Thematische Bibliographien / 17th century

Auswahl der wissenschaftlichen Literatur zum Thema „17th century“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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Zeitschriftenartikel zum Thema "17th century"

Holman, Peter. „17th-century England“. Early Music 33, Nr. 2 (01.05.2005): 352–54. http://dx.doi.org/10.1093/em/cah090.

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SILBIGER, ALEXANDER. „‘17TH CENTURY KEYBOARD MUSIC’“. Music and Letters 72, Nr. 2 (1991): 351–53. http://dx.doi.org/10.1093/ml/72.2.351.

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GUSTAFSON, BRUCE. „‘17TH CENTURY KEYBOARD MUSIC’“. Music and Letters 72, Nr. 2 (1991): 353. http://dx.doi.org/10.1093/ml/72.2.353.

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Woodfield, Ian. „17th-century English consorts“. Early Music XXII, Nr. 3 (August 1994): 514–20. http://dx.doi.org/10.1093/earlyj/xxii.3.514.

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Olson, Greta. „A 17th-century cancionero“. Early Music XXV, Nr. 3 (August 1997): 495–98. http://dx.doi.org/10.1093/earlyj/xxv.3.495.

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Wilson, Robin. „17th-Century French Mathematics“. Mathematical Intelligencer 38, Nr. 1 (22.04.2015): 96. http://dx.doi.org/10.1007/s00283-015-9532-2.

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Johnston, G. S. „Surveying the 17th century“. Early Music 35, Nr. 2 (01.05.2007): 293–95. http://dx.doi.org/10.1093/em/cam018.

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Holman, P. „Performing 17th-century music“. Early Music 41, Nr. 2 (01.05.2013): 335–37. http://dx.doi.org/10.1093/em/cat038.

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Combes, Liz. „16th- and 17th-Century Italy“. Musical Times 136, Nr. 1826 (April 1995): 194. http://dx.doi.org/10.2307/1004173.

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Cooper, Barry. „A 17th-century English Keyboard“. Early Music XXIII, Nr. 1 (Februar 1995): 158–60. http://dx.doi.org/10.1093/earlyj/xxiii.1.158.

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Dissertationen zum Thema "17th century"

Carenwall, Carl. „Adaptive binarization of 17th century printed text“. Thesis, Uppsala universitet, Institutionen för informationsteknologi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-188155.

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This work focused on implementing and evaluating an adaptive water flow model for binarization of historical documents, as presented by Valizadeh and Ehsanollah in an article published in early 2012. While the original method sought an optimal result for all kinds of degraded documents, both on hand written and printed, the work presented here only needed to be concerned with printed documents. This was due to being focused on specific documents scanned by the Uppsala university library. The method itself consists of several steps, including a couple that uses other methods for binarization to achieve a good result. While the implementation appears to have been largely successful in replicating the results of the original method, it is very possible that some minor tweaking could result in further improvements. To replicate the results, however, a new parameter had to be inserted in the method. Regardless if this was because of some mistake, or if the sample data used by Valizadeh and Ehsanollah simply differs from the one used here, this may be worth looking more at. In the end of this report are comparisons with a couple of common and state-of-the-art methods for binarization, and this method appear to perform favourably in most cases.

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McKimpson, Karl. „Going Commercial: Agency in 17th Century Drama“. Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20412.

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This dissertation’s aim is to reveal how essential economic mechanics were to playwrights when it came to depicting agency. Rising commercialization in the seventeenth century prompted playwrights to appropriate market behaviors in London as a new discourse for agency. Commerce serves as a metaphor for every part of daily life, and a new kind of “commercial” agency evolves that predicates autonomy upon the exchange networks in which a person participates. Initially, this new agency appears as a variation on the trickster. By the end of the century, playwrights have created a new model for autonomy and a new kind of hero to employ it: the entrepreneur. My chapters chart the defining points in the development of commercial agency, each with a representative text or texts. In chapter II, I analyze how the Jacobean gallant, a variation on the trickster, sells himself as a desirable commodity to gain wealth and influence, the conditions he needs to liberate himself and control his own destiny (Eastward Ho). Chapter III examines characterizations of businesswomen in seventeenth century drama, one of the primary shifts in tone that accompanied the development of commercial agency as playwrights became more skilled in its portrayal (Antony and Cleopatra). Frequently regarded as prostitutes in Elizabethan plays, entrepreneurial women are often seen in later periods as dramatic, even tragic, heroes. When the stage closed during the years of 1642-1659, the print market was playwrights’ main source of income, and it was soon adapted to promote drama and ensure its future production. Chapter IV suggests that the success of William Davenant’s The Siege of Rhodes was due to how its preface implicated customers of the print edition in its stage production. Chapter V marks the emergence of the entrepreneurial rake as a romantic and comic hero. The chapter argues that the egalitarian haggling that ends The Man of Mode and The Rover, which is conspicuously absent from The Country Wife, is presented as the ideal basis for any loving, successful, and profitable marriage.

