Thematische Bibliographien / 1905-2002

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Auswahl der wissenschaftlichen Literatur zum Thema „1905-2002“

Autor: Grafiati

Veröffentlicht am 26. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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Zeitschriftenartikel zum Thema "1905-2002"

Author, Anonymous. „Erich Oberdorfer 1905- 2002“. Phytocoenologia 33, Nr. 1 (14.03.2003): 1–12. http://dx.doi.org/10.1127/0340-269x/2003/0033-0001.

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Nelson, Gertrud Mueller. „Therese Mueller 1905–2002“. Liturgy 17, Nr. 4 (Januar 2002): 29–33. http://dx.doi.org/10.1080/04580630208599257.

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Outtier, Bernard. „FRANÇOIS GRAFFIN, S.J. (1905– 2002)“. Hugoye: Journal of Syriac Studies 6, Nr. 1 (01.06.2010): 193–96. http://dx.doi.org/10.31826/hug-2010-060108.

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OUTTIER B. „Fran?ois Graffin (1905-2002)“. Journal Asiatique 291, Nr. 1 (14.04.2005): 1–4. http://dx.doi.org/10.2143/ja.291.1.504700.

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Fleischman, Barbara. „Constance Coleman Richardson (1905-2002)“. Archives of American Art Journal 41, Nr. 1/4 (Januar 2001): 96. http://dx.doi.org/10.1086/aaa.41.1_4.1557764.

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Hargittai, István. „Chargaff Centennial: Erwin Chargaff (1905–2002)“. Structural Chemistry 16, Nr. 5 (Oktober 2005): 455–56. http://dx.doi.org/10.1007/s11224-005-6055-z.

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FRSSAf, Peter Tyson. „Professor Stanley Percival Jackson Hon. FRSSAf 1905–2002“. Transactions of the Royal Society of South Africa 57, Nr. 1-2 (Januar 2002): 51. http://dx.doi.org/10.1080/00359190209520529.

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MARTÍNEZ-GONZÁLEZ, CÉSAR RAMIRO, und JOSÉ DE JESÚS MORALES-SANDOVAL. „Neotypification of Opuntia pilifera (Cactaceae; Opuntioideae)“. Phytotaxa 452, Nr. 3 (15.07.2020): 241–42. http://dx.doi.org/10.11646/phytotaxa.452.3.8.

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Opuntia Miller (1754: no pagination) is a genus critical from both taxonomic and nomenclattural points of views (see e.g., Pinkava 2002, Griffith & Porter 2009, Majure et al. 2012). Many of the taxa belonging to this genus were described bases on materials collected by Old World naturalists (e.g., Arechavaleta 1905, Spegazzini 1905, 1925, Pontes et al. 2017). This led to publications of names based on plants grown under greenhouses conditions. Moreover, these names, although nomenclaturally valid, were often poorly described and usually no type was designated (see e.g., Haworth 1812, Pfeiffer 1837, Salm-Dyck 1850).

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Ito, Fumihito. „Hiroshi Urabe (1905–2002): radical pioneer in Japanese social work history“. Critical and Radical Social Work 5, Nr. 1 (13.03.2017): 119–30. http://dx.doi.org/10.1332/204986017x14835298679696.

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Büker, Christa. „Related Links, Weiterführende Literatur zum Schwerpunktthema“. Public Health Forum 10, Nr. 3 (01.10.2002): 26–28. http://dx.doi.org/10.1515/pubhef-2002-1905.

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Dissertationen zum Thema "1905-2002"

Cloutier, Louis-Martin. „Naître de Dieu : une lecture du Noël 1542 de Pierre Favre“. Master's thesis, Université Laval, 2002. http://hdl.handle.net/20.500.11794/43020.

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La présente étude est consacrée à Pierre Favre (1506-1546), membre de la Compagnie de Jésus. Elle est une lecture d’un extrait de son Mémorial daté du 25 décembre 1542 et dans lequel il dit souhaiter « avec ardeur pouvoir vraiment "naître de Dieu" ». L’étude comporte deux parties. La première est analytique et s’emploie, avec l’aide de méthode dites structurale et intertextuelle, à dégager les grands thèmes dans le but de donner un sens au texte. Nous voyons que le désir de Favre de naître de Dieu se réalise par la contemplation qu’il fait de la naissance du Seigneur dans l’étable et par son action apostolique, qui alors, est celle de célébrer les messes de la Nativité et de prier à l’intention de son prochain. La seconde partie développe plus l’aspect interprétatif esquissé en donnant un éclairage nouveau sur quelques éléments de la naissance spirituelle de Favre en cette nuit de Noël. Hans Urs von Balthasar (1905-1988) nous accompagne dans cette démarche par sa pensée théologique.

