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Zeitschriftenartikel zum Thema "1887-1965 Criticism and interpretation"
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Anjani, Khairul Tri. „KEBIJAKAN ORDE BARU VERSUS PENCURIAN KOREK API“. Tsaqofah 18, Nr. 02 (28.12.2020): 153. http://dx.doi.org/10.32678/tsaqofah.v18i02.3596.
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Juvenile delinquency in Jakarta Theft of Lighters in Student Boarding Areas 1965-1998. This study aims to determine the juvenile delinquency in Jakarta in the theft of matches in the 1965 student boarding area, besides that the authors also expect readers to understand juvenile delinquency in Jakarta. Research uses historical research methods. The method used is heuristics, criticism / verification, interpretation and historical writing. The results of the study understood the initial program of economic and education policy during the New Order government, could understand juvenile delinquency in the student settlement environment during the New Order government, outline match theft and its continued development until the end of the new order government.
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Anjani, Khairul Tri. „KEBIJAKAN ORDE BARU VERSUS PENCURIAN KOREK API“. Tsaqofah 18, Nr. 02 (28.12.2020): 153. http://dx.doi.org/10.32678/tsaqofah.v18i02.3596.
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Juvenile delinquency in Jakarta Theft of Lighters in Student Boarding Areas 1965-1998. This study aims to determine the juvenile delinquency in Jakarta in the theft of matches in the 1965 student boarding area, besides that the authors also expect readers to understand juvenile delinquency in Jakarta. Research uses historical research methods. The method used is heuristics, criticism / verification, interpretation and historical writing. The results of the study understood the initial program of economic and education policy during the New Order government, could understand juvenile delinquency in the student settlement environment during the New Order government, outline match theft and its continued development until the end of the new order government.
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Barrientos Del Monte, Fernando. „From Sociological Interpretation to Political Science“. Latin American Perspectives 45, Nr. 2 (19.12.2017): 51–61. http://dx.doi.org/10.1177/0094582x17748377.
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From the end of the nineteenth century until well into the 1980s, one spoke of the “political sciences” (in the plural), a concept that included all the disciplines that analyzed political phenomena. “Sociological interpretation” began in the 1960s as a model of social science meant to provide both criticism and direction regarding development policies. Rodolfo Stavenhagen’s 1965 “Seven Erroneous Theses about Latin America” is an example of the role played by the political sciences at the time. Given the development of contemporary political science, which seeks dependent and independent variables and mid-range theories and bases its claims on empirical information, the question arises what Latin American political science can (re) learn from the interpretive model employed 50 years ago. Desde finales del siglo XIX y todavía en los años ochenta del siglo XX se hablaba de “ciencias políticas” (en plural), concepto en el cual se incluían todas aquellas disciplinas que analizaban los fenómenos políticos. La “interpretación sociológica” se erigió en la década de los años sesenta como un modelo de ciencia social que formulaba críticas pero también orientaba políticas de desarrollo. “Siete tesis equivocadas sobre América Latina” (1965) de Rodolfo Stavenhagen es un ejemplo del ejercicio de las ciencias políticas de la época. A la luz del desarrollo de la ciencia política contemporánea, que busca variables dependientes e independientes y teorías de alcance medio y funda sus afirmaciones a partir de información empírica, se trata de responder a la pregunta qué puede (re)aprender la ciencia política latinoamericana del modelo interpretativo de hace cincuenta años.
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Erlina, Terra. „PERANAN KESATUAN AKSI MAHASISWA INDONESIA DAN KESATUAN AKSI PELAJAR INDONESIA DALAM PROSES PERALIHAN KEPEMIMPINAN NASIONAL TAHUN 1965-1968“. Jurnal Wahana Pendidikan 7, Nr. 1 (31.01.2020): 95. http://dx.doi.org/10.25157/wa.v7i1.3253.
