and early twentieth centuries. Using visual analysis and historical context associated with the “New Woman” movement, I argue that each artist discussed in this thesis not only challenges the domestic sphere conventionally assigned to women photographers, but also makes new strides by engaging in work that allows for them to autonomously travel within their own territories or new expansive locations. This thesis gives fresh insight as to how photography provided novel opportunities for elevating women’s place in society, as well as in the artistic realm. Overall, photography was an important tool for each artist as these three women act as agents of change by demonstrating a control of womanhood while the role of a female was beginning to become less constrained by the domestic and social norms of society.
Temple University--Theses
Matsumaru, Takashi Michael. „Unmasking a City: Blacks, Asians and the Struggle Against Segregated Housing in 20th Century Seattle“. Research Showcase @ CMU, 2017. http://repository.cmu.edu/dissertations/1094.
Der volle Inhalt der QuelleStrecker, Geralyn. „Reading prostitution in American fiction, 1893-1917“. Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213148.
Der volle Inhalt der QuelleDepartment of English
Turner, Robert Charles Grey. „Counterfeit culture : truth and authenticity in the American prose epic since 1960“. Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709455.
Der volle Inhalt der QuelleStein, Eric 1973. „"Living right and being free" : country music and modern American conservatism“. Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21267.
Der volle Inhalt der QuelleBurns-Watson, Roger. „Co-Starring God: Religion, Film, and World War II“. University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1273520794.
Der volle Inhalt der QuelleOndaatje, Michael L. „Neither counterfeit heroes nor colour-blind visionaries : black conservative intellectuals in modern America“. University of Western Australia. History Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0029.
Der volle Inhalt der QuelleJozajtis, Krzysztof. „Religion and film in American culture : the birth of a nation“. Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/1501.
Der volle Inhalt der QuelleHazzard, Oli. „Trying to have it both ways : John Ashbery and Anglo-American exchange“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:87f922c5-79dc-4fd5-85dd-50c4a7661015.
Der volle Inhalt der QuelleTravis, Isabelle. „The poetry of pain : trauma, madness and suffering in post-World War II American poetry“. Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553108.
Der volle Inhalt der QuelleWhiting, Sarah. „The jungle in the clearing : space, form and democracy in America, 1940-1949“. Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/8748.
Der volle Inhalt der Quelle"February 2001."
Includes bibliographical references (p. 237-248).
Combining aesthetic theory with theories of the public sphere, this dissertation examines the brief appearance of a publicly empathetic civic realm in the United States during the 1940s. The argument begins with a reevaluation of the debate over monumentality initiated in modernist architectural circles, which included such figures as Sigfried Giedion, Lewis Mumford, Henry-Russell Hitchcock, and Philip Johnson. Centering on the city, this debate recast monumentality in terms more progressive than commemorative; it posited open-ended architectural and urban strategies that offered a non-restrictive yet sympathetic public resonance. If empathy is understood as the viewer's physical and psychological engagement with an object, then the 'publicly empathetic' collects and communicates the public 's individualized engagements. The term 'publicly empathetic' underscores the distinction between totalitarian consensus, exemplified by the modernism of Mussolini's fascist Italy, and what Alexis de Tocqueville identified in 1835 as America's collective individualism, which persisted in the 1940s under the umbrella of Franklin Roosevelt's New Deal. Springboarding from Ernst Cassirer and Susanne Langer's philosophies of symbolic form as unconsummated symbol, I argue that the modernism of this period did not define the public but rather expressed architecture's publicness through the recasting of form, programming, and modernism's public mandate. The chapters of this dissertation examine in turn the texts, projects and urbanism of this empathetic modernism. The projects constituting this realm are both public and private in nature; they include Charles Franklin and ...
by Sarah Whiting.
Ph.D.
Stewart, Robert Earl. „The catastrophe of entertainment : televisuality and post-postmodern American fiction“. Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30220.
Der volle Inhalt der QuelleSmith, Lyndsay Danielle. „A Temperate and Wholesome Beverage| The Defense of the American Beer Industry, 1880-1920“. Thesis, Portland State University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10825196.