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Rey-Bogey, Annick. „Du Piémont à la France, du Concordat à la rupture : un siècle de construction et de décoration des églises paroissiales en Savoie (1802-1905) : (diocèses de Chambéry, Maurienne et Tarentaise)“. Lyon 2, 2002. http://theses.univ-lyon2.fr/documents/lyon2/2002/rey_a.

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Cette étude décrit le mouvement de reconstruction et de décoration des églises paroissiales dans 3 diocèses savoyards au XIXe siècle. Si les édifices urbains sont connus, les églises rurales ont peu été étudiées. Choisir la Savoie permet de détecter ou de nier les particularismes d'une région de confins qui, de plus, change d'appartenance nationale au cours du siècle. Ces 3 diocèses permettent aussi des comparaisons entre régions, de montagne et de plaine. L'étude commence au concordat. La Savoie est alors française. L'empire Dresse l'état des bâtiments culturels. Le mouvement de reconstruction s'amorce sous la restauration sarde (1815-1860) pour s'enfler avec le rattachement en 1860. Nos investigations s'arrêtent en 1905, fin de la période concordataire, et aussi du mouvement de construction. Nous dressons histogrammes et cartes des constructions avant de nous interroger sur les raisons des reconstructions : raisons évoquées ou réelles. A ce stade nous décrivons l'état des églises antérieures. Le financement est l'objet d'une étude approfondie. Les documents comptables, nombreux dans les archives municipales et paroissiales qui ont été nos sources essentielles en dehors des visites in situ, n'avaient jamais été exploités : coût des églises et des décors, acteurs du financement. La partie II est consacrée à l'architecture et aux concepteurs. Nous analysons l'évolution des styles et contestons la notion de " style sarde ". La Savoie présente peu de particularisme stylistique. Nous soulignons l'importance du rôle joué par la tutelle religieuse pour les plans et emplacement du clocher. Le bâtiment est aussi étudié comme élément des nouvelles conceptions urbanistiques du XIXe siècle et de l'idée de modernité. Seuls les décors " faisant corps avec l'édifice " : peinture murale, vitraux, et leurs auteurs sont analysés dans le cadre de cette thèse. Le mobilier, juste évoqué, fera l'objet d'un travail ultérieur. Le débat français sur la peinture murale ne touche pas la Savoie liée à la tradition italienne par ses techniques, son iconographie, ses auteurs. Dans ce domaine la tradition l'emporte sur la modernité qui a prévalu en architecture. Le vitrail, nouvel élément du décor, totalement importé, se diffuse en Savoie un peu tardivement du fait des transports et de l'attachement aux peintures qu'il détrônera pourtant
This study describes the reconstruction and embelleshment period of parish churches in 3 Savoy dioceses in 19th century. If urban edifices are well known, rural churches have seldom been studied. Choosing Savoy enables us to detect or deny the particularisms of a border area which moreover changes nationality within a century. Those three dioceses also enable us to stress the comparison between a mountainous and a plain area. The study starts with concordat. Savoy is franch at the time. The empire lists the sate of cult edifices. Then reconstruction starts under the Sardinian restoration (1815-1860) to increase with the re-attachement of Savoy to France. Our investigations end in 1905 with the end of both concordat period and edification movement. We draw up histogrammes and constructions maps before wondering about the origin of this reconstruction be they mentioned or real. At this stage, we are describing the state of previous churches. The financial aspect if part of a detailed study. The account documents, numerous in local and parish archives wich have been our main source of investigation apart from visits on sites, had never been explored previously: cost of churches and ornementation, financial partners. The second part deals with architecture and designers. We analyse the evolution of styles and reject the notion of a “Sardinian style”. Savoy presents very few stylistic particularism; we inderline the importance of the religious authorities concerning the plans and the place of the steeple. The edifice is also studied as part of new urbanistic conceptions in the 19th century and the idea of modernity. Only the ornemental aspect, giving substance to the edifice (mural painting, stained glass windows) and the artists fall within the scope of this thesis. The furniture, just mentioned, will be studied in further study. Savoy isn't concerned with French debate on mural painting: linked for its techniques, iconography and authors to the Italian tradition. In this field tradition is more important than modernity witch prevailed in architecture. Stained glass windows, a new ornementing element, totally imported, spreads throughout Savoy later because of transport difficulties and the attachment to paintings, which will yet be surpassed

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Gould, Jean. „Des bons pères aux experts : les élites catholiques et la modernisation du système scolaire au Québec, 1940-1964“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0019/MQ47204.pdf.

