Thematische Bibliographien / 20th century

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Auswahl der wissenschaftlichen Literatur zum Thema „20th century“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 23. November 2024

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Zeitschriftenartikel zum Thema "20th century"

Marks, Anthony. „20th Century“. Musical Times 127, Nr. 1718 (Mai 1986): 281. http://dx.doi.org/10.2307/965468.

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Adlin, Jane, und Amelia Peck. „20th Century“. Metropolitan Museum of Art Bulletin 53, Nr. 3 (1995): 1. http://dx.doi.org/10.2307/3258792.

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Marks, Anthony, und Paul Griffiths. „20th Century“. Musical Times 128, Nr. 1732 (Juni 1987): 332. http://dx.doi.org/10.2307/1193737.

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Marks, Anthony. „20th Century“. Musical Times 128, Nr. 1732 (Juni 1987): 337. http://dx.doi.org/10.2307/1193747.

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F., E. H., und Carolyn Ketch. „U.S. 20th Century“. Woman's Art Journal 24, Nr. 1 (2003): 56. http://dx.doi.org/10.2307/1358834.

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Criswick, Mary. „20th-Century Guitar“. Musical Times 127, Nr. 1726 (Dezember 1986): 695. http://dx.doi.org/10.2307/964679.

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Criswick, Mary. „20th-Century Guitar“. Musical Times 128, Nr. 1734 (August 1987): 442. http://dx.doi.org/10.2307/965019.

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O'Loughlin, Niall. „20th Century Wind“. Musical Times 131, Nr. 1766 (April 1990): 206. http://dx.doi.org/10.2307/966272.

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Banfield, Stephen. „20th-Century British“. Musical Times 126, Nr. 1704 (Februar 1985): 99. http://dx.doi.org/10.2307/963479.

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Blackman, Colin. „20th century ploy“. Physics World 8, Nr. 1 (Januar 1995): 22. http://dx.doi.org/10.1088/2058-7058/8/1/21.

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Dissertationen zum Thema "20th century"

McMahon, Gary. „The femme fatale in 20th century British Century“. Thesis, Manchester Metropolitan University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528129.

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There is no study of the scope of the British film femme fatale: her nature and heritage have not been documented. That's what this thesis does. How does British society and history modify this figure? Does she reflect the social fortunes of British women, or is she such a fantasy that there is no correlation? I reject the psychoanalytic model that customarily interprets this subject and this field, so I borrow some Jungian magical thinking and follow an interdisciplinary trail of associations to test her merit as an archetype. And since archetypes are supposed to be unchanging, I am on a collision course with a Cultural studies model that ordinarily expects social adaptation. She is conspicuously absent from the British new wave and realism, but this reflects an ideological disparity between a left-wing aesthetic and the sovereign, dictatorial demeanour of the femme fatale. There are transcending archetypal consistencies: they relate to her embodiment of man's ambivalence about Mother Nature, acting out inevitable death from a cellular to a macrocosmic scale, inherited from mythological predecessors in media such as literature, painting and music. Not a figure to be trifled with, then. It turns out she does change with the times, progressively more physical in sexuality, aggression and mobility. Only Britain's war genre was closed to her, as her specialism moved from melodrama and crime to spy and horror films. She goes where the money is (box office), but her motivation ranges from materialism to vengeance to power to sadism. She is now sometimes construed as an assertive feminist role-model, but this contrivance applies only to the degree that might apply to the first British woman Prime Minister. Her masculine adaptation now demonstrates the devaluing of femininity, in both genders, in a ruthless, martial, capitalist culture, so that the term I find objectionable in my review is now objectionably valid: 'Phallic Woman' enjoys equal opportunity as anti-hero. You watch a film, take notes as you go looking for contrasting patterns with representations of the subject in this and other genres and other media. Notes loosely structured by headings categorise some observations at a stroke: costume; mobility; animalistic motifs; recurring characteristics that gradually coalesce into clusters to suggest sub-types offemmes fatales; mythological or psychological imagery. in turn resolved into sub-headings; same with themes. The categories make comparisons cogent. Other notes are freeform, open to any intuited observation, inviting dissociation, insuring against boxing yourself into presumptions. Then you can on a curator of special collections or a censor or a manager sitting on an archive at Pinewood Studios, and with a view to access all areas try to get them as enthused about this research as you are ... which requires an appreciation of storytelling that this chapter affirms as a research framework. To be transparent about it the moment you look for a beginning, middle or en~ or present a paper or otherwise share your work, you're into a storytelling narrative. That standard candid snapshot of one strategy extends to news footage and period television in my case, and organises my eclectic reading of art, mythology~ religion history, literature, music ... trawling for associations on the understanding that some conclusions in the humanities are found objects, so tangentially do they appear in the researcher's perceptual field. That's how W,J.T. Mitchell came to the fore from a supervisor's recommendation in art theory, and a Playboy interview came to qualify a psychoanalytic disquisition on 'the monstrous female.' This unconventional lateral research aims to show how transcendental themes and figures bind an unlikely grouping. An international comparison of films would do that, but the scope would rob the attention to British cinema that this thesis establishes as a unique radius for studying the femme fatale. I court creative accidents with a non-quantitative strategy of making an empty folder of 'Case Studies.' Pragmatic - but premeditated in the weighting on highly active, symbolic portrayals. My thematic approach gathers pertinence with incidences: themes define themselves by recurrence to make the case for the persistence of vision that any Jungian would associate with an archetype of the collective unconscious if there is one, and that anyone attuned to Aby Warburg would expect from a primal figure in art.