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Penelitian ini bertujuan untuk menjelaskan aksi mahasiswa indonesia dan kesatuan aksi pelajar indonesia dalam proses peralihan kepemimpinan nasional tahun 1965-1968. Perjuangan peranan aksi-aksi mahasiswa sebagai “pressure group” sangat besar. Metode yang digunakan dalam penelitian ini yaitu penelitian histori meliputi langkah-langkah sebagai berikut: (1). Heuristik (2). Kritik, (3). interpretasi (4). Historiografi. Hasil penelitian menunjukkan bahwa Supersemar dan gerakan aksi mahasiswa telah membawa kemenangan bagi Orde Baru melalui proses konstitusional terhadap penyelewengan ideologi, politik, ekonomi, sosial dan budaya.Kata Kunci : Aksi Mahasiswa, Peralihan KepemimpinanABSTRACTThis study aims to explain the actions of Indonesian students and the unity of Indonesian student action in the process of transitioning the national leadership in 1965-1968. In the struggle the role of student actions as a "pressure group" is very large. The method used in this research is historical research including the following steps: (1). Heuristics (2). Criticism, (3). interpretation (4). Historiography. The results showed that Supersemar and the student action movement had brought victory for the New Order through a constitutional process of ideological, political, economic, social and cultural distortion.Keywords: Student Action, Leadership Transition
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Harisman, Trisna Awaludin, Raden Muhammad Mulyadi und Widyo Nugrahanto. „PEMBREDELAN SURAT KABAR PIKIRAN RAKJAT TAHUN 1965“. Patanjala Jurnal Penelitian Sejarah dan Budaya 12, Nr. 1 (18.04.2020): 103. http://dx.doi.org/10.30959/patanjala.v12i1.528.
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Tujuan dari penelitian ini adalah untuk mengetahui latar belakang pembredelan surat kabar Pikiran Rakjat pada 1965 setelah munculnya peraturan bagi pers untuk berafiliasi dengan partai atau organisasi politik tertentu. Penelitian ini menggunakan metode penelitian sejarah kritis yang terdiri dari empat tahapan kerja: heuristik, kritik sumber, interpretasi, dan historiografi. Hasil penelitian ini menunjukkan bahwa pada awal tahun 1965, kegiatan pers surat kabar Pikiran Rakjat sempat diberhentikan oleh pemerintah disebabkan terlambatnya surat kabar ini untuk terlibat dalam aktivitas politik. Pada 24 Maret 1966 atas dorongan Pangdam Siliwangi para wartawan yang di wakili Sakti Alamsyah sepakat untuk melakukan kerjasama untuk menerbitkan surat kabar Angkatan Bersenjata Edisi Jawa Barat. Belum setahun surat kabar ini terbit, Kementeriaan Penerangan mencabut kembali peraturan tentang afialiasi dalam dunia politik. Kondisi ini menyebabkan pada 24 Maret 1967 surat kabar Angkatan Bersenjata Edisi Jawa Barat berubah nama menjadi Harian Umum Pikiran Rakjat dibawah pemimpin umum redaksi yaitu Sakti Alamsyah. The purpose of this study is to determine the background to the banning of the Pikiran Rakjat Newspaper in 1965. The ban came after the government issued a regulation of requiring the press to be affiliated with certain political parties or organizations. This study uses a critical historical research method consisting of four stages of work, namely heuristics, source criticism, interpretation, and historiography. The results of this study show evidence that in the beginning of 1965 the government banned the newspaper because it was considered too late to engage in political activity. At the instigation of Commander of Military Regional Command/Siliwangi, it was on 24 March 1966 that journalists represented by Sakti Alamsyah agreed to cooperate in publishing Angkatan Bersenjata Newspaper West Java edition. However, when it was not yet a year old, the Ministry of Information revoked the regulations on obligating the press to affiliate with the political world. It was on March 24, 1967 that Angkatan Bersenjata Newspaper West Java edition consequently changed its name to Harian Umum Pikiran Rakjat and was operated under the editor-in-chief Sakti Alamsyah.
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Susilowati, Endang. „The influence of waters environment on the existence of Martapura port in Banjarmasin, South Kalimantan“. E3S Web of Conferences 202 (2020): 07029. http://dx.doi.org/10.1051/e3sconf/202020207029.