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Koller, Jutta. „Die städtische Schulzahnklinik in Offenbach am Main in den Jahren 1905 bis 2002 /“. 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=013187915&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Lan, Chiao-Ling, und 藍巧玲. „專賣制度與菸草產業變遷：以屏東平原為中心（1905-2002）“. Thesis, 2012. http://ndltd.ncl.edu.tw/handle/00254508182766961944.

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碩士
國立中正大學
歷史研究所
100
Abstract On March 30, 1905 implementation of the tobacco monopoly, until the tobacco is also one of the ring, while the monopoly of a time up to the monopoly abolished on January 1, Republic of China 91, the tobacco industry under the monopoly system The quite different from before the appearance, performance in the licensing system for tobacco farming, tobacco improved varieties, the standard operating mode of the tobacco farming, tobacco farming investigation and inspection, the acquisition and award of the tobacco planting. Japanese colonial period, tobacco-growing areas of the Japanese colonial period, probably along the freshwater knee, Kaoping River and Woodside Creek gradually extended. After the war, the tobacco area, Taichung, Taiwan's largest tobacco area, because the quality of the tobacco area and farmers income in Taichung, pests, fertilizer application, etc., to 1972, Pingtung smoke District came from behind to become Taiwan's largest tobacco area, Finally, to explore the economic, political, social impact of tobacco on farmers.

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Northfield, Sally. „Canvassing the emotions : women, creativity and mental health in context“. Thesis, 2014. https://vuir.vu.edu.au/29985/.

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Canvassing the emotions examines the role and meaning of artmaking in the lives of women who have experienced mental ill-health and/or psychological trauma in Australia between the 1950s and the present. Hovering at the nexus of a number of contested domains, the thesis bypasses the perennial question of what is art to explore the neglected and perhaps more interesting query – what does art do for the artmaker? – and associated questions of why does art matter; what is the function of artmaking in relation to wellbeing; and what are the implications of a thwarted life of making? The thesis presents the findings of three studies: The Exhibition – a touring exhibition of art produced by women with an experience of mental ill-health; The Interviews – with thirty-two women who make art and who have experienced mental ill-health; and The Collage – a collation of women’s accounts of – what does art do?

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Gancarek, Jacek. „Katechetyczny wymiar peregrynacji obrazu Jezusa Miłosiernego w Archidiecezji Częstochowskiej w latach 2002-2003“. Praca doktorska, 2019. http://bc.upjp2.edu.pl/Content/4741.

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Bücher zum Thema "1905-2002"

Svi︠a︡toslav, I︠U︡sov, Hrsg. Stet︠s︡i︠u︡k Kateryna Isakivna (1905-2002 rr.): Biobibliohrafii︠a︡. Kyïv: Nat︠s︡ionalʹna akademii︠a︡ nauk Ukraïny, In-t istoriï, 2006.

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Zapanta-Manlapaz, Edna. Filipino women writers in English: Their story, 1905-2002. Quezon City: Ateneo de Manila University Press, 2003.

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Banco Central del Ecuador. Archivo Historico del Guayas, Hrsg. De mercado a Plaza de la Integracion: Historia de una edificacion 1905-2002. Guayaquil (Ecuador): Archivo Historico de Guayas, 2002.

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(Elne), Musée Terrus. Matisse-Perrus, histoire d'une amitié, 1905-1917: En passant par Camoin, Manguin, Marquet : exposition , Elne, Musée Terrus, 15juin-23 septembre 2002. Montpellier: Indigène éditions, 2002.

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Jean-Pierre, Barou, und Musée Terrus, Hrsg. Matisse-Terrus: Histoire d'une amitié (1905-1917) en passant par Camoin, Manguin, Marquet : une exposition présentée au Musée Terrus, Elne, du 15 juin au 23 septembre 2002. Montpellier, France: Indigène, 2002.

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Cuentos de académicos: (1905-2002) : selección. [Santiago de Chile]: Academia Chilena de la Lengua, 2005.

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Zapanta-Manlapaz, Edna. Filipino Women Writers in English: Their Story : 1905-2002. Ateneo de Manila Univ Press, 2005.

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Buc Used Boat Price Guide 2002: 1905-1981 Models. 8. Aufl. Buc Intl Corp, 2002.

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Minding the store: A memoir. Plume, 1993.

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Minding the Store: A Memoir. University of North Texas Press, 1997.

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Buchteile zum Thema "1905-2002"

Outtier, Bernard. „François Graffin, S.J. (1905–2002)“. In Hugoye: Journal of Syriac Studies (Volume 6), herausgegeben von George Kiraz, 193–96. Piscataway, NJ, USA: Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463214128-007.

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„Gladys Arnold (1905–2002)“. In Rogues and Rebels, 97–103. University of Regina Press, 2015. http://dx.doi.org/10.1515/9780889773998-015.