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Grabovskiy, Aleksandr. „Reception of Marxism in 20th Century Russia“. Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/211.

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In my thesis I will study how the revolutionary philosophy of Karl Marx and Friedrich Engels was received and interpreted by early 20th century Russian intellectuals in an attempt to reconcile orthodoxy with the real conditions present in Russia. Through analysis of documents spanning several decades of debate, I will trace the evolution of this discussion to unlock the logic that led to philosophy put to action in the form of revolution. Finally, I will evaluate how this logic fits into the historic trajectory described by Marxism.

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Kyeyune, George William. „Art in Uganda in the 20th century“. Thesis, SOAS, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408702.

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Minns, Christopher. „Immigrant assimilation in early 20th century America“. Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341267.

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Kiverska, K. „Eccentrics and designers of the 20th century“. Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14383.

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Curtis, Charles. „Babylon revisited apocalypticism in 20th century film /“. Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/625.

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Murdock, Mark Cammeron. „In the Company of Cheaters (16th-Century Aristocrats and 20th-Century Gangsters)“. BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1775.

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This document contains a meta-commentary on the article that I co-authored with Dr. Corry Cropper entitled Breaking the Duel's Rules: Brantôme, Mérimée, and Melville, that will be published in the next issue of Essays in French Literature and Culture, and an annotated bibliography of primary and secondary sources featuring summaries and important quotes dealing with duels, honor, honor codes, cheating, historical causality, chance, and sexuality. Also, several examples of film noir are cited with brief summaries and key events noted. The article we wrote studies two instances of cheating in duels: one found in Brantôme's Discours sur les duels and the other in Prosper Mérimée's Chronique du règne de Charles IX, and the traditional, as well as anti-causal, repercussions they had. Melville's Le Deuxième souffle is also analyzed with regards to the Gaullist Gu Minda and the end of the aristocratic codes of honor that those of his generation dearly respected but that were overcome by the commercial world of republican law and order.

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Wei, Linna, und Xichan Zhao. „Investment Study on Christie’ Chinese 20th Century Art“. Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13812.

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This thesis focuses on the blooming market of Chinese 20th Century Art. The study object is one category of Christie’s Auction house, Chinese 20th Century Art, before 2009. Eight artists’ auction results are selected to the dataset for the research. We find that the previous researches based on the collection of Western arts cannot explain the whole situation of Chinese 20th Century Art. It has speculative character as an invest option in global art market. And some factors would affect the price changing in the auction activities. The Capital Asset Pricing Model is applied to study the investment condition of Chinese 20th Century Art as a capital asset. The result we get from our dataset presents that Chinese 20th Century Art is with high risks and high returns, which is quite different from the previous studies based on Western Artworks. Regression analysis reveals that some factors do affect the rate of price changes. We find that young Chinese artists who born after 1950 achieve better sale results than older ones. Their artworks are always sold on high realized prices. In addition, the high price sale more often happened in the auction house of Hong Kong and the market of Chinese 20th Century Art is enlarging these years. The rate of price change is increasing by the sale year growing. The prices of the artworks are growing higher and higher recently. However, the findings above just explain parts of the price increasing. All the reasons for the price increasing are not clear in this thesis.