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Irvine, Verity Elizabeth. „The 'oriental' ambassador in 17th century French comedy“. Thesis, University of Kent, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410870.

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Martin, Henri-Jean. „Print, power, and people in 17th-century France /“. Metuchen (N.J.) ; London : Scarecrow, 1993. http://catalogue.bnf.fr/ark:/12148/cb37506692s.

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Wiese, Helen Lloy. „Lully's Psyché (1671) and Locke's Psyche (1675) : contrasting national approaches to musical tragedy in the seventeenth century“. Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42070.

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The English semi-opera, Psyche (1675), written by Thomas Shadwell, with music by Matthew Locke, was thought at the time of its performance to be a mere copy of Psyche (1671), a French tragedie-ballet by Moliere, Pierre Corneille, and Philippe Quinault, with music by Jean- Baptiste Lully. This view, accompanied by a certain attitude that the French version was far superior to the English, continued well into the twentieth century. This view is misleading; although the English play was adapted from the French, both were representative of two well-developed native theatrical traditions. Therefore, though there are certain parallels, both in plot and in the subject matter of some musical numbers, the differences in structure, both of the drama and of the music, are more significant. This thesis is a comparative study of the two plays, analyzing both their dramatic and musical structures, and examining them both from the context of the two theatrical traditions. It is concluded that the literary approach to tragedy of French theater resulted in the separation of drama and music, the latter relegated to the prologue, or to end-of-act diversions called intercedes. This allowed Lully to have great control over his music, and in Psyche (1671), he was concerned with the form of each intermede as a whole instead of striving for a variety of forms and ensembles within individual songs. Most of his songs and dances are solo airs in binary form; he makes little use of chorus and ensembles. On the contrary, the music in Psyche (1675) on many occasions was integrated with the plot, and was scattered randomly throughout the play. This prevented Locke from having artistic control over his compositions; Shadwell, the lyricist, determined where the music would occur, the ensembles to be used, and the moods of songs. Shadwell and Locke were concerned with the variety in each individual piece, rather than with unifying the overall form of musical scenes, and the overwhelming majority of songs have a combination of solo voice, ensembles, and chorus. Therefore, Psyche is not an unoriginal copy, but is a reinterpretation of the myth using the aesthetic of the Restoration tragic theater.
Arts, Faculty of
Music, School of
Graduate

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Coll, Rosemary. „Aspects of the Verb in 17th-century Irish Texts“. Thesis, University of Ulster, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527462.

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Levitt, Ruth L. „Cuyp's cattle : aesthetic transformations in Dutch 17th-century art“. Thesis, University College London (University of London), 1990. https://kclpure.kcl.ac.uk/portal/en/theses/cuyps-cattle-aesthetic-transformations-in-dutch-17thcentury-art(b4f9c421-cfd9-4221-aae2-54ed218b139f).html.