Der volle Inhalt der QuelleFor decades prior to National Prohibition, the “liquor question” received attention from various temperance, prohibition, and liquor interest groups. Between 1880 and 1920, these groups gained public interest in their own way. The liquor interests defended their industries against politicians, religious leaders, and social reformers, but ultimately failed. While current historical scholarship links the different liquor industries together, the beer industry constantly worked to distinguish itself from other alcoholic beverages.
To counter threats from anti-alcohol groups, beer industry advocates presented their drink as a wholesome, pure, socially and culturally rich, and economically significant beverage that stood apart from other alcoholic beverages, especially distilled spirits. Alongside these responses, breweries industrialized, reflecting scientific and technological innovations that allowed for modern production, storage, and distribution methods.
Despite popularity and economic successes, the beer industry could not survive the anti-saloon campaigns, the changing nature of the American economy and taxation, political ambitions of the anti-liquor interests, and the influence of the First World War, which brought with it anti-German sentiments. This thesis will uncover the story of the American beer industry’s attempt to adjust to several threats facing it and how beer was ultimately condemned to the same fate as wine and spirits when National Prohibition went into effect.
Sagorje, Marina. „Self and society in Mary McCarthy's writing“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8fd1de71-c10c-4341-8283-ccebfeebf2a7.
Der volle Inhalt der QuelleShishkin, Timur. „Marginalized Characters in Contemporary American Short Fiction“. PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.
Der volle Inhalt der QuelleKwong, Tsz Ching. „The archived future : North American apocalyptic fiction and the ambiguous construction of the present“. HKBU Institutional Repository, 2013. http://repository.hkbu.edu.hk/etd_ra/1514.
Der volle Inhalt der QuelleBeckner, Chrisanne. „Cultural Demolition: What Was Lost When Eugene Razed its First Black Neighborhood?“ Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9976.
Der volle Inhalt der QuelleIn the 1940s, Eugene, Oregon's first African-American neighborhood took root on a riverbank north of the city. In 1949, county officials demolished the homes and church of the ad hoc community and relocated the residents. In the 21st century, no physical evidence of the former neighborhood remains, but the history continues to circulate among Eugene's contemporary African-American community. This thesis documents the history of Eugene's first black neighborhood, examines the roles that race and class played in its demolition, and develops recommendations for public commemoration. To do so, it critically examines methods of historic preservation and their relationship to sites of intangible history. Through an analysis of various models of commemoration, a multi-disciplinary approach emerges that may apply to similar sites.
Committee in Charge: Kingston W. Heath, Chair; John Fenn
Harmsworth, Thomas. „Gary Snyder's green Dharma“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:e4c2e123-0b71-45c9-8535-eb09ac8cfa15.
Der volle Inhalt der QuelleSorrells, David J. „The Evolution of AIDS as Subject Matter in Select American Dramas“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2600/.
Der volle Inhalt der QuelleKent, Timothy. „The Birth of the American Social Spirit: The American Child Labor Reform Movement and Urban Social Consciousness at the Turn of the 20th Century“. Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1570.
Der volle Inhalt der QuelleDowthwaite, James. „Ezra Pound's theory of language“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:b7fdc3da-8442-478f-8dbf-4a401cf29e27.
Der volle Inhalt der QuelleKocela, Christopher. „Fetishism as historical practice in postmodern American fiction“. Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38213.
Der volle Inhalt der QuelleHarvey, Matt. „Bread, Bullets, and Brotherhood: Masculine Ideologies in the Mid-Century Black Freedom Struggle, 1950-1975“. Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248506/.
Der volle Inhalt der QuelleGreenshields, Mary Clare, und University of Lethbridge Faculty of Arts and Science. „The Amazon in the drawing room : Natalie Clifford Barney's Parisian salon, 1909-1970 / Mary Clare Greenshields“. Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2606.
Der volle Inhalt der Quellev, 110 leaves ; 29 cm