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This article examines the influence of waters environment on the existence of Martapura port in Banjarmasin, South Kalimantan. Martapura port is a port located on the banks of Martapura River, Banjarmasin. This port has been an essential trade center since the 17th century during the heyday of Banjar sultanate. The strategic port location along the riverbank that divides Banjarmasin makes Martapura port crowded and visited by sailors and traders from various islands and other regions in Indonesia, even from other countries. Through historical research methods consisting of heuristics, source criticism, interpretation, and historiography, this article reveals how the waters environment influenced the existence of Martapura port until finally the port had to be moved to a new location. The results emphasize that the narrowing Martapura river due to the development of economic centers and residential settlements in the form of floating houses on both sides of the river and also sedimentation in the estuary, caused disruption of the shipping lanes to the port and the silting of the turning basins. As a result, the waterway became narrow and large ships were no longer able to move into the port. Therefore, in 1961, the construction of a new port on the banks of Barito river began and since 1965 Martapura port has only been used for the activities of small wooden ships and sailboats.
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Mata, Maria Eugénia. „Cardinal Versus Ordinal Utility: António Horta Osório's Contribution“. Journal of the History of Economic Thought 29, Nr. 4 (Dezember 2007): 465–79. http://dx.doi.org/10.1080/10427710701666610.
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The history of economic thought remembers António Horta Osório for Schumpeter's reference to him in the History of Economic Analysis, in the context of a general appraisal of available works using mathematical instruments and language. This, however, does not do him justice, as he should also be praised for his pioneering interpretation of Pareto's general equilibrium. According to Stigler (1965), the definitive substitution of the cardinal utility hypothesis for the ordinal utility perspective was achieved by Johnson (1913) and Slutsky (1915). Weber (2001) discusses how far Pareto used cardinality, elects Slutsky (1915) as a pioneer of demand theory and prefers to reserve to R. G. Allen (1932–34), L. R. Klein and H. Rubin (1947–48), Samuelson (1947–48), R. C. Geary (1950–51), and Richard Stone (1954) the role of establishing ordinal utility in studying the utility function. This paper shows that Osório (1911) considered the subject of ordinalism before Johnson and Slutsky addressed the issue, as he had rejected the possibility of measuring utility and clearly stated that general equilibrium is not affected if cardinality is replaced by the ordinal conception for utility, according to Pareto's last formulation. Upon reading his book it becomes clear that not only was he perfectly aware of Edgeworth's contribution on the utility indifference curves, but also of Pareto's attempts to preserve general equilibrium from Fisher's criticism against cardinalism. Historians of economic thought have forgotten one of the early twentieth-century neoclassical economists. In this way the History of Economics has neglected an interesting proof of the consolidation of the Paretian ideas on ordinality, an issue that was an exciting and uncharted territory at that moment.
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Okayama, Hiroshi. „THE INTERSTATE COMMERCE COMMISSION AND THE GENESIS OF AMERICA'S JUDICIALIZED ADMINISTRATIVE STATE“. Journal of the Gilded Age and Progressive Era 15, Nr. 2 (April 2016): 129–48. http://dx.doi.org/10.1017/s153778141500081x.
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AbstractRevisiting the origins of the Interstate Commerce Commission (ICC) created in 1887 and offering a fresh interpretation that the commission was conceived and operated as a highly court-like agency, this paper argues that its emergence triggered the judicialization of the U.S. administrative state. It has been argued that the blueprint of the ICC took after existing railroad commissions. Its proponents in Congress, however, redesigned it with judicial courts as a model after facing criticisms based on the common-law principle of the supremacy of law allowing adjudication only to judicial courts. In accordance with such an institutional scheme, both the president and judiciary promoted the commission's judicialization by appointing lawyers as its members and reviewing its decisions. By the early twentieth century, the ICC was a prototypical agency whose court-like features permeated the administrative state. This paper thus offers a corrective to the literature on the U.S. administrative state building that has come to trivialize the role of the rise of the ICC. It was, instead, a critical juncture in the emergence of the modern administrative state in which being “quasi-judicial” was the norm rather than the exception for an administrative agency.
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Jackson, Caroline, David Roger Vaughan und Lorraine Brown. „Discovering lived experiences through descriptive phenomenology“. International Journal of Contemporary Hospitality Management 30, Nr. 11 (12.11.2018): 3309–25. http://dx.doi.org/10.1108/ijchm-10-2017-0707.