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This study investigates the depiction of cattle by the Dutch painter Aelbert Cuyp (1620-91). It seeks to identify possible reasons for his choices of subject-matter and to trace the implications- for subsequent taste. Origins of the Dutch 17th-century veestuk (cattle piece) can be found in artefacts and writings of many earlier cultures, in which cattle images served mythological, religious, instructional and other functions. The real and symbolic importance of Dutch cattle husbandry and dairy farming contributed further significance to this iconography, and in Cuyp's day the 'Dutch cow' was recognised as a patriotic emblem for the politically independent and economically successful United Provinces. Analysis of the colours and condition of contemporary cattle and of farming practices suggests there were evident differnces between the subjects as Cuyp depicted them and the actuality from which he derived his compositions. This prompts a reconsideration of claims, that 'realism' is the prime character of Cuyp's art. It is proposed that Cuyp adopted a deliberately selective and idealised vision, representing rural subjects in nostalgic terms. Aspects of the intricate interrelationship between observable actuality and pictorial invention are exposed by attending to the cultural imperatives that informed and were informed by the pictures. Cuyp's works not only exploited estab1ished associations to images of cattle but also carried moralising, pietistic and entertaining messages, similar to those found in still-life and genre subjects, whose meaning has become lost to modern observers. Cuyp seems to have worked entirely for a local clientele, and, since Dordrecht was not an agricultural centre, explanations of the appeal of his cattle images are sought in that community's prevailing patrician and burgerlijk attitudes and beliefs about rural subjects. It is argued that his paintings, rather than being regarded as neutrally descriptive reflections of local conditions, were valued both for their illusionistic naturalism and for their underlying meanings. Cuyp's posthumous reputation in Dordrecht and subsequent influence are examined in the light of these aesthetic transformations.

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Kirk, Maria. „Performing consumption and consuming performance : a 17th century play collection“. Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61894/.

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This thesis explores the relationship between performance and consumption in relation to play collection in the 1630s, and also examines the wider contexts of performance and consumption in that decade. It proposes that the 1630s were a decade characterised by particularly self-conscious performances of consumption, and that this environment contributed directly to the beginnings of the collection of books for display purposes. A focus on the Petworth collection and its original collector is maintained throughout the thesis, which weaves together the material and literary content of the collection. Using material evidence from the volumes themselves, this thesis demonstrates that the collection was purchased in 1638 by the 10th Earl of Northumberland through an agent who assembled the collection specifically for the Earl just prior to his purchase of it. It also demonstrates, again using evidence from the volumes themselves, that the purchase was partly informed by principles of education, personal taste and a consideration for family history, but that the overwhelming motive was the drive to consume and to perform that consumption. Using the literary content of the collection to explore representations of performed consumption, this thesis tracks the development of the conceptualisation of consumption on the stage from the wariness about dangerous consumption in the late Elizabethan period to the much more open, and yet still rather complex, attitudes of the 1630s. Finally, the thesis discusses some other kinds of public, performed consumption, including a procession by Northumberland and an entertainment with which he was connected, exploring the explicitly social elements of performance. The Petworth play collection is at once anomalous and typical as an example of mid-17th century book collection, and it can be used to illustrate and map the multitude of issues, concepts and attitudes which surround performance, consumption and collection in the 1630s, and beyond.

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Sabbadini, Lorenzo. „Property, liberty and self-ownership in the English Revolution“. Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8678.

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This thesis seeks to develop our understanding of ideas about political liberty in the English Revolution by way of focusing on the issue of property, a topic unduly neglected in the secondary literature. Most writers of the period conceived of liberty as absence of dependence, but what has been little examined is the extent to which it was believed that the attainment of this condition required not only a particular kind of constitution but a particular distribution of property as well. Here the central ideal became that of self-ownership, and the thesis is largely devoted to tracing the rise, eclipse and re-emergence of this way of thinking about the connections between property and liberty. Chapter 1 considers the emergence, in the ‘paper war’ of the early 1640s, of the radical Parliamentarian view that all property ultimately resided in Parliament. It was to oppose this stance, Chapter 2 argues, that the Levellers began to speak of ‘selfe propriety’, transforming the Parliamentarian notion of popular sovereignty into an individualist doctrine designed to protect subjects and their property from not only the king but also Parliament. Elements of both the Parliamentarian and Leveller discussions of property were taken up by John Milton and Marchamont Nedham (Chapter 3), while James Harrington offered an alternative theory that eschewed the notion of self-ownership (Chapter 4). After a chapter considering the relationship between property and freedom in Henry Neville and Algernon Sidney, the final chapter focuses on John Locke’s revival of self-ownership in his attempt to ground property rights in the individual’s ownership of his ‘person’. Although Locke is shown to offer a theory of private property, the Locke that emerges is not a proto-liberal defender of individual rights but a theorist of neo-Roman freedom whose aim was to explain the connection between property and non-dependence.

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Ellwood, Mark Richard. „The Roman Catholic peerage and the Crown in late seventeenth-century Ireland“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610232.