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KUYKENDALL, LARA. „Constance Coleman Richardson (1905–2002)“. In The Unforgettables, 270–74. University of California Press, 2022. http://dx.doi.org/10.2307/j.ctv32fs57r.45.

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Kuykendall, Lara. „Constance Coleman Richardson (1905–2002)“. In The Unforgettables, 270–74. University of California Press, 2022. http://dx.doi.org/10.1525/9780520385573-043.

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Rao, A. S., und Vijendra K. Boken. „Monitoring and Managing Agricultural Drought in India“. In Monitoring and Predicting Agricultural Drought. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195162349.003.0034.

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Agriculture is the mainstay of more than 70% of India’s more than 1 billion population. Indian agriculture is predominantly rain-fed and depends on the spatial and temporal distribution of rains from southwest (June– September) and northeast (October–December) monsoons. A monsoon refers to seasonal alteration of atmospheric flow. The Indian subcontinent is predominantly characterized by a tropical monsoon climate, where climatic regimes are governed by rainfall rather than by temperature. The southwest monsoon accounts for 70–90% of the annual rainfall. The Technical Committee on Drought Prone Areas Program (DPAP) and the Desert Development Program (DDP) identified about 120 million ha of the country’s land spread in 185 districts as drought prone (DPAP/DDP,1994). Though the country as a whole receives an average annual rainfall of 1100 mm, the arid regions receive between 100 and 500 mm, and semiarid regions receive between 350 and 1500 mm of rainfall. Arid and semiarid regions of the country experience frequent droughts. The arid region in Rajasthan state produces 76% of pearl millet production of the country, but the average productivity is only 267 kg/ha for the whole of Rajasthan compared to 452 kg/ha for the country. Drought frequency is once in 2.5 years in arid zones and once in 4 years in semiarid regions (table 23.1). India experienced droughts in 1792, 1804, 1812–13, 1833–34, 1838– 39, 1848–49, 1850–51, 1853–54, 1868–69, 1877, 1891, 1896, 1899, 1905, 1911, 1915, 1918, 1920, 1941, 1951, 1965, 1966, 1972, 1974, 1979, 1982, 1986, 1987, 1988, 1999, and 2000. A higher frequency of drought occurred during 1891 –20, 1965–90, 1997 –2000, and 2002. The main food crops affected by drought are rice, wheat, pearl millet, sorghum, and pegion pea that are grown during southwest monsoon season under rain-fed conditions. Legumes and pulses, which are short-duration crops, are less affected. Persistent droughts cause crop failures and lead to acute shortage of food, fodder, and water (for drinking or irrigation), affecting human and livestock health. During drought years, people and livestock in the arid parts of Rajasthan migrate to neighboring states in search of food, fodder, drinking water, and employment.

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Konferenzberichte zum Thema "1905-2002"

Boeman, Raymond G., und Nancy L. Johnson. „Development of a Cost Competitive, Composite Intensive, Body-in-White“. In Future Car Congress. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2002. http://dx.doi.org/10.4271/2002-01-1905.

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Marian, Ana. „Anatomical constructions of the creation of a sculptural portrait in the works of Lazar Dubinivsky“. In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.26.

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Anatomical constructions are the important point in creating a sculptural portrait. The academic school of modelling, as well as modernist tendencies can be tested in the work of Alexandru Plămădeală (1888—1940). A severe anatomical interpretation also characterized the creativity of Lazăr Dubinovschi (1910—1982). Already in a series of works, dedicated to colleagues in the workshop (1968—1979), Lazăr Dubinovschi realized the prevalence of the inner world in the portrait, which contributed to the modeling of the anatomical features of the portrayed people. Claudia Cobizev (1905—1995) went through a good school, which helped to update the anatomical structures in the female portrait. Dumitru Rusu-Scvorţov (1926—1991) is a good connoisseur of anatomy in sculptural portraits of famous people. Alexandra Picunov-Târţău (1928—2002) conveys the secrets of the images she creates through the laconicism of anatomical features in the portraits of her colleagues (1972—1981). Brunhilda Epelbaum-Marcenco (b. 1927) experiments with color in the portrait genre. The work of Yuri Kanashin (b. 1939) contains a whole range of modeling between realistic and stylized interpretation in portraits of great personalities. Sculptor Constantin C. Constantinov (b. 1943) introduces anatomical constructions in portraits of elderly people (1985—1989). Portraits of Dumitru Verdianu (b. 1954) contain, in addition to anatomical structures, both impressionist and modernist interpretations (1982—1989). The minimalism and conceptualism of Ion Bolocan (b. 1961) reduces anatomical constructions to external forms, displaced and extracted. Anatomical constructions have always contributed to lifelikeness and plastic expression in the portrait.

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