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Purpose This paper aims to explore the reasons why descriptive phenomenology (DP) can provide an improved understanding of hospitality, tourism and event experiences. This is achieved through two objectives: first, by revealing the complexities and philosophical depths of DP; second, by providing a practical, stepped method that offers rigour and transparency. Design/methodology/approach This paper is based upon a study that explored the lived experience of the popular music festival-goer. It generally discusses the phenomenological philosophies of Husserl (1965 [1911]) and the descriptive phenomenological method in psychology of Giorgi (2009). It identifies not only some of the challenges and criticisms of DP but also the strengths of using a scientific approach to phenomenological research. Findings The philosophical strengths underlying DP afford a deeper understanding of the phenomenon being studied. The lived experience music festival study illustrates that the method of data collection and analysis highlights the intricacy of the philosophical debate and research findings. Although the bracketing, or epoché, method of DP has been criticised, the actual application is far more complex than trying to blank out prior knowledge. The aim is to ensure that it is the participants’ experiences that are used to identify the structure that is the phenomenon rather than the personal interpretation of the researcher. Originality/value It is recognised that researching the lifeworld affords a greater depth of understanding of experiences in people’s lives. One of the disappointments has been that one branch of phenomenological research, DP, has been underutilised and at times misunderstood in hospitality, tourism and event research. This paper aims to demonstrate and illustrate why and how DP should be considered in the future research of such experiences.
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Snortland, Neil. „The Supreme Court and the Constitutional Right to Privacy“. American Review of Politics 11 (01.01.1991): 105–24. http://dx.doi.org/10.15763/issn.2374-7781.1990.11.0.105-124.
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Since its creation in 1965, the constitutional right of privacy has been difficult to understand, even contradictory. This may be explained as the result of the incremental implementation of the sweeping language of Griswold v. Connecticut, with privacy coming into conflict with other rights such as the freedom of the press. In addition, the initial criticisms of Griswold’s synoptic privacy reasoning intensified when Roe v. Wade provoked potent political opposition. These influences combined with the changing membership on the Supreme Court to produce an evaporation of privacy language from recent decisions, most notably Webster v. Reproductive Health Services and Cruzan v. Director, Missouri Department of Health. Furthermore, the Court is transforming Roe's declaration of privacy as a “fundamental right” protected by “strict scrutiny” into a “liberty interest” protected by the relaxed standard of “rational-basis scrutiny.” Finally, Rehnquist and Scalia want to give a narrow historical interpretation to any “liberty interest,” thus limiting the application of privacy to other areas of constitutional law.
Dissertationen zum Thema "1887-1965 Criticism and interpretation"
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Gadbois, Pauline. „La parole parlée dans l'oeuvre de Jacques Brault 1954-1965 /“. Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59886.
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Often designated as "le poete de la parole parlee", Jacques Brault, author of a substantial and rigourous work dealing with poetry, language, writing and art, is one of the most significant modern writers of Quebec. In our literature, rare are the figurative expressions inventing their own trajectory and rarer still is the emblematic used to evoke simultaneously the essence of a generation, a work, a writer, a style. The expression "la parole parlee" says it all.This figure of speech, intimately linked to though and writing, has progressed from a rhetorical to a living expression throughout the eleven years on which our study focuses. In the analysis of this period, "la parole parlee" stands out as the obscure leitmotiv which favours a dialogue between the critical and the creative in the act of writing. Finding its own way, the work discovers a refrangible and versatile universe and the unique voice of Jacques Brault.
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Sanborn, Robert E. „Free servitude : a study of the mythos in the poetry of Edwin Muir“. Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/468077.