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Bücher zum Thema "17th century"

(Netherlands), Rijksmuseum, Hrsg. 17th-century cabinets. Amsterdam: Rijksmuseum, 2000.

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Bescoby, Jenny. Three 17th century Flemish prints. (London: Camberwell School of Art and Crafts), 1988.

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Simkin, John. Wales in the 17th century. [s.l.]: Spartacus, 1993.

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C & C Master Collection., Hrsg. 16 - 17th century old masters. London: C & C Master Collection, 1989.

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Buchanan, Paul C. Longs of 17th century Virginia. Springfield, Va: P.C. Buchanan, 1992.

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Patterson, Gary. Chemistry in 17th-Century New England. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43261-4.

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Parkinson, G. H. R. 1923-, Hrsg. The Renaissance and 17th century rationalism. London: Routledge, 2003.

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Barlow, Nicholas. Conservation of a 17th century book. London: Camberwell College of Arts, 1993.

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Frames, Arc Prints and. Decorative 17th & 18th century architectural prints. London: Arc, 1988.

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Huggett, Robert. Early 17th century prices and wages. Bristol: Stuart, 1992.

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Buchteile zum Thema "17th century"

Bowen, Brian. „17th Century England“. In The American Construction Industry, 57–61. New York: Routledge, 2021. http://dx.doi.org/10.1201/9781003130000-5.

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Szénássy, Barna. „17th century mathematical manuscripts“. In History of Mathematics in Hungary until the 20th Century, 58–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-662-02743-1_7.

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Hamlyn, D. W. „The 17th Century — An Introduction“. In Sensation and Perception, 55–61. London: Routledge, 2022. http://dx.doi.org/10.4324/978100331645941-4.

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Bowen, Brian. „The American Colonies, 17th Century“. In The American Construction Industry, 62–67. New York: Routledge, 2021. http://dx.doi.org/10.1201/9781003130000-6.

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Garrett, John. „The Later 17th Century: Andrew Marvell“. In British Poetry Since the Sixteenth Century, 61–69. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-27937-1_5.

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Dinneen, Francis P. „A 17th-Century Account of Mohawk“. In North American Contributions to the History of Linguistics, 67. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.58.07din.

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Kurin, Danielle Shawn. „Deforestation of Easter Island, 17th Century“. In The Bioarchaeology of Disaster, 43–50. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003229209-5.

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Shapiro, Lisa. „Emotion Theory in the 17th Century“. In Emotion Theory: The Routledge Comprehensive Guide, 110–28. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781315559940-8.

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Albritton, Claude C. „Obligatory catastrophism of the latter 17th century“. In Catastrophic Episodes in Earth History, 7–17. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-010-9146-6_2.

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Garrett, John. „The Early 17th Century: Donne and Herbert“. In British Poetry Since the Sixteenth Century, 49–60. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-27937-1_4.

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Konferenzberichte zum Thema "17th century"

Hild, Mami. „Unintentional intercultural collaboration in the 17th century“. In the 5th ACM international conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2631488.2634060.

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Gamble, Susan, und Michael M. Wenyon. „17th-century optics in 20th-century art: artists working in Britain's oldest scientific institution“. In OE/LASE '90, 14-19 Jan., Los Angeles, CA, herausgegeben von Stephen A. Benton. SPIE, 1990. http://dx.doi.org/10.1117/12.17978.

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BARBOSA, Helena. „The signature of Portuguese posters from 17th Century to 20th Century: one history of identities“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-035.

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Matouskova, Eva. „USING VNIR HYPERSPECTRAL SENSOR FOR 17TH CENTURY OIL PAINTING DOCUMENTATION“. In 13th SGEM GeoConference on INFORMATICS, GEOINFORMATICS AND REMOTE SENSING. Stef92 Technology, 2013. http://dx.doi.org/10.5593/sgem2013/bb2.v2/s10.025.

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Stoessel, Jason, Denis Collins und Scott Bolland. „Using Optical Music Recognition to Encode 17th-Century Music Prints“. In DLfM '20: 7th International Conference on Digital Libraries for Musicology. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3424911.3425517.

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Родионова, Галина Семеновна. „DISTRIBUTION OF FOREIGNBOOKSIN YAKUTIA (17TH - THE BEGINNINGOF THE 20TH CENTURY)“. In Всероссийская научно-практической конференция с международным участием, посвященной 100-летию со дня рождения выдающегося ученого-североведа И.С. Гурвича (1919-1992). Электронное издательство Национальной библиотеки РС (Я), 2019. http://dx.doi.org/10.25693/gurvich.2019rodionovags.