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Laing, Marie. „20th century women, redefining equality, justice and freedom“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0032/NQ46867.pdf.

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Cao, T. Y. „The intellectual history of 20th century field theories“. Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383778.

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Bücher zum Thema "20th century"

Bell, Daisy H. 20th century. Platte City, MO: Richard Thompson (Box 103, Platte City, MO 64079), 1986.

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Emery, Nancy. Early 20th century. London: Franklin Watts, 2006.

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Pullee, Caroline. 20th century jewellery. London: Grange, 1997.

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Xavier, Jeremy. 20th-century cool. Los Angeles, CA: General Pub. Group, 1998.

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Cohn, Nik. 20th-century dreams. New York: Alfred A. Knopf, 1999.

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Cousins, Mark. 20th century glass. London: Grange Books, 1995.

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Robertson, Nicole, John Singleton, Avram Taylor, Francesca Carnevali und Julie-Marie Strange. 20th Century Britain. 3. Aufl. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003037118.

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1978-, Snow Dan, Hrsg. 20th century battlefields. [London]: BBC Books, 2008.

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Deary, Terry. The 20th Century. London, England: André Deutsch Children's Books, 1996.

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Steve, Parker. 20th century media. Milwaukee, Wis: Stevens Pub., 2002.

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Buchteile zum Thema "20th century"

Bollack, Françoise Astorg. „Mid-20th Century“. In Old Buildings, New Ideas, 89–116. London: RIBA Publishing, 2023. http://dx.doi.org/10.4324/9781032646763-5.

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Bollack, Françoise Astorg. „Late 20th Century“. In Old Buildings, New Ideas, 117–53. London: RIBA Publishing, 2023. http://dx.doi.org/10.4324/9781032646763-6.

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Harland, Richard. „20th-Century Russian Theory“. In Literary Theory From Plato to Barthes, 146–65. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27673-8_8.

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Sykes, Keith, und John Bunker. „Entering the 20th century“. In Anaesthesia and the Practice of Medicine: Historical Perspectives, 33–51. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003229186-5.

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Hertel, Ralf, und Peter Hühn. „Early 20th Century: Modernism“. In English Poetry in Context: From the 16th to the 21st Century, 237–324. Berlin: Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-20511-0.05.

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Terefenko, Dariusz, und Benjamin Wadsworth. „Three 20th-Century Composers“. In Explorations in Music Theory, 782–806. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003042976-44.

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Bates, Victoria. „Healthcare, health and wellbeing“. In 20th Century Britain, 243–58. 3. Aufl. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003037118-18.

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Ramamurthy, Anandi. „Resisting racism in 1970s and 1980s Britain“. In 20th Century Britain, 349–66. 3. Aufl. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003037118-26.

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Rollings, Neil. „Britain and Europe since 1945“. In 20th Century Britain, 316–29. 3. Aufl. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003037118-24.

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Robb, Linsey. „18 Britain at war 1914–1918 and 1939–45“. In 20th Century Britain, 261–73. 3. Aufl. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003037118-20.

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Konferenzberichte zum Thema "20th century"

BAHCALL, J. N. „ASTROPHYSICAL NEUTRINOS: 20TH CENTURY AND BEYOND“. In Proceedings of the Inaugural Conference of the Michigan Center for Theoretical Physics. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812778185_0002.

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BAHCALL, J. N. „ASTROPHYSICAL NEUTRINOS: 20th CENTURY AND BEYOND“. In Proceedings of the Carolina Symposium on Neutrino Physics. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811714_0005.