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The poetry of Edwin Muir has inspired a distinctive body of criticism. Realizing that his poetry is inexorably linked with his life, Roger Knight, Michael Phillips, Peter Butter and others have produced fine studies of his work against a biographical background. Margaret Anderson has contributed an important dissertation on the importance of dualism in the poems. R. P. Blackmur, J. R. Watson and Kathleen Raine have published articles that are central in informing any new Muir scholarship.This study intends to illuminate the source of Muir's inspiration, to show that his imagery is drawn from the mythos. A general review of Muir criticism supports the theory that the imaginative background he knew as the Fable, which underlies all temporal human behavior (labeled as the Story) is also the collective unconscious of Jung, the Spiritus Mundi of Yeats, the "inseeing" of Rilke, and the Mythos of Aristotle.The study reviews Muir criticism and the poetic technique of Muir, develops a special definition of "mythos" and goes on, through the explication of selected Muir poems, to show how his poetic and philosophical growth was influenced by his unique ability to gain access to the most powerful of Aristotle's four modes of Rhetoric. Finally, the study crystalizes Muir's overall aesthetic in the oxymoronic conclusion to his 1956 masterpiece, "The Horses," the term "free servitude."Muir felt that we can only function at our full potential when we use the power of our imagination to realize the essential duality of the human condition. We are, to an extent, free, and in a state of servitude. In Freudian terms, the superego enslaves us through guilt and our debt to the concept of civilization, while the id urges us on the ultimate freedom represented by the unchecked expression of violence and sex.The study concludes with an examination of Muir's final enigmatic symbol, found in the title of his last collection of poems: One Foot in Eden. Man, through the imaginative realization of his immortality, may plant one foot in Eden; the other foot remains trapped in the Labyrinth, Muir's symbol for the bewildering, impersonal complexity of our twentieth century beaurocractic wasteland. The transcendence of this entrapment gave Muir his purpose, in life and in art.
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Reiswig, Amy. „Robinson Jeffers, hermit of Carmel : recontextualizing inhumanism“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64185.pdf.
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Bagraim, Abigail Sarah. „The Hasidic spirit as the foundation of the art of Marc Chagall“. Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1002189.
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In considering Chagall's art the observer is immediately struck by the constancy of his almost obsessive repetition of certain symbols and themes. In this way Chagall has created his own fantasy world, one with which the observer soon becomes acquainted and grows to love and understand.
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Laue, Ingrid Elizabeth. „Pictorialism in the fictional miniatures of Albert Paris Gütersloh“. Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27367.
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The purpose of this study has been to investigate and analyze the "fictional miniatures," i.e., the short prose works, of Albert Paris Gütersloh. The assumption was that a marked interrelationship exists between these and Gütersloh's painted miniatures. Given the fact that Gütersloh was both writer and painter, and since many of the questions which logically arise out of this duality either have not been addressed at all in the scholarly literature on Gütersloh, or dealt with only superficially, it was felt that the approach used in the present study had to focus, to some extent, on the artist's dual talent. The study attempts to illustrate Gütersloh's artistic nature in conjunction with an investigation of one area of artistic expression, namely the short fictional works.
The method was one of proceeding from the general to the particular, i.e., by first examining the complex phenomenon of the "painting writer," or "writing painter," as well as the widely discussed notion of "reciprocal illumination" of the arts. This, together with the detailed analysis of scholarly works on Gütersloh as well as his own theoretical writings on art was seen as part of the necessary "anatomy" of the study. Although the narrational quality of the painted miniatures has been alluded to by several other critics, the inherent similarity between Gütersloh's painted and "literary miniatures" (i.e., his short prose works) is being analyzed for the first time in this study. It aims at proving the claim that the former's overriding characteristic is their distinctly narrational quality. As such the paintings are permeated with a writer's imagination, a feature which makes their narrative component as important as the pictorial. Each of these small-scale paintings depicts some crucial point in a "story," thereby forcing the viewer to imagine a "before" as well as an "after" of each specific scene — in other words, to see these paintings in epic terms.
By isolating such elements as delineation, framing, staging, setting, and colour (both descriptive and metaphorical) among others, it could be shown that the fictional miniatures give evidence of Gütersloh's persistent inclination to think, and write, in "pictures," hence to work from a largely pictorial conception: the story-line frequently is developed as a series of static "pictures" which are given as much compositional weight as the chronologically progressing plot. It could also be demonstrated that the general phenomenon of Fantastic Realism is a pronounced feature not only of the painted but also of the literary miniatures.