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Kudryashova, Ksenia. „Green glazed tiles of the Yeniseisk fortress (17th century). Prelimenary data“. In Actual Archaeology 5. Institute for the History of Material Culture Russian Academy of Sciences, 2020. http://dx.doi.org/10.31600/978-5-907298-04-0-2020-364-367.

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Demchenkov, Sergei A. „Russian Church Schism Of The 17th Century As A Semiotic Problem“. In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.76.

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Strasser, Gerhard F. „“Encoded“ Communication with Ladies in a Turkish Harem, 17th-Century Style“. In 3rd International Conference on Historical Cryptology HistoCrypt 2020. Linköping University Electronic Press, 2020. http://dx.doi.org/10.3384/ecp2020171002.

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Angelini, Emma, Sabrina Grassini, Marco Parvis, Luca Parvis und Andrea Gori. „Body temperature measurement from the 17th century to the present days“. In 2020 IEEE International Symposium on Medical Measurements and Applications (MeMeA). IEEE, 2020. http://dx.doi.org/10.1109/memea49120.2020.9137339.

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Berichte der Organisationen zum Thema "17th century"

Grace Tsai, Grace Tsai. What Did 17th-Century Sailors Really Eat? Experiment, Juni 2017. http://dx.doi.org/10.18258/9544.

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Lindsey Howell Franklin, Lindsey Howell Franklin. How has Viking knitting evolved up to the 17th century? Experiment, Januar 2019. http://dx.doi.org/10.18258/12799.

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Gloël, Matthias. The Tubal Figure in Early Modern Iberian Historiography, 16th and 17th century. Edicions de la Universitat de Lleida, 2017. http://dx.doi.org/10.21001/itma.2017.11.01.

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Lyapin, D. A. THE WOMEN'S COSTUME OF THE SOUTH RUSSIAN FORTRESS IN THE 17th CENTURY. DOI СODE, 2022. http://dx.doi.org/10.18411/doicode-2022.023.

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Holubowskyj, Claire. Shedding Light on 17th century Trade and Diplomacy: pXRF Analysis of VOC Cannons in Vietnam. Honor Frost Foundation, 2020. http://dx.doi.org/10.33583/mags2019.04.

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Beise, Jan. The helping and the helpful grandmother - The role of maternal and paternal grandmothers in child mortality in the 17th and 18th century population of French Settlers in Quebec, Canada. Rostock: Max Planck Institute for Demographic Research, Januar 2004. http://dx.doi.org/10.4054/mpidr-wp-2004-004.

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Jaramillo-Echeverri, Juliana, und Andrés Álvarez. The persistence of segregation in education: Evidence from historical elites and ethnic surnames in Colombia. Banco de la República, Juni 2023. http://dx.doi.org/10.32468/chee.58.

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Inequality in access to high-quality education can hinder the ability of education to promote intergenerational mobility. Looking at the case of Colombia, one of the most unequal and least mobile countries in Latin America, we evaluate whether contemporary differences in access to high-quality education have deep roots in the past. We use several past and contemporary sources to define social status attributes for several historical groups. Assuming that sufficiently rare surnames are part of the same extended family, we trace dynasties of indigenous, encomenderos (Spaniard colonial officers), 19th century slave-owners, and members of different educational, social, and business elites of the 17th, late 19th and the beginning of the 20th centuries. Using microdata from administrative sources, we provide evidence of social segregation in education and test if the historical status of each social group is associated with access to disadvantageous or privileged educational institutions. The results show that the original social status of the historical groups is highly associated with their contemporary performance in educational outcomes. We explore assortative mating as a mechanism for perpetuating segregation in education. We find evidence of homogamy within the historical elites and ethnic surnames. We conclude that the educational system in Colombia reproduces patterns of social exclusion rooted in the past.

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Melnyk, Andriy. «Ареопагітика» Джона Мілтона і теорія вільного ринку ідей. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11732.