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Hobsbawm, Eric. „War and Peace in the 20th Century“. In The Conflicts of the 20th Century and the Solutions for the 21st Century. WORLD SCIENTIFIC, 2003. http://dx.doi.org/10.1142/9789812795496_0003.

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Rozenfeld, P., V. Orlando und M. G. V. Ferreira. „Applying the 21st Century Technology to the 20th Century Mission Control“. In SpaceOps 2002 Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2002. http://dx.doi.org/10.2514/6.2002-t2-78.

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Bushueva, Irina. „Fluctuations of Caucasian glaciers in 20th century“. In 2015 8th International Workshop on the Analysis of Multitemporal Remote Sensing Images (Multi-Temp). IEEE, 2015. http://dx.doi.org/10.1109/multi-temp.2015.7245796.

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Brodsky, Robert. „Great Aerospace Events of the 20th Century“. In 47th AIAA Aerospace Sciences Meeting including The New Horizons Forum and Aerospace Exposition. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2009. http://dx.doi.org/10.2514/6.2009-1160.

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Tyler, Christopher W., und Amy Ione. „Concept of space in 20th century art“. In Photonics West 2001 - Electronic Imaging, herausgegeben von Bernice E. Rogowitz und Thrasyvoulos N. Pappas. SPIE, 2001. http://dx.doi.org/10.1117/12.429529.

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Janata, Tomas. „CZECHOSLOVAKIA WITHIN THE 20TH CENTURY IN MAPS“. In 19th SGEM International Multidisciplinary Scientific GeoConference EXPO Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgem2019/2.2/s11.095.

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Vlahopol, Gabriela. „THEME ELABORATION TECHNIQUES IN 20TH-CENTURY FUGUE“. In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s25.027.

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Sevcikova, Hana. „INFLUENCE OF REGIMES ON 20TH-CENTURY ARCHITECTURE“. In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb51/s17.020.

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Berichte der Organisationen zum Thema "20th century"

Akcigit, Ufuk, John Grigsby, Tom Nicholas und Stefanie Stantcheva. Taxation and Innovation in the 20th Century. Cambridge, MA: National Bureau of Economic Research, September 2018. http://dx.doi.org/10.3386/w24982.

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Levy, Frank, und Peter Temin. Inequality and Institutions in 20th Century America. Cambridge, MA: National Bureau of Economic Research, Mai 2007. http://dx.doi.org/10.3386/w13106.

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Aizenman, Joshua. Optimal Currency Area: A 20th Century Idea For the 21st Century? Cambridge, MA: National Bureau of Economic Research, März 2016. http://dx.doi.org/10.3386/w22097.

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Ismay, David K. Essential Shift: Scientific Revolution in the 20th Century. Fort Belvoir, VA: Defense Technical Information Center, Mai 1993. http://dx.doi.org/10.21236/ada270810.

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Moehling, Carolyn, und Anne Morrison Piehl. Immigration and Crime in Early 20th Century America. Cambridge, MA: National Bureau of Economic Research, November 2007. http://dx.doi.org/10.3386/w13576.

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Hanushek, Eric, und Steven Rivkin. Understanding the 20th Century Growth in U.S. School Spending. Cambridge, MA: National Bureau of Economic Research, April 1996. http://dx.doi.org/10.3386/w5547.

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Petrie, John N. American Neutrality in The 20th Century: The Impossible Dream. Fort Belvoir, VA: Defense Technical Information Center, Januar 1995. http://dx.doi.org/10.21236/ada421976.

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Wilson, Sven, Joseph Burton und Benjamin Howell. Work and the Disability Transition in 20th Century America. Cambridge, MA: National Bureau of Economic Research, Januar 2005. http://dx.doi.org/10.3386/w11036.

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Eriksson, Katherine, Gregory Niemesh und Melissa Thomasson. Revising Infant Mortality Rates for the Early 20th Century United States. Cambridge, MA: National Bureau of Economic Research, März 2017. http://dx.doi.org/10.3386/w23263.

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Cutler, David, und Ellen Meara. Changes in the Age Distribution of Mortality Over the 20th Century. Cambridge, MA: National Bureau of Economic Research, Oktober 2001. http://dx.doi.org/10.3386/w8556.

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