The conclusion the study reaches is that Gütersloh's artistic expression, whether as writer or painter, is of a much more unified nature than has previously been argued; that both forms of artistic expression are of a complementary
nature, and that this phenomenon is exemplified most succinctly in his fictional miniatures.Arts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
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Pham, Thien Truong. „Tanizaki Junʼichirō and the art of storytelling“. Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25504.
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This thesis deals with the storytelling art of Tanizaki Jun'ichirō. An esthete par excellence, this prolific writer produced for over half a century a string of works that are essentially dedicated to the glorification of art and beauty. This glorification in turn enhances the quality of life which, also in the author's view, is both a dream and a game. Art and beauty, dreams and games are virtually the building blocks of Tanizaki's fictional universe in which illusion and reality are meant to be complementary rather than opposing forces that govern human existence. Transplanting this fabulous world into the reader's heart is the result of Tanizaki's special skill in storytelling. An analysis of his four major works will hopefully bring this skill into full view.
Chapter One examines Tanizaki's early short story "Shisei" that marks his brilliant debut. Though marred by technical flaws, "Shisei" succeeds remarkably in luring the reader into a fairy-tale atmosphere where art and beauty are the only raison d'être. A sensuous style characterizes this lively tale and between the lines flows a life force that will become Tanizaki's trademark.
The theme of art and beauty is brought to a climax in "Shunkinshō" which is analysed in Chapter Two. The simple perspective of "Shisei" is now abandoned, giving way to a maze of multiple viewpoints that are there for the single purpose of hypnotizing the reader. The ultimate goal is to make the reader share the passion and devotion of an artist in the pursuit of the Ideal. The monogatari style is a feature of this novella and helps generate the ambiguity needed for the narrative.
Chapter Three deals with "Yume no ukihashi," a tale of dream and sensuality. Man's ambition to create and perpetuate dreams is given full treatment in this story in which illusions are the name of the game. Incest is also a thorny issue but Tanizaki seems to consciously skirt the problem with various devices.
Fùten rōjin nikki, Tanizaki's crowning novel, is the subject of Chapter Four. Everything that the author stands for in his writing is now brought into focus. Using the casual form of a diary, art motifs and erotic scenes are placed at well-calculated points so that structural balance is maintained throughout the story. A game-playing spirit and the overwhelming life force which starts with "Shisei" embody this last tour-de-force that proudly consolidates the author's fame.
This thesis, through the four works that are examined, can be considered an attempt to shed some light on the question of why and how Tanizaki fascinates the reader.Arts, Faculty of
Asian Studies, Department of
Graduate
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Iwama, Marilyn Joy. „When Nikkei women write, transforming Japanese Canadian identities, 1887-1997“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ34557.pdf.
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Wishart, Ruth. „Georg Trakl and the literature of decadence“. Thesis, University of St Andrews, 1994. http://hdl.handle.net/10023/13361.
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This thesis examines the poetry of Georg Trakl within the context of literary decadence in Europe at the turn of the century (1880-1914). It provides an analysis of Trakl's early writing, and traces themes of literary decadence which recur throughout his work, particularly in the late prose and the dramatic fragment of 1914. In so doing, it also undertakes a comparative study of Trakl's poetry and decadent literature in Austria, Germany, France and England. Chapter One looks at the literary background and attempts a definition of what was understood by literary decadence in France and Germany at the end of the nineteenth century. Chapter Two examines motifs of crime and horror in Trakl's writing, paying particular attention to the concept of Lustmord in the early dramas Blaubart and Don Juans Tod and the later dramatic fragment of 1914. Chapter Three examines the issue of sexual guilt, and the portrayal of women in Trakl's poetry, from the femme fatale of the early poetry to the figure of the sister and the androgyne in the later poetry. Chapter Four traces the theme of blasphemy from the early lyric to the last poetic utterances of 1914, and touches briefly on the question of Trakl as a Christian poet. Chapter Five looks at motifs of isolation, obsession with death and decay, and poetry as the expression of the poet's etat d'ame. Chapter Six provides an analysis of the language and style of the early poetry, focusing on Trakl's affinity with the style of literary decadence.