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The article is dedicated to one of the most famous rationales for the right to free expression of views and opinions, the marketplace of ideas theory, as well as John Milton’s pamphlet “Areopagitica” which is considered the first example of systematic protection of freedom of speech and the primary source for the theory. The combination of the author of the 17th century and the thinking that was finally formed in the 20th century should not be surprising, because Milton is considered the forerunner of marketplace arguments. Given the fact that freedom of speech is threatened today by authoritarianism amplified by modern technologies, as well as identity politics and political correctness, the actualization of arguments in its favor seems more relevant than ever. When covering the main topics of “Areopagitica”, emphasis is placed on the historical conditioning of Milton’s arguments. His position on freedom is based on ancient Greek models and seems rather elitist today, and his perception of heresy is pagan rather than Christian. It’s also worth remembering that Milton opposed pre-publication censorship but did not object to the persecution of dangerous ideas and books after publication, and also definitely excluded Roman Catholicism from the free circulation of ideas. Today, this kind of restriction is considered unacceptable. A fundamentalist interpretation of the free market of ideas which excludes any regulation is obviously not conducive to such a discussion. Utopian ideas about absolute freedom of speech rather harm it, give rise to inflated expectations and, as a result, disappointment in its capabilities or demonization. In this context, reading John Milton’s “Areopagitica” can be extremely instructive today. Key words: freedom of speech; marketplace of ideas; “Areopagitica”; censorship; identity politics; political correctness.

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Chriscoe, Mackenzie, Rowan Lockwood, Justin Tweet und Vincent Santucci. Colonial National Historical Park: Paleontological resource inventory (public version). National Park Service, Februar 2022. http://dx.doi.org/10.36967/nrr-2291851.

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Colonial National Historical Park (COLO) in eastern Virginia was established for its historical significance, but significant paleontological resources are also found within its boundaries. The bluffs around Yorktown are composed of sedimentary rocks and deposits of the Yorktown Formation, a marine unit deposited approximately 4.9 to 2.8 million years ago. When the Yorktown Formation was being deposited, the shallow seas were populated by many species of invertebrates, vertebrates, and micro-organisms which have left body fossils and trace fossils behind. Corals, bryozoans, bivalves, gastropods, scaphopods, worms, crabs, ostracodes, echinoids, sharks, bony fishes, whales, and others were abundant. People have long known about the fossils of the Yorktown area. Beginning in the British colonial era, fossiliferous deposits were used to make lime and construct roads, while more consolidated intervals furnished building stone. Large shells were used as plates and dippers. Collection of specimens for study began in the late 17th century, before they were even recognized as fossils. The oldest image of a fossil from North America is of a typical Yorktown Formation shell now known as Chesapecten jeffersonius, probably collected from the Yorktown area and very likely from within what is now COLO. Fossil shells were observed by participants of the 1781 siege of Yorktown, and the landmark known as “Cornwallis Cave” is carved into rock made of shell fragments. Scientific description of Yorktown Formation fossils began in the early 19th century. At least 25 fossil species have been named from specimens known to have been discovered within COLO boundaries, and at least another 96 have been named from specimens potentially discovered within COLO, but with insufficient locality information to be certain. At least a dozen external repositories and probably many more have fossils collected from lands now within COLO, but again limited locality information makes it difficult to be sure. This paleontological resource inventory is the first of its kind for Colonial National Historical Park (COLO). Although COLO fossils have been studied as part of the Northeast Coastal Barrier Network (NCBN; Tweet et al. 2014) and, to a lesser extent, as part of a thematic inventory of caves (Santucci et al. 2001), the park had not received a comprehensive paleontological inventory before this report. This inventory allows for a deeper understanding of the park’s paleontological resources and compiles information from historical papers as well as recently completed field work. In summer 2020, researchers went into the field and collected eight bulk samples from three different localities within COLO. These samples will be added to COLO’s museum collections, making their overall collection more robust. In the future, these samples may be used for educational purposes, both for the general public and for employees of the park.

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Zaman, Zahra. Populism and Electoral Politics Around the World. European Center for Populism Studies (ECPS), Dezember 2023. http://dx.doi.org/10.55271/rp0046.

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This report offers an overview of the panel on “Populism and Electoral Politics Around the World,” jointly organized by the European Center for Populism Studies and SZABIST University, Karachi, on 17th November 2023. The panel featured distinguished speakers addressing various dynamics of populism influencing electoral politics. This report comprises summaries of the presentations delivered by the esteemed panelists.

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