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Danezi, Irene. „Richard Jefferies as a social critic : modern loneliness“. Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683338.
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Van, Wyk André Johan. „Die dood, die minnaar en die oedipale struktuur in die Ingrid Jonker-teks“. Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1003917.
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From Inleiding: In dié inleiding word die implikasies van die woord "teks", asook die resepsie van die Ingrid Jonker-teks in die lig van haar dood, en 'n eie benaderingswyse, in teenstelling met die tradisionele kritiese metodes, bespreek. 1.1 Die teks: Die Ingrid Jonker-teks behels (met die dood, die rninnaar en die OedipaIe struktuur as uitgangspunt) aIIes waarop die woorde "Ingrid Jonker", as teks - die parentese tussen die datums op haar grafsteen - dui. Dit beteken dat genre-onderskeidinge en die onderskeid biografie en literatuur opgehef word. Verdere implikasies van die woord "teks" gaan vervolgens ter inleiding ondersoek word. Daar sal ruim gebruik gemaak word van die literêr-teoretiese en filosofiese veronderstellinge van Julia Kristeva, Maurice Blanchot, Jacques Derrida, Jacques Lacan, Pierre Macherey en Roland Barthes.
Bücher zum Thema "1887-1965 Criticism and interpretation"
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1887-1965, Le Corbusier, Hrsg. Le Corbusier, 1887-1965: The lyricism of architecture in the machine age. Hong Kong: Taschen, 2006.
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1887-1914, Macke August, Hrsg. August Macke, 1887-1914. Koln: Taschen, 1993.
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Meseure, Anna. August Macke 1887-1914. Ko ln: Benedikt Taschen, 1993.
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Michel, Elvezia. Elvezia Michel 1887-1963. Samedan: Kulturarchiv Oberengadin, 1993.
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Ferlenga, Alberto. Pikionis, 1887-1968. Milano: Electa, 1999.
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Le Corbusier, the noble savage: Toward an archaeology of modernism. Cambridge, Mass: MIT Press, 1998.
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1887-1962, Roosenburg Dirk, Hrsg. Dirk Roosenburg: 1887-1962. Rotterdam: Uitgeverij 010, 2005.
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Smith, Frances K. John Herbert Caddy, 1801-1887. Kingston, Canada: Agnes Etherington Art Centre, Queen's University, in association with the McIntosh Gallery, University of Western Ontario, London, Canada, 1985.
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Erich, Schneider, Hrsg. Max Ackermann: 1887-1975 : Strukturbilder. Schweinfurt: Museen und Galerien der Stadt Schweinfurt, 2013.
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Smith, Frances K. John Herbert Caddy, 1801-1887. Kingston: Agnes Etherington Centre, 1985.
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Peter T, Muchlinski. „Part IV The Impact of International Investment Law, 17 Investor–State Dispute Settlement“. In Multinational Enterprises and the Law. Oxford University Press, 2021. http://dx.doi.org/10.1093/law/9780198824138.003.0017.
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This chapter studies investor–state dispute settlement (ISDS) in International Investment Agreements (IIAs), the primary method of which is investor–state arbitration. It outlines the nature of investor–state disputes and the main types of dispute settlement techniques. The chapter also considers the principal characteristics of investor–state arbitration and examines arbitration under the Washington Convention on Settlement of Investment Disputes between States and Nationals of Other States 1965 (the ICSID Convention), which established the International Centre for Settlement of Investment Disputes (ICSID). Most Bilateral Investment Treaties (BITs) refer to ICSID arbitration as the sole, or optional, method of dispute settlement. ICSID Tribunals have acted in a wide range of disputes, adopting expansive interpretations of personal and subject-matter jurisdiction. This has led to criticism that investor–state arbitration has become too pervasive and a threat to the states’ ‘right to regulate’, given the risk of high procedural costs and compensation. ‘New-generation’ IIAs have responded by limiting the jurisdiction of tribunals over investment disputes. Moreover, recourse to alternative dispute resolution (ADR) and dispute avoidance techniques is being encouraged. The United Nations Commission on International Trade Law (UNCITRAL) has also taken up ISDS reform and is in the process of formulating a multilateral reform package.